Top 1200 Working Behind The Scenes Quotes & Sayings - Page 17

I'm really thankful to God, man. Like now, I'm really making a real comeback with my group. With or without a record, with or without a movie. And behind all the negative press behind this movie.

Sometimes, scenes are great without any music at all.

Music is definitely influential on how I approach my scenes.

Come you masters of war You that build all the guns You that build the death planes You that build the big bombs You that hide behind walls You that hide behind desks I just want you to know I can see through your masks.

For me, certain shots or scenes are keys in the movie.

The main problem of America is that you're seeing people working all over this country two jobs, they're working three jobs, and they're getting nowhere in a hurry. They're working hard. They can't afford to send their kids to college in many instances. They can't afford child care for their little babies. They're worried to death about retirement.

Collaboration is such a thrill when you're working with someone you really respect. When it's just one person working alone you get a singular view of their world, and that can be great, too. But when you have different people working together with different aesthetics, different techniques, and different mediums, you get something bigger than both of them.

There's more to directing than plotting scenes out.

I had a lot of inhibitions where I was not comfortable doing intimate scenes.

There is quite a lot of mutual misunderstanding between the upper middle class and the working class. Reviewing what's been said about the white working class and the Democrats, I realized that there's even a lot of disagreement about who the working class IS.

Mitch McConnell is not well liked. Many Kentuckians feel that he has left them behind, that he is a part of the D.C. sort of swamp, the system that has left so many Kentuckians behind, that is really dysfunctional.

I always anticipated difficulties in order to avoid scenes.

I always had a sketchbook with me when I was young. I was hiding behind it, basically, hiding behind drawing because I couldn't cope with people in real life; I was very shy and very nervous around people.

There are no crowds out there demanding to see smoking scenes in movies.

The scenes of existence can be modified. One creates his own circumstances.

The stuff I'm designing, I want my action scenes to be intense.

I'd rather be two strokes ahead going into the last day than two strokes behind. Having said that, it's probably easier to win coming from behind. There is no fear in chasing. There is fear in being chased.

Behind all art is an element of desire...Love of life, of existence, love of another human being, love of human beings is in some way behind all art — even the most angry, even the darkest, even the most grief-stricken, and even the most embittered art has that element somewhere behind it. Because how could you be so despairing, so embittered, if you had not had something you loved that you lost?

God, I've frozen my ass off painting snow scenes!

Actors love to act all those death scenes.

I think of childhood as an explosion of creativity. For most people, growing up and earning a living means leaving all that behind. But an artist never leaves that behind. Edwin Mullhouse was my way of exploring the child as artist and, under the guise of childhood, something larger.

Nothing can prep you for eight years of sex scenes in one day.

In my day, people didn't do nude scenes. I mean they didn't exist.

I always wish I could just see the 'Stranger Things' from an audience standpoint and not from mine. 'Cause when I watch it, I remember someone was behind there and behind there. I just can't watch it like a viewer. But I love seeing something on paper come to TV.

I liked a lot of the scenes I did with Ryan Phillippe.

Behind Chipotle is not a corporation; behind Chipotle is a man that is one of the great cooks, that created a great concept.

What is evil? What is - where does the evil come from that lies behind someone like Saddam Hussein, or Radovan Karadzic, or General Claude Raymond in Haiti. As I say, I've tended to find these people - I mean, Saddam, I've never met or interviewed - but these other people to be rather disappointing. Their political goals were mundane. What they had working for them was opportunism, was very often cleverness and was ruthlessness.

Film your murders like love scenes, and film your love scenes like murders.

In theater, the scenes I like the most are the ones where you are there and you cannot talk.

I find that love scenes are the most unsexy things to shoot.

When I direct and have to look at filmed scenes of myself, I suck.

I think you only need 2-3 good scenes in a film.

If behind popular fascination with Freudian theory there was a nervous, often guilty preoccupation with the self as sexual, behind increasing interest in computational interpretations of mind is an equally nervous preoccupation with the self as machine.

I have a rotten habit of picturing the bedroom scenes of my friends.

Everyone realizes when it comes to fight scenes, that's gonna be my wheelhouse.

Experience finds few of the scenes that lively hope designs.

I do films to be behind the camera, not in front of the camera. I'm sure I say very intimate things about myself in all my films, but it's better to say it not too directly, to be hidden behind a woman.

Let that which stood in front go behind, let that which was behind advance to the front, let bigots, fools, unclean persons, offer new propositions, let the old propositions be postponed.

[In acting] I like the fight scenes because you don't have to remember lines.

The country is yearning to put behind all these horrible things that have to do with corruption, state capture, behind us. The sooner these are all done, the better, because we want to move on; we want to move on to a better life.

Love scenes in general are the most technical things to shoot.

There are scenes here and effects here that would make George S. Patton wince.

All love scenes started on the set are continued in the dressing room.

Our movement is of the working people, for the working people, by the working people. . . . There is not a right too long denied to which we do not aspire in order to achieve; there is not a wrong too long endured that we are not determined to abolish.

I can’t count the times I have lagged seemingly hopelessly far behind, and nobody except myself thinks I can win. But I have pulled myself in from desperate [situations]. When you are behind there are two strategies - counter-attack or all men to the defences. I’m good at finding the right balance between those.

Intimate scenes are like dance rehearsals - it's all choreography.

I don't want to do 85 scenes in a film that has no head or tail.

It is not coincidence that makes a designer but his continuity. And continuity means working and searching, working and fighting, working and finding, finding and seeing, seeing and communicating, and again working and searching. Designers must challenge the past, must challenge the present, must challenge the future; but first of all, designers must be true to themselves. Design is attitude.

Fight scenes, comedy - all are insignificant to me at a personal level.

The scenes on this field would have cured anybody of war.

Dialogue comes naturally to me and I can hear the characters' voices in the scenes.

I've got a stomach now as well as a behind. And I mean - well, you can't pull it in both ways, can you? ... I've made it a rule to pull in my stomach and let my behind look after itself.

But to the fighting soldier that phase of the war is behind. It was left behind after his first battle. His blood is up. He is fighting for his life, and killing now for him is as much a profession as writing is for me.

I have never been over fond of scenes anywhere.

In the scenes of moral life the soul is at once actor and spectator.

Do we loathe our masters behind a facade of love - or do we love them behind a facade of loathing?

Sex scenes are always a little uncomfortable at first.

I feel scenes of sexual intimacy are ruined if the director is embarrassed.

Believe it or not, I always found intimate scenes hard to do.

The way films establish the order of scenes is very artificial.