Top 1200 Working A Lot Quotes & Sayings - Page 2

I'm working on my music a lot, like folk singing, guitar. It's sort of rocky, folky, alty, angsty. I'm putting a lot of energy into that. I write pretty much all the time.

We can't spend all day trying to get the performance exactly right and you just have to accept that and move on and accept the medium that you're working in and you know, there's a beauty in working under constraints and limitations. I think a lot of great things can come out of that.

There was a lot of dancing in '76, '78, in the '80s. A lot of dancing. The burn years. A lot of dancing. And for a while, working fit in with all that. 'Moonlighting' - that wasn't acting. It was people telling me 'Let's create a character who is you, so you can play him the way you are. The guy you are at night.' It was fun.

I'm expecting a lot from myself, I have set the bar high and I want to do really well for my teammates. I love working out and preparing so I have spent a lot of time doing that.

McLeod's Daughters was my first regular job out of drama school, and my first full-time role. That was great because I learned a lot, in terms of working in front of the camera. I learned a lot of technical aspects that you take for granted once you know them, but you have to learn them somewhere, along the way. It was a bit of a training ground for me, working in front of the camera and also dealing with media.

A government shutdown, it isn't the end of the world. It`s a bad thing. The government stops working for a few days. We cover it a lot. Polls turn against who ever made it stop working.

There's so much control of the audience's experience when you're on stage doing a play, whereas when working on camera, there's a lot of people that have to do a lot of things exactly right for anything that I do to matter at all.

I think that the working hours and star pressures pushed a lot of people into drugs in those days. And there seemed to have been a lot of alcoholism.

I have accomplished a lot, but it didn't happen overnight for me. I was 35 when I got the show, and had been working professionally for 15 years. It would be a lot weirder if I were in my early 20s and stumbled into it.

I'm not a home-studio guy. I spend a lot of time working by myself developing songs, but I really need some other counterpart to help me pull it all together, because you go nuts working if I had to finish an entire project all within my own head.

Fellow workers and peasants, this is the socialist and democratic revolution of the working people, with the working people, and for the working people. And for this revolution of the working people, by the working people, and for the working people we are prepared to give our lives.

I'm working on my music a lot, like folk singing, guitar. It's sort of rocky, folky, alty, angsty. I'm putting a lot of energy into that.

Chris Guest has his own form. It's a way of working that is really intense and you can commit a lot and you focus a lot. You get to bring a lot. You get to bring things maybe you haven't seen before. You're asked to care a great deal for these people who you're playing and create heart and empathy.

The experience I've had with Strikeforce kickboxing, K1, Strikeforce MMA, working with ESPN, working with Showtime, working with Japanese television, working with fighter camps from all over the world has given me a unique perspective.

For 'X-Men' I was lifting a lot of weights. I actually lost a lot of mass when I quit 'X-Men' because I was working out so much and very muscular and strong.

Well you're talking about a long career, a lot of movies, a lot of stars. I guess working with Henry Fonda and Katherine Hepburn was a great privilege.

I spend a lot of time in the gym working on moves, working on difficult shots, figuring out ways to create space, becoming a tough-shot taker and a tough shot maker, especially down the stretch.

When I was young I was working with a lot of people being out in the south. My uncle wrote for Al Green and I was around Al a lot.

A lot of people have a lot of faith in Karole Armitage. They see her as bold, inventive, indefatigable. 'America isn't working out? There's always Europe. Ballet? No? Go modern. Keep going! Show 'em!'

It was a lot of pressure, but I loved working with Tim and I loved working with Adrian.

I've been working on a lot of things, just knocking down the three consistently, making smarter moves off the pick-and-roll, improving my dribble a lot.

If someone thinks, 'I'll spend the off season working on my fitness and I'll come back a better cricketer,' I don't think that's enough. You need to spend a lot of time working on your skills and honing your skills.

I'm working to be the best - the very best. There are a lot of people in this industry, and I'm trying to be the best. I'm working to affect history in a positive way.

A lot of the city boys in London, a lot of the hedge-fund, young city workers at the height of the financial boom were a lot of working-class, brilliantly minded young fellows and women.

Working with franchises can be challenging, but at the same time I really did enjoy working on 'Star Wars,' for example, and I have done a lot of 'Dungeons & Dragons' games, but I still enjoy it very much.

Not bragging by any means, but I could have done a lot of other stuff as far as working in films go and working in television... I had chances to do that stuff, but I like baseball, I really do.

When I got sober and started working out, I fell into that trap of working out too much. I know a lot of guys can relate to that - if you don't get that runner's high every day, you feel like, 'Oh my God, I'm losing it.'

I know that, for me, working with people like Robert Rodriguez and Ridley Scott and the Coen brothers and Oliver Stone and Gus Van Sant was so much easier than working with a lot of the people I had worked with before, because with these guys, there's not a lot of ego involved. It's all about the work. It's all about how to make the story better. So at the end of the day, you feel a trust that you usually don't feel - or at least I haven't felt in the past with most people.

