Top 1200 What Is Poetry Quotes & Sayings - Page 2

In most of the world, poetry has such a different reputation than it does in Western culture. Poetry is a popular genre in Afghanistan. If you turned on the radio, there would be a poetry program that would be as popular as The Real Housewives. People aren't listening to poetry as if they're taking their vitamins. Instead, it's a popular vessel you can fill with anything. You could fill it with sass. You could fill it with rage. You could fill it with political statements.

Poetry is the most direct and simple means of expressing oneself in words: the most primitive nations have poetry, but only quitewell developed civilizations can produce good prose. So don't think of poetry as a perverse and unnatural way of distorting ordinary prose statements: prose is a much less natural way of speaking than poetry is. If you listen to small children, and to the amount of chanting and singsong in their speech, you'll see what I mean.

One of the things that distinguishes poetry from ordinary speech is that in a very few number of words, poetry captures some kind of deep feeling, and rhythm is the way to get there. Rhythm is the way the poetry carries itself.

I am in the middle of it: chaos and poetry; poetry and love and again, complete chaos. Pain, disorder, occasional clarity; and at the bottom of it all: only love; poetry. Sheer enchantment, fear, humiliation. It all comes with love

What I wrote all the time when I was a kid - I don't want to call it 'poetry,' because it wasn't poetry. I was not that kind of a writer. I was a rhymer. I was a fan of Dorothy Parker's, so maybe I wrote poetry to that extent, but my main focus was the humor of it, and word construction, and the slant. Your words, it's a very powerful experience.

My erotic poetry is not poetry that uses vernacular words. It is a very erotic poetry, but I never use anything, for example, that is not in the dictionary. I don't like to be ugly, I seek out what is beautiful, and if my great search is for freedom and beauty, I can't be vulgar, ordinary.

When I devoted myself to poetry - and poetry is a very serious medium - I don't think the people that knew me as an individual with that tongue-in-cheek kind of humor...well, it didn't always lend itself to my poetry. When you're writing poetry, it's like working with gold, you can't waste anything. You have to be very economical with each word you're going to select. But when you're writing fiction, you can just go on and on; you can be more playful. My editor's main task is to cut back, not ask for more.

Poetry transcends the nation-state. Poetry transcends government. It brings the traditional concept of power to its knees. I have always believed poetry to be an eternal conversation in which the ancient poets remain contemporary, a conversation inviting us into other languages and cultures even as poetry transcends language and culture, returning us again and again to primal rhythms and sounds.

Poetry is essentially the antithesis of Metaphysics: Metaphysics purge the mind of the senses and cultivate the disembodiment of the spiritual; Poetry is all passionate and feeling and animates the inanimate; Metaphysics are most perfect when concerned with universals; Poetry, when most concerned with particulars.

Poetry at large in America is naturally a reflection of the American system and culture. That's my possibly narrow view of it, or reductive view. But I think for as many portals for critical consciousness in the poetry world and in the American spirit that exist, there's also an over-arching, dominant mirroring, in poetry, of the corporate structure, the capitalist enterprise.

Often poetry, especially the sort of poetry I write, is concerned with looking at the borders between the sensual and the spiritual and seeing them as divided, equivocal, that mystery somehow can break in to the ordinary. And we read poetry I think in part, to gain a sense of that intimacy with things that we can't understand that are unable to be understood but that buoy up our lives.

I think many people love poetry who don't know they love it. People are sometimes afraid of poetry, or they've been introduced to poetry that doesn't speak to them.

Speaking of people I had to exclude: Hank Williams. which is to say, songs are part of lyric poetry in my book, my thinking. In fact they are the urgent element of poetry in our time, they carry the most emotion for the most people in our culture. everyone LOVES poetry, because we all love (one form or another) of rock and roll (be it folk to emo to rap). It's all rock and roll and all lyric poetry.

Traditionally poetry is written in lines. But the prose poem is the kind of poem that isn't written in lines. It is lyrical prose that uses the tricks of poetry, such as dense imagery. This is a big topic of debate in poetry land. There's no perfect definition.

Civic poetry is public poetry. It is political poetry. It is about the hard stuff of life: money, crime, gender, corporate excess, racial injustice. It gives expression not just to our rites but also to our problems and even our values; these poems are not about rustic vacations.

I've got mixed feelings about poetry cause done well poetry is fantastic. But not many people are capable of doing it well. I think you should have some kind of license to perform poetry. A poetic license perhaps.

When you think intensely and beautifully, something happens. That something is called poetry. If you think that way and speak at the same time, poetry gets in your mouth. If people hear you, it gets in their ears. If you think that way and write at the same time, then poetry gets written. But poetry exists in any case. The question is only: are you going to take part, and if so, how?

