Top 1200 Were Quotes & Sayings - Page 15

I grew up surrounded by these tough, ballsy, strong women. They were also adoring women, but they were the kind of women who would argue over what kind of pants you were wearing or the color of your nail polish.

Even so, there were times I saw freshness and beauty. I could smell the air, and I really loved rock 'n' roll. Tears were warm, and girls were beautiful, like dreams. I liked movie theaters, the darkness and intimacy, and I liked the deep, sad summer nights.

Christian values were important at home. Cleanliness. Don't steal. Don't lie. Those were the rules, and they were strictly enforced. Especially the stealing and lying. When you broke the rules, you got a beating. I always broke the rules a lot.

According to FBI statistics for 2008, only 22 percent of murder victims were killed by strangers. More than 30 percent were slain by family members, boyfriends, and girlfriends. Nearly half of all murders were committed by friends, neighbors, and casual acquaintances.

I have a very close friend who is a brilliant clown, and I always wanted to do a show with him. So I did one year at La MaMa Theatre. I had not done stilts before that show, and I had about two weeks to learn how to do that, and they were just made with off-off Broadway money. The ones that I had in Rogue One were made by [Industrial Light & Magic]. So they were really easy. They were made with actual prosthetic feet on the bottom. They were athletic, in a way. I could run in them. There was a bounce to them that I could use.

When I first got involved in the underground metal scene in '82, '83, there were only about five or six major Death or Black Metal bands around. There were so many other bands that were inspirational, that really helped.

Well, you know... I grew up in postwar Britain, when you were lucky to get anything to eat. People in America have absolutely no conception of how austere England was after the war. While you were all sort of eating butter and eggs, we were eating rabbit. That's what there was in the butcher shop.

At that moment I was sure. That I belonged in my skin. That my organs were mine and my eyes were mine and my ears, which could only hear the silence of this night and my faint breathing, were mine, and I loved them and what they could do.

When I worked with General Electric, again this was soon after the Second World War, you know, I was keeping up with new developments and they showed me a milling machine and this thing worked by punch cards - that's where computers were at that time, and everybody was sort of sheepish about how well this thing worked because in those days machinists were treated as though they were great musicians because they were virtuosos on these machines.

Sales were lukewarm. Back home there was no freedom, but there were readers. Here there was freedom enough, but readers were missing.

There were Arcadians here, Katagaria, Dark-Hunters, demons, humans, and who knew what else. By rights none of them should get along and yet they were together tonight. Bound by something other than blood. They were bound together by their hearts.’ (Gallagher)

Times were changing. Clothes were changing. Morals were changing. We went from romantic loves songs like I used to do to rock 'n roll. Now that has changed to rap. So, there's always a new generation with new music.

Photography, sculpture, and painting were wielded as cultural weapons over the course of generations to substantiate the idea that black people were inherently subordinate beings; they were used to make slavery acceptable and to make black subjugation more palatable.

We were very effective, and I was very effective, in shaping public opinion around my campaigns. But there were big stretches, while governing, where even though we were doing the right thing, we weren't able to mobilize public opinion firmly enough behind us to weaken the resolve of the Republicans to stop opposing us or to cooperate with us. And there were times during my presidency where I lost the PR battle.

How did the Turks become Muslim? They became Muslim through the Sufis. The Arabs never conquered the Turks. There were people in early Islam who were speaking like Hallaj, who spoke about the Truth, about reaching the Truth, about being one with the Truth, and not only they were not killed, but they were great heroes of their own culture, and there is a university in Turkey named after one [Sufi Saint.]

You know, as kids were weren't jazz musicians or anything. But, the circle of friends and the neighborhood I lived in, we were really big Rush freaks and Yes fans. We would listen to 'Close to the Edge' and 'Hemispheres' and '2112' - the more artsy, progressive stuff. Some of the guys were into King Crimson and Genesis and all that.

In the years between 2000 and 2004, I always got the feeling that people were just starting to hear about me, and they were all late to the game. I'd be out playing shows for records that I recorded back in 1999 that were just coming out.

The movie [Aquarius] is about love, ultimately, and it was made with love. There were a lot of parents in the crew, and they were the best crew I had ever worked with. Everybody knew the construction of each scene, and were completely invested in every shooting day.

In the black-and-white world of a girl in her late teens, I thought of things like Internet etiquette as obvious, rule-bound institutions. Facebook was Facebook, texts were texts, emails were emails, chats were chats, webcamming was webcamming, phone calls were phone calls.

