Top 1200 Words And Music Quotes & Sayings

Writing begins in the body, it is the music of the body, and even if the words have meaning, can sometimes have meaning, the music of the words is where the meanings begin....Writing as a lesser form of dance.

People usually complain that music is so ambiguous, and what they are supposed to think when they hear it is so unclear, while words are understood by everyone. But for me it is exactly the opposite...what the music I love expresses to me are thoughts not to indefinite for words, but rather too definite.

Music. – There is something very wonderful in music. Words are wonderful enough: but music is even more wonderful. It speaks not to our thoughts as words do: it speaks straight to our hearts and spirits, to the very core and root of our souls. Music soothes us, stirs us up; it puts noble feelings into us; it melts us to tears, we know not how: – it is a language by itself, just as perfect, in its way, as speech, as words; just as divine, just as blessed.

Words! Mere words! How terrible they were! How clear, and vivid, and cruel! One could not escape from them. And yet what a subtle magic there was in them! They seemed to be able to give a plastic form to formless things, and to have a music of their own as sweet as that of viol or of lute. Mere words! Was there anything so real as words?

Language can still be an adventure if we remember that words can make a kind of melody. In novels, news stories, memoirs and even to-the-point memos, music is as important as meaning. In fact, music can drive home the meaning of words.

Well, one is inspired by the whole of life, one's own and somebody else's. You know how sometimes you hear great music, and music is completely untranslatable into words, into any words. A certain tension that is born when one listens to music could aid you in expressing something absolutely different.

Popular music of the last 50 years has failed to keep in step with advances in musical theater, namely Stephen Sondheim. But the two have grown apart so that popular music is based more than ever on a rhythmic grid that is irrelevant in musical theater. In popular music, words matter less and less. Especially now that it's so international, the fewer words the better. While theater music becomes more and more confined to a few blocks in midtown.

The Rolling Stones were an inkling towards an appreciation of the unity of music, dance and words. Any of the black R&B people who had a stage show that involved dancing, music and words did the same thing, except that I thought Jagger's words were good, his music was good and his dancing was good. I spoke to him about Blake and tried to get him to sing [William] Blake's The Grey Monk, to use his words as lyrics. He didn't do it. In the end, I did it myself.

There are few words in the music business or in art that I'll say people or some writers are overgenerous with words like 'legend' or 'genius', 'he's a pioneer' and all of that.

I have always taken care to put an idea or emotion behind my words. I have made it a habit to be suspicious of the mere music of words.

Music does not replace words, it gives tone to the words

The music goes into people in a totally different way than words. There's air, there's the sound of words, there's touch, there's music. All of those things have a really distinct way of meeting and entering people's bodies and souls. It's the most beautiful part about humans; that we make music.

Kids use words in ways that release hidden meanings, revel the history buried in sounds. They haven't forgotten that words can be more than signs, that words have magic, the power to be things, to point to themselves and materialize. With their back-formations, archaisms, their tendency to play the music in words--rhythm, rhyme, alliteration, repetition--children peel the skin from language. Words become incantatory. Open Sesame. Abracadabra. Perhaps a child will remember the word and will bring the walls tumbling down.

Literature exists inside the language. It's made of words. It's not made of ideas and it's not made of concepts, of psychological analysis. It's made of words. In the same way in which music is made of notes and a painting is made of lines of colors, the matter of literature are words.

Words are poor interpreters in the realms of emotion. When all words end, music begins; when they suggest, it realizes; and hence is the secret of its strange, inexpressible power.

I write music, it’s performed. After all, my music says it all. It doesn’t need historical and hysterical commentaries. In the long run, any words about music are less important than the music.

A book, at the same time, also has to do with what I call a buzz in the head. It's a certain kind of music that I start hearing. It's the music of the language, but it's also the music of the story. I have to live with that music for a while before I can put any words on the page. I think that's because I have to get my body as much as my mind accustomed to the music of writing that particular book. It really is a mysterious feeling.

When the music created by the sounds and ordering of the words matches the thrust of the meanings of the words, then a radiant state of awareness can occur.

Poetry is music, and nothing but music. Words with musical emphasis.

Words ride on the energy of tone, its warmth or coldness; think of tone as the music of how words are expressed. You want this music to be soulful, whether you're giving sweet talk or tough love.

Music begins where words are powerless to express. Music is made for the inexpressible. I want music to seem to rise from the shadows and indeed sometimes to return to them.

I distrust speech therapy. Words are the language of lies and evasions. Music cannot lie. Music talks to the heart.

With Dick Smith there, and the words of Peter Shaffer... they've got to be the most beautiful descriptions in music ever written on film or in literature. And we could hear the music accompanying the words... What more can you ask for?

One listens to a piece of great music, say, and feels deeply moved by it, and wants to put this feeling into words, but it can't be put into words. That's what - the music has already supplied the meaning, and words will just be superfluous after that. But it's that kind of verbal meaning that can't be verbalized that I try to get at in poetry.

Words move, music moves Only in time; but that which is only living Can only die. Words, after speech, reach Into the silence. Only by the form, the pattern, Can words or music reach The stillness.

Every song I've ever written always starts with the words because I want the music to be the musical extension of the feelings of the words, and not the words being the emotional extension of the feeling of the music.

One of the big mysteries of music is, if you take music without words, it means something to us because we know it's about something. It's about something important humanly, but since there are no words, nobody knows what it's about.

