Top 220 Warner Quotes & Sayings - Page 2
Explore popular Warner quotes.
Last updated on September 19, 2024.
I bumped into Mike Epps in a barber shop. I was in the Warner Brothers studios trying to find my way for an audition and director Jordan Peele was just standing talking in a corner, so I had to introduce myself.
Warner Bros. is really open-minded, as far as studios go, when it comes to the types of movies they'll entertain, even with animated movies. It's a great place to be.
I'm so lucky that 'The Vampire Diaries' happened. I'm so lucky that Warner Bros. pays me money. You have no idea. I should be on a fishing boat with my dad.
Players like Ravindra Jadeja, Yusuf Pathan, Warner, Glenn Maxwell were noticed at IPL first. It is a platform for players all over the world.
The difference between me as Brian Warner or Marilyn Manson is just words. Same personality, sensibility, sense of humor, behavior. He is me.
I always made the joke that I would have loved to have been a fly on the wall when Warner Brothers first put 'Tusk' on and listened to it in their boardroom as a follow-up to 'Rumours.'
We're thrilled to expand our relationship, knowing that with the great team at the Music Group, Word, and Warner Bros., and with their proven record of excellence, we're looking ahead to an even brighter future for Curb.
The big one I missed out on was 'Cat on a Hot Tin Roof.' MGM wanted me for it, and Warner Bros. wouldn't give me permission to do it.
My biggest dream for this company is to restore it - to bring Time Warner back to the position that I think it once had and, even better than that, to make it the greatest company in the media and entertainment world.
Mel Blanc is a hero because of what he could do with his voice for all the Looney Tunes, the Warner Brothers cartoons, to be the voice of Bugs Bunny, Daffy Duck, Elmer Fudd, Porky Pig.
I grew up with all kinds of music, but my heart was particularly drawn to Country Music because of the guitar playing, the lyrics and of artists like Steve Warner and Vince Gill.
Warner Bros. was a great label to be affiliated with. It's the best label out there, and the fact that I was with them for 20 years was just an honor.
Well, it's great to have a Sony Records or a BMG or a Warner Brothers pocketbook. Money is a challenge when you're funding your own start-up costs and everything. But I feel like it's doable. You just have to be very careful.
One of the things about working for an old school studio like Warner Bros. is that there is an institutional culture and institutional memory, in terms of production design, camera work, and directors who understand how to do this kind of thing.
There used to be lots of legitimate independent distributors: Fox Searchlight, Miramax, Lionsgate, Warner Independent, Focus Features, Paramount Vantage, Picturehouse and Fine Line. Most of them have closed.
'Batman Beyond' started because we were tossed a curve, because the higher ups at Warner Bros. wanted a different take on him.
When I first moved from Chicago to L.A., I starred in the 'Vacation' movies as Audrey Griswald, and that was like the starring role in a Warner Brothers movie. I thought everything was made, and then six months later, I'm back auditioning.
Right before I got The West Wing, I was pretty much out of money. When I first came in to Warner Brothers, Aaron Sorkin was there. Of course I was nervous; I'm sitting here in front of the guy who wrote "You can't handle the truth!".
For me, David Warner isn't just the future of Australian batting, he's the future for cricket in general because he can excel in any form of the game. I'm excited just watching him.
I got a great kick being in the Warner Bros. studios - that was really cool. I kept singing the 'Looney Tunes' theme song all day. I'm sure they haven't heard that one before.
One-hundred-ten years of history, great diversity, lots of new earnings drivers and I just became a grandpa - twins. And I'm buying JJ, Pfizer and Warner for their future college funds.
I've been doing theaters like the Warner for about a year and we've found the earlier you get the tickets on sale the better idea you get on how many shows we will be doing.
Independent films in this country are in the same position. Miramax and Fine Line are not independent - they're with Disney! Come on. Or they're with Warner Brothers. They're all with somebody.
Revolt is my new - cable music network. It's distributed through Time Warner and Comcast. And to put it simply, it is the ESPN of music.
At Time Warner, I had ten percent of the stock after the merger. But when we merged with AOL, I was diluted down to three percent.
The Flaming Lips have been on Warner Bros. forever, and certainly everything I heard growing up was on a major label in some way, from the Cure to Radiohead to Bjork.
I think back to having had the good fortune of being at Warner Bros. when we were doing 'Lois & Clark.' The chemistry between Dean Cain and Teri Hatcher was really wonderful.
I grew up with all kinds ofmusic, but my heart was particularly drawn to Country Music because of the guitar playing, the lyrics and of artists like Steve Warner and Vince Gill.
When I came back to it, we amicably separated from Warner Bros. I just picked up where I left off, trying to write the rest of this record. It took awhile to get out.
I've been through the entire gamut of the music industry - I've been playing in clubs since I was 14, and I've been on Warner Bros, on Sony - I've had lots of successes and some serious times of struggle.
