Top 1200 Wishing For Something Quotes & Sayings - Page 19

Explore popular Wishing For Something quotes.
Last updated on December 22, 2024.
Usually if I want to just listen to something or sing along to something I'll put on some Gavin DeGraw or some Billy Joel. Occasionally, if I am feeling vocally in really great shape I will sing Jean Valjean's Soliloquy from LES MIZ or something.
I dug myself a garden, and a stray cat I grew to like would come around to sulk in the corn. I forced myself to seek new love, and for a while, I thought I'd found it with a girl from my office. She was molten in my bed, but she also suffered depressions that were very dear to her. She would often call just to sigh at me for two hours on the phone, wanting me to applaud her depth of feeling. I cut if off, then missed her, wishing that I'd at least had the sense to take her naked photograph.
If you hand an adult a lump of clay, they're likely to respond by fashioning something representative out of the raw material. For the most part, they'll simply forge an object that signifies something "real" in the world, even if that something is as abstract as an emotion or an energy. A child, on the other hand, will just as often produce something totally without semiotic meaning, a shape or a mass that represents nothing that exists outside of their imagination. Or else, they'll eat it or throw it or ignore it, wholesale.
Such is the grasping tendency of the human heart, that it must have a something to lay hold of - and which, if wrested away without the substitution of another something in its place, would leave a void and a vacancy as painful to the mind, as hunger is to the natural system.... The heart must have something to cling to.
You can squint and see something else, or something will come forward in the paint. You'll always see something else. — © Polly Allen Mellen
You can squint and see something else, or something will come forward in the paint. You'll always see something else.
If your audience doesn't like something, you should think to yourself, "Well, why don't they like something? Is there something wrong here?" And, if they like something, you should think to yourself, "Why do they like it? What am I doing right here?," and deal with those issues.
I hoped for something else. It's a simple dream, but it speaks to us so powerfully because it is our dream - one that exists at the very center of the American experience. One that says if you're willing to work hard and take responsibility, then you'll have the chance to reach for something else; for something better.
It Went By Me something very beautiful just went by me something not to tell in words in feelings so fragile so wild something yet to tell is no longer why and when it left i can't tell.
Fear wears so many clever disguises it is virtually impossible to always recognize it. Fear disguises itself as the need to be somewhere else, doing something else, not knowing how to do something or not needing to do something.
There was something about Jace, though, that made her want to push him, crack that shell of cynicism and make him admit her believed something, felt something, cared about anythinng at all.
Human nature, at its best, had always been based on a deep heroic restlessness, on wanting something-something else, something more, whether it be true love or a glimpse just beyond the horizon. It was the promise of happiness, not the attainment of it, that had driven the entire engine, the folly and glory of who we are.
In the end, it's about the reality. You want something that's believable in the performances; you want something that's believable in the storytelling, in the writing. You just want to connect to something that you feel is real.
I always look for projects that are risky and ones that want to do something unique. If audiences don't like it, you feel good knowing that you were brave enough to do something original. If they do like it, you feel like everyone is rewarded, because we all got to see something new.
This is the theory… that anything that is art… is presumably about some certain thing, but is really always about something else, and it’s no good having one without the other, because if you just have the something it is boring and if you just have the something else it’s irritating.
I am not as dangerous as I used to be. I am not as effective in the penalty area any more. That is something I have lost and something I have to get back. I used to score better goals, great goals. But something strange has happened.
Many people don't have an internal vision to go after something, fight for something, make a plan. So the biggest thing is - until you get picked up by a major label or until something breaks, you need to plan out what your dream is going to be.
And, finally, I know, too. That throwing away this mess doesn't mean I'm giving something up. Or losing something I can't get back. It's just that there are too many pieces and too much dust. I'm just ready for something whole." —Pete Cassidy
I believe that there are still people who believe that game music is something equal to just an effect incorporated into the game, something like a BGM. And therefore this is something that I would like to show that is not true.
Dedicating your life to something, dedicating time to something, ending up achieving it and maybe doing better than that. Me personally, that would be a Stanley Cup. That's something I've dreamed of my whole life. I think that's why every hockey player at this level plays.
The thing that makes me want to write a piece of music is having something to talk about, you know? Something I want to get across. Because I'm a composer, music is my first language, and that's what I reach for when I want to convey something.
