Top 1200 Working Actor Quotes & Sayings - Page 14

I've been working professionally as an actor since I was 20. That's going to be 25 years soon. So, that's a veteran. That's a big-time veteran. I've had some great successes, and I've had some not-successes.

Acting is closed and 'Dabanng' will be my last film as an actor in Bollywood. I don't know, it does not excite me anymore and I have always believed I am a limited actor.

As an actor, you try and be cool, but one of the reasons you become an actor is because you're a film fan. And then you're like, 'Oh my God, Ridley Scott just spoke to me!'

The reason I wanted to start directing is that as an actor I felt I came into a job late. There's a whole team of people who have been working on it for months before you start. You have this really intense period of filming and then you leave it, knowing that the director will work on it for another few months.

According to me, when a filmmaker is writing a role, a certain actor comes to his mind. Now whether that actor resides in Mumbai or in the Malabar is hardly of any consequence.

I never thought I was going to be an actor. And I never really thought of myself as one. Even though I keep working. I thought I'd just do a wave of movies, and then I'd burn out. They just kept coming together.

We`re working with the administration on working on tax reform. You can go to better.gop and see our blueprint, that`s what we`re working off of. We got to get our tax rates down.

It's wonderful when you happen across it as an actor, finding a young actor that is literally just starting out and you understand that to them the craft is the most important aspect of the job.

I do think it's a very good way to describe what a great actor does. You're both acknowledging the authority of the director and the necessity of the actor to push back and find their own voice.

I still feel I belong to the theatre. There is nothing more challenging and exciting for an actor than performing before a live audience. The stage is the real testing ground for an actor.

If you're doing things that you don't want to be doing or you're working with people who aren't making you better and you're not learning, if things aren't challenging you, you could be wasting your time. You might be making some money, but you might not be improving as an actor.

I think directing yourself is a monumental task. Just to self edit as an actor, you work for some directors who don't give you a lot of feedback so you have to do that. That's a difficult thing to do as an actor.

You spend enough time on set as an actor and it's great when a director was at some point an actor or understands acting. They're able to finesse performances out of you that a lot directors can't get.

I love acting classes. I think they're great. It's like working out in the gym. It's a great place to figure out everything that's working and what isn't working.

I'm not saying that Sam J. Jones was Flash Gordon - there's no such thing. No actor can be the person, that's a bunch of crap. People pay to see an actor be himself, whether he plays Hamlet or whatever.

I'm still waiting to hit it big. But there was the moment when I didn't have to work at the restaurant anymore, which is the milestone for every actor. When your job is just to be an actor and not to have to do anything else.

I'm an international actor, but at the same time, I'm also a Bollywood actor, even though most of my career has been abroad. However, I've always kept in touch with Hindi cinema.

'A Guide To Recognizing Your Saints' was the first real actor-actor part I did, and I hope I to do more. Action movies are fun, but I'd be happy not to do them if there are better roles.

I certainly would never overstep my bounds and make suggestions to a director. As an actor I'm trying to fit to the best of my abilities within the director's vision, and trying to find some happy rapport where we can both bring something to it that's fresh. Usually I've been lucky in working with directors who have trusted my instincts.

Growing up, I was always adamant that I would never do 'Home and Away' or 'Neighbours,' because as an actor you want to set your path as that serious kind of actor.

I am basically working 7 days a week. When I am not eating, sleeping, or working out, I am working on one of projects which I am just damned determined to finish.

I wouldn't be an actor if it weren't for the English teacher I had my junior year in high school. She's the one who told me I could be an actor. I had never met an actor, I had never seen a real play, only high school plays. I didn't know actors were real, that it was a real job.

I like working on the house, small carpentry stuff. I also like working on the van. That's about as quiet as my mind gets, I think. I always loved working on the How's Your News? TV show and at Camp Jabberwocky too.

Performing as a musician is a lot different than performing as an actor. As an actor, you can hide behind the character in the play, and there's a director and other actors. When you're a musician, you're right there. It's sort of like being a comedian. You're giving the audience in real time something authentic from yourself. As an actor, my bullshit meter was going off like crazy at my first attempts to find my own rock star.

Once upon a time, it was the Democrats who claimed to be the party of the working man. No longer. They abandoned the working guy. They slammed the door in their face, and now, it's President Trump and the new Republican Party that is supporting working Americans, blue-collar workers.

Any actor worth his salt is looking for truth, the core of truth of the particular situation he is portraying, of that play. The playwright, the actors and the audience, that's what we're all there seeking. When it's working, time is destroyed. Sometimes 'Moon,' a play of four hours, would go by in a snap of the fingers.

I still do a form of sense memory. It honestly depends on the job. It depends on the other people you're working with, how the other actor works. It's take a little from here, take a little from there.

I just always wanted to be an actor. I don't remember ever not wanting to be an actor. I did a lot of musical theater when I was younger, and I really hope to get back there someday.

As an actor, particularly because I'm - I would call myself a character actor. I change my look, my physical appearance and my body, my hair color, my whatever all the time for a role.

In Delhi, I became a serious stage actor. Then, luckily, the FTII acting course began, and I studied there, spent some time working on my craft. In 2008, I moved to Mumbai, and then in one and a half years of so-called struggle, I got my first film, 'Love Sex aur Dhokha' (LSD).

Theatre is an actor's medium though behind the stage there is a playwright, director and perhaps in some, a music composer too, yet the actor is the one who ultimately tells the story to the viewers.

