Top 1200 Working All The Time Quotes & Sayings - Page 20

The victory of the working people over the exploiters and slave holders is at the same time the victorious struggle for liberation by the German people.

Show-running is a very difficult job that includes so many responsibilities; I'm working with the actors, working with directors, writing, making decisions like, 'What fabric is that sofa gonna be?'

I'm just a believer in keeping all of the creative brain cells moving and working even when you're not working because the inevitable loneliness and boring drought in the actor's world, it can eat you alive.

In fact, an awful lot of N.F.L. club owners have practically no influence on their players at all, simply because they're not full-time working owners.

I love working with Scorsese. He's not only a brilliant director and is great working with actors, but he's also a walking human film encyclopedia. It's fun to talk about movies with him.

I spend a lot of time on social media and people ask me if the abuse I get is upsetting, but working in comedy has built up my skin - I'm used to hecklers.

I was really surprised when I started working and realized that you're actually on your own, a lot of the time. It makes you really responsible, as an actor.

Working with Daniel Bryan, that was fun for me. People don't know I was working 30-minute main events with him every night leading up to 'Money in the Bank.'

Just work. Don't wait. Everybody's waiting until they have the perfect idea to start working. Even if you have an inkling of what you want to do, start moving towards it. And it's going to flesh itself out through the process of moving towards the goal. And by the time you get to where you're going to be, it's not going to look anything like it did when you sat on the couch thinking about it. And if you wait until it's perfect in your head before you get of the couch and start working on it, that's never going to happen.

If you've been working since you were a teenager and working at a reasonably decent level, then you don't expect that you're going to be firmly in your 40s and start moving up in the world, if you like.

Letting a project sit and coming back to it is just as important as working on it all the time. You need to come back to it with fresh eyes.

My wife and I are raising five children, and it's tough between two people, let alone with one that's working full-time and is stressed out and coming home to a lot of difficulties.

These past years have been really transitional for me in every aspect - personally, emotionally and professionally. I was excited and nervous and anxious because I literally had nothing to fall back on. This is my own thing, it's all me. I spent a year working on the record and really wanted to spend time on what it was going to represent and how it was going to represent me in this time in my life.

Sometimes we spend more time than we should defending the old thing, instead of working to take advantage of the new thing.

I would often go on as myself, when I wasn't working. And the first time I went on as myself, two people came up and asked me what I was doing and who I was.

I have to enjoy the music I'm making, so it's also important for me that, if I'm working on a track with someone, I have a good connection with them - which is why I often stick to working with buddies of mine.

The hardest thing in the world is being a critic of your own work. For me time has always been the best critic. If I can put something away and then come back, it's like taking a painting you're working on, turning it upside down, squinting at it, or walking away to get a new view. Time helps you know whether it's worth saving or whether it should be dumped.

Working anti-social shifts in a difficult environment is undoubtedly challenging. But even militant staff may privately concede that some of the working conditions they enjoy are unusually benign.

The whole secret of freedom from anxiety over not having enough time lies not in working more hours, but in the proper planning of the hours.

I'm not just shooting 3s. I'm working on my mid-range game, working in the post as well, trying to mix in everything and be the most complete player I can both offensively and defensively.

I'm very free with my sexuality, but not everywhere all the time. I pick and choose when I do nudity, and who I do it for when I'm working, and when I'm doing it. I've done nudity twice in a film.

Even when there was a difficult time for me I was always focused on my job or I was always working hard. That is the only way I think you can achieve something.

When you're working on a creative thing, everyone has an idea, and they're pushing it. The first time you work with anybody, you have to get comfortable with the way another person pushes hard for what they want.

I'm always wondering what is the job that gives the writer the most amount of time to write. I still don't know what the answer is as someone who has taught and is now working at a grocery store.

One of the biggest changes that ever occurred in my life was going from the isolation of working part-time as a house painter in Henderson County, to Cornell, where everybody was a literary person.

Everybody just wants to appreciate time as it's passing, to be in the moment. It's the hardest thing to do. You're either in the unknown future that you're working toward, or you're in the past that becomes a little abstract.

It's time to put back on the agenda the importance of public ownership and public good, the value of working together collaboratively, not in competition.

The commitment to working at poetry is important because a poet is a maker, and a poem is a made thing. We have to honor our feelings by working to transform them into something meaningful and lasting.

