Top 826 Wears Quotes & Sayings - Page 14

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Last updated on April 20, 2025.
A man's country is not a certain area of land, of mountains, rivers, and woods, but it is a principle: and patriotism is loyalty to that principle. In poetic minds and in popular enthusiasm this feeling becomes closely associated with the soil and the symbols of the country. But the secret sanctification of the soil and the symbol is the idea which they represent, and this idea the patriot worships through the name and the symbol, as a lover kisses with rapture the glove of his mistress and wears a lock of her hair upon his heart.
Anarchy wears two faces, both Creator and Destroyer. Thus Destroyers topple empires; make a canvas of clean rubble where creators can then build a better world. Rubble, once achieved makes further ruins' means irrelevant. Away with our explosives, then! Away with our Destroyers! They have no place within our better world. But let us raise a toast to all our bombers, all our bastards, most unlovely and most unforgivable, let's drink their health, then meet with them no more.
One day, you don't feel like doing anything. Nothing interests you, everything bores you. Feel more and more empty inside, more and more dissatisfied with yourself and the world in general. Then even that feeling wears off, and you don't feel anything anymore. You become completely indifferent to what goes on around you... You forget how to laugh and cry - you're cold inside and incapable of loving anything or anyone... There's no going back... The disease has a name. It's called deadly tedium.
There are four simple ways for the observant to tell Mr. Croup and Mr. Vandemar apart: first, Mr. Vandemar is two and a half heads taller than Mr. Croup; second, Mr. Croup has eyes of a faded china blue, while Mr. Vandemar's eyes are brown; third, while Mr. Vandemar fashioned the rings he wears on his right hand out of the skulls of four ravens, Mr. Croup has no obvious jewelery; fourth, Mr. Croup likes words, while Mr. Vandemar is always hungry. Also, they look nothing at all alike.
They say that God lives very high! But if you look above the pines You cannot see our God. And why? And if you dig down in the mines You never see Him in the gold, Though from Him all that's glory shines. God is so good, He wears a fold Of heaven and earth across His face - Like secrets kept, for love, untold. But still I feel that His embrace Slides down by thrills, through all things made, Through sight and sound of every place: As if my tender brother laid On my shut lids, her kisses' pressure, Half waking me at night; and said, "Who kissed through the dark, dear guesser?"
We were great mates [with Rajiv Gandhi]: very, very, very close friends. In fact, on my visit to India as Prime Minister, we were going to his home for dinner. There were two aspects I remember: one is him saying how he had trouble with his security people, because they insisted he wears a vest. He said it was very uncomfortable and he often took it off, but of course, in the end, it wouldn't have mattered if he'd been wearing three vests - he would have been gone.
How easy it is to work for God when we are filled with His Spirit! His service is so sweet, so delightful; He is not a hard master. People talk about their being overworked and breaking down. It is not so. It is [over-worry] and care that wears people out. Why do so many workers break down? Not from overwork, but because there has been friction of the machinery; there hasn't been enough of the oil of the Spirit. Great engines have their machinery so arranged that where there is friction there is oil dropping on it all the time. It is a good thing for Christians to have plenty of oil.
Cynie Cory roams the outer reaches of the heart’s territory, from the snowy winter of family life to the tropical jungles of love. She wears her heart on her sleeve and it is as big as the country she writes about. Is she the quintessential American girl? You bet she is, part Annie Oakley, part Emily Dickinson—sharpshooting poet of wild nights. She zooms in on the detritus of love—the broken fragments, the fallen leaves—and puts together a collage that is as heartbreaking as it is beautiful. Watch out—she’s driving down your street.
When I am assailed with heavy tribulations, I rush out among my pigs rather than remain alone by myself. The human heart is like a millstone in a mill: when you put wheat under it, it turns and grinds and bruises the wheat to flour; if you put no wheat, it still grinds on, but then 'tis itself it grinds and wears away. So the human heart, unless it be occupied with some employment, leaves space for the devil, who wriggles himself in and brings with him a whole host of evil thoughts, temptations, and tribulations, which grind out the heart.
The feeling persists that no one can simultaneously be a respectable writer and understand how a refrigerator works, just as no gentleman wears a brown suit in the city. Colleges may be to blame. English majors are encouraged, I know, to hate chemistry and physics, and to be proud because they are not dull and creepy and humorless and war-oriented like the engineers across the quad. And our most impressive critics have commonly been such English majors, and they are squeamish about technology to this very day. So it is natural for them to despise science fiction.
