Top 1200 Working Things Quotes & Sayings - Page 2

I believe - I know (there are not many things I should care to dogmatize about, on the subject of writing) that writers need solitude, and seek alienation of a kind every day of their working lives. (And remember, they are not even aware when and when not they are working.) ... The tension between standing apart and being fully involved; that is what makes a writer.

I don't shoot shots just to shoot shots. I'm always working in a rhythm, working on mechanics. I've got a checklist of the things I need to do with my form, my legs, my arms, all of my mechanics.

Working with the actors, working with production designers, working with the creative people who surround the process is really fun, it's really inspiring and I take great pleasure in working with them. That's what's most fun about directing.

Moral values includes the immorality of 45 million uninsured or the immorality of working people who are having trouble raising a family despite working full-time. That has to be part of the moral equation. And if we are able to frame things in that fashion, then I think we can be successful.

When I'm not working, I would kill to have some sort of creative outlet other than, say, a coloring book. And when I'm working, I want to do all those things I was griping about - you know, make a turkey-and-cheese sandwich, put it in a zip-top bag, and stick it in a lunch box right now!

My view on working with any government in the world is that there are things that you will agree upon and things that you will not. And you don't want to let the things you don't mean that you don't have any interface.

Say you're working for a big overseas aid organization. You can't leave home in a Mercedes Benz, travel 80 kilometers to work in a great concrete structure where there are diesel engines thundering in the basement just to keep it cool enough for you to work in, and plan mud huts for Africa! You can't get the mud huts right if you haven't got things right where you are. You've got to get things right, working for you, and then go and say what that is.

We both [with Donald Trump] share a desire to ensure that governments are working for everyone and particularly that governments are working for ordinary working families and working-class families. And I think that's important. That's what I've spoken about.

I really loved working with Michael Caine. He's a really skilled and experienced actor. I learn something from everybody, but when you work with somebody like that, you actually learn things you can put in your toolbox, things about craft. Not necessarily life lessons, but actual things he knows that you can pick up.

There's more of a family connection when you're working on a TV show. That's not to say that you don't make great connections when you're working on films, but it's different unless you're there working every day.

What I've learned - after working for, I guess, some time now - is when you're approaching a relationship like that, like, any working relationship, it's good to be open. To know that someone might have a different way of doing things and listen to them. And hopefully, you come to a common understanding.

I spent two years working on building sites, working on the railways as a guard and in a racing stable, exercising racehorses. I learnt to build relationships. The experience of not being stuck in some middle-class bubble taught me things that being at university hadn't.

At a certain point we need to grow up; we need to look inside ourselves for our inner guidance. There are things most human beings know; they just don't want to know them. They know deep down that certain things in their lives are working or aren't working, that certain parts of their lives are functional and others are dysfunctional. But sometimes, as human beings, we don't want to know what's not convenient. So we pretend not to know.

When I go into the studio - it [words] has to sound the way I heard it in my head. So that's probably one of the biggest things that separates me when I'm working in the studio - just how I hear certain things.

I feel any time you enter a dream world it's like you're working out things, it's all inside your mind and you're working it out, be it Dorothy in The Wizard of Oz, or the kids in Narnia, they go through this weird journey that's not real, and they're going through this journey psychologically. It's that journey of discovery, of getting onself together, that fantasy and fairy tales are so good at. And while some people still look upon them as completely unrealistic, for me they're more real than most things that are perceived as real.

A footballer must be prepared to be welcomed when all is well and to receive criticism when things are not working out. Of course, it is not easy nor pleasant to hear negative things about you.

When you're working with somebody else in that kind of way, you always have to have these guidelines to what you're doing - especially when you're working with your sibling. But when you're working by yourself you're free to do whatever you like.

But in the end, mastery involves working and working and showing little improvement, perhaps with a few moments of flow pulling you along, then making a little progress, and then working and working on that new, slightly higher plateau again. It's grueling, to be sure. But that's not the problem; that's the solution.

I don't just act to pay my rent. I really like doing it, so I get frustrated when I don't get to do it all the time, so short films are a really great way to be doing it and working with your friends, working on smaller, more specific things without limiting yourself in other ways.

I love working and I love doing lots of things and a variety of things. It keeps your mind active... and you don't end up worrying about just the one thing. When I chew things over or analyze too much, that is when I can trip myself up.

I've been working hard. I'm working on my wrestling, grappling more and I'm always working on my cardio.

We need to stop buying into the myth about gender equality. It isn't a reality yet. Today, women make up half of the U.S. workforce, but the average working woman earns only 77 percent of what the average working man makes. But unless women and men both say this is unacceptable, things will not change.

When I was younger, my whole sense of self-worth was based on whether or not I was working, which was awful. And I had a baby at 20 years old, so it wasn't just about me. At around the age of 30 there was a stretch where I wasn't working - certainly not on anything I liked, anyway - and I started to do other things.

I like working solo and it was a lot of fun joking around with the audience, saying things. I'm only just learning how to do certain things.

Our point of view is, lets not be so elitist that we can't honor good, hard, dignified, ennobling work: people working with their hands, building things, putting up solar panels, weatherizing homes, working on organic agriculture, building wind farms. We don't have robots in society, so somebody has to do that work. Lets make sure that the people who can use that work get a chance to do it. I see that as a first step toward bigger and better things.

I tried working with the best of directors and producers. I tried being selective, but things didn't work out. Now, I am open to working with anybody and everybody who is good. Or I'll try to make it good. That suits me.

