Top 1200 Well-Written Quotes & Sayings - Page 16

I want to remind you all that in order to fight and win the war, it requires an expenditure of money that is commiserate with keeping a promise to our troops to make sure that they're well paid, well trained, well equipped.

When I went to school, it was really just to immerse myself in listening to, studying, and making music. I came out like, "How is this going to be more than a hobby I'm always paying off debt for?" I could've sat at a desk and written pieces for orchestras that never would have been played, or I could've written music for me as a performer. I play electronics, and the places I was gonna be playing were bass clubs and house parties.

I've always traveled with a picture of my daughter from 1989, her kindergarten school picture, that has 'I love you, Daddy' written on it. She's always made fun of me because I never changed that picture out. It's like my resistance to her getting older. It was the first thing she'd ever written to me and it means the world to me.

To this day, if you ask me how I became a writer, I cannot give you an answer. To this day, if you ask me how a book is written, I cannot answer. For long periods, if I didn't know that somehow in the past I had written a book, I would have given up.

I haven't written a novel or something that long, because I really am improvising all along and the story is growing new limbs to do what it needs to do. So there's very little planning. There's a little planning where I say, "Well, it looks like I'm going in this direction, ok, good." But there's very little forethought or intellectual justification: "Oh, look, I'm putting in a theme park because that represents dystopian America!"

My theory is that poems are written because of a state of emotional irritation. It may be present for some time before the poet is conscious of what is tormenting him. The emotional irritation springs, probably, from subconscious combinations of partly forgotten thoughts and feelings. Coming together, like electrical currents in a thunder storm, they produce a poem. ... the poem is written to free the poet from an emotional burden.

With Salvage the Bones, Jesmyn Ward has written the best sort of novel-a beautiful, important book that's both unflinching and tender, heartbreaking and triumphant. A lyrical and riveting testament to the strength of the human spirit, as well as the power of family and community. Ward's paragraphs are like songs, lifting us even as the authenticity of this world and these characters keeps the ground in clear sight. This is an extraordinary book by an extraordinary writer.

The most important thing about the first sale is for the very first time in your life something written has value and proven value because somebody has given you money for the words that you've written, and that's terribly important, it's a tremendous boon to the ego, to your sense of self-reliance, to your feeling about your own talent.

Development requires major source of unfreedom: poverty as well as tyranny, poor economic opportunities as well as systematic social deprivation, neglect of public facilities as well as intolerance or overactivity of repressive states.

A writer can be compared to a well. There are as many kinds of wells as there are writers. The important thing is to have good water in the well, and it is better to take a regular amount out than to pump the well dry and wait for it to refill.

By the time I was doing "Kill Bill," it was so much filled with prose that, you know, I start seeing why people write a screenplay and make it more like a blueprint, because basically I had written - in "Kill Bill," I had basically written a novel, and basically every day I was adapting my novel to the screen on the fly, you know, on my feet.

Angus Deaton has written a wonderful book, The Great Escape: Health, Wealth, and the Origins of Inequality. . . . Deaton's book is a magisterial overview of health, income, and wealth from the industrial revolution to the present, taking in countries poor and rich. Not just jargon-free but equation-free, the book is written with a beautifully lucid style. . . . [P]owerfully argued and convincing.

It is a pity to make a mystery out of what should most easily be understood. There is nothing occult about the thought that all things maybe made well or made ill. A work of art is a well-made thing - that is all. It may be a well-made statue of a well-made chair or a well-made book. Art is not a special sauce applied to ordinary cooking; it is the cooking itself that is good. Most simply and generally, Art may be thought of as "The Well Doing of What Needs Doing."

I studied acting and there's certainly an element of performance. I think that the songs are in many ways written to be performed. I think about what it's going to be like to sing them on stage rather than what it's going to be like to have someone at home listening to them on a CD. I guess in that way there's a connection between my acting experience and the songwriting and the way the songs are written.

I've been through my fair share of highs and lows. Yes, I've been written off, and it amazes me, and it amuses me, also, when I'm written off by the press cause then I tell them that's just the lull before the storm. And every time I've been down, I've been down, never out. So it just makes me work a lot harder.

