Top 1200 Working Quotes & Sayings - Page 13

There's not democracy in the workplace. I mean, through most of our daily lives, the idea of democracy is fairly nonexistent. And I think things work better when the people who have to work with whatever it is we're working with have a say in how it's working.

It wasn't until 2013 that I even started working in film. It was always something I wanted to do from six, but I didn't know how to get there other than working really hard and going to New York and doing theater like I saw on the bios of some of my favorite actors.

For me, because I've been working out since I graduated college, I have to mix it up. But it's not just working out for health's sake; it's also a whole mindset for me. Yoga is really important for that.

It was important to focus on working-class women because we so rarely focus, particularly in period films, on the working people. The suffragettes brought together women of all classes, which was one of the striking things about the movement.

The sabbath is God's special present to the working man, and one of its chief objects is to prolong his life, and preserve efficient his working tone. The savings bank of human existence is the weekly sabbath.

There are many challenges I face while working on a book. Working within deadlines and schedules is certainly one of the bigger ones for me. I want to create the best possible book I can for my readers with words and pictures - and that takes time to get it just right.

I started working as a movie writer and a movie producer... all the way back to 'Teen Wolf' and 'Commando.' All of those experiences, plus working both at DC and at Marvel - each of those things are bricks in the wall.

When I'm working, I don't wake up and say, 'OK, time to go be intense.' I just look at whatever scenes we're working on that day and break them down - just real intense everyday work.

When you're working in service to a big project, there's always the question of, 'Is there total freedom to do what I think is right artistically, or is this a job?' It's okay for things to be a job. I'm perfectly comfortable working. I don't need to sit around and quench whatever personal artistic thirst I have at all times.

Whether you're a second lieutenant working with a captain and a lieutenant colonel, or a four-star general working with the Office Secretary of Defense and the White House, the decision makers have got to have ground truth. Otherwise, the decisions they make could be flawed - and that can be dangerous.

The average full-time working male works more than a full-time working female.

I love working with an audience. I love working with actual people who, you know, if they're moved, you see it. If you say something they're stunned by, you see their jaws drop. If they're amused, they laugh - that kind of reinforcement, I totally adore.

I'm working hard day-by-day, every practice, working out after practice to be the best back I can.

Two people can be work at the same job, side by side. One person is working just for a paycheck. Another is working to perfect their being. Some people think that the material world will make them happy.

Working in a store and being a shop assistant, if you don't know what to do and you like fashion, I think it's a great way of getting into the business because you do windows, cleaning, and everything. That was my school for two years, working in a shop, and that's how I met people in magazines and designers.

For myself, I would rather take less roles and be working on films that I'm passionate about, that are going to challenge me and that I'm going to be growing from. I don't ever want to take a movie just for the sake of working.

I think all actors, when they're not working, say, 'If I can get to this point where I'm working on a consistent basis, I'll be happy.' Of course, then, if that happens for you, and you're lucky, you find some other reason to complain. There's a joke: 'If you want to hear an actor complain, give him a job.'

I think my sister and I just focus on working hard. We started off working with Wal-Mart on our first clothing line as an extension of our personal brand when we were 12, and we got to learn about being aware of what was in the market and what wasn't.

I'm not a home-studio guy. I spend a lot of time working by myself developing songs, but I really need some other counterpart to help me pull it all together, because you go nuts working if I had to finish an entire project all within my own head.

Working as a model liberated me from ever having to hold a day job. I transitioned from doing that to working full-time as an artist. If you're 19 and living cheap, being an artist model can sustain you.

Go get a job. Whether it’s working as a designer or working in a restaurant and then doing your own thing in your own time, it’s a reality of life. In the end it’s going to be helpful to you and so many others.

I made one choice, for example, which is I'm just going to confine work to working hours. I'm not going to work on the weekend. I'm not going to be working while I'm with my son in the morning and in the evening.

If you're working on ideas, and you don't know what they are, keep working on them. You don't know what they'll be.

I loved working on 'Murphy Brown,' and I loved working on 'Monk.'

I miss working with great actors, working with great directors.

We were working class, but my mother stopped working at the mill when she married my father and he went on to become an electrical engineer and later a draughtsman. So although we were never rich he was bringing in enough money to be able to splash out occasionally.

I spend a lot of time in the gym working on moves, working on difficult shots, figuring out ways to create space, becoming a tough-shot taker and a tough shot maker, especially down the stretch.

The only way to get people to like working hard is to motivate them. Today, people must understand why they're working hard. Every individual in an organization is motivated by something different.

I really don't have any weaknesses. I do have areas of my life that I am working on to grow, heal and evolve. Giving myself permission to rest is an area I am working on. Not rescuing my children and grandchildren is another area.

When I was younger, my whole sense of self-worth was based on whether or not I was working, which was awful. And I had a baby at 20 years old, so it wasn't just about me. At around the age of 30 there was a stretch where I wasn't working - certainly not on anything I liked, anyway - and I started to do other things.

I had a choice between working on Wall Street or doing consulting or working at a start-up, and I got a job at a start-up. I was one of the first employees there, and I did everything for them, and it was so much fun.

I'm pretty conservative when it comes to money. My parents were very working class and constantly working. There was always a very strong work ethic and that's put a more conservative, "save for a rainy day" mentality into me.

