Top 1200 Working Actor Quotes & Sayings - Page 20

With independent film, as an actor, you have more involvement - it's very much more connected. It's not just like I'm showing up and there's another actor on the call sheet; you're very attached to it.

If you're a lead actor, people are just waiting to say 'you're too old' or 'you're too unhip.' If you're a supporting actor, you can just work forever.

Before 'Sarkar,' I used to introduce myself as Kay Kay, the actor and then that got reduced to just Kay Kay as people realised that I am already an actor.

Any time you cast an actor, you don't just cast that actor; you cast all their other performances as well.

There's something really natural to me about being what they call in the business a "hyphenate." Being a musician-actor or writer-musician-actor.

You have total control of it, and when you're an actor, you're subject to production design and costumes and directors and studio choices and producer choices, but when you're writing it, you're creating your own little world in your head, peopled with your little characters. No one is in there monkeying with it, at least not at first - though they will. With this and the other projects I'm working on, it'll have to be given away, and it'll have to be someone else's property.

I always wanted to be a journeyman actor. I wanted to be able to do comedy and drama, classical and contemporary. I like to do film and theater. And I pride myself on that diversity of being a journeyman actor.

I was told, 'You are not beautiful and glamorous enough,' 'Oh no, you're too serious an actor...' 'You're not good enough an actor,' 'You are not so and so's daughter.' I was even told, 'You are not a big, marketable name.'

It's funny because, if you're not an actor, people always tend to say, 'How do you memorize all those lines? Is that really hard?' I'm always like, 'That's just a small part of it. I have to seek my craft and my emotions' - you know, all this gross, actor-y stuff.

As a kid, I was going to be a marine biologist or an actor. When I became successful as an actor, I said, 'Well, maybe I can lend a voice to this with an equal passion.' You realize how lucky we are and how destructive we've been and what little regard we have for the natural world.

I was always one of those fortunate people who never wanted to be anything other than a singer and an actor. Most people know me as a singer, but I am also an actor.

I've always thought Ed Burns was a profoundly underrated actor. He's a great director, obviously. A great director/writer. But I think he's a stunning actor, too.

If you give an actor a green screen, the shot may work, but that green screen will not inspire you on the set as a director or as an actor.

I was a guy who needed to go to class, because I had some raw talent that I thought was identifiable, when I finally made a decision to be an actor. And yet I wanted to learn how to really do the stuff. You know, 'How do I get to be a serious actor?

I was a guy who needed to go to class, because I had some raw talent that I thought was identifiable, when I finally made a decision to be an actor. And yet I wanted to learn how to really do the stuff. You know, 'How do I get to be a serious actor?'

What happens in Israel, it's not so divided between being a film actor, or a TV actor - usually, we just do everything. I do theater, film, and television, and the theater is mostly financed by the government.

If I'd had the choice when I was 14, and someone had said to me, 'You can either be a footballer or an actor,' I'd have said: 'Well, can't I be a footballing actor?'

You've got to do the big studio movies to get your name, but as an actor and for your own well-being you kind of need to step back from that occasionally and do the smaller films. In the end, that's what helps you learn and makes you a better actor.

I think maybe I was instrumental in taking the stereotype out of the Southern actor is some ways. I would hope my legacy would be as a serious actor who told the truth and did parts based on the quality of part and not necessarily the money.

In Hollywood the man who cleans your pool is an actor. The man who sells you your copy of Variety is an actor. I don't think there's a real person left in the place.

The actor should not play a part. Like the Aeolian harps that used to be hung in the trees to be played only by the breeze, the actor should be an instrument played upon by the character he depicts.

Theatre is the principal job of an actor. An actor's job is to tell a story to someone in a room. TV and film can be great and I really love doing it, but it is a different way of telling a story.

In college, I was teetering on the edge: Do I want to be an actor? Do I not want to be an actor? And then I saw Michael Caine in 'Alfie,' and I thought, 'Wow, that's what I want to do with my life,' even if I knew I'd never reach that level of proficiency.

The tags in this business don't leave you... When I was a VJ, they called me VJ-turned-actor, then I turned into a comedian, and now I am a serious actor.

I work very hard on motivating everything I do as an actor. Explosive moments have to be completely motivated; whether they're explosive comedy or explosive horror, they have to come organically out of a scene and an interaction with another actor.

An actor would be foolish to do something that might hold up the picture, or more importantly incapacitate him. If an actor does do a stunt he needs to make sure a stunt man stands by to see that it's done correctly.

Everyone who comes to the entertainment industry wants to be a film actor. Who wants to be a television actor by choice? I want to change the perception of Indian television as being the poor man's medium.

People call me a movie star. If you're in the business, a movie star is someone who can make a film bankable. My name and $6 million will make a $6 million movie. I'm a working actor. Because I started late, I had a very short run as a leading man, and my films didn't make money in America.

I was lucky to get into drama school and become a professional actor. No-one ever mentioned the colour of my skin. It's only when I came out of RADA - the Royal Academy of Dramatic Art - that I suddenly realised people started to refer to me as a black actor.

I think it’s really, really important to mix it up as an actor, to try to get as much kind of varied experience as you can, not only for your own personal growth as an actor but for the audience to keep them guessing about what you’re going to do.

One of the secrets of being a great photographic model, as it is for a great film actor, is that you let the camera in. It's an intimacy that the model or actor creates with the lens, that then transmits itself to the viewer.

