Top 107 Weirdness Quotes & Sayings - Page 2

My sense of injustice about our family's 'weirdness' in not owning a car was amplified by the fact that we did not own a television, either - my parents were unapologetic about this and told me very cheerfully that I would thank them for it when I was older, which was quite true.

In American fiction, belief is like that. Belief as upbringing, belief as social fact, belief as a species of American weirdness: our literary fiction has all of these things. All that is missing is the believer.

Auto da Fay reveals the trickles of a creative sensibility that later became a tide, but essentially, Weldon the writer emerges only at the very end of this volume, in conjunction with her finding and marrying her husband of 30 years, Ron Weldon. In this sense, it is half a memoir, the private background story to the public future. (...) The reader is forced to re-evaluate the spectacular weirdness of Weldon's fiction: having lived such a life any other kind would seem insipid.

When I was around 12 or 13 my older brother had this friend who was a goth. He was dressed all in black... You know like super, super goth! I was just so drawn to that darkness and weirdness. I just wanted to rebel. And now that I think about it, rebel against what? I mean I have lovely parents and brother and things were always very great.

My weirdness aside, if I am to find any friends, particularly a girlfriend, she will almost certainly have to be a human. My previous track record tends to suggest that of all species that exist on the planet, it has so far been exclusively humans to whom I find myself sexually attracted. This is a good thing legally if nothing else.

Washington politicians basically view the People as a capricious and dangerous enemy, a dumb mob whose only interesting quality happens to be their power to take away politicians' jobs... When the government sees its people as the enemy, sooner or later that feeling gets to be mutual. And that's when the real weirdness begins.

Bunsen' is one of the best things I've been able to do. I'm so excited about it. Not only because of the awesome characters, but because of the incredible writing our team is doing. I think it combines the best traits of all my previous stuff and even adds a bit of extra weirdness here and there too.

Besides my fast and slooow songs, I further divide my work into three main song types: the ballad or story song, the variation on a theme (saying the same thing over and over and over again) song, and the weird song. It's important to have weird songs, but I find that a little weirdness goes a long way.

I wrote [Collateral Beauty] on my own. I didn't get paid to write it. I didn't sell it as a pitch. It was an idea I had that I really, really felt needed to be in script form before showing it to anyone in the industry because of the uniqueness of the idea, and the weirdness of the idea, to be frank.

The WRITER of memoir gets incoming weirdness in very odd ways. I was recently talking to a memoir writer whose work just went meteoric - but some of the comments and communications and gestures she gets in the wake of that success are stunningly and atrociously over-personal, as if suddenly people feel like they know her and her life intimately, and have permission to transgress all her "life" boundaries.

There's so many variables in comedy. Comedy is not this thing that's a performance like a play. It's really an interaction with every single person in the room. And if there's a weirdness in the room for any people, be it something the comedians did at the top of the set or be it the mixture of the people isn't right, something can go awry. So it's really great to see you proven wrong about someone.

Excellent Sheep is likely to makea lasting mark for three reasons. One, Mr. Deresiewicz spent twenty-four years in the Ivy League, graduating from Columbia and teaching for a decade at Yale.He brings the gory details. Two, the author is a striker, to put it in soccer terms. He's a vivid writer, a literary critic whose headers tend to land in the back corner of the net. Three, his indictment arrives on wheels: He takes aim at just about the entirety of upper-middle-class life in America.Mr. Deresiewicz's book is packed full of what he wants more of in American life: passionate weirdness.

I remembered what it was like: the weirdness, being the odd man out, trying to make my way around campus, and trying to figure out who my friends would be, who to steer clear of. I wrote it all down in a fanciful way - the feelings of alienation, the feelings of uncertainty, of being away from home for the first time.

Louisville is a place with no labels. It’s not the South, it’s not Chicago, and you don’t think of it as you think of New York or LA. It has some Southern romanticism to it, but also a Northern progressivism, this weird urban island in the middle of the state of Kentucky that has always provided a fertile, often dark, bed. For us, Louisville and the surrounding areas are the center of massive creativity and massive weirdness. The place has its flaws: You move away, but you’re always going to come back.

I have nothing to prove. I just want to follow the music. I love making records. I love playing live. That's it. There's nothing outside of that. I look forward to the weirdness that's in front of us every day.

