Top 1200 Worked Quotes & Sayings - Page 5

When I worked on my game, that's what I thought about. When it happened, I set another goal, a reasonable, manageable goal that I could realistically achieve if I worked hard enough. I guess I approached it with the end in mind. I knew exactly where I wanted to go, and I focused on getting there.

The game business arose from computer programs that were written by and for young men in the late 1960s and early 1970s. They worked so well that they formed a very lucrative industry fairly quickly. But what worked for that demographic absolutely did not work for most girls and women.

I worked as a teacher in the public school system in New York City for several years, and I was a victim of the layoffs, you know, in the mid-'70s. And then I worked as a sales engineer for a company in New Jersey that was selling industrial filtration equipment.

Nobody heard records of you playing whatever the melody was on those low strings. It worked out good, you know, about 25 or 26 million records later. I guess it worked out alright.

The guy that I worked on 'Thriller ' was a genius and he was 20 years old, but it was like working with a gifted 10-year-old. The guy who I worked on with 'Black Or White' was crazy. Michael had gone mad.

I only worked with Rafa Benitez for a short time, but he's a great manager, and he showed it from the first moment he came. He worked with the players and made us a better team. He's a good person, always trying to help players out.

I worked as a scaffolder, worked as a chef, tried my hand working in a coffee shop, tried my hand as a joiner.

How can you have any regret when everything worked out fine? But why I think it worked out fine is due to the lessons I learned along the way. And one of those involves listening to experts.

The problem with Hot Fuzz and Shaun of the Dead is that they worked brilliantly in the UK, the US, and Australia; internationally they haven't worked so well because people don't know the films as well as in the English speaking languages. So when it comes to putting the budgets together it's quite challenging. So those are the problems you have.

I worked in an office. I was like an assistant. So, I would just answer phone calls, coordinate events. It was a great day job. I worked with amazing people, but obviously, whenever you are doing something that's not your dream, you kind of feel like, 'Oh, I'm on this grind.'

I've always resented the smug statements of politicians, media commentators, corporate executives who talked of how, in America, if you worked hard you would become rich. The meaning of that was if you were poor it was because you hadn't worked hard enough. I knew this was a lite, about my father and millions of others, men and women who worked harder than anyone, harder than financiers and politicians, harder than anybody if you accept that when you work at an unpleasant job that makes it very hard work indeed.

Throughout my work as a state legislator and member of Congress since 2002, I have worked as hard as I could to build bridges. I've worked to combat anti-Semitism and confront Holocaust denial. I've organized dozens of meetings to promote interfaith dialogue and joint projects.

What has worked for America is not caring about how the rich are doing, or the politics of envy. What's worked for America is growth. Growth is the reason why I had a very nice middle class upbringing with parents who never went to college.

But I don't just see the movie when I see the movie, I see all the great people who worked on it and all their hard work, because they could not have worked any harder.

I've worked with 10 presidents. It's a record. I worked with Republicans and Democrats. All of them when it came to Israel were, movingly, friendly. From Truman, who was the first to recognize Israel 11 minutes after the U.N. resolution, to Obama. When it comes to the major issues of security and strategy, we are together, completely.

I worked with people I admire; Josh Lucas, who I'd worked with many many years ago on a pilot called The Class of 61 and Kurt Russell, and so there were a variety of different people that I enjoyed working with.

I'm proud of the work that we did, and my hope is that everyone who worked on 'Kroll Show,' it will be a credit that people will be like, 'Oh, you worked on that show? The word on that show was that it was good.'

When I was a kid, from 10 years old, I worked every day for my dad, huh? Never played basketball. I never played tennis - never did. We worked so that we could eat.

We [me and my wife] went back to St. Paul, worked for a year - again, I guess I would have to admit now, doing a rather shaky job of teaching people - but at the end of that year we returned to England and worked in the [Bernard] Leach Pottery for two and a half years.

He wanted to take his love back from her so badly. The old techniques didn’t work anymore. In fact, they’d never worked. How do you stop loving someone? It was one of the world’s more brutal mysteries. The more you tried, the less it worked.

I worked with Mike Nichols. First time I worked with Mike Nichols, I just really loved this man.

I came to America, and I made good. It's an old story, but it hasn't been told in a long time. Usually, it's, 'I'm an immigrant, I came here and got persecuted.' My story is I came here, I worked hard, and it worked out all right. So it's still available.

I moved to New York aged 16, and worked part-time in a Korean store in South Bronx selling groceries, bread and confectionery. I earned $10 and it was painful because I didn't want to be there. I also worked in Debenhams as a kid, and a Wimpy in Brighton when I was 20.

I'd say any good set or any comedy that I've worked on, that's worked, has been comedians pitching ideas back and forth to each other. A lot of like, 'What if you say this? What about this?'

I don't think I've ever worked so hard on something, but working on Macintosh was the neatest experience of my life. Almost everyone who worked on it will say that. None of us wanted to release it at the end. It was as though we knew that once it was out of our hands, it wouldn't be ours anymore.

My degree was in education, but the idea of being a teacher lost out to being a reporter. I worked at a newspaper for a while, then went to New York and worked in PR at RCA and NBC, and at 'The United States Steel Hour,' a drama series.

I didn't mention the tooth thing to anyone until it became clear that...we started to discuss just taking it out of the movie [The Hangover] because we couldn't find anything that worked and they couldn't afford to do a full like digital effect. So that's when I called my dentist and it worked out.