When you are in America, at least for me, as an immigrant, I try to be as Americanized as I could. I just want to be an actor, I don't just want to be an Asian actor necessarily.

With most good scripts and good shows, they expect the actor to bring some of their ideas to the backstory of the character. It's always a good collaboration between the actor and the writer and the director to try stuff out during the process.

My father and I used to tussle about me becoming an actor. He's from strong, Presbyterian Scottish working-class stock, and he used to sit me down and say, 'You know, 99 percent of actors are out of work. You've been educated, so why do you want to spend your life pretending to be someone else when you could be your own man?'

I always wanted to be an actor, and then modelling came first. But I don't want to diminish the fact that I always wanted, and had the passion, to be an actor.

Superstars come and go. I want to make sure I am always a producer's actor. I may be refused to be called a great actor but I have never troubled any of my producers in my life. Honesty always catches the camera, and that is what my strength is.

The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. And in order to do that, you have to communicate, communicate with the actors. And direction is about communication on all levels.

There is quite a lot of mutual misunderstanding between the upper middle class and the working class. Reviewing what's been said about the white working class and the Democrats, I realized that there's even a lot of disagreement about who the working class IS.

I think it's really, really important to mix it up as an actor, to try to get as much kind of varied experience as you can, not only for your own personal growth as an actor but for the audience to keep them guessing about what you're going to do.

As an actor, I get my insurance from the Screen Actor's Guild by union, and you have to make so much every year to get that type 1 insurance.

It was inevitable at some point that I would bump into one of my father's plays. The reality of the situation is that I'm a jobbing actor, and any actor would give their eye-teeth to have one of those roles. It's a no-brainer! I'm pleased the stars have aligned around 'Arcadia.'

The inner life of the [imagination], and not the personal and tiny experiential resources of the actor, should be elaborated on the stage and shown to the audience. This life is rich and revealing for the audience as well as for the actor himself.

There is a vast difference in the pay package of every actor. Actors are also exploited at various levels, but when we are established, we get paid fairly well. But at times, if an actor asks for a hike, he/she may even get boycotted.

I was born in that family. So I don't know the difference between born as an actor's son and not being an actor's son. I never knew whether it was good or bad.

In order to make a movie it isn't enough to have a script, it isn't enough to have a director, it isn't enough to have a male actor and a female actor, it isn't enough to have financing. You have to have them all at the same instant.

My feeling is that in the purest form, an actor is a service to the people. It's democratic in its purest form. That's what an actor is. If he or she isn't that, then there is no purpose in doing it. They're like priests.

I feel the acting conservatory taught me how to be a working actor in the 1700s. We learned stuff like 'to the back of the auditorium, to the back of the auditorium' and the liquid "u." 'The payment is duuue on Tuuuesday.' I also learned how to fence. If anything, when I moved to Los Angeles, I didn't fit in, in any way. I had to do comedy, because I was talking so pretentiously.

Each actor, every single time you work with an actor, you have to come up with the language that's going to serve them. And that's what allows them to give the performance that you want to nurture inside of them and what you think they're capable of giving.

The joy of my career is I've been very blessed to be able to be an actor in major films, television, theater, and also British radio. In fact, my dream as an actor when I started out was to be able to work in all the media. Thankfully, that's what I'm being given to do.

I have been in the industry for many years now, but people still come up to me and say, 'Sir, you're such a good actor. We loved watching you in that movie. What's your name?' While any other actor might get offended, I don't mind this at all.

When I was in college, I did sort of want to be a journalist. Being an actor, you kind of have the same interest. You go into a story, and you tell it from your point of view for people who aren't there. That's what an actor does with a character. But the real life is more more interesting.

An actor definitely has to be in the past a well as the present; an actor must react to past experiences every minute, every second.

It is not coincidence that makes a designer but his continuity. And continuity means working and searching, working and fighting, working and finding, finding and seeing, seeing and communicating, and again working and searching. Designers must challenge the past, must challenge the present, must challenge the future; but first of all, designers must be true to themselves. Design is attitude.

In the end of the day, you are human. Film is a job which is not an individual job; you have tons and tons of people behind you - you have a whole crew of people working. But, an actor is the face of a film, so you get all of the good things, but you get the bad things, also.

Shah Rukh is always experimental with his role as an actor. He is the same actor who did a film like 'Kabhi Haan Kabhi Naa,' 'Asoka,' 'Chak De! India' and 'Swades' and other so-called commercially successful films.

There are many projects that come an actor's way, and one cannot say yes to all of them. Reasons of saying no vary all the time, but for me, it has never been on the pretext of not wanting to work with 'a particular actor' ever! I would never do that.

I guess you can say that every actor is a 'character actor' on some level. But I think some actors have a wider range. I think that's how you get that mantle.

Somebody saw me on 'Cheers' and thought that I was an actor playing a part as opposed to a guy just doing what he knew. And they gave me 'Night Court.' And by the time they realized I wasn't an actor, I had already signed a five-year contract.

When someone's an actor and you're an actor, you meet them and you feel like you know them. We're in the same business, and we all speak the same comedy language.

I am happy being an actor. Donning the hat of a producer was a tough job and a different experience, as it involved watching the crew's requirements, keeping track of the finances, and also perfecting my role as an actor. But it was a tremendous learning experience.