It's my uniform. Everyone in my company wears it." "It's hideous." Rose felt her hackles rise. The neon green uniform was hideous, but she didn't appreciate him pointing it out. She opened her mouth. "Yet despite it, you look lovely," he said. "Flattery will get you nowhere," she told him. "It's not flattery," he said coldly. "Flattery requires exaggeration. I'm merely stating a fact. You're a beautiful woman wearing an ugly sack of unnatural color.
But if you close your eyes and listen to Palin and her most irate supporters constantly squawk or bellyache or tweet about how unfair a ride she gets from evil mustache-twirling elites and RINO saboteurs, she sounds like a professional victimologist, the flip side of any lefty grievance group leader. She’s becoming Al Sharpton, Alaska edition. The only difference being, she wears naughty-librarian glasses instead of a James Brown ‘do.
It is the fragrant lack of practicality that makes high-heeled shoes so fascinating: in terms of static mechanics they induce a sort of insecurity which some find titillating. If a woman wears a high-heeled shoe it changes the apparent musculature of the leg so that you get an effect of twanging sinew, of tension needing to be released. Her bottom sticks out like an offering. At the same time, the lofty perch is an expression of vulnerability, she is effectively hobbled and unable to escape. There is something arousing about this declaration that she is prepared to sacrifice function for form.
Today's Uncle Tom doesn't wear a handkerchief on his head. This modern, twentieth-century Uncle Thomas now often wears a top hat. He's usually well-dressed and well-educated. He's often the personification of culture and refinement. The twentieth-century Uncle Thomas sometimes speaks with a Yale or Harvard accent. Sometimes he is known as Professor, Doctor, Judge, and Reverend, even Right Reverend Doctor. This twentieth-century Uncle Thomas is a professional Negro -by that I mean his profession is being a Negro for the white man.
Souls never die, but always on quitting one abode pass to another. All things change, nothing perishes. The soul passes hither and thither, occupying now this body, now that... As a wax is stamped with certain figures, then melted, then stamped anew with others, yet it is always the same wax. So, the Soul being always the same, yet wears at different times different forms.
Personally, I like to think my brother is having a college experience like they do in the movies. I don't mean the big fraternity party kind of movie. More like the movie where the guy meets a smart girl who wears a lot of sweaters and drinks cocoa. They talk about books and issues and kiss in the rain. I think something like that would be very good for him, especially if the girl were unconventionally beautiful. They are the best kind of girls, I think. I personally find 'super models' strange. I don't know why this is.
At first, it was really weird after being a touring stand-up comedian that wears just jeans and a shirt. But now, it's almost like when you go from Clark Kent to Superman: "All right, I've got to go put on a suit and interview Justin Trudeau." It feels like it's part of the process. Oddly enough, I've been in enough places - they sometimes send you to places that are a bit scary - that I know how to run in a suit. Like, run fast.
Playing 82 games is not hard. The games are easy. It's what you do between games that wears you out.It's all about maintaining your body, maintaining your fitness and you do that by eating properly, watching your alcohol intake - I know I sound like an old-fashioned guy - but you do that by going home between games and getting your rest, taking care of your body, making sure you're getting the proper rest, the proper nutrition.
What is it about possessing things? Why do we feel the need to own what we love, and why do we become jerks when we do? We've all been there- you want something, to possess it. By possessing something you lose it. You finally win the girl of your dreams, the first thing you do is change her. The little things she does with her hair, the way she wears her clothes or the way she chews her gum. Pretty soon what you like, what you changed, what you don't like, blends together like a watercolor in the rain.
The best treatment for feet encased in shoes all day is to go barefoot. One-fifth of the world's population never wears shoes - ever! But when people who usually go barefoot usually wear shoes, their feet begin to suffer. As often as possible, walk barefoot on the beach, in your yard, or at least around the house. Walking in the grass or sand massages your feet, strengthens your muscles and feels very relaxing...If you can cut back on wearing shoes by 30 percent, you will save wear and tear on your feet and extend the life of your shoes.
For the master’s tools will never dismantle the master’s house. They may allow us to temporarily beat him at his own game, but they will never enable us to bring about genuine change. Racism and homophobia are real conditions of all our lives in this place and time. I urge each one of us here to reach down into that deep place of knowledge inside herself and touch that terror and loathing of any difference that lives here. See whose face it wears. Then the personal as the political can begin to illuminate all our choices.
A lot of people are not comfortable being apart from the group, from the whole herd, and listening to the inner voice. They just follow what the crowd does and wear what the crowd wears and think what the crowd thinks. They get very caught up in doing what the world says is the cool thing to do and living the way the rest of the world lives. Once we make a decision to break away from that and not be part of the herd anymore - by going inside and finding our own voice - then life just becomes magical.
