Top 1200 Web Page Quotes & Sayings - Page 2

The Semantic Web is not a separate Web but an extension of the current one, in which information is given well-defined meaning, better enabling computers and people to work in cooperation.

It's all one web, sir. The prosperity of the country is one web.

When you're reading a newspaper and you're seeing ads on the page, it's not kind of invasive. Like, it's on the page next to the article. You can look at it or not. You can turn the page when you're ready. On the internet, the ads - many of the ads - just are so controlling. They insist that you see them.

The Web is not a prize to be won, and Mr. Ballmer's attitude is deplorable in the light of what the Web means to the world, to users, to designers and developers, and - to put it into Microsoft parlance - customers.

As a writer, if you have something on a page, you can start moving it around and get something you like. But if you have a blank page, it's just gonna be a blank page.

The Web is now philosophical engineering. Physics and the Web are both about the relationship between the small and the large.

Keep writing. Try to do a little bit every day, even if the result looks like crap. Getting from page four to page five is more important than spending three weeks getting page four perfect.

Today, in 2011, if you go and buy a color laser printer from any major laser printer manufacturer and print a page, that page will end up having slight yellow dots printed on every single page in a pattern which makes the page unique to you and to your printer. This is happening to us today. And nobody seems to be making a fuss about it.

I ordered a Kindle 2 from Amazon. How could I not? There were banner ads for it all over the Web. Whenever I went to the Amazon Web site, I was urged to buy one.

Twitch is a platform. Switch it on, and you'll find thousands of channels of pure gameplay rolling around with people talking in the background. Dig a little deeper, and you'll also find people talking on camera, with sets built like an actual talk show, and schedules of events posted at the bottom of the web page.

Advertising and content have always been bound together - in print, on television, and on the web. Sure, you can skip the ad - just flip the page, or press 'ffwd' on your DVR. But great advertising, as I've long argued, adds value to the content ecosystem, and has as much a right to be in the conversation as does the publisher and the consumer.

What we did not imagine was a Web of people, but a Web of documents.

If you and I got on an airplane, you're going to L.A., Los Angeles, and I'm going to Senegal, we get there about the same time. The world is just that small. So a world that is so tightly bound by science and technology and now Internet and the web page, that world is too small for bullies. It has no room in that world for arrogance.

... people in the newspaper industry saw the web as a newspaper. People in TV saw the web as TV, and people in book publishing saw it as a weird kind of potential book. But the web is not just some kind of magic all-absorbing meta-medium. It's its own thing.

What we now call the browser is whatever defines the web. What fits in the browser is the World Wide Web and a number of trivial standards to handle that so that the content comes.

When I write, the first blank page, or any blank page, means nothing to me. What means something is a page that has been filled with words.

Humankind has not woven the web of life. We are but one thread within it. Whatever we do to the web, we do to ourselves. All things are bound together. All things connect.

Especially once those poetry events began, because, yeah, the stuff was still on the page, but the page was starting to spill into real space, spill into air, once you could hear it, once there was a typewriter, once there was a body of a typist, it was getting rid of the confines of the page.

As long as my face is on page one, I don't care what they say about me on page seventeen.

Needless to say, I was impressed by Felicia [Day] and her moxie with how to do a web series. I mean, she's the queen of the web.

I remember looking at James Joyce's journals. It was just amazing - it looked like ants had written on the page. So much writing on one page, every corner of the page was filled. Some of the lines were underlined in yellow or blue or red. A lot of color, intense writing.

If you feel a bump on page one hundred, it may be you went off on page fifty.

Obviously, everybody's favorite form of web content is more story with principal actors. But the economics of the web do not yet support.

I'm trying to read/edit my story as if I have no existing knowledge of the story, no investment in it, no sense of what Herculean effort went into writing page 23, no pretensions as to why the dull patch on page 4 is important for the fireworks that will happen on page 714.

The Web forces me to be disciplined and not to waste time - but before the Web was invented, there were plenty of opportunities to do that anyway.

Four years ago nobody but nuclear physicists had ever heard of the Internet. Today even my cat, Socks, has his own web page. I'm amazed at that. I meet kids all the time, been talking to my cat on the Internet.

The World Wide Web went from zero to millions of web pages in a few years. Many revolutions look irrelevant just before they change everything swiftly.

The web, then, or the pattern, a web at once sensuous and logical, an elegant and pregnant texture: that is style, that is the foundation of the art of literature.

When people talk about Web 2.0, they mean that when the Internet, the World Wide Web, first became popular, it was one way only.

