Top 1200 War Stories Quotes & Sayings

People say the war in Iraq is a bad war, and the war in Afghanistan is a good war, but what's the difference between them? Democratic people around the world cannot accept that this is a good war. This is just endless war.

All the papers contained nothing but fantastic stories about the war. However, for several months we had been accustomed to war talk. We had so often packed our service trunks that the whole thing had become tedious.

People should be able to tell stories that are important to them to try and understand what they mean. I don't think you figure anything out on your own. Certainly not war stories.

I always wrote - not about war, necessarily, but I always wrote stories. I tried to write while I was in Iraq. It's not really - I didn't do a very good job, and not about war.

There's a lot of peer pressure to not do positive stories out of Iraq... I think there's a sense that the administration got a pass during the hot days of war and now that the war is over it's time to even out the deck somewhat.

We have been telling and hearing and reading war stories for millennia. Their endurance may lie in their impossibility; they can never be complete, for the tensions and the contradictions within them will never be eliminated or resolved. That challenge is essential to their power and their attraction. War stories matter.

World War II is the greatest drama in human history, the biggest war ever and a true battle of good and evil. I imagine writers will continue to get stories from it, and readers will continue to love them, for many more years.

'The Chronicles of Narnia' are war-determined stories. I do not think Lewis could have written well or truthfully if he had tried to avoid the reality of war.

America is at war with itself because it's basically declared war not only on any sense of democratic idealism, but it's declared war on all the institutions that make democracy possible. And we see it with the war on public schools. We see it with the war on education. We see it with the war on the healthcare system.

When I'm an old dude in a rocking chair, I'll have these great war stories.

War destroys. War obliterates. War is ruination. And war begets more war. After thousands of years of experience proving this, and reams of literature and countless works of art exposing it, when are people going to learn?

Can the foot soldier teach anything important about war, merely for having been there? I think not. He can tell war stories.

So I found myself telling my own stories. It was strange: as I did it I realised how much we get shaped by our stories. It's like the stories of our lives make us the people we are. If someone had no stories, they wouldn't be human, wouldn't exist. And if my stories had been different I wouldn't be the person I am.

I don't necessarily think stories have functions any more than diamonds have functions, or the sky has a function... Stories exist. They keep us sane, I think. We tell each other stories, we believe stories. I love watching the slow rise of the urban legend. They're the stories that we use to explain ourselves to ourselves.

Each of us is comprised of stories, stories not only about ourselves but stories about ancestors we never knew and people we've never met. We have stories we love to tell and stories we have never told anyone. The extent to which others know us is determined by the stories we choose to share. We extend a deep trust to someone when we say, "I'm going to tell you something I've never told anyone." Sharing stories creates trust because through stories we come to a recognition of how much we have in common.

I'm a Veteran. I was in the Navy, in the submarine corps. I come from a military family. Both of my grandparents were in World War II and retired as officers. One fought in the Pacific and one fought in Europe. The whole family was in the war. I grew up exposed to it and hearing the stories, but the stories I heard weren't kind of the whole "Rah, rah, rah! We saved the world!" They were about the personal price and the emotional price.

There is no need for historical research. The war didn't take place a thousand years ago. Over a million Iranians served at one time or another in the war fronts and most of them are living ordinary lives today and are available for interviews. These stories are largely unknown in Iran and when I tell them to my friends or students they usually laugh.

Many stories matter. Stories have been used to dispossess and to malign. But stories can also be used to empower, and to humanize. Stories can break the dignity of a people. But stories can also repair that broken dignity.

If there is no sufficient reason for war, the war party will make war on one pretext, then invent another... after the war is on.

War is hell, but that's not the half of it, because war is also mystery and terror and adventure and courage and discovery and holiness and pity and despair and longing and love. War is nasty; war is fun. War is thrilling; war is drudgery. War makes you a man; war makes you dead.

No war can end war except a total war which leaves no human creature on earth. Each war creates the causes of war: hate, desire for revenge and have-nots, desperate with need.

Again, in Wag the Dog, war has to be declared by an act of congress. But if you go to war, you don't have to declare war. You're just at war and we did that, which is not legal.

I grew up with the Gene Kelly look at war. The cheerful kind of stories you tell about a horrendous war.

One of the reasons it's important for me to write about war is I really think that the concept of war, the specifics of war, the nature of war, the ethical ambiguities of war, are introduced too late to children. I think they can hear them, understand them, know about them, at a much younger age without being scared to death by the stories.

War stories, westerns, spy stories are all accepted as respectable because they are read by men. It is only women's light reading which is derided.

The last element in drama is high stakes. War, of course, is life and death - survival, not only for the story's characters, but often for the society itself. That's why I'm drawn to stories that are built around wars, even if they're not technically "war stories."

I find it scandalous not only that there was so little discussion of the costs of the Iraq war before we went to war - this was, after all, a war of choice - but even five years into the war, the Administration has not provided a comprehensive accounting of the war.

You can't rewind war. It spools on, and on, and on, looping and jumping, distorted and cracked with age, and the stories contract until only the nuggets of hatred remain and no one can even remember, or imagine, why the war was organized in the first place.