Madame, it is an old word and each one takes it new and wears it out himself. It is a word that fills with meaning as a bladder with air and the meaning goes out of it as quickly. It may be punctured as a bladder is punctured and patched and blown up again and if you have not had it does not exist for you. All people talk of it, but those who have had it are marked by it, and I would not wish to speak of it further since of all things it is the most ridiculous to talk of and only fools go through it many times.
I am against revolution and am proud of it. Democracy cannot be created through revolutions. The most important dichotomy that I make for a society is between those who support democracy and human rights, and those who oppose it. In a totalitarian state, the state views any act of an individual to be political in nature. For example, the clothing that a person wears in a modern state is a private affair whereas in the Islamic Republic all women are forced to wear the hijab (Islamic attire). When women push their headscarf back an inch or two, this is interpreted to be a political act.
I was thinking about time, how on a movie set the shot is maintained in the same time no matter how many takes and hours pass. Reflectors and lights are added, footprints are smoothed away, so that there are no telltale clues as the day wears on. When the shot is finished and the plugs are pulled, time seems to leap forward in a matter of seconds. Perhaps making movies is a step toward being able to move backward and forward and in and out of linear time.
I think now it's the money who tells the artist what to do - it's not the artist who tells the money what to do. And things move very fast, which is hard, because sometimes you need more time to be creative. I guess no one has a loud mouth like I did. They don't dare to scream loudly what they think. But you can't take fashion too seriously. The whole thing is about giving the woman who wears your clothes some power, some fun, some service. It's great to make it as art. But first, it's a service for someone.
We come together, we create our families, we chose our mates out of the desire to form a life together. Love takes many forms, wears many faces, but when it's real, when it touches your heart, you will know it and--with hope--embrace it. Love is stronger than hate, love is stronger than anger. Love is stronger than all artificial divisions that exist n our world.
Few tasks are more like the torture of Sisyphus than housework, with its endless repetition: the clean becomes soiled, the soiled is made clean, over and over, day after day. The housewife wears herself out marking time: she makes nothing, simply perpetuates the present … Eating, sleeping, cleaning – the years no longer rise up towards heaven, they lie spread out ahead, grey and identical. The battle against dust and dirt is never won.
The wise screen writer is he who wears his second-best suit, artistically speaking, and doesn't take things too much to heart. He should have a touch of cynicism, but only a touch. The complete cynic is as useless to Hollywood as he is to himself. He should do the best he can without straining at it. He should be scrupulously honest about his work, but he should not expect scrupulous honesty in return. He won't get it. And when he has had enough, he should say goodbye with a smile, because for all he knows he may want to go back.
The world isn't perfect, and some days it wears you down. You can either accept that, and face it, and be a help to others instead of a hindrance. Or you can decide the rules are too tough and they shouldn't apply to you, and you can ignore them and make things harder for everybody else. Sometimes life is about being sad and doing things anyway. Sometimes it's about being hurt and doing things anyway. The point isn't perfection. The point is doing it anyway.
The stars awaken a certain reverence, because though always present, they are inaccessible; but all natural objects make a kindred impression, when the mind is open to their influence. Nature never wears a mean appearance. Neither does the wisest man extort her secret, and lose his curiosity by finding out all her perfection. Nature never became a toy to a wise spirit. The flowers, the animals, the mountains, reflected the wisdom of his best hour, as much as they had delighted the simplicity of his childhood.
I am she who lifts the mountains When she goes to hunt, Who wears mamba for a headband And a lion for a belt. Beware! I swallow elephants whole And pick my teeth with rhinoceros horns, I drink up rivers to get at the hippos. Let them hear my words! Nhamo is coming And her hunger is great. I am she who tosses trees Instead of spears. The ostrich is my pillow And the elephant is my footstool! I am Nhamo Who makes the river my highway And sends crocodiles scurrying into the reeds!
The problem with our churches today is that the lead pastor is some sissy boy who wears cardigan sweaters, has The Carpenters dialed in on his iPod, gets his hair cut at a salon instead of a barber shop, hasn’t been to an Ultimate Fighting match, works out on an elliptical machine instead of going to isolated regions of Russia like in Rocky IV in order to harvest lumber with his teeth, and generally swishes around like Jack from Three’s Company whenever Mr. Roper was around.