You're getting well,' Samuel said. 'Some people think it's an insult to the glory of their sickness to get well. But the time poultice is no respecter of glories. Everyone gets well if he waits around.

Love, when it came and knocked on my door, was going to be enough. And that unknown author who'd written that if you had fame, it was not enough, and if you had wealth as well, it was still not enough, and if you had fame, wealth, and also love ... still it was not enough - boy, did I feel sorry for him.

Eleanor hadn't written him a letter. It was a postcard. GREETINGS FROM THE LAND OF 10,000 LAKES it said on the front. Park turned it over and recognized her scratchy handwriting. It filled his head with song lyrics. He sat up. He smiled. Something heavy and winged took off from his chest. Eleanor hadn't written him a letter, it was a postcard. Just three words long.

Great fiction has been written out of the very darkest circumstances of our narco violence, and nothing written in either fiction or nonfiction has penetrated that darkness so memorably - you can even say beautifully, a relentless riveting forensic dark beauty that some readers in fact find themselves unable to endure - as Roberto Bolaño's 2666. Especially in "The Part about the Crimes." But here's the thing: nobody would call 2666 a "narco novel."

I have written some poetry and two prose books about baseball, but if I had been a rich man, I probably would not have written many of the magazine essays that I have had to do. But, needing to write magazine essays to support myself, I looked to things that I cared about and wanted to write about, and certainly baseball was one of them.

We're in a strange state in our world where we sort of have that belief - and I have it too - that if it's written down there's got to be some truth in it. We haven't quite got to the spot where you go: "Well, it doesn't necessarily mean it's true." It could actually be completely made up and made to look very nice. So, we have to get to the point where scandal and those kinds of things are less and less important because otherwise we won't have anyone willing to run as politicians.

Each one of us in Café Tacvba is a composer and we come to the group with songs written out, musically and lyrically. Occasionally, there's a collaboration between us. But each song is almost always written by one of us, and then we all figure out the arrangements. Up until now there hasn't been a moment where the composer explains the song and says, "I want to say this or that." It's always open for interpretation.

I believe that what we want to write wants to be written. I believe that as I have an impulse to create, the something I want to create has an impulse to want to be born. My job, then, is to show up on the page and let that something move through me, in a sense, what wants to be written is none of my business.

For the critic, criticism is a form of natural self-expression, as poetry is to the poet. So, for a critic, criticism is a true thing. Criticism isn’t written for poets, it’s written for other readers. One hopes it is true for other readers if it’s true for oneself.

I have written quite a lot of songs about dealing with my feelings surrounding the disease. I have written songs about the fear and anxiety I have around my disease, and the fear of it coming back. Some of my songs might seem like relationship songs, but are more about my relationship with that struggle.

I've written about illegal immigrants in the United States; I spent a year following migrant farm workers as they were harvesting. I've written about our criminal justice system, and how it treats the victims of crime. I've been working for years now on a book about prisons in America, and I've been going into prisons and traveling around the country and seeing what's going on.

Going from memoir to fiction was fantastic. I had been afraid to move away from memoir; I'd written some novel drafts, but they weren't well received by my agent at the time, and it had been drilled into me that "memoir outsells fiction two to one" (not sure if that's true anymore, or if it ever was), so I felt like the only smart thing to do, professionally, was to keep mining my life for painful moments to recapitulate.

Every kind of book I've written has been written in a different way. There has not been any set time for writing, any set way, I haven't re-invented the process every time but I almost have.

Within a year after I write a play I forget the experience of having written it. And I couldn't revise or rewrite it if I wanted to. Up until that point, I'm so involved with the experience of having written the play, and the nature of it, that I can't see what faults it might have. The only moment of clear objectivity that I can find is at the moment of critical heat - of self-critical heat when I'm actually writing.

