Top 202 Wig Quotes & Sayings - Page 3

Explore popular Wig quotes.
Last updated on December 21, 2024.
Playing Mrs.Baskets was an interesting experience for me. It was the most rewarding thing I've done since Life With Louie. So you never know: If somebody asks you to put a wig and a dress on, you shouldn't just say "no" right away.You should at least see if there's money, fame, and satisfaction involved.
In fact my favourite thing is the wig because I'm a very lazy actor so every time I put it on, in order to keep it straight, they kept on telling me to tip my head back because otherwise I was eating it all the time.
Weirdly enough, in my 14 years of modeling, I've only worn a blonde wig three times. I have no idea why I've never been given the option to really try blonde as a model. But here I am doing it on my own.
When I shaved my hair, my friends asked me to keep it, maybe make my own wig out of it, but I wanted the old hair to go; it was not mine. I wanted to let go. — © Sonali Bendre
When I shaved my hair, my friends asked me to keep it, maybe make my own wig out of it, but I wanted the old hair to go; it was not mine. I wanted to let go.
One GOP Congressman named Carlos Curbelo actually suggested that Donald Trump may be a 'phantom candidate' that has been planted by Democrats. The DNC strongly denied this - while Hillary said, 'Crap, they figured it out! Take off the wig, Bill.'
Whenever I've had a wig fall off, I've just played it off like I meant it to happen. Just keep a good sense of humor about it.
I like the fact that it's like The Ramones. You just have to change your name, and you're a Ramone. You just have to put the wig on, and you're Hedwig. Women have played it. Gay men, straight men, you know.
When I had my cancer, the chemotherapy took my hair away. So then I decided I would just keep it short, and this is my signature now. The great thing about it is that I am a bit of a chameleon, so you can put a wig on me and I look totally different.
I chose not to put a wig on. The reason why I chose to come out with the cancer thing is because there's somebody out there who can see that all sickness isn't unto death. That it's something you can't change at that point in time, so you just got to go with it. Don't be ashamed. Don't be ashamed of looking at yourself.
When I came back from filming the 'Chandelier' video, everyone was like, 'So what'd you wear? What did the room look like? How many chandeliers were there?' And I was like, 'Well, I wore a blond wig, a nude leotard, the room was dirty, and there was no chandelier.'
I never believe anything that a lawyer says when he has a wig on his head and a fee in his hand. I prepare myself beforehand to regard it all as mere words, supplied at so much the thousand. I know he'll say whatever he thinks most likely to forward his own views.
At home, my daughter Azura has got this long blonde wig that she loves, and she's obsessed with Rapunzel, but you need to have balance. It's important that she understands her curly hair is beautiful, too.
And doing a film in that period, and having to really celebrate what they wore back then, how they sat and how they spoke. You know, what the etiquette was back then for a lady. All of those things are like putting on a wig and transforming yourself, which I love.
Of the Queen tributes, some of them are very funny, and some of them are really not funny at all. The terrible ones are cheesy and pantolike, more about dressing up in a Brian May wig and a Freddie Mercury moustache, and what they're missing out is the fact that the music is quite complicated and actually not easy to perform.
My mum is totally crazy for fashion still. Her job was as a laundress, but I loved it when she would dress up in her red suit with a mini jacket and flared trousers and get her wig fixed at the hairdresser's - it was the time of wigs - and we would go shopping.
I'm an old fashioned theater major at heart. I love to do a show, do something with friends; I'm kind of a nerd in that way. I like to put on a wig or a fake mustache and do something silly with friends, do a little dance.
The campaign for the White House is heating up with John Kerry taking heat for throwing his Vietnam medals away, getting a $1000 haircut, and wearing a 1970s wig known as 'the Leno.' There are really two sides to this story. And America can't wait for Kerry to present both of them.
I've been fortunate. I get to write films. I get to write music in films. I get to play arenas wearing a wig. — © Christopher Guest
I've been fortunate. I get to write films. I get to write music in films. I get to play arenas wearing a wig.
People actually say Miley mostly because they see Miley mostly on the show. When I have the wig on, they'll say Hannah, but when I don't, they'll say Miley.
I am whatever you want me to be and I can't control that. My experience is my experience, but I can't really claim anything. I know when I take my wig off at night and I have to twist my hair up, I'm black. But I don't get too personal most of the time.
