Top 252 Westerns Quotes & Sayings - Page 3
Explore popular Westerns quotes.
Last updated on September 17, 2024.
After 'Baby Doll,' I did some Westerns. I would try to do something so far away from 'Baby Doll.'
The negative attitudes toward the genres - romance, science-fiction, westerns, suspense, etc. - are fallout from the academic world's long-standing fascination with existential philosophy and modern theories of psychology and sociology.
War stories, westerns, spy stories are all accepted as respectable because they are read by men. It is only women's light reading which is derided.
'Red Dawn' was really the most fun I ever had making a movie, because I love Westerns, and I love the idea of being a tomboy, and riding horses and shooting guns.
I initially studied literature [in France], and then I went to cinema school. I discovered the Cinematheque, and saw not only action movies and westerns, but also lots of serious movies.
I just love westerns. One of my favourite actors is John Wayne, probably one of the most underrated actors there's ever been. He's quite an incredible actor.
I've always seen in Westerns it described or it's shown very vaguely, but I wanted this - I want us to show what they're doing to them, so you can actually see it. And if you notice in the movie, you know, it goes even beyond just scalping and stuff.
'The Virginian' has a very important romantic story line that you don't find in a lot of Westerns... At the heart of the story is quite a bit of pain and a sense of loss.
I'm really interested in experimental works, so the people that I admired the most was Dziga Vertov, Sergey Eisenstein, people from the '20s. Also, I loved John Ford and his westerns. The New Wave was not tender to women.
Suddenly, Westerns, which were our action films and what the working man went to see to blow off steam and have a good time, became boring to most people growing up from the Eighties on, because they're kind of pastoral.
By the end of the 50s, everything began to collapse and, little by little, I lost all of my work. I lost Rex, the Wonder Dog and all the westerns.
Of course, we talked about Westerns we like with [James Ransone in Valley of Violence] , but it was always thematically in relation to the movie and what the themes of the movie were.
In Hollywood Westerns even in the Thirties and Forties, history was mythologized to accommodate some kind of moral code. And what really affects me deeply is when you see it taken to the extent where Native Americans become mythical people.
I was born in 1950, so there were tons of Westerns on TV by the time I was 6, 7, 8 years old. In terms of television, 'Maverick' and 'Have Gun - Will Travel.' But filmically, classics like 'High Noon' and 'The Man Who Shot Liberty Valance' - that's one of my favorite films.
When I used to watch Westerns, I could admire the craft, but I never really loved them; they never spoke to me. Maybe because I'm first-generation American, I'm a woman, and I just didn't see myself reflected.
My dad Alan loved Westerns and we watched them together when there wasn't much else on TV. I had toy cowboys I'd call Richard Widmark or Gregory Peck and we'd restage the Battle of the Alamo.
I'm crazy about westerns. I need to do a western once in a while. It's like you know, eating bread, eating pasta, drinking wine. It's in my blood. I need it.
I can't go to bed with John Wayne, so I do the next best thing: I go to bed with my girlfriend, who once met the great man. That's how much I love westerns.
One of the biggest roles of science fiction is to prepare people to accept the future without pain and to encourage a flexibility of the mind. Politicians should read science fiction, not westerns and detective stories.
In the John Wayne movies, the Indians were savages that were trying to scalp you. That culture has really suffered because of the stereotype you see in those westerns.
People had their image of what a cowboy was, ... A lot of it was perpetuated by the media presentations of the cowboys in fiction and old Westerns. And because of the tenure of the times, African-Americans were left out. As a result, reality was distorted.
I have been guilty of watching Westerns without acknowledging that Native Americans have gone through the same madness as African Americans. Isn't it extraordinary that sometimes the most offended have not seen others being offended?
Probably the greatest writer of westerns himself was Homer. His character were never all good or all bad. They're half and half, these characters, as all human beings are.
I think that my films are westerns only in their exterior aspects. Within them are some of my truths, which happily, I see, belong to lots of parts of the world. Not just America.
Westerns are fun. I wish more of them would be made. When you're out there on a set, carrying a gun, riding a horse, you kind of get lost in that make believe world.
Traditional westerns typify some of the hardships men face: you have to be rugged, silent, stoic. It's a man against nature, against the world.
If you look at the great Westerns, and at Greek, Roman, and Norse mythology, they all contain elements in common: a harsh landscape; demons or outlaws trying to stop or kill the protagonist; and there are mythical legends at their core, innate in all cultures.
I've always been really hot on westerns. All my life growing up, cowboy, cowboy, cowboy.
I love Westerns. I really love John Wayne. Frank Capra, any of his movies I love.
I grew up on genre - on Westerns, spy thrillers, sci-fi, fantasy novels, horror novels. Especially horror novels.
