Top 1200 Worked Quotes & Sayings - Page 6

I think 'Comic Book: The Movie' is the apex of my career in terms of making a personal statement that has significance to me and resonates with biographical detail about not only my career, but all the people that I've worked with in my career. All of it's riddled, on- and off-camera, with people I've known and worked with for decades.

Lenin is an artist who has worked men, as other artists have worked marble or metals. But men are harder than stone and less malleable than iron. There is no masterpiece. The artist has failed. The task was superior to his capacities.

It's interesting, because I've worked with people who are just not nice people, and I've worked with people who are crazy, and the difference is: crazy is much worse.

There are things that directors know about me that people shouldn't know. But everyone's really different. I've worked with women who I've never wanted to tell anything about myself to, and I've worked with guys who have been pouring wells of emotion. So emotional availability is not a gender-specific thing.

I've worked for law firms, I've worked for corporations, and for the past 20 years, I've been writing working for myself, and believe me it's a lot better. That's a big part of the James Bond panache, that you're responsible, 100 percent responsible, for the success or failure of your mission in life, whatever it is.

'Sleepless' was a script that had been written by three or four other writers before me, and it never really worked, but it had this amazing ending on the top of the Empire State Building that just worked, no matter what came before it.

I could do whatever I liked to do during the day. I didn't have to work in an office. I could work at home. I could work at my leisure. I worked 'til four in the morning. I worked with the TV and radio on - it was a great setup. I was a night person and still am.

In the old days, athletes got worked up about the strict rules - today they get worked up about these rules being ignored elsewhere.

We never worked in Russia. We never worked for Russia. I want to be careful, but I don't think we have any Russian employees in our company whatsoever. We just don't have business in Russia. We have no involvement with Russia, never have done.

I learned the ins and outs of the supplements business as a bodybuilder. I'd worked with some of the companies, and I knew a lot about the products. Some of them worked OK, and some of them didn't. I wanted all of them to work, not just for me, but for other people, too.

At Milan when I was younger, I worked a lot on the leg press because I'd lost a bit of my natural speed as my body was changing. I was growing too fast for the rest of my body to cope and I had some knee problems. I worked really hard in the gym to regain these fast sprints.

I had very good bosses, very good companies for which I worked. I worked in industries where the results really mattered; it wasn't the perception of results, it was just the facts.

When my father left us, my mother went back to school immediately. She went to school in the day while we were at school, and she worked at night. She worked very hard to never let someone define her as a victim or a failure.

I was training to be a lawyer... I was president of the law society at Glasgow University, and my bass guitarist was my secretary of my law society; the lead guitarist and writer worked at the law firm that I worked.

I did a bunch of blue-collar jobs, because I knew I'd wind up with a white-collar job at some point, and I wanted to, I don't know, I just wanted to taste life. I dug graves for a while, I worked as a stock boy in a big department store, I worked in a bank.

My mum had me when she was just 18 and she worked three jobs, including bar tending, to put food on the table and she also went to night college. She worked really hard for us and I kept myself busy with football.

I worked for Mack Altizer, who ran Bad Company Rodeo, in Del Rio. Those guys, even though they were cowboys, were all hippies. We were always the black sheep of the rodeo world. From there I went on to Paris, France, where I worked in this Wild West show.

It's man's work. My dad was gone at 4:30 in the morning and home at 8 at night, and he worked underground, and the last mine he worked in was 26 inches high in a lot of places. He liked the engineering of it - he liked the moving the earth and being able to extract something and put it back for reclamation. He enjoyed the whole process.

My dad worked very hard for the money he made, and my mom worked very hard to keep this household up and running and all the kids fed and everything. And she did it in a brilliant fashion. They both did. In fact, the work ethic, to me, is so important in this life.

I worked check-to-check, worked in dead-end jobs my whole life before I got into stand-up, and even during stand-up, I was working at a retail job and Starbucks, all those places.

We all know far too many stories where the third generation just destroys everything that the first two have built up, and I certainly hope my family are different because I've worked too hard and my father has worked too hard for it to be given away.