I already hated that gray suit and then having to go through putting on that wig with a false front - again made me feel so trapped inside this person who was desperately wanting to break out of it but she was so caught up in the web of deception that she couldn't.
I have hair that I audition with, my sitcom hair which is a curly wig. I have my long chic hair that I wear to my son's school so they know I'm not playing around. I always tell people that my husband gets a different woman every night when I come home from 'The View.' Hair makes you feel a certain way, like putting a power suit on.
I'd love to be in the '70s. I'd love to have a big, long wig parted down the middle with flat-ironed hair and bell-bottoms. They're actually very flattering for my figure. The wider the leg, the better for a person with a booty.
Every actor starts out saying, 'I can play anything in the world: I'm only 25, but I can be a man 70 years old. I'll put on a gray wig and do it.' But nobody hires you for that. You have to play yourself on the screen.
I'd love to be in the '70s. I'd love to have a big, long wig parted down the middle with flat-ironed hair and bell-bottoms. They're actually very flattering for my figure. The wider the leg, the better for a person with a booty.
After I got my head tonsured, I stopped taking up projects, and have been very choosy because my hairstyle doesn't suit every role. A few filmmakers even asked me to act with a wig, but I don't want to do that.
Acting, when you don't want to do it or you disagree with everything, is almost like having sex with someone you don't like. I had one experience like that on stage, in a terrible version of The Cherry Orchard. I put on a wig, dark-coloured contacts and just hoped no one would recognise me.
I had a Jackson 5 wig that I would wear around, and I would do, like, the dances from the Jackson 5, and, you know, my mother thought that was hysterical. So of course, that seed got planted very early, the physicality of comedy.
I never did that badly with women when I wasn't on telly, but it's a bit out of control now. Women try it on with me more than I'm comfortable with. It's strange, because I think I look like a troll wearing a woman's wig backwards.
The texture my hair, my skin tone; it does work, you don't have to change. But historically we've seen fashion try to change that: straighten your hair, thrown on a super straight silky wig, lighten your skin tone.
I'll break your face, have your ass mumbling to the jay, you going against me dawg you makin a mistake. I'll split your wig and leave you open like a mickeal jackson jacket with all them zippers.
I can always spot an Australian queen by her high, high end wig. Australian drag queens have the best hair in the world - the best.
I do think that we have to be careful not to assume that getting a perm or wearing a blonde wig is a desire for whiteness. It may or may not be. Listen, I live in a poor black neighborhood where women wear blue hair, green hair, and all kinds of stuff. So, I simply see it as a different set of choices.
There was one scene in which I wore a wig, full make-up and stilettos and thought, 'Oh my God, my family, all my friends in Tottenham! Nobody's ever seen me like this before... ' It was definitely a challenge but it helped me become braver as an actor.
I've made many, many, many large wigs in my career, and I've experimented with lots of materials to make them more fun and interesting and as big as possible. I like to use the lightest wig materials that I can.
When I met her she was Anna Mae. I was the one who turned her into Tina Turner. I had to tell her how to dress, how to walk and how to talk on stage. I told her how to stand and how to look, the whole thing, man, I mean from the wig down.
I had to grow the hair down there. But because of years of waxing, as all of us girls know, it doesn't come back quite the way it used to. They even made me a merkin - a wig - because they were so concerned that I might not be able to grow enough.
At 50, I thought proudly: Here we are, half century! Being 60 was fairly frightening. You want to know how I spent my 70th birthday? I put on a completely black face, a fuzzy black Afro wig, wore black clothes and hung a black wreath on my door.
Both my daughters are both so unimpressed when they see me on television. I want them to say, 'Oh, Dad!' But I say, 'Who's that?' and they say 'Dad' with no real interest, even if I'm wearing a long wig and riding on a horse! I think I'll have to read a 'CBeebies' bedtime story instead.
When I go home my mother and I play a cannibal game; we eat each other over the years, tender morsel by morsel until there is nothing left but dry bone and wig. She is winning-needless to say she has had so much more experience.
She took off her wheel, took off her bell, took off her wig, said, how do I smell? I hot footed it barenaked out the window. — © Bob Dylan
She took off her wheel, took off her bell, took off her wig, said, how do I smell? I hot footed it barenaked out the window.