I like hearing from everybody and not just my co-screenwriters or producers. For example, while on set, I find it valuable to turn to my PA and ask, 'What do you think? Is this scene working? Do you like what you see? You got any ideas for that line there because that idea isn't working for me.'

I always tell reporter that you always have to be working. If you are at a party you can have a good time but if you hear something talking about something new or different that's going on you have to be working. In this business to be at the top of your game you really can't unplug.

I was interested in virtual reality for several years even before working at USC, it wasn't an interest that started there at all. In fact, when I started working at USC, I already had prototypes of the Rift that were very similar to the final design.

When I was at the Jet Propulsion Laboratory back in the early '80s is when I first got the idea. The Super Soaker was based on some engineering principles that I applied. I was actually working on another invention which was a heat pump that would use water as a working fluid instead of Freon.

I can't talk fellowship to you who are gathered here. Too much blood has been spilled. I know from my experience it is up to the working people to save themselves. The only way they can save themselves is by a strong working-class movement.

I went from working with Will Smith to working with Will Smith's wife. So the Smiths have been very good to me.

In the future, the idea would be to create work for myself, as a way to work up into my 80s if nothing else. But also, I want to cast my friends in things or people I saw who weren't working and I'd be like, 'Why aren't you working, I don't understand - I'll write you a role in something.'

Hey, hey, the working man, the working man like me. I ain't never been on welfare, that's one place I won't be.

Being my own boss and working inside an industry that's not really an industry, I need to keep busy and keep working. The only way to make money in music - unless you're managing someone - is to tour, and even that depends on where you are at.

As you are working on ideas, you are in a bubble, working on your images. What's important to me in my work, I like this idea of communicating through a piece of art so works don't have to be exchanged. They're okay and they're helpful but most importantly that the image will convey something in my mind that I was trying to communicate and then you have that connection.

I've never really viewed myself as particularly talented. I've viewed myself as slightly above average in talent. And where I excel is ridiculous, sickening, work ethic. You know, while the other guy's sleeping? I'm working. While the other guy's eatin'? I'm working. While the other guy's making love, I mean, I'm making love, too. But I'm working really hard at it.

I really do like the independent way of working. You don't get much studio intrusion compared to when you're working on a big Hollywood film where there tends to always be loads of people interfering. The only problem, though, with independent features is that they are hard to sell.

I've always been really interested in fashion, culture and visual arts in general: when I was growing up my parents half-expected me to go to art school, but I ended up working in Parliament, and then working in tech and data.

You get better at working by working. And if you don't work, you're not getting better.

I tried working with the best of directors and producers. I tried being selective, but things didn't work out. Now, I am open to working with anybody and everybody who is good. Or I'll try to make it good. That suits me.

"I've always been a proponent of "if you're going to do something, do it right." I applied that across all aspects of my shooting - planning, setting up shoots, getting up early, working with athletes and models, working with clients etc. Just being a pro about it.

The plan was just to make great art, and working with Donald Glover, who is such a renaissance man, we've been working together for ten years, and he is always pushing the envelope in a way - like, whenever we work together, I have no idea what it is going to turn out to be.

You come out of a working-class environment, you know, working-class kids always put them themselves together because it's one of the only things they had. You had control of your image.

When Benjamin Disraeli spoke of the 'two nations' in Britain he was perfectly right, only the working classes were not exactly a nation. But the gap in behavioral standards and in outlook, and of course in standards of living, were enormous. And in course of time, at least in countries such as Britain, the working classes more or less adopted and have become assimilated to the standards of the so-called 'gentle' classes. That is assimilation.The working class has hardly been able to govern, but they are no longer outsiders in relation to the state as they were before.

Going to school and working for good marks, indeed working for very good marks, was a serious business.

I think working in the industry, I'd be pretty nervous to have a celebrity crush. I'd be pretty nervous if my boyfriend did as well because inevitably you'd end up working with them and then it would feel very suspicious.

No faction is better or worse than any other. All come from the same mould; they are all products of capitalist influence in the working class movement. And they are a poison that destroys our Party and the working class movement in Korea.

In my case, I was born to parents who were very young, and I don't think they were entirely ready to have a child. My dad was going to college and working two or three jobs at the same time, and my mum was working and going to school.

I still love coming into work everyday after so many years working as an actress. I've been working more or less continuously and I find I have to really want to do the project to make it work because you have to put such an enormous amount of effort into it.

When you're working in the [film] industry and you're working with people who are well known and are so regarded, you do just pick up on things. Seeing the way that people hold themselves and compose themselves before a scene - it's inspirational.

Writers have a job to do. Editors do, too. You have to stand ground and cede ground on a case by case basis. When an editor tells me something isn't working and I still believe in it, I tend to think it just isn't working hard enough.

I've been around all kinds of people, defense attorneys, working with cops, working with politicians, both sides of the aisle, including Democrats as former first lady of San Francisco, and the Republicans, too, so I've had a front row seat to lots of things in life.

I did not go to fashion school. I arrived in New York in 1986 from Kansas City and was working as accessories editor for Mademoiselle Magazine. While working at Mademoiselle I noticed that the market lacked stylish and sensible handbags, so I decided to create my own.