Top 1200 Words Of Advice Quotes & Sayings - Page 19

In the old days, words like sin and Satan had a moral certitude. Today, they're replaced with self-help jargon, words like dysfunction and antisocial behavior, discouraging any responsibility for one's actions.

The words went round and round and round in my mind and my body, until I knew they were no longer my words but something that had been carved into my heart. And now my soul was crying.

We can't say what enlightenment is, we can't say what it isn't, because these are words and words have nothing to do with reality.

The words we choose can build communities, reunite loved ones, and inspire others. They can be a catalyst for change. However, our words also have the power to destroy and divide: they can start a war, reduce a lifelong relationship to a collection of memories, or end a life.

Style is as much under the words as in the words. It is as much the soul as it is the flesh of a work.

I was a book lover from the beginning. I loved, love, words and images and ideas, the ways a book can make you feel things deeply or help you understand something you never even knew there were words for.

The relationship with the words someone uses is more intimate and integrated than just a quick read and a blurb can ever be. This intimacy - the words on the page being sent back and forth from engaged editor to open author - is unique in my experience.

I have respect for literature. If he found the words, if she found the words - this is a book!

The words we read and words we write never say exactly what we mean. The people we love are never just as we desire them. The two symbola never perfectly match. Eros is in between.

Writing well isn't just a question of winsome expression, but of having found something big and true to say and having found the right words to say it in, of having seen something large and having found the right words to say it small, small enough to enter an individual mind so that the strong ideas of what the words are saying sound like sweet reason.

It was a joy! Words weren't dull, words were things that could make your mind hum. If you read them and let yourself feel the magic, you could live without pain, with hope, no matter what happened to you.

A line runs from the meditations of the heart to the words of the mouth. The meditations are not clear to us until the mouth utters its words. If what the mouth utters is unclear or foolish or mendacious, it must be that the meditations are the same. But the line runs both ways. The words of the mouth will become the meditations of the heart, and the habit of loose talk loosens the fastenings of our understanding.

In other words, you've got a journey as the plot, but it has to be in a lively environment, being able to create the mood. If you read "Pickman's Model," in other words, they're winding their way through the Boston Streets and [H.P.] Lovecraft researched what was there.

Word books traditionally focus on unusual and quirky items. They tend to ignore the words that provide the skeleton of the language, without which it would fall apart, such as 'and' and 'what,' or words that provide structure to our conversation, such as 'hello.

I think that's the great thing about music: It can communicate emotionally. And you don't have to necessarily get all of the words. I mean you have to know what is being said, but didn't you find even if you didn't get all of the words, you certainly get the emotion?

Broadly speaking, the short words are the best, and the old words best of all.

Like everyone else, I am going to die. But the words - the words live on for as long as there are readers to see them, audiences to hear them. It is immortality by proxy. It is not really a bad deal, all things considered.

Novel writing, to me, is all about language: choosing your words, finding the characters within the words and just really agonizing over every word. It's really crafting this whole piece from nothing.

My personal opinion is that, if you're a professional writer, that you do have quotas. So every day I do try to write 800-1,200 words. I don't always achieve it, and the reality is that a lot of the words I write will end up on the cutting-room floor.

Writing cannot express all words, words cannot encompass all ideas.

Antisthenes says that in a certain faraway land the cold is so intense that words freeze as soon as they are uttered, and after some time then thaw and become audible, so that words spoken in winter go unheard until the next summer.

I am an ordinary human being who is impelled to write poetry. ... I still do feel that a poet has a duty to words, and that words can do wonderful things, and it's too bad to just let them lie there without doing anything with and for them.

When I visit schools and talk to students about writing, I give them one word of advice and I give it to them quickly and loudly-FINISH! Starting something is easier than finishing it. You must have discipline to go from a few sentences, to a few paragraphs, to a piece of writing that has a beginning, a middle, and an end. Finishing something bridges the difference between someone who has talent and one who does not. My best advice? Apply the seat of your pants to the seat of your chair-and finish. FINISH!

No one seems to have learned, or can remember, the magic words that calm people when they are frightened or threatened: "I'm sorry; I didn't see you; are you all right?" The inability to speak these words, I observe, goes right along with a propensity for mindless insults.

My hope and prayer is that the body of Christ in America will awake with holy boldness, a boldness content neither with silence nor mere words but that backs up those words with action and results.

When you can type a few words into a search engine and land on your topic - or when you can scan a Shakespeare play for specific words or symbols - what opportunities might you miss to expand your thinking in unexpected ways?

Music is a language of emotion. I'm passionate about it because I think it's the most direct way to connect to the things that are ineffable. Words just aren't necessary a good enough opportunity to express. Words are maybe less than accessible at expressing.

Actions speak louder than words, but words spur actions.

Words are just words. The evidence is in how you act, how you react.

Thus, words being symbols of ideas, we can collect ideas by collecting words. The fellow who said he tried reading the dictionary but couldn't get the hang of the story simply missed the point: namely, that it is a collection of short stories.

Ultimately, words are only words, and its only the music that stands by itself.

There is immeasurably more left inside than what comes out in words. Your thought, even a bad one, while it is with you, is always more profound, but in words it is more ridiculous and dishonorable.

If I knew what I was doing, I'd be doing it right now. I would be the best damn poet, silver words out of my mouth. My words might not be magic, but they cut straight to the truth. So if you need a lover and a friend, baby, I'm in.

Read Becoming a Writer by Dorothea Brande. Then do what it says, including the tasks you think are impossible. You will particularly hate the advice to write first thing in the morning, but if you can manage it, it might well be the best thing you ever do for yourself. This book is about becoming a writer from the inside out. Many later advice manuals derive from it. You don't ­really need any others, though if you want to boost your confidence, "how to" books seldom do any harm. You can kick-start a whole book with some little writing exercise.

