Top 1200 Working Behind The Scenes Quotes & Sayings - Page 16

Since I've been hired to contribute to the storyline of 'Doom 4' I can say what was always true anyway. I'm working. You see, for a writer, lots of stuff that doesn't look like working is actually working. Looking out of the window, for example. Balancing a pencil on the edge of the desk in order to find its exact fulcrum. Playing 'Doom.'

No Child Left Behind left a lot of kids behind.

Scenes on phones are really boring!

I enjoy working, and I enjoy working every day - and it is for that reason that I don't so much like the idea of working with an international squad. To have every day on the pitch is important to me.

I'm too shy to do kissing scenes.

The past was worth remembering and knowing in its own right. It was not behind us, never truly behind us, but under us, holding us up, a foundation for all that was to come and everything that had ever been.

In the end of the day, you are human. Film is a job which is not an individual job; you have tons and tons of people behind you - you have a whole crew of people working. But, an actor is the face of a film, so you get all of the good things, but you get the bad things, also.

You spend most of your life working and trying to hone your craft, working on your chops, working on your writing, and you don't really think about accolades. Then you get a bit older and they start coming your way. It's a nice pat on the back.

Men conceal the past scenes of their lives.

I'm associated with bold scenes and I look glamourous.

Suicide. A sideways word, a word that people whisper and mutter and cough: a word that must be squeezed out behind cupped palms or murmured behind closed doors. It was only in dreams that I heard the word shouted, screamed.

I became more curious about the story behind the story [in the House of Cards]. So what was really going on behind the headline? And it's a little bit sad that that show, it doesn't seem so much like entertainment the way it did back when we started doing it.

Even if I don't have a job, I work on plays and scenes.

Without precise meanings behind words, politicians and elites can obscure reality and condition people to reflexively associate certain words with positive or negative perceptions. In other words, unpleasant facts can be hidden behind purposely meaningless language.

I don't remember scenes. I'm like, 'Really, we shot that?'

You have to stay hydrated when you have crying scenes.

You have all the scenes. Just go home and word it in.

It's very unusual for scenes to be added for a character.

I'm tired of being behind this virus. We've been behind this virus from day one. We underestimated this virus. It's more powerful, it's more dangerous than we expected.

I've been stealing scenes all my life.

I do have a sense of fear every day going to work, but I think it's something that I like. I mean I do like the feeling of waking up on my own, having this moment of like: "Oh, f**k, I hope I can do this today!" Because it makes you realise that you're working with material or you're working with a director or you're working with a cast and they're keeping you on your toes.

For behind all imperialism is ultimately the imperialistic individual, just as behind all peace is ultimately the peaceful individual.

Control your time. If you're working off your in-box, you're working off the priorities of others. Be sure the staff is working on what you move to them from the President, or the President will be reacting, not leading.

I'm a progressive who knows how to talk to working-class people, and I know how to get elected in working-class districts. Because at the end of the day, the progressive agenda is what's best for working families.

If you're taking an antidepressant, it's working, and you're not experiencing side effects, go on taking it. But if it's not working, or not working well enough, or if you have side effects you don't like, talk to your doctor about an alternative approach.

People say that the brain is a muscle and that one of the best exercises for any brain is learning another language and to switch from one to another as much as you can. I've found out that when I have trouble regarding any character or any particular scene in English, sometimes I'll switch to Spanish and I'll solve the problem that I've encountered. If I'm working in Spanish and I don't know how to approach certain scenes or certain emotions, or how to say this and that, I just switch to English to try to solve it that way and it works.

Since I've been hired to contribute to the storyline of 'Doom 4' I can say what was always true anyway. I'm working. You see, for a writer, lots of stuff that doesn't look like working is actually working. Looking out of the window, for example. Balancing a pencil on the edge of the desk in order to find its exact fulcrum. Playing 'Doom.

I'm always excited to do the fight scenes.

It is a treat to do scenes where you silently enact.

I think what we're hopeful is through this Syrian process, working with coalition members, working with the U.N., and in particular working through the Geneva process, that we can navigate a political outcome in which the Syrian people, in fact, will determine Bashar al-Assad's fate and his legitimacy.

Kiss scenes are one of the flowers of a drama.

