In any character you do, especially something like 'Watchmen,' if you're gonna do this, you're gonna do this right. I'm fighting for the Comedian every step of the way; there's not even a question, Adrian is a scumbag.
One of the things I think is important about 'Watchmen' is that it have resonance within cinematic pop culture as well as superhero culture.
One of DC's strengths is our archive of storylines ranging from 'Watchmen' to 'Arkham Asylum' to 'Sandman.'
I think with something like Watchmen you can genuinely call that a graphic novel because it has the weight and the intent of a proper novel and it also is the complete story.
On every dishonest man, there are two watchmen, his possessions, and his way of living.
Anyone who sets foot into the Watchmen universe and isn't just a little nervous should be given a few days of electroshock therapy. I've always considered Watchmen to be one of the best graphic novels ever written, and when it came out back in 1986 I was as blown away as everyone else. Just masterful.
Vanity finds in self-love so powerful an ally that it storms, as it were, by a coup de main,, the citadel of our heads, where, having blinded the two watchmen, it readily descends into the heart.
It seems like they make every comic book into a film. 'Watchmen' is my favorite of all time.
How many young men, in all previous times of unprecedented steadiness, had turned suddenly wild and wicked for the same reason, and, in an ecstasy of unrequited love, taken to wrench off door-knockers, and invert the boxes of rheumatic watchmen!
The original series of Watchmen is the complete story that Alan Moore and I wanted to tell. However, I appreciate DC's reasons for this initiative and the wish of the artists and writers involved to pay tribute to our work. May these new additions have the success they desire.
I first became an Alan Moore fan in Covent Garden on a Saturday afternoon in 1987, when I bought a copy of 'Watchmen,' his graphic novel about ageing superheroes and nuclear apocalypse.
We in this country, in this generation, are, by destiny rather than choice, the watchmen on the walls of world freedom.
The challenge with 'Watchmen' is making sure that the ideas that were in the book got into the movie. That was my biggest stretch. I wanted people to watch the movie and get it. It's one of those things where, over time, it has happened more.
Twenty years ago my parents wouldn't know who the X-Men were, and now everybody knows that stuff. It means that deconstruction of the superhero is something you can do. All those movies have led to a point where we can finally have 'Watchmen' with a Superman character who doesn't want to save the world and a Batman who has trouble in bed.
You know that moment in 'The Matrix' when Neo takes the red pill and is plunged into the real world? That's what it felt like when I first read 'Watchmen' - like someone was taking a can opener to my head to make room for Moore's audacious brilliance.
The male domination and chauvinism of the comics form is either being wittily lampooned in 'Watchmen' or handily perpetuated, depending on whom you ask.
I generally like very visually striking films. I love a lot of Stanley Kubrick's films. I would have to say 'Dr. Strangelove', which of course has got resonance in 'Watchmen'. It's a favorite movie of mine.
I believe that pop culture is just, like, so ready for 'Watchmen.' We tried so hard to ride that wave between satire and reality, and all the things that make you still care about the character, but you don't miss the commentary about them.
The night ... it is filled with bestial watchmen, trammeling the extremities and the interstices of the timeless city, portents fallen, constellated deities plummeting in ash and smoke, roaming the apocryphal cities, the cities of speculation and reconstituted disorder, of insemination and incipience, swept round with the dark.
Whether it's Batman, Superman, Watchmen, the 300 story, we just make stuff that I want to see.
With the 'Watchmen' comic, we attempted to tell it in an accessible way. I deliberately made the artwork very clear, deceptively so. You think you're sucking on a sweetie, but it turns out to be a sugar-coated chili.
Musalia [Mudavadi] has a much weaker character in person than [Musikari] Kombo, and you know the joke about humble Luhya servants as cooks and watchmen...Anyway, jokes aside, Luhya disunity is a blessing for us and I would never have wanted it any other way.
'Watchmen' is not only the greatest comic ever written, it's a really important work of fiction.
Who watches the watchmen?
'Watchmen' is a cornerstone of both DC Comics' publishing history and its future.
When people were conscious of a God whose character was moral law, when their consciences were informed by a sense of rightness, their watchmen would shout halt when they trespassed the law. Now their watchmen are silent. They serve no king and protect no kingdom.
I was into Alan Moore and Frank Miller. I was a teenager when all those books where coming out for the first time - 'Watchmen,' 'V for Vendetta.' It was a great time to get into comics.
It's not easy to convey to someone who doesn't read comics just how Alan Moore has dominated the field since 'Watchmen.'
One of the attractions for me of having 'Watchmen' made into the first Motion Comic was just that - it was breaking new ground.
It's a battered old suitcase to a hotel someplace, and a wound that will never heal. No prima donna, the perfume is on an old shirt that is stained with blood and whiskey. Goodnight to the street sweepers, the night watchmen flame keepers and goodnight, Matilda, too.
We are the nation's watchmen, no other people collectively love the Constitution and honor it and hold it as a divinely inspired document as do the Latter-day Saints.
When I read 'Watchmen,' it changed my view of so many things. It was the first time I'd read a graphic novel really like that.