For me, poetry has a strong link to my filmmaking. My films learn from my poetry. In poetry, you're free. You start in the corner and you don't know where it leads you. I have no message, I have nothing I want to tell, I just start and I see where it leads, and it's a big surprise and relief if it's good. That's the ideal state for filmmaking.

Art: If the object of poetry is, to make men, then poetry is the heir of prophecy.

The more poetry you have in the head, the more poetry you will understand because you will be getting to the roots of what it is that makes people write poetry at all.

I'm not against sentimentality. I think you need it. I mean, I don't think you get a true picture of people without it in writing... It's a kind of poetry, it's an emotional poetry, and, to bring it back to the literary scene, I don't think anything is true that doesn't have it, that doesn't have poetry in it.

Dismissals of poetry are nothing new. It's easy to dismiss poetry if one has not read much of it.

There are still many tribal cultures where poetry and song, there is just one word for them. There are other cultures with literacy where poetry and song are distinguished. But poetry always remembers that it has its origins in music.

Poetry and music are the best at the highest level of the human mind. Out of poetry, out of their need for poetry, human beings have developed the idea of God. And so when we sing, when we dance, when we speak poetry we are speaking out of God's mouth, each other out of the music from God's heart.

Poetry, I think, intensifies the reader's experience. If it's a humorous facet of the story, poetry makes it more exuberant. If it's a sad facet, poetry can make it more poignant.

I’m a poet. And then I put the poetry in the drama. I put it in short stories, and I put it in the plays. Poetry’s poetry. It doesn’t have to be called a poem, you know.

Poetry is music though, unfortunately, not all music is poetry. Because music has other carriers to take its message - beats, lyrics, singers, bass players - anyone in music can rise to make a major statement but in poetry there are only words to do the work. And they do sometimes have to sweat.

Poetry is a solitary process. One does not write poetry for the masses. Poetry is a self-involved, lofty pursuit. Songs are for the people. When I'm writing a song, I imagine performing it. I imagine giving it. It's a different aspect of communication. It's for the people.

I don't see how poetry can ever be easy... Real poetry, the thick, dense, intense, complicated stuff that lives and endures, requires blood sweat; blood and sweat are essential elements in poetry as well as behind it.

The advantage of poetry over life is that poetry, if it is sharp enough, may last.

I don't find any direct statements in life. My poetry imitates or reproduces the way knowledge or awareness come to me, which is by fits and starts and by indirection. I don't think poetry arranged in neat patterns would reflect that situation. My poetry is disjunct, but then so is life.

Poetry is always in transformation. There are certain aspects of contemporary Italian poetry that are very preoccupied with politics and deconstruction and they don't deeply interest me. But that's the case in most cultures. We have our own Language Poetry, which doesn't interest me either.

I'm educating myself more about world poetry. I know a lot about contemporary American poetry, so I felt I needed to learn more about figures like Borges, Akhmatova, Neruda, etc. I felt I needed a bigger lens to see poetry through. It really helps to see poetry as a world language, and not just something American.

Political means so many things. We are political willy-nilly. Political poetry is an easy invitation to disaster. But then so is love poetry. But we are a little more patient with bad love poetry.

I'm saying that the domain of poetry includes both oral & written forms, that poetry goes back to a pre-literate situation & would survive a post-literate situation, that human speech is a near-endless source of poetic forms, that there has always been more oral than written poetry, & that we can no longer pretend to a knowledge of poetry if we deny its oral dimension.

The poetry I grew up on is really an intense form of poetry; it's so pure and powerful.

I have no idea, actually, where I fit in, in terms of poetry camps. At AWP conferences, I have been on panels about humor, collaboration, visual poetry, confessional poetry, gender, and the body, as well as tributes to Edward Field and Albert Goldbarth. I felt at home on all of them - most poets straddle more than one school.

I think many people (like myself) prefer to read poetry mixed with prose; it gives you more to go by; the conventions of poetry have been getting far off from normal life, so that to have a prose bridge makes reading poetry seem more natural.

I find it strange that - at least in my take on it - the people who are the most alarmed about the dire times we live in are the ones who seem to be humorless, in their taste for poetry anyway. Humor is just an ingredient. It's always been in poetry. It kind of dropped out of poetry I think during the 19th and up to the mid-twentieth century. But it's found its way back. And it's simply an ingredient.

Political poetry is more profoundly emotional than any other-at least as much as love poetry-and cannot be forced because then it becomes vulgar and unacceptable. It is necessary first to pan though all other poetry in order to become a political poet.