There's something strange about comedy requests. I guess if you enjoy something, why not hear it again? But there's something weird about it being live, when the person is there, and asking them, "Hey, do this thing like you did it, but make it seem like you're making it up on the spot.".
The winds that sometimes take something we love, are the same that bring us something we learn to love. Therefore we should not cry about something that was taken from us, but, yes, love what we have been given. Because what is really ours is never gone forever.
All this time…ever since I sold my soul, I’ve been clinging to this idea that there is something pure and decent out there. That there was something to give me hope that even if I was a lost cause, at least there was something bright and good in the world. But there isn’t. If there was, Seth wouldn’t have fallen. Erik wouldn’t have died. Andrea Mortensen wouldn’t be dying.” -Georgina to Carter
The secret of life is to have a task, something you devote your entire life to, something you bring everything to, every minute of the day for the rest of your life. And the most important thing is, it must be something you cannot possibly do.
You think you're prepared. You think you've done everything you're supposed to, study hard, work hard, keep yourself out of trouble, and then-whoosh! Something arrives out of the blue that you never saw coming. Something you never even imagined. Something that'll knock your little world off its axis. Something that'll either change your life for the better, or end it forever. Chaos.
When we speak, we want to say something sweet, but we don't say something sweet because something is ordering us from deep down to say something unkind. We want to open our hearts to people, but we can't do it, because we are being ordered around by the sufferings we have concealed deep in our consciousness.
I think that's a great opportunity, to pick a script where you can build up a good skill. I think the main thing I look for when I look at scripts is if it's inspirational. If it's something that teenagers can relate to. And is it something that the audience is going to get something out of. If not, then it's really not worth doing.
If you look at the films that I've done generally, you would probably get an idea of what I'm most interested in, and if ever I do something unusual like a science fiction film or an action film or a comedy or something, then that to me feels like a step to the side to do something different.
We seem to have lost our contact with the primordial: the idea of - call it divine revelation as opposed to something that's learned by the human intellect - something that, if you lay yourself completely open, and you just open your heart completely, something will actually come into it.
I am speaking of something that is no longer happening - that is not currently going on. If someone is abusing you, or doing something illegal, or even something you refuse to tolerate, and it's still continuing, that is not an issue of forgiveness, that is an issue of making sure that stops - even if you have to get away from that situation - that's very important.
I rather be divisive than boring. The last thing I want to be is a bowl of sugar free vanilla pudding, it's not something you necessarily hate but it's not something you ask for. I'd rather be something people passionately care about one way or another than be kind of in the middle.
I think humor really is the most effective way for me personally to express myself. When I see an incredible formalist painting, I respect it. I really do. I see its history and I get it. But when I pass something weird or something funny, I totally associate with it. I find myself thinking about it later that day. That's how I know something is thought provoking. That's how I know something is effective.
That everybody can do something, without regard to how old or young they are, rich or poor or middle class they are, how busy or not busy they are and what level skills they have. Everyone can do something. And everybody should do something. ... And if you do it, you'll be happier.
Jeanne, I fell asleep among the paintings, where I could sit for many days worshipping your portrait. I fell in love with your portrait, Jeanne, because it will never change. I have such a fear of seeing you grow old, Jeanne, I fell in love with an unchanging you that will never be taken away from me. I was wishing you would die, so that no one could take you away from me, and I would love the painting of you as you would look eternally.
When a ball goes into a net it only means something because we decided it means something. When somebody punches somebody in the face it always means something.
When people say it's a funny thing about them, you will probably be able to control your hysterics. They are only getting ready to announce the shattering fact that they don't like something. And it's not going to be something that's really quite awful, like suttee or apartheid; it's going to be something small.
[My twin brother] he was the star artist of the family as we - as we were growing up. He eventually lost interest and went more towards literature and then medicine and then business and so on. But for me it became something that I did well. And it felt great being able to make something look like something.
From the very beginning, art meant something very important to the people who made it. It was a correspondence of the emotions to what you saw; it wasn't knowledge. You were being at one with something eternal; something outside of yourself. And no matter how many fake things have been brought in to suit other conditions... That is still true.