The thing that attracted me to 'CSI' is that these guys are always professional, but underneath, it's teeming with a heavy shadow. Maybe even some decadence and some weirdness with certain characters! And that always intrigued me as an actor.

For early plays of mine, I started with character. But I think that's because I hadn't been in theaters; I hadn't worked that much. I'm very interested in character, obviously, but once I started having my plays produced, I became so fascinated by the theatrical experiment and the weirdness of theatrical space, so now all my plays start with space and stage picture and setting - or container is maybe the better way to put it.

I want the strangeness and weirdness and incomprehensibility of life that art can reflect so well, but I want it to feel like a mystery that is inviting us in. Sagan's great art lesson for me was generosity of wonder and making curiosity contagious.

Quantum Mechanics is different. Its weirdness is evident without comparison. It is harder to train your mind to have quantum mechanical tuition, because quantum mechanics shatters our own personal, individual conception of reality

I like what I see now in China, but I think the Japanese are a step ahead into craziness and weirdness. I go to galleries there that are the size of a New York elevator, and every time I'm surprised by the amazing things I find. I really hope I'll be able to promote some of these artists, to show their work in the West.

And all that weirdness isn't just going on outside. It's in you too, right now, growing in the dark like magic mushrooms. Call it the Thing in the Cellar. Call it the Blow Lunch Factor. Call it the Loony Tunes File. I think of it as my private dinosaur, huge, slimy, and mindless, stumbling around in the stinking swamp of my subconscious, never finding a tar pit big enough to hold it.

I'd watch shows like 'The Kids in the Hall' or 'Twin Peaks,' and I'd see weird people being celebrated and appreciated without compromising their weirdness. On 'The Facts of Life,' I'd see girls who were pudgy, beautiful, popular, tomboyish - many ways of being female - and I'd feel quietly reassured.

Of All the Gin Joints is one part cinematic history, one part old Hollywood weirdness, and one part handy basic bar guide, with a dash of romance and more than a few wry twists. Bailey and Hemingway prove themselves very entertaining cultural mixologists.

Dastardly devious, cleverly conceived, and just a whole lot of fun to read, DEATH PERCEPTION is Lee Allen Howard on fire and at his finest. Rife with winsome weirdness, it's like the mutant stepchild of Carl Hiaasen and Stephen King, mixing a truly unique paranormal coming-of-age story with a quirky cast of offbeat noir characters into a novel that's simply unforgettable... and hilariously original. A supernatural crime story, blazing with creative intrigue... don't miss it.

I haven't found a drug yet that can get you anywhere near as high as a sitting at a desk writing, trying to imagine a story no matter how bizarre it is, [or] going out and getting into the weirdness of reality and doing a little time on the Proud Highway.

The left-wing Democrats will represent the party of total hedonism, total exhibitionism, total bizarreness, total weirdness, and the total right to cripple innocent people in the name of letting hooligans loose.

I think in the old days, the nexus of weirdness ran through Southern California, and to a degree New York City. I think it's changed so that every bizarre story in the country now has a Florida connection. I don't know why, except it must be some inversion of magnetic poles or something.

You discover how confounding the world is when you try to draw it. You look at a car, and you try to see its car-ness, and you’re like an immigrant to your own world. You don’t have to travel to encounter weirdness. You wake up to it.

I write weird stories. I don't know why I like weirdness so much ... But when I write, I write weird. That's very strange. When I'm getting more and more serious, I'm getting more and more weird.

However long, it's definitely the presence of other people that brings out the weirdness - that collision of your own way of being with the everyday lives of others, the abrupt awareness - always a surprise no matter how often it's happened - that their lives are very different from your own.

You discover how confounding the world is when you try to draw it. You look at a car, and you try to see its car-ness, and you're like an immigrant to your own world. You don't have to travel to encounter weirdness. You wake up to it.

It's practically my subject, my theme: solitude and community; the weirdness and terrors of solitude: the stifling and consolations of community. Also, the consolations of solitude.

I've developed a bit of a fascination with John Denver. I always thought he was kind of tacky and somewhat revolting and had a kind of simplistic weirdness, but on second listen, he actually did have an incredible voice, and the blatant naiveté of his work is straight-edge, in a way.