Now I usually try not to give advice. Information, yes, advice, no. But, what has worked for me may not work for you. Well, take for instance what has worked for me. Wigs. Tight clothes. Push up bras.

I have never worked for a woman, and I have never worked with a lot of women.

I started out printing silk screen t-shirts. I sold ink pens. I worked construction. I worked at a gas station. I pumped gas. I was a mechanic for a little bit. I went into sewers, down into sewer lines. I had a lot of somewhat unpleasant gigs for a time there.

I worked like a crazyman. I worked day and night, often days and nights at a time - without sleep. Gallons of coffee kept me awake; the paintings kept me fired up.

Liberalism has consequences. It has never worked, folks. It has never worked! It has never fulfilled its promise.

My mum worked in a grocery shop and played football, and my dad worked with cars, a sales director, and he played to almost a professional level. His dad played as well.

I made 'Rio Bravo' with John Wayne. It worked out pretty well and we both liked it, so a few years later we decided to make it again. Worked out pretty good that time, too.

Liberalism has consequences. It has never worked, folks! It has never worked. And it has never fulfilled its promise.

I had written a novel that was more of a classic linear novel, and I worked on it and worked on it for years, and it always seemed like it wouldn't catch fire. At a certain point I just scrapped it all, and I kept maybe 15 percent of it, and I wrote those parts out on note cards.

I watched my parents. My dad worked nights, and I was aware of how much he was doing for us. My mom was a Tupperware lady and also worked at the school. I always felt that I couldn't let them down. And I had a natural discipline from early on. I was always training for something.

My dad worked nights mostly and while we were growing up, and my mother also worked, so there were times where, when it was just the two of us at home, and, you know, they gave us a pretty long leash, actually.

The number one person who needs my books is me. I'm not some sort of disinterested guru who has worked life out and is handing things out to the poor people who might not have life worked out.

'Forever Evil' is my love letter to DC super villains. It's my chance to take all of the villains I've worked with and all the ones I've never worked with and put them into one gigantic, epic story that will bring together the bads of the DC Universe.

Andy Serkis is one of the best actors I have ever worked with. He might be the best actor I have ever worked with.

You can ask anybody who's ever worked for me or worked with me, who's ever served with me, when I tell you I'm going to try to do something, I will get up every single day and work my heart out for you.

What works most effectively for quelling disease outbreaks like Ebola is not quarantining huge populations. What works is focusing on and isolating the sick and those in direct contact with them as they are at highest risk of infection. This strategy worked with SARS, and it worked during the H1N1 flu pandemic.

After I left school at 16 I had three jobs: I worked in a ceramics factory, where I made toilet handles, I repaired cars for people and in the evenings and weekends I worked in a bar. I had to do them all to make ends meet.

You know a lot of what worked on this was taken from Harry Potter 2, the little Doby character, we had a lot of our skin stuff worked out and that helped a lot. We have a lot of exchange happening.

It wasn't that I couldn't write. I wrote every day. I actually worked really hard at writing. At my desk by 7 A.M., would work a full eight and more. Scribbled at the dinner table, in bed, on the toilet, on the No. 6 train, at Shea Stadium. I did everything I could. But none of it worked.

Having started my career at EPA, having worked on the Hill for two different members who didn't agree on every issue, and then working in the private practice, where I've worked on behalf of different clients - I don't think I'm biased.

Definitely, 'True Detective' was a great example of one director, one story. It worked fantastically well. Well, I thought it worked fantastically well; I know a lot people didn't.

There are some directors I should have worked with. I`d like to have worked with Robert Altman - I turned him down a couple of times when I was younger. My thing now is if it`s a good director I`ll never say no - I`m just gonna say yes from now on.

I'm glad things worked out the way they worked out.

So that plan worked out well.' Skulduggery, your entire plan consisted of, and I quote, "Let's get up close and then see what happens."' All the same,' he said, 'I think the whole thing worked out rather beautifully.

Out all of these zillions of letters, one of the first ones that came was, as it turned out from Johnny Carson within the last five or six weeks of his life. I had worked with him. He lost a son who had worked for me.

I've never worked for a show or was on a show where I didn't have a lot of control creatively, but then again, I haven't worked on a lot of shows.

I've also worked hard portraying an Ireland which is fast disappearing. Ireland was a very depressed and difficult place in the 1980s, and I've tried to include that in the script. I worked really hard to find the heart of the book.

When I grew up, scientists were anti-social people who worked in basements and wore coats and worked with bunson burners, and now they're in our technology every day, and our technology has almost become fashion accessories.

Tragedy is a great storytelling form. It worked extremely well for Shakespeare. It worked extremely well for Jim Cameron with Titanic.

The craziest thing I've ever done to get a guy's attention? I admit I stalked someone. I showed up at a restaurant where I knew the guy worked, and we were actually good friends and had lost touch, and I pretended that I didn't know he worked there.

As long as we work within the budget and are responsible, which by the way it's amazing how many people aren't but we are. We've worked within the budget. We've worked within the time and we're making the movie that we want. That's the reward and I couldn't be happier.

Look how Bill Cohen and George Mitchell worked together. It's the stuff of legends. And now it's the stuff of almost ancient history, regrettably, but the way those two really worked together.

I had a lot of jobs when I was younger. Where I grew up, there was a lot of agricultural jobs, so I worked on a lot of farms. I worked in the pea fields, harvesting peas.