I wish I could take language And fold it like cool, moist rags. I would lay words on your forehead. I would wrap words on your wrists. 'There, there,' my words would say - Or something better. I would ask them to murmur, 'Hush' and 'Shh, shhh, it's all right.' I would ask them to hold you all night. I wish I could take language And daub and soothe and cool Where fever blisters and burns, Where fever turns yourself against you. I wish I could take language And heal the words that were the wounds You have no names for.

I would say 'woman' used to be a noun, and now it is a noun and also an adjective. And words change their functions in that way. It's one of the most common phenomena about words. They start as one thing, and they end up as something else.

What I was proud of was that I used very few parts to build a computer that could actually speak words on a screen and type words on a keyboard and run a programming language that could play games. And I did all this myself.

I love words, I think they're fascinating and incredibly wonderful things and part of the joy of my work is that I not only get to work with music but also with words. Sometimes it's a difficult process but a lot of the time it's really fun.

America is the promised land, because each generation bequeathed to its children a promise, a promise that they might not come to enjoy but which they fully expected their offspring to fulfill. So the words 'all men are created equal' took a life of its own, ultimately destined to end slavery and enfranchise women. And the words 'equal protection' and 'due process' inevitably led to the end of the words 'separate but equal,' ensuring that the walls of segregation would crumble, whether at the lunch counter or at the voting booth.

One of the greatest things about writing as a profession is that the words of Tolstoy, Chesterton and Dostoyevsky have lived for a hundred years and are just as powerful today. Their words have changed me just as much as the people I actually met.

I have a good memory for words, and when I come upon a word I don't know, I remember it, or try to - it's almost like a tic. I also just have a good feeling for how words are made and formed in English and the etymologies that give you prefixes and suffixes.

I take a pretty expansive view of craft, which is to say I don't see craft as just being technique - it's also process; subject; ideas and feelings; visions and dreams; the words that are put down and the words that are avoided.

Human bodies are words, myriads of words, (In the best poems re-appears the body, man's or woman's, well-shaped, natural, gay, Every part able, active, receptive, without shame or the need of shame.)

In a few breaths' time I will speak some sad words to you. But you must hear them the same way we have agreed to see scars now. Sad words are just another beauty.

Very quickly, very suddenly, words fell through my mind. They landed on the floor of my thoughts, and in there, down there, I started to pick the words up. They were excerpts of truth gathered from inside me.

Big words do not smite like war-clubs, Boastful breath is not a bow-string, Taunts are not so sharp as arrows, Deeds are better things than words are, Actions mightier than boastings.

But it's not easy. I've been thinking it over for years. While we loved each other we didn't need words to make ourselves understood. But people don't love forever. A time came when I should have found the words to keep her with me, only I couldn't.

Words like "freedom," "justice," "democracy" are not common concepts; on the contrary, they are rare. People are not born knowing what these are. It takes enormous and, above all, individual effort to arrive at the respect for other people that these words imply.

A layman will no doubt find it hard to understand how pathological disorders of the body and mind can be eliminated by 'mere' words. He will feel that he is being asked to believe in magic. And he will not be so very wrong, for the words which we use in our everyday speech are nothing other than watered-down magic. But we shall have to follow a roundabout path in order to explain how science sets about restoring to words a part at least of their former magical power.

We have so many words for states of mind, and so few words for the states of the body.

If someone does a study which, for statistical reasons, I think is hopelessly underpowered or nonidentified, my best and most useful advice will not be tips on how to calculate p-values better, or how to construct an explanation for some particular data pattern. Rather, my advice will be to start over, to reconsider what you think you already know, maybe to question some prominent work in your subfield, and quite possibly to think a lot harder about measurement, and about the relation of your data to your underlying constructs of interest.

The most powerful words in English are 'Tell me a story,' words that are intimately related to the complexity of history, the origins of language, the continuity of the species, the taproot of our humanity, our singularity, and art itself.

I think the thing I really got from Ginsberg was that you can tell a story through kind of painting pictures with words. And when I found out that you could have a profession doing that, it was thrilling to me. It just became my passion immediately, playing with words and poetry.

I sometimes hold it half a sin To put in words the grief I feel For words, like nature, half reveal And half conceal the soul within. But, for the unquiet heart and brain A use measured language lie's The sad mechanic exercise Like dull narcotic's, numbing pain In words, like weeds, I'll wrap me o'er Like coarsest clothes against the cold But large grief which these enfold Is given in outline and no more.

The words It's not my fault! should never again come from your mouth. The words It's not my fault! have been symbolically written on the gravestones of unsuccessful people ever since Eve took her first bite of the apple.

We are transformed by what we read. Deepak Chopra, one of the leading thinkers of the world, in many ways has changed my life with his words It is important for me to share his words and pass on this good energy to my girls.

Words are hotter than flames. Words are wetter than water.

The trouble with words is that they give us the illusory sense that we are making ourselves understood as well as understanding what others are saying. However, when we turn around and come face-to-face with our destiny, we discover that words are not enough.

Methodological naturalism gives advice to scientists about what they should include in their theories. There is a second type of methodological naturalism that gives advice to philosophers, which I call "methodological naturalismp." It says that the methods that philosophers should use in assessing philosophical theories are limited to the methods that scientists ought to use in assessing scientific theories.

He should have known better because, early in his learnings under his brother Mahmoud, he had discovered that long human words (the longer the better) were easy, unmistakable, and rarely changed their meanings, but short words were slippery, unpredictable changing their meanings without any pattern. Or so he seemed to grok. Short human words were never like a short Martian word - such as grok which forever meant exactly the same thing. Short human words were like trying to lift water with a knife. And this had been a very short word.