I was recently interviewed for radio in relation to the "Thanksgiving" show [2001] at the Saatchi gallery that I was part of. The interviewer said that people in London were very disturbed that I showed a picture of myself battered ("Nan One Month after Being Battered", 1984) and they thought that I set it up. I was accused of deliberately putting on a wig for that particular picture.
He whipped the chair around and actually split one of the things in half with the impact, spilling the spray of blood that was reflective, like mercury. John bellowed, "Anyone else want to donate blood to chair-ity?" He ducked into the the door and bashed one monster right in the wig, screaming, "There's some dessert! With a chair-y on top!
It's an interesting but useless bit of information that every single character in 'The Lord of the Rings' and 'The Hobbit' wears a wig, and many of them wears a prosthetic - false ears, feet, hands. In my case, nose.
British actors wear wigs a lot. I find it to be a nice ritual at the end of the day, take the wig off, clean the makeup off, go home, leave work behind me.
When you hear composer, you think, like, Beethoven: guy in a powdered wig, at a piano, furiously scribbling on manuscript paper. That's not the only image that a composer should bring up, you know. But that's kind of what we've said it is.
Like most men, I can't say I am thrilled my hair's falling out, but then, if I really cared, I suppose I would wear a wig, get transplants, or start taking special pills, so I am obviously just putting up with it.
Every time I have to try on a wig for work, I get excited about the colour; I've often thought about going for a platinum bob or also raven black, as it looks so great against pale skin. But I always end up being loyal to my red colour.
I wanted to look right. I remember a review - a very positive one - in The New York Times that said I was so good in the role [Earl Mills] that I "even managed to overcome a terrible red wig." I wanted to write her and tell her about the agony I'd gone through with the perm, but I thought better of it.
As someone who's been doing a lot of classical theater recently, I loved the idea of getting to run around in Steven Alan, and not be in a corset and a wig, and not have a dialect, and get to be in a 90-minute play with no intermission, and get to do real comedy.
Trump is the hyperventilating yellow canary in the coal mine reminding us all that social death is a looming threat. He is emblematic of a kind of hyper-masculinity that rules dead societies. He is the zombie with the blond wig holding a flamethrower behind his back. He is the perfect representation of the society of spectacle, with the perverse grin and the endless discourse of shock and humiliation.
Waiting for the fish to bite or waiting for wind to fly a kite. Or waiting around for Friday night or waiting perhaps for their Uncle Jake or a pot to boil or a better break or a string of pearls or a pair of pants or a wig with curls or another chance. Everyone is just waiting.
I think that people are looking beyond the wig. I think they are saying, This isn't just a costume; there's a person behind this. If this costume, this character, this person has this kind courage? Why don't we share that?
Georgian England, to see those wonderful houses being built. And the clothes were interesting too, although I wouldn't want to wear a wig. It's also the most beautiful period of English landscape gardening. They had famous gardeners like Capability Brown.
I hope you have lost your good looks, for while they last any fool can adore you, and the adoration of fools is bad for the soul. No, give me a ruined complexion and a lost figure and sixteen chins on a farmyard of Crow's feet and an obvious wig. Then you shall see me coming out strong.
I wanted to be a drag queen so badly. I'll bet I still own more wigs than any drag queen - I love me a wig. — © Melissa McCarthy
I wanted to be a drag queen so badly. I'll bet I still own more wigs than any drag queen - I love me a wig.
There was a moment in time when we were filming in London, and we thought someone stole one of the queen's wigs. But I think someone had just misplaced it. It was so funny. I remember it being the most panicked day on set. 'We're missing a wig!'
I started wearing wigs when I was younger and had a thyroid disease that made my hair fall out. It was devastating. I thought, 'I could either have an issue with this, or I could go to the store and buy a wig.' And then I fell in love with wearing them, and I stuck with it even after my hair came back.
In a world of iPads and emails, nothing has really changed in the theatre. You still get in an hour early, do your wardrobe, put an old pair of tights under your wig, and you have, 'This is your call, Miss Jensen'. I got exhilarated by that.
Before you could actually have face-lifts, they would pull your skin around the back of your head with rubber bands, where they would tape it. And then you'd have to wear a wig over it to hide the rubber bands. It was not the most comfortable.
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