If the American Revolution had produced nothing but the Declaration of Independence, it would have been worth while. . . . The beauty and cogency of the preamble, reaching back to remotest antiquity and forward so an indefinite future, have lifted the hearts of millions of men and will continue to do. . . . These words are more revolutionary than anything written by Robespierre, Marx, or Lenin, more explosive than the atom, a continual challenge to ourselves as well as an inspiration to the oppressed of all the world.

Well, the first thing I do is I try to listen to whatever rapping is already on the track. I listen for cadence and melody to see how the track's already been written, and to make sure that whatever flow or flows I decide to run with, or patterns or melodies that I decide to put into the song, that they're not already in there. Then I try to see if there's a different part of the subject matter that I can talk about.

The Adderall Diaries is phenomenal. With jittery finesse and a reformed tweaker's eye for detail, Stephen Elliott captures the terrifying, hilarious, heart-strangling reality of a life whose scorched-earth physical and psycho-emotional dimensions no one could have invented - they absolutely had to be lived. By all rights, the author should either be dead or chewing his fingers in a bus station. Instead, he may well have written the memoir of an entire generation.

Consider what you have in the smallest well-chosen library-a company of the wisest and wittiest men which can be plucked out of all civilized countries in a thousand years. The men themselves were then hidden and inaccessible. They were solitary, impatient of interruption, and fenced by etiquette. But now they are immortal, and the thought they did not reveal, even to their bosom friends, is here written out in transparent words of light to us, who are strangers of another age.

Women are always murdered and maimed, and they’re never given their rightful place as lead characters! And I think [creator Michael Hirst] has just written what should have been written a long time ago. There shouldn’t be anything that different about Vikings, but there is, because there’ve just been so many shows that have not stepped up to the plate and given female actors and female characters equal footing.

If a given scientist had not made a given discovery, someone else would have done so a little later. Johann Mendel dies unknown after having discovered the laws of heredity: thirty-five years later, three men rediscover them. But the book that is not written will never be written. The premature death of a great scientist delays humanity; that of a great writer deprives it.

A 'well regulated militia' was thus one that was well-trained and equipped, not one that was 'well-regulated' in the modern sense of being subjected to numerous government prohibitions and restrictions.

Bottled, was he?" Said Colonel Bantry, with an Englishman's sympathy for alcoholic excess. "Oh, well, can't judge a fellow by what he does when he's drunk? When I was at Cambridge, I remember I put a certain utensil - well - well, nevermind.

WIDE, the margin between carte blanche and the white page. Nevertheless it is not in the margin that you can find me, but in the yet whiter one that separates the word-strewn sheet from the transparent, the written page from the one to be written in the infinite space where the eye turns back to the eye, and the hand to the pen, where all we write is erased, even as you write it. For the book imperceptibly takes shape within the book we will never finish. There is my desert.

We eat really well. It is my job, as their mother, our job as parents, to feed them well so that they're healthy so that they are very well behaved.

We who preach and write, do so in a manner different from which the Scriptures have been written. We write while we make progress.We learn something new every day. We speak as we still knock for understanding...If anyone criticizes me when I have said what is right, he does me an injustice. But I would be more angry with the one who praises me and takes what I have written for Gospel truth than I would be with the one who criticizes me unfairly.

Paul commands: 'Therefore, brethren, stand fast and hold the Traditions which you have been taught, whether by word or by our letter.' From this it is clear that they did not hand down everything by letter, but there is much also that was not written. Like that which was written, the unwritten too is worthy of belief. So let us regard the Tradition of the Church also as worthy of belief. Is it a Tradition? Seek no further.

That the things that have impacted me most are not news articles written by older people that I would have no relation to; the things that impact me most are things written by people closer to my age. And I wanted to write things in a way where somebody my age could read it and feel like they are holding somebody's hand and be with somebody.

It's my job to be able to deal with adverse conditions as well as kick well in good conditions. I just look to prepare to go out to do well no matter what it is.

My wife says, "You're an idiot! Why do you Google your name and all you're doing is looking for trouble?" Because I'm thin-skinned. Because I don't like to be mischaracterized. I just don't. If someone is going to criticize what you've written and you believe in what you've written then you should respond. Now do I sometimes fall in the gutter myself and look silly doing it? Of course. Some battles I win, some battles I lose.

