Top 133 Wildness Quotes & Sayings - Page 3

Explore popular Wildness quotes.
Last updated on April 16, 2025.
Fury is an entirely appropriate response to a system that sends young people to kill other young people in a war that never should have been waged. Yet the American Right is forever trying to pathologise anger as something menacing and abnormal, dismissing war opponents as hateful and, in the latest slur, "wild-eyed". This is much harder to do when victims of wars begin to speak for themselves: no one questions the wildness in the eyes of a mother or father who has just lost a son or daughter, or the fury of a soldier who knows that he is being asked to kill, and to die, needlessly.
English literature, from the days of the minstrels to the Lake Poets,--Chaucer and Spenser and Milton, and even Shakespeare, included,--breathes no quite fresh and, in this sense, wild strain. It is an essentially tame and civilized literature, reflecting Greece and Rome. Her wildness is a greenwood, her wild man a Robin Hood. There is plenty of genial love of Nature, but not so much of Nature herself. Her chronicles inform us when her wild animals, but not the wild man in her, became extinct.
Maybe love, too, is beautiful because it has a wildness that cannot be tamed. I don't know. All I know is that passion can take you up like a house of cards in a tornado, leaving destruction in its wake. Or it can let you alone because you've built a stone wall against it, set out the armed guards to keep it from touching you. The real trick is not to let it in, but to hold on. To understand that the heart is as wide and vast as the universe, but that we come to know it best from here, this place is gravity and stability, where out feet can still touch ground.
There is an ultimate wildness in all this, for the universe, as existence itself, is a terrifying as well as a benign mode of being. If it grants us amazing powers over much of its functioning we must always remember that any arrogance on our part will ultimately be called to account. The beginning of wisdom in any human activity is a certain reverence before the primordial mystery of existence, for the world about us is a fearsome mode of being. We do not judge the universe.
In the first seat, in robe of various dyes, A noble wildness flashing from his eyes, Sat Shakespeare: in one hand a wand he bore, For mighty wonders fam'd in days of yore: The other held a globe, which to his will Obedient turn'd, and own'd the master's skill: Things of the noblest kind his genius drew, And look'd through nature at a single view: A loose he gave to his unbounded soul, And taught new lands to rise, new seas to roll; Call'd into being scenes unknown before, And passing nature's bounds, was something more.
Wildness had never been a part of her life. Home, work, home, work. That's all her life had consisted of, really. She'd told Maddox that she'd been glad for her solitude, bu the truth was, there were times she'd been starved for touch. Any touch.
Sometimes she has imagined what it would be like to fly, to live in the river, to run like a horse. She has dreamed of that freedom, that power, and fears the wildness in herself that wants to live as beasts live, moved purely by need and desire. She has felt torn between the heat of her limbs and the thoughts in her mind telling her to be careful and good and always calm. Don't scream or cry, don't run to him and throw yourself at his feet, pleading for him to take you in his arms, don't strip off your clothes and run naked to the water, wild with wanting.
What I sought in books was imagination. It was depth, depth of thought and feeling; some sort of extreme of subject matter; some nearness to death; some call to courage. I myself was getting wild; I wanted wildness, originality, genius, rapture, hope. ... What I sought in books was a world whose surfaces, whose people and events and days lived, actually matched the exaltation of the interior life. There you could live.
I think an erotics of place may be one of the reasons why environmentalists are seen as subversive. There is a backlash now:... [ellipsis in source] take all the regulations away; weaken existing legislation; the endangered species act is too severe, too restrictive; let there be carte blanche for real-estate developers. Because if we really have to confront wildness, solitude, and serenity, both the fierceness and compassionate nature of the land, then we ultimately have to confront it in ourselves, and it's easier to be numb, to be distracted, to be disengaged.
Did any great genius ever enter the world in the wake of commonplace pre-natal conditions? Was a maker of history ever born amidst the pleasant harmonies of a satisfied domesticity? Of a mother who was less than remarkable, although she may have escaped being great? Did a woman with no wildness in her blood ever inform a brain with electric fire? The students of history know that while many mothers of great men have been virtuous, none have been commonplace, and few have been happy.
I once heard a woman who had lost her dog say that she felt as though a color were suddenly missing from her world: the dog had introduced to her field of vision some previously unavailable hue and without a dog, that color was gone. That seemed to capture the experience of loving a dog with eminent simplicity. I'd amend it only slightly and say that if we are open to what they have to give, dogs can introduce us to several colors with names like wildness, nurturance, trust and joy.
Wildness and silence disappeared from the countryside, sweetness fell from the air, not because anyone wished them to vanish or fall but because throughways had to floor the meadows with cement to carry the automobiles which advancing technology produced. Tropical beaches turned into high-priced slums where thousand-room hotels elbowed each other for glimpses of once-famous surf not because those who loved the beaches wanted them there but because enormous jets could bring a million tourists every year - and therefore did.
From a tale one expects a bit of wildness, of exaggeration and dramatic effect. The tale has no inherent concern with decorum, balance or harmony. ... A tale may not display a great deal of structural, psychological, or narrative sophistication, though it might possess all three, but it seldom takes its eye off its primary goal, the creation of a particular emotional state in its reader. Depending on the tale, that state could be wonder, amazement, shock, terror, anger, anxiety, melancholia, or the momentary frisson of horror.
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