Top 1200 What Is Poetry Quotes & Sayings - Page 7

But it's silly to suggest the writing of poetry is something ethereal, a sort of soul-crashing, devastating emotional experience that wrings you. I have no fancy ideas about poetry. ... It doesn't come to you on the wings of a dove. It's something you have to work hard at.

Abstract reason, formerly the servant of practical human reasons, has everywhere become its master, and denies poetry any excuse for existence. Though philosophers like to define poetry as irrational fancy, for us it is practical, humorous, reasonable way of being ourselves. Of never acquiescing in a fraud; of never accepting the secondary-rate in poetry, painting, music, love, friends. Of safeguarding our poetic institutions against the encroachments of mechanized, insensate, inhumane, abstract rationality.

People say modernism killed poetry for them: it doesn't rhyme, it doesn't touch a popular musical oral tradition. Years ago, you memorized and read poetry; it was one of the things you were forced to learn. Now it has tiny role in school.

Yes, I read. I have that absurd habit. I like beautiful poems, moving poetry, and all the beyond of that poetry. I am extraordinarily sensitive to those poor, marvelous words left in our dark night by a few men I never knew.

I have my Poetry 180 project, which I've made my main project. We encourage high schools, because that's really where, for most people, poetry dies off and gets buried under other adolescent pursuits.

I hope that the feeling of making poetry is not confined to the people who write it down. There is no luxury like it, and I hope we all share it. ... I am sure that the great glory of poetry in one's heart does not wait on achievement.

I love poetry. If my mind gets a bit tight or bound up with information or depressed with bad news, I find a good book of poetry is like going to the gym for an hour. My mind just expands.

Workers need poetry more than bread. They need that their life should be a poem. They need some light from eternity. Religion alone can be the source of such poetry.

In poetry, and in my study in graduate school, I was drawn to a particular poet, Theodore Roethke. I did a dissertation on "The Evolution of Matter and Spirit in the Poetry of Theodore Roethke" for my Ph.D.

I wanted to reimagine the role, in a way that was respectful of its traditional responsibilities but made them part of a wider pattern of poetry about national incidents, events, preoccupations; and to spend a great deal of time going to schools trying to demystify poetry.

I find a lot of poetry very disappointing, but I do have poets that I go back to. One book of poetry that I'd like to mention is 'The Exchange' by Sophie Cabot Black. Her poems are difficult without being too difficult.

Loneliness is necessary for pure poetry. When someone intrudes into the poet's life (and any sudden personal contact, whether in the bed or in the heart, is an intrusion) the poet loses his or her balance for a moment, slips into being what he or she is, uses his or her poetry as one would use money or sympathy. The person who writes the poetry emerges, tentatively, like a hermit crab from a conch shell. The poet, for that instant, ceases to be a dead person.

I think that at a certain age, say fifteen or sixteen, poetry is like masturbation. But later in life good poets burn their early poetry, and bad poets publish it. Thankfully I gave up rather quickly.

Poetry fettered, fetters the human race. Nations are destroyed or flourish in proportion as their poetry, painting, and music are destroyed or flourish.

Painting gives the object itself; poetry what it implies. Painting embodies what a thing contains in itself; poetry suggests what exists out of it, in any manner connected with it.

The inmost spirit of poetry, in other words, is at bottom, in every recorded case, the voice of pain – and the physical body, so to speak, of poetry, is the treatment by which the poet tries to reconcile that pain with the world.

Shakespeare wrote better poetry for not knowing too much; Milton, I think, knew too much finally for the good of his poetry.

I think that I have less conviction than ever that poetry matters - that poetry changes or saves anything or anyone. But, in fact, that's tremendously freeing. If it doesn't matter much, the stakes are lower and you can't really fail. It's insurrection. It's a tiny alphabet revolution. A secret. A psalm.

I can't understand Urdu, Bahasa or Russian, but when the Pakistani Faiz, the Indonesian Rendra and the Russian Rosdentvensky declaim, I can feel the living throb of rhythm and music, the warmth and passion of their poetry, as do the hundreds, not a mere roomful, of poetry lovers in the audience.

In poetry, I have, since very young, loved poetry in translation. The Chinese, the French, the Russians, Italians, Indians and early Celts: the formality of the translator's voice, their measured breath and anxiety moves me as it lingers over the original.

When I began, poetry was very academic. You published little pamphlets from fancy presses. It was rather... chaste. There wasn't much public reading. Then there was poetry and jazz, which I don't think worked, though I love jazz.

I believe the best poetry of our times is growing too artistic; the study is too visible. If freedom and naturalness are lost out of poetry, everything worth having is lost.

I don't like poetry that doesn't give me a sense of ritual, but I don't like poetry that doesn't sound like people talking to each other. I try to do both at once.

I never really liked poetry readings; I liked to read poetry by myself, but I liked singing, chanting my lyrics to this jazz group.

Poetry has never let me down. Without poetry, I would have found life less comprehensible, less bearable and infinitely less enjoyable.

They need to learn poetry. They don't need to learn about poetry. They don't need to be told how to interpret poetry. They don't need to be told how to understand poetry. They need to learn it.

I started writing poetry in high school because I wanted desperately to write, but somehow, writing stories didn't appeal to me, and I loved the flow and the feel and sense of poetry, especially that of what one might call formal verse.

All lives are composed of two basic elements," the squirrel said, "purpose and poetry. By being ourselves, squirrel and raven, we fulfill the first requirement, you in flight and I in my tree. But there is poetry in the meanest of lives, and if we leave it unsought we leave ourselves unrealized. A life without food, without shelter, without love, a life lived in the rain—this is nothing beside a life without poetry.