I mean, like, I can go in a room and say, look, 'Watchmen' should be at least 15 minutes longer than 'Batman.' I mean, that's, like, any geek will tell you that.
People unacquainted with graphic novels, including journalists, tend to think of 'Watchmen' as a book by Alan Moore that happens to have some illustrations. And that does a disservice to the entire form.
The problem for me is that 'Watchmen,' one of the great comics of all time, is a look at superheroes that has gone beyond the concept of or necessity for superheroes.
When 'Watchmen' was published in 1986, the vast majority of comics readers deemed it a watershed in comics history. The 12-part serial comic book was widely acclaimed as a genius subversion of the superhero genre, and it did much to popularize comics to adults.
You know, I gotta be honest. I have not done a lot of CGI work. I just haven't. I mean, there were hundreds of effects in Watchmen, and I probably dealt with almost none of them, because all my stuff was very practical.
'Watchmen' is like the music you feel is written just for you. 'That's my song, no one else gets that but me.' That's why the fan base is so rabid, because they feel personal about it.
I will watch over My flock by night (Isaiah 27:3). Behold, I have appointed My ministers as your watchmen, as overseers who watch for your souls (Hebrews 13:17; Acts 20:28)
You know, I had never heard of the Tulsa Riots - and I think something like 42 percent of Americans hadn't - until 'Watchmen' on HBO. And that's just crazy. I really saw how history is manipulated.
My very small part in WATCHMEN is that, every now and then, Alan would phone me: ''Neil, you're an educated man. Where does it say...'' He would need a quote from the Bible, or an essay about owls. I was his occasional research assistant.
In the sense that Watchmen references movies, comic books, pop culture in general. It knows it's a movie. I really do like movies that ride that fine line, the razor's edge between parody and supporting the fake movie part of the movie.
To do this movie in a watered-down fashion or have these characters be watered down wouldn't have been near as effective. It wouldn't have been staying true to what this 'Watchmen' phenomenon is.
Anyone who sets foot into the 'Watchmen' universe and isn't just a little nervous should be given a few days of electroshock therapy. I've always considered 'Watchmen' to be one of the best graphic novels ever written, and when it came out back in 1986 I was as blown away as everyone else. Just masterful.
The difference between 'Watchmen' and a normal comic book is this: With 'Batman's Gotham City,' you are transported to another world where that superhero makes sense; 'Watchmen' comes at it in a different way, it almost superimposes its heroes on your world, which then changes how you view your world through its prism.
The work I'm doing on 'Watchmen' is mind bending and physically just hard.
People unacquainted with graphic novels, including journalists, tend to think of Watchmen as a book by Alan Moore that happens to have some illustrations. And that does a disservice to the entire form.
I had always been fascinated by comics, but it had taken me several weeks to make up my mind to buy 'Watchmen'; for someone on a publisher's assistant's salary, it was some quite unheard-of sum of money.
I think, before 'Watchmen,' I was the guy from 'Grey's Anatomy' who's a pretty good guy, a pretty charming sweet guy, and so as an actor, I really wanted to do something as far from that as I could.
Twitter is like Ozymandias' wall of tv's in Watchmen. You don't read every tweet, but from the whole you can absorb the zeitgeist.
Indeed, the hype around 'Watchmen' is its curse. If you want to enjoy the comic for what it is, ignore the attributions of literariness and the novelistic pretensions with which some critics have imbued it. This isn't high culture, and it doesn't pretend to be. It's good, juicy pulp fiction with a little nuclear apocalypse thrown in.
The '80s convergence of comics' new adult sensibility with the movies' advancing technology was bound to catch the attention of even slow-on-the-uptake Hollywood, and this particularly was true when 'Watchmen' and 'The Dark Knight Returns' became phenomena.
I think with something like 'Watchmen' you can genuinely call that a graphic novel because it has the weight and the intent of a proper novel and it also is the complete story.
The front windows as are the watchmen of grief - I've been looking beyond expectation - Beyond myself - and I do not know as I love you - Which one of us is missing.
Within the macho-melodrama tropes of the superhero genre, it's fair to say 'Watchmen' stands out for its rich entertainment, its darkness, and its lurid pleasures. Its vividly drawn panels, moody colors and lush imagery make its popularity well-deserved, if disproportionate.
I think that, for me, Superman just seemed to make a lot of sense to me. After doing 'Watchmen,' it was - you know that thing, you've got to know the rules before you can break them? There was something about that in making 'Watchmen.'
A man's mind is wont to tell him more than seven watchmen sitting in a tower.
If we do not do this our churches will lighthouses without light, wells without water, dumb witnesses, sleeping watchmen, silent trumpets, messengers without tidings, a comfort for infidels, jubilant joys to the devil, and an offense to God.
I watch 'Watchmen', and I wish I was in that writers room, so I could figure out what they're doing, story-breaking-wise. I've never seen a television show like that.
In comics, there are depths that don't reveal themselves immediately, and the stuff that you might consider anal about 'Watching the Watchmen' - like the notes where I plot the rotation of a perfume bottle through the air - might not be particularly obvious to anyone who reads it.
This site uses cookies to ensure you get the best experience.
More info...