It's just a matter of me opening up the page and whatever is written on the page, that's what I'm here to do.

We [with Frank Moore Cross] have the same fervor, the same passion when in front of us is a page, a unique page - every page is unique - of the Pentateuch.

Journalism is being pushed into a space where I don't think it should ever go, where it's trying to support the monetization model of the Web by driving page views. So what you have is a drop-off of long-form journalism, because long-form pieces are harder to monetize.

I think the key difference between the web and print medium is, on the web or any digital medium, you're dealing with this added element of behavior.

Students are very gullible about the web. The only way you can really sort out information on the web is if you've had a prior training in book culture.

I'm usually more concerned with how things sound than how they look on the page. Some people write for the page, and that's a whole other thing. I'm going for what it sounds like right away, so it may not even look good on the page.

Tomorrow is the first blank page of a 365-page book. Write a good one.

Social media forces girls to bear witness to painful realities of relationship that were previously hidden from view. It is a new kind of TMI, or 'too much information': publicly posted photographs of an outing or party you did not attend, or a personal web page like Formspring, can send a girl into paroxysms of anxiety and grief.

Although I didn't think so at the time, things were a lot simpler in 1969. All you had to do to express yourself was throw rocks at riot police. But with today's sophistication, who's in a position to throw rocks? Who's going to brave what tear gas? C'mon, that's the way it is. Everything is rigged, tied into that massive capital web, and beyond this web there's another web. Nobody's going anywhere. You throw a rock and it'll come right back at you.

We came up with the notion that not all web pages are created equal. People are – but not web pages.

The issue in Web accessibility is the fact that blind and visually-impaired people need the single biggest boost to achieve equivalence, since the real-world Web is a visual medium.

No one reads to hear someone complain about the weather or how poorly their children are behaving. You have to give the readers a reason to turn the page. As a writer you have to invite someone to turn the page. And that is a skill you have to refine. That is why you have to read. You have to read to learn what it is that makes people turn the page.

Page one is a diet, page two is a chocolate cake. It's a no-win situation.

Let's leverage the power of the Web - don't get rid of it, but make the Web beautiful again. We need to give the content room to breathe and give magazine-style advertisements the opportunity to flourish.

If someone had protected the HTML language for making Web pages, then we wouldn't have the World Wide Web.

If the web can be evolved to include the missing APIs and have better performance, [developers] won't need to go beyond the web.

In many ways, people growing up with the Web and now the Semantic Web take the power at their fingertips for granted.

People tend to think of the web as a way to get information or perhaps as a place to carry out e-commerce. But really, the web is about accessing applications.

When it comes to the mobile web, the technology industry seems to be split between two camps - native apps and HTML5 web-based apps.

The term 'web-series' has a stigma attached to it because it was created at a time when the only web-series that were being created were being created by people who would have loved to have a television show, but they couldn't. So they created a web-series instead, on their own dime. And those series look cheap because of it.

What we believe, endorse, agree with, and depend on is representable and, increasingly, represented on the Web. We all have to ensure that the society we build with the Web is the sort we intend.

Once I get over maybe a hundred pages, I won't go back to page one, but I might go back to page fifty-five, or twenty, even. But then every once in a while I feel the need to go to page one again and start rewriting.

Prowling the meanings of a word, prowling the history of a person, no use expecting a flood of light. Human words have no main switch. But all those little kidnaps in the dark. And then the luminous, big, shivering, discandied, unrepentant, barking web of them that hangs in your mind when you turn back to the page you were trying to translate.

When illness enters a home, not only does it take hold of a body. It also weaves a dark web between hearts, a web where hope is trapped.

This is exactly how the World Wide Web works: the HTML files are the pithy description on the paper tape, and your Web browser is Ronald Reagan.

So many people want to live their lives and their dreams through their own Facebook page or their Twitter page. They want to show every detail of their life to everyone in the world. That scares me because I don't have any Facebook page or Twitter I don't like it, I don't want it.

Web pages are designed for people. For the Semantic Web, we need to look at existing databases.

The main languages out of which web applications are built - whether it's Perl or Python or PHP or any of the other languages - those are all open source languages. So the infrastructure of the web is open source... the web as we know it is completely dependent on open source.

There are converging web-related issues cropping up, like privacy and security, that we currently have no way of thinking about. Nobody has thought to look at how people and the web combine as a whole - until now.

You could argue that as web audiences have grown larger and advertisers have demanded scale, the web has dumbed down - like the mainstream media we so mocked.

There is quality work happening on the web and there is room for everybody to work. It is not just about hero or heroine thing on the web. The focus is also on multiple characters.