I've worked with Hollywood stars, but the reason most of the Hollywood stars I've worked with are Hollywood stars is that they're excellent actors, so I've been very lucky.

I worked out what would make me happy, and I worked out what I wanted to do, and I trained myself to do the job that would make those two things happen

I find that working with friends is always the goal, even if it's just one person. Because the comedy community is kind of insular, it's easy to run into people you've worked with, even if you worked with someone on something for a day, or whatever. It just makes it more comfortable.

I worked in the mail room at CAA when I was in high school. I worked in the literary department, too. That was my after school job, believe it or not: I would read manuscripts and then evaluations on whether or not I thought they'd make good movies. Which was fascinating and kind of hilarious to me at the time.

It would not be honest if I did a review, because I've worked with Leo Messi, whom I consider the best player I've seen. I cannot comment or compare with Cristiano Ronaldo because I have not worked with him. That is not to say that I do not have as much respect for Cristiano as a footballer.

But these last months had turned him around and now Gen saw there could be as much virtue in letting go of what you knew as there had ever been in gathering new information. He worked as hard at forgetting as he had ever worked to learn.

I worked on live studio drama, which was one weird aberration in the 1980s. I worked on the 'Battle of Waterloo,' and my job was to reload the Brown Bess muskets - the only time the audience realised it was live was when somebody leant on a button and plunged the whole studio into blackout.

I was a teacher. I also worked at Harlem Children's Zone. I moved back to Baltimore and opened up an after-school, out-of-school program on the west side and then worked in two public school districts, in Baltimore and Minneapolis.

I'm formally trained, I don't know what classically trained really means. I've worked with Sanford Meisner. And I've worked at Circle Rep with Marshall W. Mason and Lanford Wilson and some really good people. I was lucky. I had a lot of really good influences.

A simple summary of my life is that my parents worked very hard so that I could have a great education, and I took that education and worked very hard to get where I am. I would like my kids' lives to be exactly the same.

During the many centuries that magic, here on this planet, was presumed to have worked, there were at least as many theories as to how magic worked as there were cultures and religions.

I famously stole tons of VHS tapes from a video store I worked in. It was detailed in my special, Laboring Under Delusions. I worked at Tower Video and stole a bunch of videotapes from them, and then got caught and had to return the videotapes. It was a mortifying experience.

My husband and I oddly have worked together a couple of times. We did a 'Veronica Mars' episode together. We didn't work together, but we were both in 'Ghost World.' We had a theater company in L.A., for a bunch of years. So, we've worked together a fair amount, and it's always just great fun.

My first film was a movie shot in 1974. I was 18 on that movie set. It was called 'Big Bad Mama.' I turned 19 on the next movie I worked on, which was a black 'Blazing Saddles.' I worked in the art department. It was called 'Darktown Strutters.'

Out of culinary school, I worked as a pastry cook in amazing restaurants for years. I ended up leaving the pastry cook scene because, though I loved the industry, the restaurants and the chefs I worked for so much, I had to be honest with myself. I was never going to be them.

I think you learn something from everybody that you've worked with. I really learned how to behave on set through the people that I worked with, like the importance of being on time and the importance of being professional. I don't bring my cell phone on set; I leave it in my trailer.

For the last decade, I've worked as a federal judge in a court that spans six Western states, serving about 20 percent of the continental United States and about 18 million people. The men and women I've worked with at every level in our circuit are an inspiration to me.

My family come from Cyprus. Both my father and my grandfather worked on the British bases there, and as the British government granted independence to Cyprus, they granted British passports to those who worked with them.

I had what Leicester gave me but then I worked with a guy around my house, a guy that my agent recommended. I worked with him for the three weeks solid, leading back into pre-season. We were just doing horrible running. Minging running! It wasn't pretty to be fair!

As much as people were asking me and everybody else on the show constantly if Jon Snow is alive or dead, I think, really, in their heart of hearts, they didn't actually want to know. For us, it felt very important to maintain that secrecy for the fans, and we worked very hard to make sure that worked out.