With smoking axle hot with speed, with steeds of fire and steam, Wide-waked To-day leaves Yesterday behind him like a dream. Still, from the hurrying train of Life, fly backward far and fast The milestones of the fathers, the landmarks of the past. But human hearts remain unchanged: the sorrow and the sin, The loves and hopes and fears of old, are to our own akin; And if, in tales our fathers told, the songs our mothers sung, Tradition wears a snowy beard, Romance is always young.
I know my mom still wears lingerie and jumps out of closets to scare my dad. She's always joked that she tries to give him a heart attack so she can get his coin collection. But now she's actually worried that she might give him a heart attack. And the coin collection may not exist, so she's being gentler on him.
Debt never sleeps nor sickens nor dies; it never goes to the hospital; it works on Sundays and holidays; it never takes a vacation...it is never laid off work...it buys no food; it wears no clothes; it is unhoused... it has neither weddings nor births nor deaths; it has no love, no sympathy; it is as hard and soulless as a granite cliff. Once in debt, it is your companion every minute of the day and night; you cannot shun it or slip away from it; you cannot dismiss it...and whenever you get in its way or cross its course or fail to meet its demands, it crushes you.
One woman told me that every time she wears Lanvin, men fall in love with her. Another told me she wore Lanvin to face her husband's lawyer because she felt protected. If I can make men fall in love with women and if I can protect women, I think I can die peacefully.
We do not war with races primarily as such. Tyranny is our foe. Whatever trapping or disguise it wears, whatever language it speaks, be it external or internal, we must for ever be on our guard, ever mobilized, ever vigilant, always ready to spring at its throat. In all this we march together. Not only do we march and strive shoulder to shoulder at this moment, under the fire of the enemy on the fields of war or in the air, but also in those realms of thought which are consecrated to the rights and the dignity of man.
Waste cannot be accurately told, though we are sensible how destructive it is. Economy, on the one hand, by which a certain income is made to maintain a man genteelly; and waste, on the other, by which on the same income another man lives shabbily, cannot be defined. It is a very nice thing; as one man wears his coat out much sooner than another, we cannot tell how.
Behind joy and laughter there may be a temperament, coarse, hard and callous. But behind sorrow there is always sorrow. Pain, unlike pleasure, wears no mask. ... For this reason there is no truth comparable to sorrow. There are times when sorrow seems to me to be the only truth. Other things may be illusions of the eye or the appetite, made to blind the one and cloy the other, but out of sorrow have the worlds been built, and at the birth of a child or a star there is pain.
I see a lot of people dressing very similarly, and I see brands being cool because of their name and because of who wears the brands, but that's always been the case. That's kind of the history of fashion. You know, celebrities wear their clothes and people think these celebrities are cool, and then the clothes become valuable. It gives clothes a commodity factor once a certain individual starts wearing that brand. But do I think there's something wrong? I think what's wrong with the fashion world, particularly men's fashion, is the lack of creativity behind it.
What we're seeing now is not just a backlash against feminism. When you look at guys like [Jesse] Helms in the '80s or even Reagan and Bush, there was a real political backlash against feminism. This is different. This is a parodic recreation of the destruction of traditional masculinity. Look at these hollow men. Look at Steve Bannon who wears sweat pants, who doesn't shave. Or Yiannopoulos who is just a clown. This is toxic masculinity. It's new. To see it as a return to the past is a mistake. It's the breakdown of traditional masculinity, rather than its retrenchment.
When a man walks in the fear of God he knows no fear, even if he were to be surrounded by wicked men. He has the fear of God within him and wears the invincible armor of faith. This makes him strong and able to take on anything, even things which seem difficult or impossible to most people. Such a man is like a giant surrounded by monkeys, or a roaring lion among dogs and foxes. He goes forward trusting in the Lord and the constancy of his will to strike and paralyze his foes. He wields the blazing club of the Word in wisdom.
For there is a growing apprehension that existence is a rat-race in a trap: living organisms, including people, are merely tubes which put things in at one end and let them out at the other, which which both keeps them doing it and in the long run wears them out. So to keep the farce going, the tubes find ways of making new tubes, which also put things in at one end and let them out at the other.
The Bible differs from all other books in that it never wears out. Other books are read and laid aside, but the Bible is a constant companion. No matter how often we read it or how familiar we become with it, some new truth is likely to spring out at us from its pages whenever we open it, or some old truth will impress us as it never did before. Every Christian can give illustrations of this.
Your death and my death are mainly of importance to ourselves. The black plumes will be stripped off our hearses within the hour; tears will dry, hurt hearts close again, our graves grow level with the church-yard, and although we are away, the world wags on. It does not miss us; and those who are near us, when the first strangeness of vacancy wears off, will not miss us much either.
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