I'd always said never say never, because I knew that Warner Brothers wanted to do something with "Fantastic Beasts," and I did have kind of a yen to do that.
Along with my colleagues Mark Warner and Sheldon Whitehouse, I have been working to end the process of secret holds, which is when senators anonymously block legislation or nominations without explanation.
If you're going to succeed, you've got to be like one of those punch-drunk fighters in the old Warner Bros. boxing pictures: too stupid to fall down, you just keep slugging and stay on your feet.
The story of Warner Brothers' movie, 'Mildred Pierce,' recounts the enormous and unrewarded sacrifices that a mother (Joan Crawford) makes for her spoiled, greedy daughter (Ann Blythe).
I hooked up with Warner Bros, and I was dying to play Ensign Pulver in the 'Mr. Roberts' series, and I didn't get the part. Instead they cast the with Forrest Tucker and Larry Storch in 'F Troop.'
This 'Pighammer' record is supposed to be a side project. And it just so happens that at the same time I'm recording this record, our contract was up with Warner Bros., so it's time for Static-X to re-sign.
I had a traditional interview based on a phone call from an agent. He says there's a show and they would like to see you and its called Dallas. With very little knowledge I go over to this meeting at Warner Brothers.
When I was approached by Warner Bros. and DC about the possibility of directing 'The Flash,' I was excited about the opportunity to enter this amazing world of characters that I loved growing up, and still do to this day.
The reality was that Warner wasn't there. If there were two people or 20 people identifying him, they were wrong.
I turned in a script that meant a lot to me and an executive at Warner Bros said he was disappointed in me. I took a hit of confidence and stepped away from film-making for some time.
We didn't have that big-label push. We weren't the kind of band that our label Warner Bros. Records was going to throw all this money at. Their idea was to support us on the road and see what happens. It was a very slow building process.
I'm a novelist, editor, short story writer. I also teach, and I freelance sometimes as an arts consultant. Most of my books have been published by Warner Books, now known as Grand Central Books.
I actually re-signed with Warner Bros. on my own. They've been really good to us and all the people over there are great; they love me and I love them. So I'm just sticking with them.
I've worked with Jack Warner and Jimmy Stewart - and Angelina Jolie, Brad Pitt, and Johnny Depp twice. I've had dinners with Fred Astaire and Cary Grant.
I love Columbus Circle. I rebelled against the construction for a while because I go back to the '70s. There was no Time Warner building. Now I've started to really like it.
There was a time when watching a cartoon was a nurturing experience. You would watch a Warner Bros. cartoon, and at the end of it you could probably win 'Jeopardy.'
If you love Harry Potter, you're going to absolutely love this...this is the biggest box set that Warner Bros. has ever done. If it was any bigger, it'd need wheels.
When I was a teenager, the biggest heartthrob was Tab Hunter. He was in every movie out of Warner Bros. until he was exposed as gay, and his career faded. That was an object lesson. I knew I must protect my sexual orientation.
Our goals were and are to be sure that we set up DC Entertainment to be more integrated and more cooperative within DC as well as in Warner Bros.
I like being able to tape things and then having them home waiting for you, but just dealing with the Time Warner Cable people will drive you insane.
I never mentioned my sexuality to Warner Bros. at all, and they never mentioned it to me, thank God.
I was looking to explore the theme of good and evil, so what better inspiration than the comics? I'd developed a relationship with DC and Warner Bros. when I donated a sculpture of Catwoman to the 'We Can Be Heroes' campaign a few years ago. That's what started it.
On my very first show, my partners in it, Oprah Winfrey and her network, and studio, Warner Horizon, who doesn't get enough credit, said, "Lady, we're going to let you call the shots the way you want to."
When I was getting started, I was so busy just fighting my way through, and I was under contract at Warner Brothers. I did 40 hours of color television with the late Robert Taylor as a young cop.
I was working with another major label after Warner Bros, and they were telling me who to hire as musicians, what kind of music to play, what producer to use. I mean, what's the point of putting me on the record?
AOL-Time Warner didn't want a WCW property on their platforms - being TNT or TBS or anything else - in any way, shape, or form, and that was the death nail.
I wanted to be the first female, young teenager producer, and it didn't happen. And when it finally did happen, I was shelved because I was signed to Warner Bros.
I have felt for the last 10 years I have had this battle; I've been fighting so hard to have an education. It's been this uphill struggle. I was Warner Bros' pain in the butt. I was their scheduling conflict. I was the one who made life difficult.
I was working with David Warner and John Rhys-Davies, who is from the Indiana Jones movies.He's a very strong, strong presence, and so I had to assert myself.
I'd like to own Intel... I'd like to own Microsoft... I'd love to have Warner Bros in my hip pocket.
