Top 496 Wayne Quotes & Sayings - Page 9

I just kinda do what I feel. I never knew what lane I would fill, [or that] I would fill a lane at all. I didn't even really contemplate that far down the road. I just started having fun, and a lot of that came from me seeing Wayne dare to be different, and I started feeling like I can be a multifaceted rapper. I don't have to be a one-dimensional female rapper. Once I put that in perspective, it was like everything just got easier for me, because I no longer wanted to fit in anybody's box... I just wanted to be Nicki.

She [Joni Mitchell] wanted to have that (jazz) element in her music. Of course, when she heard Jaco's [Jaco Pastorius'] music and met him, that floored her -- really grabbed her. She decided that Wayne Shorter was really conducive to her music. She would speak metaphorically about things. "I want this to sound like a taxicab driver, or a taxi in New York," or "I want this to sound like a telephone ringing." She would speak to musicians like that, and we really tuned into what she would want our music to be.

I go all the way back to the Hot Boys days and being 13, listening to this dude. Just remembering the staple he put on the game back then all the way to now, to have that longevity years beyond it. So for him to actually acknowledge what I'm doing right now and seeing it as a path, the same way the longevity he created, it's a great feeling to actually share that same stage and a moment with him. Wayne ain't no new jack to this game. He influenced a lot of styles and a lot of sounds. I would say I was influenced by a recent sound and flow, and cadence that he brung to the game.

The way I feel about Crunk Feminists. Here you have a bunch of bloggers who are not even quoting any feminists' works who are telling me what I can do better when I've been doing this as my life's work while y'all still in college! What are you talking about? And their criticism was of the idea that we should approach people like Rick Ross and Lil' Wayne with love when they have lyrics that we don't like, as opposed to approaching them with hate. That's their issue: How dare I say I approach Rick Ross with love!

I had PubLIZity, I had Oh, Hello, I had Bobby and Farley - all of these sketches that were really these duo sketches, but the relationship between them is really what catapulted them forward. A lot of that, I think, came from Wayne and Garth, these two similar guys - they're Midwestern metal guys - but in the end, they're quite different because there's an alpha and a beta. And I think that model became very present for me on Kroll Show.

You've got different people that have different views of New Orleans. When you say 'New Orleans,' you have people who just think of the Neville Brothers. You've got people that think of Louis Armstrong. You say 'New Orleans,' and you've got people that think of Lil' Wayne.

Wayne Wang, the director, really helped me become a more mature actress. When I first started filming, I was really over the top. He just helped bring me down and make me real. That was really wonderful, a really wonderful experience. Also, what I learned about filming is it takes forever. I mean, there are so many different angles and shots. I mean, it just takes forever.

Several people inspired me like Lil' Wayne, Juvenile, the whole Cash Money camp, the No Limit camp, DMX, Jay-Z, Eminem, LL Cool J, I listened to all type of sh*t. I listened to R&B like Teena Marie, just good music - anybody that made good music. When I was growing up out west I listened to Twista, Do or Die, and Crucial Conflict. They were the "it" artists in Chicago. I wanted to be like them on TV and all of that so that's how it all started.

Of all the jaw-droppingly beautiful women who've become genuine movie stars, none has had a longer film career (62 years), has been filmed in Technicolor more often (34 times), has had a more versatile group of leading men (from John Wayne to John Candy) or has spent more time held captive on a pirate ship than our TCM Star of the Month for July, the magnificent red-headed Maureen O'Hara.

Lil Wayne, I ain't mad at him man, he did his thing, he stepped up his lyrical game, he the most improved rapper out of anybody. I've seen him from childhood status to what he's doing right now. He stepped up his rap game, so he deserves the success he had. And no one else was even doing near what he was doing, so I applaud him too.

Wayne: I don't feel we did wrong in taking this great country away from them ..... the Indians were selfishly trying to keep it for themselves. .... I'm quite sure that the concept of a Government-run reservation .... seems to be what the socialists are working for now -- to have everyone cared for from cradle to grave ..... But you can't whine and bellyache 'cause somebody else got a break and you didn't, like those Indians are. We'll all be on a reservation soon if the socialists keep subsidizing groups like them with our tax money.

From a young age, [James Baldwin] was watching all those different films. He's watching John Wayne killing off the Indians. He came to the point that the Indians were him. You had to educate yourself because the movies were not educating you. The movies were giving you a reflection of you that was not the truth. That's the trick. The movie was also giving a reflection of what the country is. Basically, a country that wanted itself to be innocent. That's the ambivalence of Hollywood.

Oddly enough, I've always - I've never actually seen "The Alamo" itself, actually. So I don't really have the association of "Green Leaves of Summer" as being "The Alamo" theme. Oddly enough, I grew up watching kung fu movies. They would use the theme "Green Leaves of Summer" in a lot of needle drops in kung fu movies a lot. So I was actually more familiar with it in a Bruce Li movie than I was actually from the John Wayne film.

How many rappers in the game have "little" in front of their name? Lil' Wayne, Lil' Boosie it's a lil' shame Lil' Flip, Lil' Cease, yo they not the same Lil' Wyte, Lil' Mama, where Lil' Zane? Little Brother, Lil' Jon, and Lil' Fame Real hip hop, not about your lil' chain Lil' Keke, Lil' Kim a lil' freaky Lil' Fizz, Illegal with Lil' Maliky Lil' Mo, Lil' Bow Wow had beef with Lil' Romeo A lil' teenager told me so.

Other people, so I have read, treasure memorable moments in their lives: the time one climbed the Parthenon at sunrise, the summer night one met a lonely girl in Central Park and achieved with her a sweet and natural relationship, as they say in books. I too once met a girl in Central Park, but it is not much to remember. What I remember is the time John Wayne killed three men with a carbine as he was falling to the dusty street in Stagecoach, and the time the kitten found Orson Welles in the doorway in The Third Man.

So far Kat has been through all the Wa's she could think of, but Hale hadn't admitted to being Walter or Ward or Washington. He'd firmly denied both Warren and Waverly. Watson had prompted him to do a very bad Sherlock Holmes impersonation throughout a good portion of a train ride to Edinburgh, Scotland. And Wayne seemed so wrong she hadn't even tried. Hale was Hale. And not knowing what the W's stood for had become a constant reminder to Kat that, in life, there are some things that can be given but never stolen. Of course, that didn't stop her from trying.