I wrote this [Most Kings] before MJ died, and his death only proves my point: When he was alive, the King of Pop, people were tireless in taking him down, accepting as truth every accusation people made against him, assuming the worst until they drove him away. When he died, suddenly he was beloved again - people realized that the charges against him might really have been bogus, and that the skin lightening was really caused by a disease, and that his weirdness was part of his artistry. But when he was alive and on top, they couldn't wait to bring him down.

Christians assert that because there is fundamental weirdness at the quantum level of the very very small one must pretend to know things one does not know, aka have faith.

I've always been into the not stereotypical hunk guy - I'm into dorky, like I call it adorkable. And I think that a lot of girls are into that. I think there's something disarming about it and endearing and also puts you at ease and there's an attractiveness there - it's like a good sense of humor, self-deprecating, weirdness. You know? Because I think we all have that in ourselves, but we just try to hide it because it's not "cool," but a lot of people can kind of relate to that feeling or the outsider feeling.

I love funny people, and when I'm with funny people, or people who are amusing in their weirdness, I love it. Because that to me is funny, as opposed to someone who stops and says, 'Hey let me tell you a joke.'

We like to pretend the core ideas of the faith are more palatable or workable within our modern rationalistic approach to Scripture than the stuff we want to call "too weird" because of our own intellectual sensibilities. The truth is they are not. So we come up with interpretations to eliminate the weirdness of the biblical worldview that makes us uncomfortable. Problem solved!

Punk rock was the first thing I found in my life that made me feel acceptable. The thing that got me into punk rock was the idea, "You're fine just the way you are." It sounds kind of dorky, but you don't have to make excuses for who you are or what you do. When you find something like punk rock, not only is it okay to feel that way - you should embrace your weirdness. The world is totally messed up, and punk rock was a way to see that and work with it without candy-coating it. It was saying, "Yeah, the world is this way, but you can still do something about it. Take energy from that."

Everybody's weird, fundamentally everybody is a snap. Sometimes it's a sexual thing and sometimes it's a different kind of weirdness, but one way or another everybody's nuts.

The world is a crazy, beautiful, ugly complicated place, and it keeps moving on from crisis to strangeness to beauty to weirdness to tragedy. The caravan keeps moving on, and the job of the longform writer or filmmaker or radio broadcaster is to stop - is to pause - and when the caravan goes away, that's when this stuff comes.

I think there’s something really sexy about being funny and being quirky and weird. I think we’re in a generation where we’re accepting weirdness and individuality, and I think that’s the most important part.

Even though it was January, in Los Angeles it was beautiful and sunny and the blue skies were out and it was hot everyday, so I think it was just a product of our environment. And California to me as a concept or as an idea always seems like endless optimism and endless opportunity - when people think of California they think of palm trees and blue skies and gorgeous sunsets and beaches and everything else. But there's also this weirdness to California, this darkness, it's a place where people come to follow their dreams and sometimes don't make it.

'A Streetcar Named Desire' is the play I've probably read the most times in my life, and I love the weirdness of all the scene outs but especially the end of the second scene, when Williams brings a tamale vendor on stage to simply say, 'Red hot!'

Have you ever had one of those moments when you know that you're being visited by your own future? They come so rarely and with little fanfare, those moments. They're not particularly photogenic. There's no breach in the clouds to reveal the shining city on a hill. No folk dancing children outside your bus, no production values to speak of- just a glimpse of such quotidian, incontrovertible truth that after the initial shock at the supreme weirdness of it all, a kind of calm sets in. So this is to be my life.

Tess was my first experience of a woman who had inhabited her weirdness, moved into the areas of herself that made her distinct from those around her, and learned how to display them proudly.

I do believe in the myth of San Francisco and there is a force, a magical kind of thing there. That feeling of like, I've never been to another place like it. It doesn't even feel Californian. Even how it's laid out physically, it's very strange. Like, the weather patterns don't make sense. They do scientifically, but in a practical way it doesn't make any sense. And that weirdness, it really creates some weird thing in the air. But it is you know, on a practical level, it's very expensive, and it's a very business-oriented place, too, and there's a lot of that stuff going on.