I've worked with Woody Allen twice and he was like, "Whatever you want to change, it's up to you. If you want to change the words, make them your own."
I don't really believe in trying to erase every Woody Allen movie from history. For one thing, that's kind of unfair to all the people who worked on those movies or albums or whatever it is. What did they do wrong to have their work erased from culture?
I don't think I have any right to say I belong to that [Woody Guthrie/Bob Dylan tradition]. I think that's something that eventually maybe you get inducted into. I'm just experimenting.
Woody Allen is a genius. His films are wonderful. He's poetic, but he's also a critic. He artfully steps back from a social setting and criticizes it without - I suspect - without letting himself be vulnerable to it.
People who I've worked with are always like, 'Why aren't you doing comedy? You're funny!' because they've only seen the one side. I did do the comedy 'Whatever Works,' with Woody Allen and Larry David.
Working with Woody Allen is like filming Howard Hughes's will. It's a very mysterious and strange event. You never get a peek at the whole will.
I discovered ... that a novel has nothing to do with words in the first instance. Writing a novel is a cosmological matter, like the story told by Genesis (we all have to choose our role models, as Woody Allen puts it).
I love Woody Allen. He's very clever, always thinking, and he's great with actors. He lets actors do what they want to do and occasionally he'll give them a specific kind of direction.
I think Woody Allen calls it 'anxiety of influence.' When you're in your formative years and you watch a movie that makes you want to make movies... For Wes Anderson, it's Truffaut. I'm sure for P.T. Anderson it was Scorsese and Jonathan Demme.
I don't know if it's really important, or intelligent even, when people say to me I'm a white Spike Lee, because they said to Spike Lee you're a black Woody Allen.
I'm not like Woody Allen like, "Oh my god what's going to happen? Ooh Ooh Oohhh." I'm just high-strung. So I do need to do a lot of stuff.
You know, I was on 'Cheers' for eight years, and I couldn't get another job, and I thought, 'I'm going to be Woody Boyd forever.' Which is not bad, but I really thought I was capable of more.
Woody Allen has done some excellent serious movies, too, like Crimes And Misdemeanors. Very overlooked movie, I think, and really his best. And currently I like Big Fish!
People sometimes forget all the films that we've done. They remember the likes of 'Malcolm X' and 'Do the Right Thing.' But I've been working since 1986. From the beginning, I was determined to not just be a flash in the pan. I've got to keep up with Woody Allen. He's lapping me.
I'm a total fangirl for Nancy Meyers. I love all her movies - 'Something's Gotta Give,' 'Father of the Bride,' 'The Parent Trap,' etc. I also love Woody Allen - 'Annie Hall' and 'Manhattan' are my favorites.
I think I'll be Scottish in every movie I write. They always try to talk me out of it, but Woody Allen is always a nebbish New Yorker. Why shouldn't I be a goofy Glaswegian?
I took an acting class with Louise Lasser, Woody Allen's first wife and co-star in many movies. I've done some other indie films, if you look on the YouTube. I love acting - it's great.
My musical heroes are people like Pete Seeger and Woody Guthrie who wrote and sang real songs for real people; for everyone, old, young, and in between.
Like most kids, I grew up singing 'This Land Is Your Land' in grammar school, but with the most radical verses neatly removed. This was before I knew it was a Woody Guthrie song.
Well you know, Woody doesn't rehearse, as opposed to my own method of directing where I really work with actors around a round table for weeks, examining the values of the material, so his technique is very different.
Growing up, I listened to a lot of American singer/songwriters, so a lot of Tom Waits, Paul Simon - also Woody Guthrie and Bob Dylan. And bands like Vampire Weekend.
Irish fathers still have certain responsibilities, and by the time my two daughters turned seven, they could swim, ride a bike, sing at least one part of a Woody Guthrie song, and recite all of W. B. Yeats's 'The Song of Wandering Aengus.'
The real achievement of Woody Allen was that he was making movies that felt very personal, and for a whole group of people, it spoke to them. Then he became an archetype, like Groucho Marx or Chaplin.
When I tell people I spent almost a year in Paris, I know they imagine something out of a Woody Allen movie, which it wasn't, of course. I was just working in a clothes shop, but I was aware that it was exciting.
I felt very fulfilled after doing 'Vicky Cristina Barcelona' because I'd always wanted to work with Woody Allen. That was like a lifelong dream, and that was thrilling for me, to enter that world.
I was also a big Woody Allen fan. When I got into college I listened to Lenny Bruce but it's taken me years to put him into context historically and really get what he did.
Woody [Allen] is a fascinating character to be around. You don't really know what he's going to want. You're on your toes, but you're on your heels too, if you know what I mean.
I was voted best-looking kid in high school but, as you can see, things changed. I used to say I was a 260 pound Woody Allen. You can make that 295 pound now.
I was voted best-looking kid in high school but, as you can see, things changed. I used to say I was a 260-pound Woody Allen. You can make that 295-pound now.
I would love to work with Dustin Hoffman, John Malkovich, Omar Epps, Martin Scorsese, Josh Mond, Woody Allen, Paul Thomas Anderson, and David O. Russell, just to name a few. Those guys are absolutely brilliant at what they do.