I spent a lot of time with Rahul Dravid, working on my game and chatting about cricket. He helped me a lot in the games I played for India 'A.'

I started working with Bob in 1965. We did go through a lot of changes from 65 to 74, a lot of changes. By 1974, everything had straightened itself out.

I've been working since I was 17, when I started playing for Fluminense, which helped me a lot, I grew a lot there and even more at Real Madrid.

I don't think most people understand that when I wasn't running for president, I was working. Because I have to earn income. I have three kids in college. And three in school. And I have a little girl that has a lot of special needs. So I've got to work for a living. I was working already.

I believe I can bring a lot because I am totally different to a lot of people in the Premier League. That is the way I have seen it and I will continue to keep plugging away and working hard.

At my age, people prefer to stay in a relationship that is not working. I do not understand that. I think it takes a lot of courage to separate. But it takes more energy to stay in something that is not working.

I've been working a lot with Benny Blanco; he's a producer. And I've been working with Diplo and a bunch of other people. Detail, Charlie Handsome. A variety of people.

I think, like every working parent, I sometimes feel that there are not enough hours in the day. But overall, I'm very fortunate that my job has a lot of flexibility. I spend a lot of time with the kids, just around the house.

I've had the luxury of working on a lot of our great brands here at Warner Brothers, including a lot of the DC ones. I've also worked on a lot of great brands that were not DC.

I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.

It's a wonderful thing working with young actors. I know a lot of people don't like working with children. I actually adore it, because you watch their imagination open up and you watch them start to learn this job that I've been doing for so long. They come with such a lack of cynicism.

I was working through a lot of challenges at every angle of my life, and a lot of self-doubt, a lot of pity-partying. And I think every woman in her twenties has been there - where it feels like no matter what you are doing to fight through the thing that is holding you back, nothing can fill that void.

I come from a working-class family in Pittsburgh, whereas 'Mike & Molly' deals with the working class in Chicago. I swear a little, but I pretty much talk the same. It's not like when you see someone like Tim Allen and he's a lot bluer onstage.

I think traditional media is vitally important, I think there are a lot of benefits to working in traditional media, and I enjoy doing working with real paint when I get the chance.

I may, and I think I represent a tradition that means a lot to me, which has really always been about fighting for others, for middle-class families, for working class - for working people, you know, and that's a tradition and a commitment that I take very seriously.

I've learned a lot of tricks from working with a lot of great producers over the years, and I think I should write a book about it!

You can involve yourself in electronics, computers, puzzles... there's a lot of creativity and brain working. There's a lot to model trains that people don't realize.

My life doesn't change. I still have to go out and work hard every day, and do the best that I can do. I'm a third generation Californian, and there's a lot of talented, good-looking guys in California, so I'm just happy to be working, and lucky to be working.

All I'm doing is photographing. When I was working on The Animals, I was working on a lot of other things too. I kept going to the zoo because things were going on in certain pictures. It wasn't a project.

Working inspires inspiration. Keep working. If you succeed, keep working. If you fail, keep working. If you are interested, keep working. If you are bored, keep working.

I just put in a lot of work and a lot of hours in the gym just working on my game.

Obviously, I'm not working out the way I was when I was playing. I do yoga. I swim a lot. I'm drinking a lot of good, healthy mixes. I got myself a Vitamix.

That is why we are working with these various groups that have volunteers. We can get a lot of these things done. Nobody has dropped out, and a lot of people would like to join. We now know what each other does.

Chris Guest has his own form. It's a way of working that is really intense, and you can commit a lot, and you focus a lot. You get to bring a lot. You get to bring things maybe you haven't seen before. You're asked to care a great deal for these people who you're playing and create heart and empathy.

Remember Foxy Fighters from 'Update 2?' I loved working on that game. It was a lot of fun, and it took a lot of the pressure off me knowing that it was just for the fans of the games.

I spend a lot of time working by myself developing songs, but I really need some other counterpart to help me pull it all together, because you go nuts working if I had to finish an entire project all within my own head.

I've dreamed a lot of things and a lot of them have come true. The Grammy nomination was the last thing on my list before I had to write a new one. So I'm working on a new one.

There's a lot of good rappers in England at the moment. There's a lot of good dance acts. A lot of good, young guitar acts. I think a lot of groups came from that dole culture of the late 80's/early 90's - it's not as easy now. I think there's a dearth of working class bands.

All my life, I've been working with male directors, which I've really enjoyed. And I'm lucky in that I've worked with men who have a lot of respect for women. But working with a woman is a different experience. It feels like the communication is different.

A lot of the moments and experiences in 'Warcross' were inspired by specific moments that I remember as an intern working at Disney or having fun with my coworkers. A lot of it is very anecdotal.

I think L.A.'s terrific. You fly an hour and a half and you're in the mountains in three feet of powder. I also think it's a much better city if you're working as an actor. If you're not working and you don't see your dreams coming true, there can be a lot of heartache.

If I chose to have a nanny, I'd be able to pay to have a nanny - a lot of women don't have that opportunity. I don't feel like I'm a working single mom, because I have that option that a lot of people don't have.