I had started doing Bangladeshi films. You can say most of my aspirations of being an actor got fulfilled there but I also lost out as an actor here back home.

It's every actor's dream to be seen on the big screen. Having said that, it's also imperative to better yourself as an actor all the time. In that, all mediums become important in their own ways.

Adult actors are really childish, and thats nice to be around when youre a kid. So the big reason I wanted to be an actor was I really enjoyed actors company - which probably makes me about as shallow as a puddle. But it could be worse. I could be working for a living.

I'm an actor. My life as an actor depends on who sends me what. I'm just taking the best stuff that I can find that's sent my way, regardless of how big or little the paycheck is.

Ideally I'd like to be working steadily as an actor: movies, a TV series, that sort of thing. I've been through a few different TV development cycles, and they didn't work out. When the time and project are right, it'll come together. Like I tell a lot of guys, it's not a race; there's no finish line.

As a working actor, all I want to do is work. That's it. It's terrifying when you don't work. It's very hard when you don't work. There have been times when I've been out of work for like six months. I feel theatre to me is like manna.

I believe in method acting. Whenever I'm working on a character, I start behaving like him. I start doing these things which the character would normally do. Maybe that's the way I function as an actor, and I believe in it. And that's how I try and portray a character.

I never wanted to be an actor and to this day I don`t. I can`t get a handle on it. An actor wants to become someone else. I am a song-and-dance man and I enjoy being myself, which is all I can do.

It's hard because there's a little bit of PTSD from when you're a struggling actor, working at a restaurant or living in a garage. There's a little bit of an inherent knee-jerk reaction to say, 'Yes, yes, yes, please just give me a job.'

After I graduated in Vancouver, I had been working on a book about war-affected children and land mines with the foreign minister - he was working at a place on campus and hired me. I then got a job as a Human Rights and Refugees Officer in London, and I loved working there.

Sometimes perception is almost more important than the skill level of an actor. And if you give too much away, you have nothing to take for yourself and put onscreen. If people feel like they know you too well, they won't be able to indentify with the character you're trying to portray. Or they'll feel that you're just playing yourself, and then you just become a personality actor. And that's the death of any actor.

Working with Madonna, she always told me the meaning behind the steps and why I was doing these steps - she treated us like actors. So I feel like I've always been an actor, truly.

Adult actors are really childish, and that's nice to be around when you're a kid. So the big reason I wanted to be an actor was I really enjoyed actors' company - which probably makes me about as shallow as a puddle. But it could be worse. I could be working for a living.

When an actor plays a scene exactly the way a director orders, it isn't acting. It's following instructions. Anyone with the physical qualifications can do that. So the director's task is just that – to direct, to point the way. Then the actor takes over. And he must be allowed the space, the freedom to express himself in the role. Without that space, an actor is no more than an unthinking robot with a chest-full of push-buttons.

The more queer characters I play over my years of working as an actor, and the more I see other young artists stepping up with the same intention I have, to make space for the voices of a generation of people who may not fit the status-quo, the more it inspires me to keep going.

A play called 'Bichchu' with Om Puri in the main role was going to be staged and I was working backstage. An actor failed to turn up for rehearsals and the director asked me to do that role instead. I agreed and would go to the beach to rehearse my dialogues as I had no place to stay those days.

A Guide To Recognizing Your Saints' was the first real actor-actor part I did, and I hope I to do more. Action movies are fun, but I'd be happy not to do them if there are better roles.

If a good actor wants a role, they'll do whatever it takes to get the part. Directors are the same. We do 'meetings', not auditions: that tells you a whole lot more about an actor, too.

My closest friends are Roger Moore, who is an actor, Sean Connery, who is an actor, Terry O'Neill, who is a photographer, Johnny Gold, who was the boss of Tramp, and Leslie Bricusse, who is a composer.

I'm the man who sits behind a table and tells true stories from his life. I'm also an actor. I was trained as an actor at Emerson College, and I use that training to play myself.

As an actor, you're supposed to take jobs that will challenge you or force fans to see you in a different light. By the '90s, I wasn't really an actor anymore. I was someone who went on the road with these gigantic concerts.

Ultimately, I think the movie's about working as a means of finding meaning in your life. It's about the lesson, the great lesson, of just working, working and being productive.

I'm very, very lucky to be a working actor, but I've also been careful. I don't just take anything. 'Durham County' came to me. You have to look at the quality of work you do, and 'Durham' set the standard. I wait for things that keep me really interested.

I mean, its hard to be an actor in the city - trying to make it as an actor - because you waitress all night, you get home really late and you're super tired and your feet hurt.

People talk about the difference between working on stage and working on film. I think you could say that there are as many differences between working on low budget films and working on big budget films. You really are doing the same thing, but at the same time you're doing something vastly different as well.

If you put anger in the writing, then it's like an actor crying on stage. The audience will not cry with the actor and in some way inure itself against the emotion.

I didn't ever intend to or want to be an actor. I'm not one of those people of whom they say, 'If you can't live without it, that's the only reason you should be an actor.' It was kind of a sideline that became my whole life.

I never wanted to be an actor. Because when you're an actor, you depend on other people to come to you with scripts. You can't create your own. Unless you are a Raj Kapoor, who was a producer-director.

I never wanted to be an actor, and to this day I don't. I can't get a handle on it. An actor wants to become someone else. I am a song-and-dance man, and I enjoy being myself, which is all I can do.