Jobs, as such, are a relatively new concept. People may have always worked, but until the advent of the corporation in the early Renaissance, most people just worked for themselves. They made shoes, plucked chickens, or created value in some way for other people, who then traded or paid for those goods and services.

I worked in a chicken factory, in a steel foundry, I worked on the bins for a year or so. It started as a summer job, but I stayed on because I liked it very much. I liked it that it made you very fit, doing all the lifting and that, so I could wear short-sleeved t-shirts, which I'd never been able to do before!

I've been working almost 20 years, and I think I've worked with maybe one black director of photography in that time. Maybe two women directors or DPs. Maybe. And I've done a lot of TV. That's a lot of people I've worked with.

I worked at 'Mademoiselle,' and then it shut, and I worked at 'GQ' for three years, during which I was freelancing. I wrote for 'Vibe.' I did music reviews. I wrote for 'Time Out.' I was desperate to get into 'Entertainment Weekly' or 'New York Magazine.' Like, desperate.

I worked seven years in territories in Japan and Puerto Rico and worked my way up to the main events on those cards, then went to the WWF and spent a little while there before I got into the Intercontinental run and a main event runs with Shawn Michaels and Kevin Nash.

My mother worked in a cookie factory. My father worked in a factory. So anyone that dares begrudge what I have, just better get off their duff and do something about it to do something for themselves as well as their country. I feel that I have a perfect right to spend my money the way I damn please.

I worked with Congress on legislation, gave speeches to CEOs, military generals and Hollywood executives. But I also worked to ensure that my efforts would resonate with kids and families - and that meant doing things in a creative and unconventional way. So, yeah, I planted a garden and hula-hooped on the White House lawn with kids.

Brodsky was born in May, 1940, a year before the German invasion. His mother worked as an accountant; his father was a photographer and worked for the Navy Museum in Leningrad when Brodsky was young. They were doting parents and much beloved by Iosif Brodsky, who was their only child.

Of course it's always easy when you work with people that worked together, or you work with people that you worked with before, because you develop over years some sort of shorthand of communion that is always very valuable.

The only President who clearly died of overwork was Polk, and that was a long time ago. Hoover, who worked intensely and humorlessly as President, lived for more than thirty years after the White House; Truman, who worked intensely and gaily, lived for twenty

I was scouted by this talent scout back home. She found me because I used to make my dad these CDs of my music, and I think that some guy that he worked with had a niece who worked with the talent scout, or something really drawn out, kind of word-of-mouth.

I think the violence is important. It all depends on the genre. Rambo was ultra-violent, and I think it worked. You have to give Stallone credit. You have to respect him for taking that shot, and taking the violence all the way. He was the first one to do that in a long time. It fricking worked.

I always say the best players I have ever worked with are the hardest players I have ever worked with.

I've always wanted to work with Barbra Streisand because she's worked with some of the best background singers in the world who are friends of mine, worked with them in concert or on movie soundtracks, and I always say 'Now, where was I? Where was I when she was hiring people to work with her?'

One of the things I am grateful for is that I was able to make contact again with Khun Vichai and work with him again. I still have an awful lot of admiration, warmth and respect for how he worked. I still feel that connection to the people I worked with at Leicester.

I was so good at boxing because I worked hard. I worked harder than anybody. When other boxers used to box in the gym, three or four rounds, I used to box 10-20 rounds.

The director of the [Grimm] pilot called me in. I had worked on a pilot called Love Bites with him, and the producers I worked on with on Hot In Cleveland, so they knew me from comedic worlds, and they wanted someone who could be light too. Because it is pretty heavy.

I hope that you will be amongst those young people who say we worked to change the world. We worked to make the world a more gentle, a more compassionate, a more caring world.

In Cuba, our experiment is not the best democracy and should not be a reference to anybody elses, it is ours. It has worked for us and the clearest evidence that our democracy has worked is that there is a revolution that has continued after a half century of facing down the most powerful empire. This has not happened many times in history.