The idea of how to read a poem is based on the idea that poetry needs you as a reader. That the experience of poetry, the meaning in poetry is a kind of circuit that takes place between a poet, a poem and a reader and that meaning doesn't exist or in here in poems alone.

I would say that American poetry has always been a poetry of personal testimony.

The idea of how to read a poem is based on the idea that poetry needs you as a reader. That the experience of poetry, the meaning in poetry, is a kind of circuit that takes place between a poet, a poem and a reader, and that meaning doesn't exist or inhere in poems alone.

Poetry is difficult, I mean interesting poetry, not confessional babble or emotive propaganda. Reading a new poet is discovering an entire world, what Stevens called a 'mundo' and it takes a lot of time to orientate oneself in such a world. What we have to learn to do then, as teachers and militants of a poetic insurgency, is to encourage people to learn to love the difficulty of poetry. I simply do not understand much of the poetry that I love.

I began writing poetry when I was about 10. Bad poetry, but you start with bad poetry.

Mediocre prose might be read as an escape, might be spoken on television by actors, or mouthed in movies. But mediocre poetry did not exist at all. If poetry wasn't good, it wasn't poetry. It was that simple.

For poetry the idea is everything; the rest is a world of illusion, of divine illusion. Poetry attaches its emotion to the idea; the idea is the fact. The strongest part of our religion today is its unconscious poetry.

Most of my poetry lies beyond the SF field, yet here I am corralled into 'SF poetry' as part of this poetry weekend. Of course, some might say, 'you've made your own bed - now you must lie in it!' But, while fully accepting that dictum, I'm not yet quite prepared to lie down.

A glance at the history of European poetry is enough to inform us that rhyme itself is not indispensable. Latin poetry in the classical age had no use for it, and the kind of Latin poetry that does rhyme - as for instance the medieval Carmina Burana - tends to be somewhat crude stuff in comparison with the classical verse that doesn't.

Since the boundary of the world of poetry is fluid, the language in it is also fluid. Hence, the language that is outside of the poetry world, namely the language that is not the language of poetry, cannot go into the poetry world.

A glance at the history of European poetry is enough to inform us that rhyme itself is not indispensable. Latin poetry in the classical age had no use for it, and the kind of Latin poetry that does rhyme - as for instance the medieval 'Carmina Burana' - tends to be somewhat crude stuff in comparison with the classical verse that doesn't.

What's important about poetry in the context of leadership is that most of the time, power has to do with dominance. But poetry is never about dominance. Poetry is powerful but it cannot even aspire to dominate anyone. It means making a connection. That's what it means.

While also, importantly, not wanting to dumb it down or pretend the days of 'difficult' poetry are over, because we live in a pluralist culture and there's room for 'difficult' poetry alongside rap and everything else. And poetry won't be for everyone, but everyone should have the choice.

Poetry is the essence of everything, and it’s through deep contact with reality and living fully that you reach poetry. Very often I see photographers cultivating the strangeness or awkwardness of a scene, thinking it is poetry. No. Poetry is two elements which are suddenly conflict — a spark between two elements. But it’s given very seldom, and you can’t look for it. It’s like if you look for inspiration. No, it just comes by enriching yourself and living.

Sometimes he would advise me to read poetry, and would send me in his letters quantities of verses and whole poems, which he wrote from memory. 'Read poetry,' he wrote: 'poetry makes men better.' How often, in my later life, I realized the truth of this remark of his! Read poetry: it makes men better.

Poetry can save the world. I'm a real believer in its power of healing and transforming. I wish more people read it ... Poetry is probably as close as I would get to religious feeling. I think poetry makes the world stand still.

I wrote poetry in middle school and high school and even through college. It was bad. I just don't think I'm very good at writing poetry. I mean, the distillation, I think, is hard for me, but I love poetry.

For a lot of people, well-meaning teaching has made poetry seem arcane, difficult, a kind of brown-knotting medicine that might be good for you but doesn't taste so good. So I tried to make a collection of poetry that would be fun. And that would bring out poetry as an art, rather than the challenge to say smart things.

My feeling is that poetry is also a healing process, and then when a person tries to write poetry with depth or beauty, he will find himself guided along paths which will heal him, and this is more important, actually, than any of the poetry he writes.

Poetry can explain individuals to ourselves, and change our attitudes, and help us see the complexity of the world, but the kind of poetry I follow isn't going to change public opinion directly. Other art forms can - if you're a TV writer, you have some interesting challenges, or if you're a country musician, somebody like Brad Paisley. But poetry not so much.