Top 1200 Working Class Hero Quotes & Sayings - Page 20

Here’s the life lesson I’ve learned, Fifi: Some people are born to play the hero, and some are born to play the bad guy. Fighting your destiny only makes life harder than it needs to be. Besides, people remember the villain long after they’ve forgotten the hero.

The only way America can reduce the long-term budget deficit, maintain vital services, protect Social Security and Medicare, invest more in education and infrastructure, and not raise taxes on the working middle class is by raising taxes on the super rich.

Typically, the hero of the fairy tale achieves a domestic, microcosmic triumph, and the hero of myth a world-historica l, macrocosmic triumph. Whereas the former-the youngest or despised child who becomes the master of extraordinary powers-prevails over his personal oppressors, the latter brings back from his adventure the means for the regeneration of his society as a whole.

If you ask any ordinary reader which of Dickens's proletarian characters he can remember, the three he is almost certain to mention are Bill Sykes, Sam Weller and Mrs. Gamp. A burglar, a valet and a drunken midwife-not exactly a representative cross-section of the English working class.

In 'Love Story,' Oliver Barrett IV comes from generations of wealth and privilege, but when he meets working-class Jennifer Cavilleri, he can't resist. When they marry, his father disowns him, but they struggle on in love, until she's diagnosed with cancer and they can't afford the costly treatments.

I bring other constituencies - I also have ties to minority communities. And obviously, to the world of world-class research universities. So I can bring some constituencies that I'm used to working with.

I once said, 'We will bury you,' and I got into trouble with it. Of course we will not bury you with a shovel. Your own working class will bury you.

I don't know how a hero feels, honestly. I feel like an actor; I wanted to be an actor. I always want to feel just like an actor. I don't know this 'hero' term.

My friends were the class clowns, but I was the one in class doing Michael Jordan or teachers for no reason. I've always been amazing at impersonating real people, too, rather than celebrities.

In Britain, class is a neurosis. You judge people from the moment they open their mouth and start speaking: what their accent represents in terms of where they were educated, what part of the country they're from, what kind of class background they have.

Admittedly, no Republican can get elected statewide in California anymore, but nor can what we think of as, nationally, the Democratic Party. There are no Joe Bidens running; it is not working-class Democrats vs. liberal Democrats, or whatever their division is these days. It is Hispanic Democrats vs. Asian Democrats.

He was a degenerate gambler. That is, a man who gambled simply to gamble and must lose. As a hero who goes to war must die. Show me a gambler and I'll show you a loser, show me a hero and I'll show you a corpse.

Somehow the revolutionaries must approach the workers because the workers won't approach them. But it's difficult to know where to start; we've all got a finger in the dam. The problem for me is that as I have become more real, I've grown away from most working-class people.

I grew up in a working class family. People thought I might go work at a mill. My mom wanted me to learn how to lay carpet because she was concerned about my future. Nobody had high hopes for me. But I was a hustler.

I worked with people I admire; Josh Lucas, who I'd worked with many many years ago on a pilot called The Class of 61 and Kurt Russell, and so there were a variety of different people that I enjoyed working with.

My classroom is set up to accommodate the different types of assignments students do. Sitting at a single desk the entire class time just doesnt work for this type of class.

The only thing I have to say to people - try being the hero of your own world one day. Don't spend your life thinking about what somebody did or if they failed at this or if they did great at that or they got caught with a monkey, in a bathtub, having sex. You should at one point become the hero of your own world.

When I went back to finish my undergrad, after a long and ignoble absence, my very first class was Intro to C for Cognitive Modeling. Unlike any educational experience before, I aced the class.

As soon as you opened your mouth and said the word woman, you were beaten down with the argument that you were betraying the class struggle. There are many poignant writings in which feminists first write pages about their class standpoint before getting to their actual issue. What was then known as class warfare is today called anti-racism. The threat of being accused of racism gave birth to false tolerance.

I started working in front of the camera for the first time when I was 15 years old. I joined a soap opera. We filmed in Brooklyn and I would skip class to shoot my scenes. It was terrifying and I entirely self-conscious in front of the camera.