Anyone who has been in business can tell war stories about the bumps in the road. But if they've outlasted the competition, ask for their stories about survival. They've figured out how to turn disappointments into opportunities.

I actually love history. I've devoured book after book of stories from World War I and World War II. They're really two sections of world history that really interest me.

I actually love history. I've devoured book after book of stories from World War I and World War II. They're really two sections of world history that really interest me. I knew very extensively a lot about World War I.

When men talk about war, the stories and terminology vary - it's this battle, these weapons, this terrain. But no matter where you go in the world, women use the same language to speak of war. They speak of fire, they speak of death, and they speak of starvation.

While many alternate reality stories ask, 'What might have been?' parallel universe stories literalize the war between good and evil that plays inside each of us every day. It's what makes this type of story so perfect for many fantasy tales: we're all just a coin flip away from being entirely different people.

War tears, rends. War rips open, eviscerates. War scorches. War dismembers. War ruins.

Most people, they get overwhelmed by the religious stories, the nationalist stories, by the economic stories of the day, and take these stories to be the reality.

Particularly when the war power is invoked to do things to the liberties of people, or to their property or economy that only indirectly affect conduct of the war and do not relate to the engagement of the war itself, the constitutional basis should be scrutinized with care. ... I would not be willing to hold that war powers may be indefinitely prolonged merely by keeping legally alive a state of war that had in fact ended. I cannot accept the argument that war powers last as long as the effects and consequences of war for if so they are permanent -- as permanent as the war debts.

I will not let her speak because I love her, and when you love someone, you do not make them tell war stories. A war story is a black space. On the one side is before and on the other side is after, and what is inside belongs only to the dead.

Fiddle-dee-dee. War, war, war. This war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides, there isn't going to be any war. . . . If either of you boys says 'war' just once again, I'll go in the house and slam the door.

You can use your means in a good and bad way. In German-speaking art, we had such a bad experience with the Third Reich, when stories and images were used to tell lies. After the war, literature was careful not to do the same, which is why writers began to reflect on the stories they told and to make readers part of their texts. I do the same.

Possibly my hatred of war blinds me so that I cannot comprehend the arguments they adduce. But, in my opinion, there is no such thing as a preventive war. Although this suggestion is repeatedly made, none has yet explained how war prevents war. Worse than this, no one has been able to explain away the fact that war creates the conditions that beget war.

My dad was a big admirer of Sergeant York stories from the First World War.

This war in Vietnam is, I believe, a war for civilization. Certainly it is not a war of our seeking. It is a war thrust upon us and we cannot yield to tyranny.

Good teaching is creating really interesting generalizations out of war stories.

War is, after all, the universal perversion ... war stories, the pornography of war.

You read in any war stories - World War II, whatever - that there are many, many heroes. There are the main stories you always hear about, but there are all these other little people that did things that were very important that we don't always know about.

War is tragedy. The great war stories are tragedies. It's the failure of diplomacy. 'War and Peace,' 'A Farewell to Arms,' 'For Whom the Bell Tolls.' Those are some of the greatest tragedies.

Our old stories happen to be your new stories. The stories that you're seeing as immigrant stories are your grandparents' stories, are your great-grandparents' stories. You just happen to be separated from them a little bit.

I'm interested in Native American and African American stories, and LGBTQ stories and stories of persons of mixed heritage. These are the stories I want to see onscreen and on the pages.

In researching this volume, I interviewed veterans who had been at the front during World War II. I read countless books, examined film footage, and listened to many detailed and intense stories firsthand, but the one comment that affected me the most came from a former soldier who lowered his gaze to the tabletop and said, ‘I never watch war movies.

War is a lie. War is a racket. War is hell. War is waste. War is a crime. War is terrorism. War is not the answer.

The stories from World War I are worse than anything I have ever read.

War stories deal in death. War illuminates love, while love is the greatest expression of hope, without which any story rings untrue to life. And to deny hope in a story about such darkness is to create false art.

One began to hear it said that World War I was the chemists' war, World War II was the physicists' war, World War III (may it never come) will be the mathematicians' war.

Stories--individual stories, family stories, national stories--are what stitch together the disparate elements of human existence into a coherent whole. We are story animals.

We've suffered a war, and one thing we know: Whenever our nation's faced war, whether it was in the 1980s when we were winning the Cold War or in the 1940s during World War II, the responsible thing to do has been to borrow money to win the war.

Most politicians - those people who live, eat and breathe politics - like to sit around and talk about politics and tell political war stories. Reagan didn't do that. His war stories were movie war stories and Hollywood war stories. He loved that.

I'm writing a novel about the Syrian war. It will be completely different from my short stories. I have to address my feelings directly because I cannot avoid the war. It's something in my soul, in my blood.

Few Americans born after the Civil War know much about war. Real war. War that seeks you out. War that arrives on your doorstep - not once in a blue moon, but once a month or a week or a day.

In the '50s, a lot of stories were built around radiation and the proliferation of new technology. In the '70s, there were a lot of stories that dealt with the Vietnam War. So comic books have always been a reflection of the times we live in.

Little Bush says we are at war, but we are not at war because to be at war Congress has to vote for it. He says we are at war on terror, but that is a metaphor, though I doubt if he knows what that means. It's like having a war on dandruff, it's endless and pointless.