I'm not a great horse person, but I love horses, and I love all of it. The sights and sounds and smells, the whole genre of Westerns - I love them.
Westerns were all daddy liked to watch. Give me some Clint Eastwood, some Charles Bronson, and I was a happy girl. It was our father-daughter bonding.
I like westerns, fantasy, sci-fi, graphic novels, thrillers, and I try to avoid the word 'genre' altogether. A good book is a good book.
I've always read broadly: literary fiction, sci-fi, fantasy, chick lit, historical, dystopian, nonfiction, memoir. I've even read Westerns. I prefer female protagonists.
I sort of got into Westerns... It was a sort of desperation move, really. I had several pictures that didn't go very well, and I just realised that I would have to try something else.
American popular culture has long been marked by an absence of empathy for American Indians. Westerns doubled as a campaign against so-called savages in a way that desensitized us to the savages we'd become.
Westerns aren't about the gunfight, even though it has to be there at one point. It's not what they're about, at least the good ones. It's about the drama. It's about the resourcefulness of men and women.
I do feel that I need to do at least one more Western - I think you need to make three Westerns to call yourself a Western director.
My respect for Westerns have gone way, way up. It's hard and treacherous work. It's hard to find people these days who can ride horses like that and jump onto trains.
With Westerns you have the landscape is important, and it's empty, and only you populate it. When you populate it, you can tell any kind story that Shakespeare told, you can tell in a Western.
Westerns are simple stories where there's good and there's evil and where people had a sense of space and freedom. Growing up in the city, as a kid, you've never really seen that before. It's a beautiful dream to go from concrete to big skies, dirt and horses.
One of my favorites of all time was with Jim Jarmusch, called 'Dead Man.' I was in that with Johnny Depp. I ride really well, and I shoot a gun really well. I love the genre. Once I did Westerns, I was hooked.
I liked doing comedies, but as I got older I was better suited to do Westerns. Because I think it becomes unattractive for an older fellow trying to look young, falling in love with attractive girls in those kinds of situations.
Samurai films, like westerns, need not be familiar genre stories. They can expand to contain stories of ethical challenges and human tragedy.
Your landscape in a western is one of the most important characters the film has. The best westerns are about man against his own landscape.
I liked Westerns for two reasons: First, it took the actor outside. They were all very physical at that time and not limited to a stage. Second, they paid my rent an awful lot.
Red Dawn was really the most fun I ever had making a movie, because I love Westerns, and I love the idea of being a tomboy, and riding horses and shooting guns.
I like to make movies on the west side of the Mississippi River, and a lot of times, the movies I direct have horses and big hats in them and get called westerns, but that's okay. I used to resent that, but I don't anymore.
I'm a big fan of period pieces, and I'm a big fan of the old-time westerns.
I'd like to do a number of films. Westerns. Genre pieces. Maybe another film about Italian Americans where they're not gangsters, just to prove that not all Italians are gangsters.
When you're young, you want to make every kind of film: musicals, Westerns, horror. Slowly you begin to hear your own voice. I hope people receive what I do as small, personal films that are somewhat contrarian about their main characters.
That's how it works in Westerns: the hero is minding his own business and trying to make a living, but he does something, the villain finds out about it and they have to have a showdown. So it's kind of a Western set to hip hop music.
People love westerns worldwide. There's something fantasy-like about an individual fighting the elements. Or even bad guys and the elements. It's a simpler time. There's no organized laws and stuff.
Clint Eastwood said, the only things America has contributed to civilization are the western and jazz. And I don't think westerns are bad, but lots of people make great cinema. But jazz is right there.
How can I teach my boys the value and beauty of language and thus communication when the President himself reads westerns exclusively and cannot put together a simple English sentence? (John Steinbeck, in a private letter written during the Eisenhower administration)
My parents used to do these little film festivals in our house where we'd watch all the Marx Brothers movies, or Chaplin movies, and a lot of westerns.
My grandfather was a Pentecostal preacher, and there was nothing really modern that went on under their roof. We watched television, but they were very picky about what we could watch - old Westerns and stuff that wasn't vulgar or violent at all.
When I was working my way up, it seemed to me that only Westerns and 'Star Treks' or sci-fi movies could afford to get away with presenting the problems - like prejudice and desegregation, for instance - that we face in our everyday lives.
I just watched so many Westerns as a kid that you end up using archetypes and sort of tropes of that genre, because there's a language there and you can twist it and turn it on its head or play to it or go sideways at any time.
I was growing up with a single mom who'd be at work when I came home from school. So I'd just turn on the TV. I grew up watching old Clint Eastwood westerns. I adopted him as one of my male role models.