I'm entirely uneducated. I went to public school - public in the American sense - a blue-collar, working-class school. I never got a scholarship, I left when I was 15, never did any exams.

Readers will stand up and cheer for Karen Fox's Prince of Charming! Finally, a heroine who's a real woman. Finally, a hero who knows what a rare find she is! Finally, a book for us all to adore! Thank you Karen Fox for creating the most lovable hero romance has seen in a long, long time!

There's more of a family connection when you're working on a TV show. That's not to say that you don't make great connections when you're working on films, but it's different unless you're there working every day.

But in the end, mastery involves working and working and showing little improvement, perhaps with a few moments of flow pulling you along, then making a little progress, and then working and working on that new, slightly higher plateau again. It's grueling, to be sure. But that's not the problem; that's the solution.

Growing up in a particular neighborhood, growing up in a working-class family, not having much money, all of those things fire you and can give you an edge, can give you an anger.

A devotee who can call on God while living a householder's life is a hero indeed. God thinks: 'He is blessed indeed who prays to me in the midst of his worldly duties. He is trying to find me, overcoming a great obstacle -- pushing away, as it were, a huge block of stone weighing a ton. Such a man is a real hero.

I love working out and when I'm home. I love the feeling of walking out of a class. That's just an addictive feeling for me.

John Ventimiglia, who was on 'The Sopranos,' was in my first acting class and we have been friends since that time. Alec Baldwin was in my class back then, Sean Young and Andrew McCarthy.

Back in the day, when I was a university professor, I used to teach a class in Human Anatomy and Physiology. This class was popular with the football players, who all took it under the tragic misapprehension that it would be easy.

We've all tried to bunk our gym session or dance class. A single routine can get monotonous. That's why I have decided to make my fitness regime fun by incorporating different workouts into my schedule. From dancing to yoga, I plan to keep it as interesting as possible so I'm never bored of working out.

I grew up in a house with a mother who was a teacher and a Freedom Rider - very left-wing Democrats living in a heterogeneous working-class neighborhood. I picked up a lot of those values there, and I brought them with me when I showed up in Hollywood.

The hero and the coward both feel the same thing, but the hero uses his fear, projects it onto his opponent, while the coward runs. It's the same thing, fear, but it's what you do with it that matters.

I'm very involved in FIU. I'm class of '96 and my wife is class of '97. I'm a member of the foundation board. We talk about where the university is strategically and the evolution of programs for the near and distant future.

But beyond the hysteria of phantom death panels, where is the abomination? Show me the provisions that will hurt consumers, because if you think a $110 billion a year tax break for working-class Americans to buy private health insurance is a government takeover, I welcome the debate.

I wasn't taking drugs or drinking. I was working and working and working. But I wasn't writing anything.

Labor, under their current leadership, want to be the Downtown Abbey party when it comes to educational opportunity. They think working class children should stick to the station in life they were born into - they should be happy to be recognized for being good with their hands and not presume to get above themselves.

There was a time in my life when I was going in and out of houses that were extraordinarily different - from a working-class terrace in Northampton to the homes of friends who were really very wealthy. It was quite an odd position to be in, I realise looking back, and quite a nice one.

I put on the page a third look at what I've seen in life - the reinvented experience of a cross-eyed working-class lesbian, addicted to violence, language and hope, who has made the decision to live, is determined to live, on the page and on the street, for me and mine.

I do not see class as a 'structure', nor even as a 'category', but as something which in fact happens (and can be shown to have happened) in human relationships... the notion of class entails the notion of historical relationship. ...And class happens when some men, as a result of common experiences (inherited or shared), feel and articulate the identity of their interests as between themselves, and as against other men whose interests are different from (and usually opposed to) theirs

As a culture, working-class white Americans like myself had no heroes. We loved the military but had no George S. Patton figure in the modern army. I doubt my neighbours could even name a high-ranking military officer.

He [Donald Trump] is got no ethics when it comes to business and can they turn this story line, talk to his white working class base and say, he`s hired illegal immigrants. He doesn`t look out for you. He`s taking your kids money at Trump University and he is being accused of fraud.