I want to do something where the script is there. That doesn't mean that I won't need to come in, or be asked to come in, and help develop something. Things can always get better. There's always room for improvement. But, I want to do something that's the best version of whatever it's supposed to be.
The only thing I would want to say is that storytelling is ancient; it's something that everybody does. Kids mustn't be in awe of it. Reading should be a joy - fun, fun, fun - not a responsibility, not something you do because society demands it, but something you do because it's a pleasure.
I'm not interested in stories. Stories are interesting but I don't think my head works that way. I remember at age 10 I dreamt of making animated cartoons as loops, something you could just project on your wall and look at from time to time. Kind of, something to stare at, something that's always there.
I must tell you that I should really like to think there's something wrong with me- Because, if there isn't, then there's something wrong with the world itself-and that's much more frightening! That would be terrible. So I'd rather believe there is something wrong with me, that could be put right.
You want to have a song that people will listen to and go, 'Oh, yeah! That reminds me of something in my life,' or, 'something I'm currently going through,' or maybe something happens later and you hear the song and go, 'Wow! That really was telling a story that I can relate to now.' That's my hope.
To get something you must give something away. To hold something you must give something away. To love something you must give something away. — © David Levithan
To get something you must give something away. To hold something you must give something away. To love something you must give something away.
Most of us function under the model we have to get something in order to do something, in order to be something. If this happens, then I will be happy. And I'm suggesting to you that we live our entire lives based on that model, and that model is fundamentally flawed.
Every once in a while you just have to decide to do something very crazy and very right--just to dare yourself to live. I don't mean doing something stupid and destructive--just something fun and good and beautiful.
Where you want to be is always in control, never wishing, always trading, and always first and foremost protecting your ass. That's why most people lose money as individual investors or traders because they're not focusing on losing money. They need to focus on the money that they have at risk and how much capital is at risk in any single investment they have. If everyone spent 90 percent of their time on that, not 90 percent of the time on pie-in-the-sky ideas on how much money they're going to make, then they will be incredibly successful investors.
There's something, I think, that gets lost when we write something - something gets lost in the translation. So I speak everything out, and it's more important how it sounds. And applying that to more formal aspects of writing.
I've definitely had my hard partying moments. I've definitely had the long stretches of time in my personal life where I've felt an intense loneliness and a desperation to feel something real and to have something that truly meant something in my life.
Growing up, I learned that if you are passionate about something, that you can move mountains. Passion is more precious than gold, and it's a currency that everyone craves. It's something that's hard to fake, and when it's real, everyone wants to be on that train. It's about giving people something that they can believe.
Make sure you are doing something you love to do when working out. Nobody likes to work, so when you do choose a workout, make it something you enjoy doing. You won't stick with it if you hate it and if it feels like work. Find something fun.
I certainly didn't grow up ever having to worry about where my next meal was coming from. The fact that so many people, even in our own country, worry about something so basic, it's something I really wanted to help to do something about.
Usually, if I want to just listen to something or sing along to something, I'll put on some Gavin DeGraw or some Billy Joel. Occasionally, if I am feeling vocally in really great shape, I will sing Jean Valjean's soliloquy from 'Les Miz' or something.
I buy 1920s iridescent Scottish glass. I love the way the sun hits it every morning. You touch something and you know. To me, people should buy something they love. Buy something you'd want to come downstairs and stroke.
We will build the city from scratch. It will be drone-friendly and a center for the development of robotics. We want to create something different. Neom is a place for dreamers who want to create something new in the world, something extraordinary.
There was also a rumor that later in the day, she walked fully clothed into the Amper River and said something very strange. Something about a kiss. Something about a Saumensch. How many times did she have to say goodbye?
Valerie Martin was my mentor in college and she liked fiction that said something. That made it essential to have something to say. This seems obvious, but it's not. And she's taken on a wide range of subject matter: each book poses new challenges, and that's something I think about when I'm embarking on a project.
The role of a comedian is to go in and make something funny. That might be a situation where I'm writing, a situation where I'm in control, like standup or something of my own that I'm making, or it might be something like being an actor in someone else's project.
Only when we have something to value, will we have something to evaluate.. and we cannot value something that we cannot share, exchange, and examine.
One cannot sell anything to a satisfied man. Ergo, make him want something new, or take away something that he has and then sell him something to take its place.
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