Sometimes, when things go well on a set, or when you are working with somebody like Pedro Almodovar, Woody Allen, Rob Marshall or somebody so talented and so inspiring, it's really beautiful, what happens there.
I think Woody Allen is pretty much of a genius. I'm thinking of filmmakers every century or two, but I've never had the luck to meet them. People who create their absolutely own world and are totally inimitable.
I was immediately into all the great movie comedians - Woody Allen, Mel Brooks, Richard Pryor, Gene Wilder. Everything those guys had anything to do with, from I don't know how young. Super young.
I never really considered 'Quantum & Woody' a comedic book or a funny book. I never thought of it as a satire.
[Woody Allen] does very few takes, and he doesn't give a whole ton of directions, although he does give direction.
I may look like an American WASPy doctor or lawyer, but I feel just like Woody Allen. Don't cast me for my looks - I have a very ironic, existential, crazy Jew in me.
Yes, Im a New Yorker, born and bred. While Im not quite the L.A. snob that Woody Allen is, I do find myself happier in New York.
The process of filmmaking is very musical, you get into the rhythm and the rhythmics of how someone is, especially with Woody Allen who is very much into body language and body movement.
I am defined also by Woody Allen’s films and Martin Scorsese and Jim Jarmusch and Julian Schnabel or Almodóvar, or by Guillermo del Toro, Iñárritu, Cuarón. Even if we haven’t worked with them, we are all defined by their filmography.
I've always wanted to make people laugh. It's been my only ambition, ever since my dad introduced me to the genius of the great comedians: Tony Hancock, Woody Allen, people like that.
'Ernest Borgnine' is sort of my version of Woody Allen's 'Purple Rose Of Cairo' in that it's about the occasional difficulty of coming to terms with the cold hard facts and the temptation to escape into another world - like movies, for example. I'm a pro at escaping.
If Woody Guthrie set the bar for American songwriters, Bob Dylan jumped right over it. No one I know will ever come close to possessing the beauty of melody and the use of language that Dylan shares with us, with ease.
I'm a fan of Louis C.K., I'm a fan of Lena Dunham. I love shows about people that other people would consider unlikable, or, like, the work of Woody Allen and Albert Brooks.
I'm sick of hearing, thinking and talking about Woody Allen. Nonetheless, the allegations against him continue to capture our national attention because so much of the story is strange and sordid.
Love is when you realize that he's as sexy as Woody Allen, as smart as Jimmy Connors, as funny as Ralph Nader, as athletic as Henry Kissinger and nothing like Robert Redford - but you'll take him anyway.
I absorbed the vinyl of Woody Guthrie, Pete Seeger, Jack Elliott, to Michael McClure and then into the Beat poets, Allen Ginsberg. At campus, we were absorbing that stuff. We looked to America.
I was on my bus, and on my bus I have a yoga swing. Jennifes comes on, and she goes, ' Hi, Woody, I'm J--- is that a sex swing?' Her first sentence to me.
Maine is the largest producer of wild blueberries in the world. The woody plants occur naturally in the sandy gravel understory of Maine's coastal forests, where little else bothers even trying to grow.
When I worked with Woody Allen, I only got the parts of the script that I was in. I was able to piece together the narrative from that, but I remember being quite excited to watch the movie - the movie that I was in but didn't know what happened in, like, 65 percent of.
I have a terrific relationship with Woody and realize it's full of dramatic overtones, but it's really quite simple. It revolves around conversations, film talk, sports talk, books, and art.
Very few people have actually read Freud, but everyone seems prepared to talk about him in that Woody Allen way. To read Freud is not as much fun.
For a long time now, movie characters have generally been articulate, even chatty. Call it the influence of Woody Allen, but we have become used to characters who are well able to explain themselves to others.
If you had told me ten years ago that I would be able to go and make out with Will Forte one day and then Woody Harrelson the next, it would have blown my mind.
I'm a big fan of 'Woody Allen' movies, so I like all the actresses in his movies like 'Diane Keaton' and Mia Farrow.
Life is never all one thing. It bounces around. Certainly, my own life has. Look at Woody Allen's funny movies - all the humor comes out of sad stuff. Sometimes you have to laugh, no matter what life deals you.
I can't think of a more natural experience in my entire life than playing with Mike Dean, Woody Weatherman again. I really learned how to play with them in terms of drumming.
I talked to Woody Allen for half an hour or something. It was pretty incredible. He really went into lots of detail about the story [in Blue Jasmin] and what actually happened. Just talking to him is very surreal.
Woody Allen, when we did Vicky Cristina Barcelona, said to Rebecca Hall, "Do it one time happy, one time sad, and one time indifferent, as I won't know where you should be until I'm editing this, in terms of your emotions."
Sigmund Freud was a half baked Viennese quack. Our literature, culture, and the films of Woody Allen would be better today if Freud had never written a word.
I grew up with Woody Allen and early Spike Lee movies in which New York was such a specific character. The city has a certain vibe and beat which really informs your entire existence.
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