Sharpe is my favorite role of all that I've played. He's a very complex character. He knows that he's a good soldier, but he will always have to fight the prejudice of aristocratic officers because of his rough working-class upbringing. On the battlefield, he's full of confidence - but off it, he is unsure, a bit shy and ill at ease.

I think how veterans are treated in our country is an abomination. We don't have the draft any more, which is why so many soldiers come from working-class - rather than middle- or high-income families. Those wealthier families aren't affected, so they're not agitating for change.

If change is to come, it must come from the working class. That's why telling their story is important. That's why knowing our history is important.

I just thought someone has to figure out how to break through that barrier and create a narrative for a black super hero story to unfold at the same scale as something like Star Wars. Rythm Mastr is about producing a narrative of a hero engaged in a struggle as complicated as those other stories. The catalyst for it was the beginning of the demolition of public housing in Chicago.

Rock n' roll was my art school. For many people from working-class backgrounds, rock wasn't a chosen thing, it was the only thing: the only avenue of creativity available for them.

I'm a great candidate for why arts funding shouldn't be cut, because I had no experience other than what was at school, I'm from a working-class town, there were no theaters, and the cinema closed when I was a kid. Anything that gave me a voice or a way to express myself I went running headlong toward.

We still retain in Britain a deeper sense of class, a more obvious social stratification, and stronger class resentments, than any of the Scandinavian, Australasian, or North American countries.

There is no better way to improve wages and working conditions in our country than to support the right to unionize. Throughout our history, unions have improved the lives of millions of American families, grown the middle class, and pushed our economy forward.

One of the nicest things about receiving the accolade of Australia is that, previously, the knighthood was historically for what was termed 'the establishment.' Now, this is an accolade for somebody who comes from a working-class background. Someone whose father was a truck driver and decided to buy a truck.

If you want to get at African American poverty, the income gap, wealth gap, achievement gap, that the most important thing is to make sure that the society as a whole does right by people who are poor, are working class, are aspiring to a better life for their kids.

What would happen if capital succeeded in smashing the Republic of Soviets? There would set in an era of the blackest reaction in all the capitalist and colonial countries, the working class and the oppressed peoples would be seized by the throat, the positions of international communism would be lost.

The base of the party, the middle-aged white working class, has suffered at least as much as any demographic group because of globalization, low-wage immigrant labor, and free trade. Trump sensed the rage that flared from this pain and made it the fuel of his campaign.

I sometimes wish the trade unionists who work in the mass media, those who are writers and broadcasters and secretaries and printers and lift operators of Thomson House would remember that they too are members of our working class movement and have a responsibility to see that what is said about us is true.

The agricultural working people should be imbued with a thoroughgoing faith in socialism and steadfast anti-imperialist and class consciousness so that they can regard our style of socialism as their life and soul, love it ardently, and fight staunchly against the imperialists' moves for ideological and cultural infiltration.

I spoke to Geoff Johns a lot. We went back and forth, and found a way to bring up the best qualities in his personality and psychology and also fill a niche in Gotham that we've never seen. It became about is there a way to really plant this hero in Gotham and say this is someone you haven't seen before - both in terms of who they are as a person and who they are as a hero.

It appears then, that capitalist production comprises conditions independent of good or bad will, conditions which permit the working-class to enjoy that relative prosperity only momentarily, and at that always only as the harbinger of a coming crisis.

I grew up in a working-class Catholic family in south Louisiana. I went to a state university. I taught literature, wrote a novel that was the novel I wanted to write, and got a couple of good reviews but no real traction. I had no idea how to get a job in TV.

My parents, Arthur and Olwen, were honest, working-class people who raised my brother Arthur, sister June, and me with the values of that era - patriotism, stoicism, honesty, concern for your neighbours, and judging a man by what he did rather than what he had.

I always feel like a bit of an outsider myself, but as a working class lad, the system was always against me. The British system itself and then of course all the illnesses that were challenging to me.