I've been working, working, working, and you know, sometimes you look back at your work and you see that it just isn't any good.

I hate even the idea of a synopsis. When stories are really working, when you're providing subtextual exploration and things that are deeply layered, you're obligated to not say things out loud.

I'm drawn as well to the lower echelons of things because it struck me a long time ago that it didn't really matter on what level people were working on anything; it was just as important to them as the people working on what's perceived as a higher level.

Working in local news makes you very self-sufficient, which is a good thing because you know how all the different jobs work. I've worked many of those jobs in the newsroom, from my first job answering the phones and working the prompter, to producing, to being a reporter who does all of those things.

You learn, of course, when you're working with something good, but you also can learn when you're working with things that are not good. You can see the reasons they're not good. I would sometimes suggest what could be done, but essentially say "It isn't worth the bother." So I learned from that process.

I'm going to be working on my shot. Working on extending my range. Keep working on everything, and really studying the game.

Personally, when I'm not working, I like to do as many things outside of the industry as I can - other things that make me happy. You kind of need to be grounded in something else besides just being an actor.

Once I get on something, once I have something that I'm working on, then I become very obsessive. In a good way. I mean,... is there a positive way to say obsessive? It's a good thing and if you're out there and you're working on something right now and you're crazed and you're up in the middle of the night, or you can't stop thinking about it, or you have to keep reading other things about the subject that you're working on or whatever. That's good and I think that's necessary creatively.

It was a pleasure working with Q Entertainment. I don't focus on working with one company but rather with multiple companies, and I look forward to working with others.

I don't just act to pay my rent. I really like doing it, so I get frustrated when I don't get to do it all the time, so short films are a really great way to be doing it and working with your friends, working on smaller, more specific things without limiting yourself in other ways.

Motivation comes from working on things we care about. It also comes from working with people we care about.

I think one of the coolest things for my daughters is that they'll get to see their mom being a working mom. It's one of the things I'll be most proud of.

You have much more power when you are working for the right thing than when you are working against the wrong thing. And, of course, if the right thing is established wrong things will fade away of their own accord.

I don't know if I was a star. I was certainly working a lot and that was strange because there were good things about it and things that were difficult.

I like things on my desk that are pretty and make a statement. It's important that whatever is on my desk inspires me because that's where I spend a lot of my time working and creating things.

I don't usually say 'working mom' because I think all moms are working moms. I feel like that diminishes moms. People should say 'working dad' as opposed to working moms.

I'm always going to have a strong preference for things that can actually pass into legislation. We can talk about big issues and have big goals while also working on pragmatic things.

In the future, the idea would be to create work for myself, as a way to work up into my 80s if nothing else. But also, I want to cast my friends in things or people I saw who weren't working and I'd be like, 'Why aren't you working, I don't understand - I'll write you a role in something.'

When you're working in service to a big project, there's always the question of, 'Is there total freedom to do what I think is right artistically, or is this a job?' It's okay for things to be a job. I'm perfectly comfortable working. I don't need to sit around and quench whatever personal artistic thirst I have at all times.

When the brain gets lost, it doesn't stop working. It tries to makes sense of things. It begins to speculate and guess, and that's when things open up. That's exciting.

You can't be a great mum and work the whole time necessarily; those two things aren't ideal. We have an awful lot to work on and to debate about in relation to our working lives, because it isn't working for a lot of people, particularly for a lot of women.

Design is important. I spend much of my working life as a designer. But how can you design for materials if you don't know what they can do? The feel of them, the possibilities, the capabilities? These are things you learn only by working with materials all the time. Frankly, a university degree is not much help in that.

Instead of agonizing about the things you can't change, why don't you try working on the things you can change

I love working that way, and that's sort of the way that Mark, Jay, and I have been working for years, where we start with scripts that are really solid and well-written. But once we get into the scene and we start doing the work, we definitely loosen things up.

In any economy, the entire population is supported by the part of it that is working. All other things being equal, it thus follows that the most attractive acquisition a society can have is a young adult, whose childhood and education has already been paid for, but whose entire working life still lies ahead.

People and their managers are working so hard to be sure things are done right, that they have hardly have time to decide if they are doing the right things.

You know, things come up and we have those conversations. I feel that they're all in a kind of similar state, which is that we all keep working on them, in house, until we feel like it's ready and then it goes from being something that were working on to ready very quickly.

I love working with Prada, I would do it all the time if I could. Working with them is like working on a film: it is very collaborative.

The biggest challenge of being a pastry chef is that, unlike other types of chefs, you can't throw things together at a farmer's market. When you're working with baking powder and a formula, you have to be exact. If not, things can go wrong.

I started working as a movie writer and a movie producer... all the way back to 'Teen Wolf' and 'Commando.' All of those experiences, plus working both at DC and at Marvel - each of those things are bricks in the wall.

I love working and I love doing lots of things and a variety of things. It keeps your mind active...and you don't end up worrying about just the one thing. When I chew things over or analyze too much, that is when I can trip myself up.

I wasn't taking drugs or drinking. I was working and working and working. But I wasn't writing anything.

I enjoy working with complicated equipment. A lot of my things started just with a rhythm box, but I feed it through so many things that what comes out sounds very complex and rich.

It is a law of nature that you must do difficult things to gain strength and power. As with working out, after a while you make the connection between doing difficult things and the benefits you get from doing them, and you come to look forward to doing these difficult things.