It's not what you take when you leave this world behind you. It's what you leave behind you when you go.

I love to do very long and complicated scenes.

The unique thing about our country is that we don't get behind politicians, politicians get behind us.

The Rwandan policy of putting the genocide behind them is incredibly effective in many ways. But it's also incredibly frightening to think that this nation is being asked put this mass slaughter behind them.

When I first started working, I was very aware of the fact that I'd been to university and studied Russian and French and not acting. So when I started working, I'd started working quite young, I felt like it was important to treat myself kind of like an apprentice and do as many different types of things as I could.

we should reject the attempt to divert the national conversation away from soaring inequality toward the alleged moral failings of those Americans being left behind. Traditional values aren't as crucial as social conservatives would have you believe ? and, in any case, the social changes taking place in America's working class are overwhelmingly the consequence of sharply rising inequality, not its cause.

When you do scenes that are just exposition, they feel false.

Family isnt about blood relationships, its about the meaning behind them. I relize now that sharing chromosoms is not the only way to having a family, its about the friendship behind it.

Life is not an opera. Scenes belong on the stage.

Traveling is not just seeing the new; it is also leaving behind. Not just opening doors; also closing them behind you, never to return. But the place you have left forever is always there for you to see whenever you shut your eyes.

If words don't have vibration behind them, and a real feeling behind them, then they're just words.

Wherefore, brethren, let us be careful neither to out-go our guide, nor yet loiter behind him; since he that makes haste, may miss his way, and he that stays behind, lose his guide.

Some celebrities like to get behind water conservation or helping the homeless get back on their feet. Me? Body grooming control: that's what I like to step behind 100 percent.

Immigration is a system and a set of policies. And immigrants are the people behind those policies and behind that system, and the human stories.

That's just like America. It's made up of lots of different people. We're all different colors, different ages, we do different jobs -- but it takes all of us black people, white people, brown people, men and women, young and old, working in the factories, working in the fields, working in offices, working in stores -- it takes a lot of different kinds of people to get the job done for America.

When I talk about 'working class,' I don't talk about 'white working class,'. I talk about 'working class,' and a third of working class people are people of color. If you are black, white, brown, gay, straight, you want a good job. There is no more unifying theme than that.

He allowed us to choreograph the sex scenes.

In general, working on a horror movie is no different than working on any movie. Turn the camera around and there's 20, 30 people standing around, eating doughnuts, smoking cigarettes between takes, working, like any other set.

I don't prepare when filming kiss scenes.

Landscapes can be deceptive. Sometimes a landscape seems to be less a setting for the life of its inhabitants than a curtain behind which their struggles, achievements and accidents takes place. For those who are behind the curtain, landmarks are no longer only geographic but also biographical and personal

I had no apprehensions doing bold scenes.

This country isn't working for working people. It's working only for people at the top. That's not the American dream. That's the American nightmare.

If you ask me to tell you anything about the nature of what lies beyond the phaneron… my answer is “How should I know?”… I am not dismayed by ultimate mysteries… I can no more grasp what is behind such questions as my cat can understand what is behind the clatter I make while I type this paragraph.

I grew up in a family in which no male upstream from me had ever finished high school, much less gone to college. But I was taught that even though there was nothing I could do about what was behind me, I could change everything about what was in front of me. My working poor parents told me that I could do better.

If organizations are focused on a purpose, something that will make the world a better place and leave a big impact, people can rally behind that mission. If a company is only about making money, it's hard to unleash passion. If there's a big WHY that the company is working to solve, passion will flow like the amazon.

My sex scenes with @kerrywashington are f****** hot!

With the realization of God comes all power. If the little wave knew that behind it is the great ocean, it could say, "I am the ocean." You should realize that just behind your consciousness is the Ocean of God.

I don't really like to write at a desk. I like to write when driving in a car. ... Once you're working on it, you're working on it all the time, and sometimes stuff'll come in the middle of the night, in a dream or something. Your mind is working on it all the time.

The fierce ambitions of Carver Dana Andrews, son of a Baptist preacher, might well have been imagined by Horatio Alger, Jr.-- or Samuel Goldwyn-- but not the hidden costs behind those achievements. Carl Rollyson compassionately captures the man behind the movie star.