During intermission she peeked out at the theater, watching it refill. When it was almost full and the lights blinked on and off, she saw three people file in through the center door and her breath caught. Time lapsed as they walked down the center aisle: three teenage girls all in a row. They were so big, so bright, so beautiful, so magnificent to Carmen’s eyes that she thought she was imagining them. They were like goddesses, like Titans. She was so proud of them! They were benevolent and they were righteous. Now, these were friends.

When you watch the sitcoms that were the big hits when I was growing up, TV was still just TV. It was allowed to just be TV. There were three channels that were competing for the whole family and you couldn't take your business elsewhere.

You didn't have to read 'Playboy,' visit the mansion, wear pajamas, or even be straight: The effects of its ideas about women on the American psyche were totalizing. Women were inferior to men because, for 'Playboy,' they were scenery - pretty, passive, usually white, often blonde, there.

We were always told we were one step behind Deep Purple, one step behind Led Zeppelin, one step behind everybody. Our manager didn't want to let us know how popular we were. It's only after we did Ozzfest that people started telling me stuff. I thought they were taking the piss. People would come up to me and go, "Respect."

We've been pretty lucky we've played with Feeder, Hundred Reasons and Puddle of Mud, but I think the one we're most proud of is playing with The Deftones because when we were kids they were everyone's favourite band. I think all our mates were pretty envious.

There is a reason why one man is born black and with other disadvantages, while another is born white with great advantages. The reason is that we once had an estate before we came here, and were obedient; more or less, to the laws that were given us there. Those who were faithful in all things there received greater blessings here, and those who were not faithful received less

Films are a very tangible thing. It's making something with your hands. I think all of these guys - Roger and the whole cast of this movie - what they did was they were willing to make mistakes. They were willing to make movies that were really bad. But they learned.

I had many different assignments and I was doing things that I thought were important... no, I didn't either: I didn't think they were important. But I found out afterwards when I read up on my history that some of the things that I did were quite important.

In 1994, when I came to PepsiCo, there were really three businesses. They were soft drinks, which included both bottling and the concentrate company. There were salted snacks - Frito Lay. And restaurants where we had, we all talk of them, Pizza Hut, KFC and a whole bunch of casual dining chains.

The early Stones were adolescent rockers. They were self-conscious in an obvious and unpretentious way. And they were committed to a musical style that needed no justification because it came so naturally to them. As they grew musically the mere repetition of old rock and blues tunes became increasingly less satisfying.

Humans were my study animal now - I set up night watches on them, and I made phonograms of the noises they make. I studied their cries, and their contact calls, and their alarm signals. I never listened to what they were saying - I watched what they were doing, which is really the exact opposite of the Freuds and Jungs and Adlers.

I teach MBAs. And I noticed, starting a few years after China joined the World Trade Organization, that a lot of my students were no longer employed. They were still coming to get their MBA, but they'd lost their jobs. And I started to ask questions why. And, at that point, all roads were leading to Beijing.

My heroes were people like Jim Jarmusch. Scorsese was my god. Spike Lee was exciting, doing exactly what we thought we were going to do: personal movies based in, and about, New York. My heroes were all participating in an economic model that was collapsing as I was finishing film school.

There was a time when fame meant that you were either someone who is really gifted in your field or you were making an impact or you are famous because you were a really horrible person, you know? But now, you can become famous by eating a frog. It's just not the same thing.

I looked around at what my colleagues were doing, and asked myself, 'What relationship has it with what's going on?' I found there was a great distortion of contemporary life. Photographers were interested only in certain things. A visually interesting place, people who were either very rich or very poor, and nostalgia.

I have experienced bad dating and ineptitude with women all across the globe, from Vietnam to Paris. When I was 21, women were an enigma; they were this code that had to be cracked. They were 'The Other.' I have often thought writing this stuff into stand-up and shows would be an exorcism, but it hasn't been; it makes no difference.

When it was first optioned, I was told that the chances of The Basic Eight becoming a film were slim because no one was making teen movies, and then later, I was told that the chances were slim because there were so many teen movies, and then I was later told that the chances were slim because teen films were over. I'm not sure when the magic window of opportunity was, but perhaps it's still on the horizon.

The first colour charts were unsystematic. They were based directly on commercial colour samples. They were still related to Pop Art. In the canvases that followed, the colours were chosen arbitrarily and drawn by chance. Then, 180 tones were mixed according to a given system and drawn by chance to make four variations of 180 tones. But after that the number 180 seemed too arbitrary to me, so I developed a system based on a number of rigorously defined tones and proportions.

If death were the exception and not the rule, and we were not so swiftly to follow, these separations would be intolerably sad. We know no more of our next change of life than we knew of this before we were born into it; but that which we call death is merely change, who can doubt?