I think Shakespeare is really the one. Words as music and music as words. Everything he wrote was good, which is really frightening.

The problem with music was always that the sound system often obliterated the words, and words, not music, have always been what I was about.

I just listen to so much music that I like the role music can play in scoring something. I'm not doing song parodies or funny songs, I'm just adding some music to my words. So it's limited and specific, but as a performer I find it pretty enjoyable.

Through the music and words we, as the band The ex, express our thoughts and opinions and ideas. It is not always totally necessary for our audience to clearly hear and understand every line I sing. The power and impact, the positive energy of the music are as much part of the whole thing as the words. We are not trying to convert people, but we believe in our music and like to play it in front of other people, hoping that we can get them as excited as we are about our music.

If I could express the same thing with words as with music, I would, of course, use a verbal expression. Music is something autonomous and much richer. Music begins where the possibilities of language end. That is why I write music.

The music is an important and crucial part to an animated film. You don't think about it, but you can watch Tom and Jerry with no words, for hours, and the music dictates the emotion and where the story is going and how you're supposed to feel. Everything is in the music.

Music begins where words leave off. Music expresses the inexpressible. If there is a Kingdom of Heaven, it lies in music.

I would say that music is the easiest means in which to express, but since words are my talent, I must try to express clumsily in words what the pure music would have done better.

There's an ancient connection between movement and music. Most languages don't make a distinction between the words 'music' and 'dance.' And we can see that in the brain. When people are lying perfectly still but listening to music, the neurons in the motor cortex are firing.

I love being in a room in front of an audience who cares about the music, who knows the music, and who has lived with the music. It's kind of like an experience you share. I'm on stage performing it, but they're singing the words, too.

There's something so wonderful about writing in rhyme where it isn't just the meaning of the words, it's the music to the words and the shape and the sound.

A famous violinist once said. Music transcends words. By exchanging notes, you get to know one another, to understand one another. As if your souls were connected and your hearts were overlapping. It's a conversation through instruments. A miracle that creates harmony. In that moment, music transcends words.

Emphasis on the common emotive or affective origins of music and words in the first cries of humankind undermines words.

In the long run, any words about music are less important than the music.

There's so much you can do with laying words on a bed of music. You can completely change their meaning with the type of music or the way they're sung.

Rap music's been around for too long now to be inspirational. The words are, but the music isn't.

When the words come, they are merely empty shells without the music. They live as they are sung, for the words are the body and the music the spirit.

Music fills in for words a lot of the time when people don't know what to say, and I think music can be more eloquent than words.

Words and music equally important. But the way to get what I'm looking for is different in each case. I have something specific I'm hoping for with the words and the music, and the way to get the words the way I like them is to take a long time, and the way to get the music I like it is to not let me or anyone else get in the way of it.

My proposition is that music is at the heart of what 'The Magic Flute' means: that it's Mozart's music, not the words, we should be attending to. Music expresses what can't be expressed otherwise.

But to me the actual sound of the words is all important; I feel always that the words complete the music and must never be swallowed up in it.

'Words, Words, Words' was very much its title. It's just words, words, words and trying to show that I can pack as much material into an hour as I possibly could word count-wise.

Because I am a storyteller I live by words. Perhaps music is a purer art form. It may be that when we communicate with life on another planet, it will be through music, not through language or words.

I see things in hardcopy that I miss if I only see words on screen. I do get sick of the words, but I like to see everything spread out because I get a sense of scale that is missing from screen. Going over each sentence many, many, many times gives me incredible intimacy with sentences, especially their rhythm. The rhythm and music of words matter a lot to me and it only takes one misplaced word to spoil the music.

Poetry is music though, unfortunately, not all music is poetry. Because music has other carriers to take its message - beats, lyrics, singers, bass players - anyone in music can rise to make a major statement but in poetry there are only words to do the work. And they do sometimes have to sweat.

My music is written with one goal in mind: to improvise. It's like explaining a great story in words, but without words, much faster than you could with words. It's like a direct line of instantaneous communication where you don't have to wait for the end.

So when you're talking about lyrics in the context of music, it's not just about what the words mean, and what you were thinking about when you wrote it. It's not cognitive in that same way. It's almost like music turns words into touch, which is hard to describe, like the feeling of your shirt on your back. It's a pretty delicate thing to try to put into words. You just feel it.

The words 'alone,' 'lonely,' and 'loneliness' are three of the most powerful words in the English language. Those words say that we are human; they are like the words hunger and thirst. But they are not words about the body, they are words about the soul.

If you have words and want to write music for them, the words hit you with a feeling which you can't really describe in words, and so what you do is to put music to them and in this way you make contact with the words, through the musical thing. It happens when two feelings come together and they do something together and they compliment each other.

The dictionary contains thousands of words on Tamil music. I am not familiar with most of the words, but it shows the rich past of Tamil music.

Liquid, flowing words are the choicest and the best, if language is regarded as music. But when it is considered as a picture, then there are rough words which are very telling, they make their mark.

How can music without any words make you think? I listen to jazz when I'm doing something else. I use it for background music, I don't just sit down and concentrate on it. Lyrics, words - that's what makes me think.

The being level speaks the language of art, music, color shape and pattern directly -- a language that requires no words -- is not limited by words -- nor does it have the specificity of words and thus cannot be broken onto parts that can be manipulated or analyzed by the intellect. It must be swallowed, whole not parsed, sorted and justified.