The laureateship [of U.S. Children's Poet] has brought me a couple of appealing contracts, including my first anthology, the 200-poem The National Geographic Book of Animal Poetry.Apart from the increased travel, I won't let anything interfere with writing poetry.

It's not that he lacked poetry. But his poetry was of the body, not the mind. He spoke it in the way he moved, the way he held a hammer, rowed a boat, built a fire. I, on the other hand, was like a brain in a box, a beating heart in a coal scuttle.

I think going from doing TV and straight plays to Shakespeare is weird enough because you have this heightened language, and you are telling a story through metric poetry. But I think music is that place beyond poetry.

Poetry is poetry, and one's objective as a poet is to achieve poetry precisely as one's objective in music is to achieve music.

There can be no society without poetry, but society can never be realized as poetry, it is never poetic. Sometimes the two terms seek to break apart. They cannot.

It may be that poetry makes life's nebulous events tangible to me and restores their detail; or conversely, that poetry brings forth the intangible quality of incidents which are all too concrete and circumstantial. Or each on specific occasions, or both all the time.

Poetry is superior to painting in the presentation of words, and painting is superior to poetry in the presentation of facts. For this reason I judge painting to be superior to poetry.

Lyric poetry is, of course, musical in origin. I do know that what happened to poetry in the twentieth century was that it began to be written for the page. When it's a question of typography, why not? Poets have done beautiful things with typography - Apollinaire's 'Calligrammes,' that sort of thing.

I'm not really quiet or shy. Ask any of my friends! But I always ground my poetry in life itself. Poetry is an art of language, though, so I am always aware of every word's meaning, or multiple meanings.

Poetry examines an emotional truth. It's an experience filtered through the personality of the poet. We look to poetry for visions, not scientific truths. The poet's job is to combine new elements. Explore their melting, seeping into one another.

Poetry relishes ripe fruit - but ripe is one thing and overripe quite another. That's something poetry doesn't like, so it couldn't care less if I were to fall overripe to the ground.

Mysteries do not lose their poetry when solved. Quite the contrary; the solution often turns out more beautiful than the puzzle and, in any case, when you have solved one mystery you uncover others, perhaps to inspire greater poetry

Let my name perish, -- the poetry is good poetry and the music is good music, and beauty dieth not, and the heart that needs it will find it.

My 'must-have' was poetry. From the first, life meant that to me. And, fortunately, poetry is not purchasable material, but an atmosphere in which every life may expand. I found it everywhere about me.

Looking back, fire images have been constant in my poetry. As a boy, it was my job to light the fire each morning, and I remember the celebratory bonfires at the end of the war. It was from staring into fire that I began my first poetry.

The young people have MTV and rock and roll. Why would they go to read poetry? Poetry belongs to the Stone Age. It awakens in us perceptions that go back to those times.

For true poetry, complete poetry, consists in the harmony of contraries. Hence, it is time to say aloud--and it is here above allthat exceptions prove the rule--that everything that exists in nature exists in art.

Write verse, not poetry. The public wants verse. If you have a talent for poetry, then don't by any means mother it, but try your hand at verse.

You may ... make a little recreation of poetry, in the midst of your painful studies. Nevertheless, I cannot but advise you. Withhold thy throat from thirst. Be not so set upon poetry, as to be always poring on the passionate and measured pages. ... let not the Circean cup intoxicate you.

No doubt, the poetry, overjoyed by swallowing the beverage of passionate thoughts, delights the mind. But she does not realize the sorrows and troubles of the poor. Forget depicting the beauty of passions and present your poetry as a necklace of thought gems to swell the soul.

Exercises are like prose, whereas yoga is the poetry of movements. Once you understand the grammar of yoga; you can write your poetry of movements.

That's all there was in our house: poetry and choir rehearsal and duets and so forth; I listened to Dad and Mother discuss things about poetry and delivery and voice and diction - I don't think anyone could know how much it really means.

Well I guess the plan was to write poetry and publish books and make a living from writing poetry. That was a pretty ambitious plan I guess.

Surrealism is not a school of poetry but a movement of liberation... A way of rediscovering the language of innocence, a renewal of the primordial pact, poetry is the basic text, the foundation of the human order. Surrealism is revolutionary because it is a return to the beginning of all beginnings.

Indeed there can be no more useful help for discovering what poetry belongs to the class of the truly excellent, and can therefore do us most good, than to have always in one's mind lines and expressions of the great masters, and to apply them as a touchstone to other poetry.

My poetry is not lyric. The epigrams are lyric because they come from my youthful period of lyricism, but my other poetry is not lyric.

Poetry, I'm often told, is something made of words. I think it really goes the other way around: words are made of poetry.

I have just been to a city in the West, a city full of poets, a city they have made safe for poets. The whole city is so lovely that you do not have to write it up to make it poetry; it is ready-made for you. But, I don't know - the poetry written in that city might not seem like poetry if read outside of the city. It would be like the jokes made when you were drunk; you have to get drunk again to appreciate them.

Poetry, in the entire course of its development, has always been trying to capture meanings and problems which are still obscure and dormant. Poetry tries to awaken them with a kiss, wherever they may be: in the air, in things, in human beings.

Certainly for me prose has a dilatory capacity, insofar as I don't trust my abilities in prose. I imagine I could have done the same thing in poetry, but sometimes I feel more fluent in poetry than in prose, and as a consequence perhaps I might pass too quickly by a thing that I might, in prose, have struggled merely to articulate. That struggle creates space, and it seems to me a particular kind of space into which memory flows easily. I suspect I think better in poetry, however.

In the earliest ages science was poetry, as in the later poetry has become science.

The only thing that can save the world is the reclaiming of the awareness of the world. That's what poetry does. By poetry I mean the imagining of what has been lost and what can be found - the imagining of who we are and the slow realization of it.