Even colors were important to me. If it was a somber scene, the colors were muted and dark. If it was a happy or seductive scene, the colors were brighter.

For our first album, we were our own dressers. We didn't have no stylists. We came up with all of the ideas when it came to dressing. At that time, Cross Colours and Jabos were really popular, so we were able to get stuff from them, but we always added accessories.

There is a principle of human affairs that goes back millennia, which is that you don't look in the mirror. You can trace this principle back to the Bible. The designated intellectuals of that time are called prophets, which is a mistranslation of a Hebrew word, but they were basically intellectuals, giving geopolitical analysis, criticizing the moral practice of leadership, etc. Now, these people were not treated very nicely. There were other intellectuals who were treated nicely, namely those who centuries later came to be called false prophets. These were the flatterers of the court.

It is not as common as female/male prostitution, but yes my friends and I had female clients. But this is a request that most girls are not willing to do. No, we never saw it as anything different, because if ladies were paying for an escort, they were still considered our clients, and they were treated as such.

They were French, they were Jews, and they were you.

The more you're drowning in familiarity, the better the fun is. It requires less novelty to produce even more gratification. And it's something that didn't come from you. It was about the other thing - the thing you were experiencing, or the people you were with, or the mechanism you were operating, or whatever it might be.

At 16, I went to Smith College in Massachusetts and that was right after the peak of the civil-rights movement and all the rest. It was an era when students were making demands and many black students were closer to the teachings of Malcolm X, or what they thought were his teachings.

In the thirties a whole school of criticism bogged down intellectually in those agitprop, social-realistic days. A play had to be progressive. A number of plays by playwrights who were thought very highly of then - they were very bad playwrights - were highly praised because their themes were intellectually and politically proper. This intellectual morass is very dangerous, it seems to me. A form of censorship.

We live in the least ugly time in history. If you look at back when Beethoven was writing, half the kids were dying, mothers were dying at childbirth, there were more wars going on then than there are now. People wrote the most beautiful things during the ugliest times.

In fact a lot of them I think are absolute baloney. Those Charles Olsens and people like that. At first I was interested in seeing what they were up to, what they were doing, why they were doing it. They never moved me in the way that one is moved by true poetry.

I had a number of great teachers and the ones that really were the strongest influences on me were women. They were really, really smart and interesting women.

I have seen many die, surrounded by loved ones, and their last words were ‘I love you.’ There were some who could no longer speak yet with their eyes and soft smile left behind that same healing message. I have been in rooms where those who were dying made it feel like sacred ground. (26)

When I stepped into this world, I saw that we were all burdened by a certain kind of indifference to the plight of poor people. We were burdened by an insensitivity to a legacy of racial bias. We were tolerating unfairness and unreliability in a way that burdened me and provoked me.

In the years between 2000 and 2004, I always got the feeling that people were just starting to hear about me and they were all late to the game. I'd be out playing shows for records that I recorded back in 1999 that were just coming out.

Any such inklings were like a few scattered grains of truth dissolved in an ocean of nonsense, and were anyway generally inextricably bound up with patently paranoid ravings which served only to devalue the small amounts of sense and pertinence with which they were associated.

For that moment, at least, all our doors and windows were wide open; we were not carefully shutting out God's purifying light, in order to feel safe and secure; we were bathed in the same light that burned and yet did not consume the bush. We walked barefoot on holy ground.

I felt black. I was as far as I was concerned. And I wanted to be black for lots of reasons. They were better musicians, they were better athletes, they were not uptight about sex, and they knew how to enjoy life better than most people.

When I was growing up in the '70s and '80s, by the time you were 16, you were kind of expected to be an adult. By the time we were 16 and able to drive, certainly by 17 or 18 and into college, you just had very little interaction with your parents.

In my family, growing up, the women were always the ones who were powerful, and they exuded this charisma of empowerment that I hold onto and always remember. I had some difficult times, but these strong women were always a constant.

The 1920s and 1930s were a period of sensational productivity growth: new products were springing up all over the place, and most of those new products and new methods were developed by people who started their own companies.

Why were the Europeans bothered about the Soviet Union at all? It was nothing to do with us. China had nothing to do with us. Why were we not building, without reference to the Soviet Union, a good society in our own countries? But no, we were all - in one way or another - obsessed with the bloody Soviet Union, which was a disaster. What people were supporting was failure. And continually justifying it.

From the little reading I had done I had observed that the men who were most in life, who were molding life, who were life itself, ate little, slept little, owned little or nothing. They had no illusions about duty, or the perpetuation of their kith and kin, or the preservation of the State. They were interested in truth and in truth alone. They recognized only one kind of activity - creation.