When I'm working with Red One, we all have to do everything, from making sets and costumes to tearing tickets. Forget about craft services! So when I get on a film set, it's a thrill to be just working as an actor.

I'm really not a party person. I'm in the business of working with 100 people every day, so I don't revel in meeting a roomful of people in my leisure time.

My life as a working theorist began three months after this preliminary study and background reading, when Oscar gently nudged me toward working on a particular problem.

It's about being in a race with time - just having a strong sense of mortality, and the idea of, How much time do you have left? How do you want to spend it? What I always come up with is: keep on writing, keep on working. But you can become sterile. It's become a matter of trying to find inspiration someplace outside of my own head, which I've been using exclusively for too long.

I found working in the lab is so completely different than reading a textbook about it. You know, you're planning strategies; you're working with your own hands. There's essential satisfaction in running experiments.

I want to keep working really hard at getting better at stand-up and touring, and I can't imagine a time when I won't want to do that. But, who knows?

I've been working in the music industry since I was 15 years old, and I feel like I've always been ahead of my time.

I don't really listen to music when I work. I really have to focus on one thing at a time. I like a lot of quiet and peace when I'm working or when I'm thinking or when I'm reading.

When I started working all the time, I started eating the right food that will help me have my energy up and stay healthy.

I don't know if I have a career or not, or where it ends or it begins. I have been working, doing what I do for a long time. But my creative process has always been so tortuous.

I went away with Scotland because I was trying to get some game-time somewhere but it just wasn't working out with Scotland, the results weren't happening.

I had a really nice time on [Alphas]. It was a bunch of really good actors, and I was particularly thrilled to be working with David Strathairn.

Enterprise customers have been working together with us for a long time, they trust us, and we just keep everything open and transparent.

Lately, I'm spending more and more time working with non-rock musicians and leaving the mainstream - almost dissolving into another world, musically.

I've been working for a long time and I've just really been allowed to work, with very little of the baggage and the pressures that can come with my job.

As parents are usually working, they haven't time to teach children about cooking, and it's a wilderness. They should be given healthy recipes - some standbys so that when they leave home, they don't live on junk.

I can't do one thing at a time. If I'm writing song lyrics, I've got to be doing the ironing or cooking or something while I'm working. If I just sit there and stare at the walls, I get nothing.

I worked at Deutsche Bank for about eight years on their overnight shift. I was working consistently in the theater. I just wanted to know that my rent was going to be paid on time!

If I am constantly working, my relationships fail. So at least now I can have enough time to write a happy record. And be in love and be happy.

Most of the people I know in the film business here in New York, the moms and the dads, just take different turns working. So everybody's a working parent, and nobody bats an eyelash at it.

A lot of the time the film chooses me. I'll be working and I'll get a call from my agent and I'll get the script and then tell him what I think.

In 2004, I shifted to Mumbai and started working in theatre, along with working for corporates for 15 years. That helped me a lot in creating a different character for multiple shows.

I think everybody at some point - especially if they've been working their whole lives - should take time out and think about what they've done.

In improvisation, there is only one time. This is what computer people call real time. The time of inspiration, the time of technically structuring and realizing... the time of playing it, and the time of communicating with the audience, are all one.

I've been working since I was 18. People say something every time I cut my hair. They wouldn't say this to Dustin Hoffman.

I had such a good time working with John Woo and John Travolta, and it was so professional. I want to work with people who are real professionals.

I do a lot of working out, but I haven't been kicking for a while, so one time I was rehearsing a spinning roundhouse and darned near threw out my leg.

After high school, I enrolled at the University of Nebraska at Lincoln, but I stayed only a year and a half. I felt college was a waste of time; I wanted to start working.

I'm always working on something new and while I'm working, I'm absorbed with my characters, their conflicts,my language and settings. I'm in another place and it is a shock to come out and consider my previous works.

What do you work for? To be able to buy things for your family, keep them happy. What's the point of working and earning if you can't spend time with them?

When you talk to people in working class communities about men, the women aren't telling you that their guys are looking desperately for work but can't find it. An amazing number of them aren't interested in working.

I have realized sometimes I do better working under a crazy schedule. It gives me less time to overthink things and forces me to be present.