Walden - all his books, indeed - are packed with subtle, conflicting, and very fruitful discoveries. They are not written to prove something in the end. They are written as the Indians turn down twigs to mark their path through the forest. He cuts his way through life as if no one had ever taken that road before, leaving these signs for those who come after, should they care to see which way he went.

Every big company has some little guy who is an enthusiast off in the corner working on technology. In Japan, it is integrated into their high-level strategy. They see it as a communication medium, because for them, just the words? - ?and this is the problem that they have with Americans? - ?just the words they say to you is not the complete message. Their facial expressions, their body language, there is a lot of context. Also, their written language doesn't translate to keyboards well.

Well, well, well, well. If it isn't fat, stinking billygoat Billy-Boy in poison. How art thou, thou globby bottle of cheap, stinking chip-oil? Come and get one in the yarbles, if you have any yarbles, you eunuch jelly thou.

YOU have no room to laugh, that's all. I'm not doing any worse with Boovish than you did with English.' Get off of the car,' J.Lo huffed. 'I am an English superstar.' Uh-uh. There's no comparison. 'Gratuity' in written Boovish has seventeen different bubbles that all have to be the right size and in the right place. 'J.Lo' in written English only has three letters, and you still spelled it 'M-smiley face-pound sign.

Every child has a right to be well-born, well-nurtured and well-taught, and only the freedom of woman can guarantee him this right.

The dramatic importance of climate changes to the world’s future has been dangerously underestimated by many, often because we have been lulled by modern technology into thinking we have conquered nature. This well-written book points out in clear language that the climatic threat could be as awesome as any we might face, and that massive world-wide actions to hedge against that threat deserve immediate consideration.

You have got to field well. If you don't bat well, you can still make a difference by fielding well. There are times I have played games just because of my fielding.

Ideas come at any moment -- except when you demand them. Most ideas come while I'm physically active, at the gym, with friends, gardening, so I always carry pen and paper. My first draft is always written in longhand. But once the first dozen chapters, more like short stories, are written, then momentum builds until I can't leave the project until it's done.

Law is twofold -- natural and written. The natural law is in the heart, the written law on tables. All men are under the natural law.

Perhaps, it is just as well to be rash and foolish for a while. If writers were too wise, perhaps no books would be written at all. It might be better to ask yourself "Why?" afterwards than before. Anyway, the force from somewhere in Space which commands you to write in the first place, gives you no choice. You take up the pen when you are told, and write what is commanded. There is no agony like bearing an untold story inside you.

When you get offered the captaincy, you've got to have a go. In India, where it went well, I was playing well ,and anything that needed doing, I'd do it myself. When I wasn't playing well, it was tough.

Succinct, thorough, and masterfully researched-Thomas Medvetz has written a subtle and timely history of these fixtures of public debate in the United States. In the realms of culture studies, policy, and policy formation, there is no book quite like Think Tanks in America. Plus which, no one has understood, interpreted, then used Pierre Bourdieu's ideas better-so well that Bourdieu himself would have been pleased.

In every well-written play the battle rages between the primary powers of Good and Evil, and it is this battle which constitutes the life impulse of the play, its driving force, and is basic to all plot structures...In any true piece of art...the beginning and the end are, or should be, polar in principle. All the main qualities of the first section should transform themselves into their opposites in the last section.

I think I get really into comfort music: '60s stuff, '50s stuff like Frankie Avalon. I love it - such simple songs, but so well written. That, and old French pop. I love that, because I don't speak French. It's all just pop music! But I love it because it just makes me focus on the melodies.

How do you play well? You practice well. You prepare well.

I'm saying that the domain of poetry includes both oral & written forms, that poetry goes back to a pre-literate situation & would survive a post-literate situation, that human speech is a near-endless source of poetic forms, that there has always been more oral than written poetry, & that we can no longer pretend to a knowledge of poetry if we deny its oral dimension.