Top 1200 Working Quotes & Sayings - Page 14

My husband, William Sutcliffe, the writer, is my first reader and in many ways my most important. That initial reading of the manuscript is crucial and irreplaceable and you want them to approach it as someone in a bookshop might, not knowing much about it. So I've got into this pattern of not telling Will anything about the book I'm working on. He often knows nothing about the book I'm working on at all until I give him the whole manuscript and ask him to read it. The book I'm working on at the moment he knows nothing about. No one does.

To me, the greatest invention of my lifetime is the laptop computer and the fact that I can be working on a book and be in an airport lounge, in a hotel room, and continue working; I fire up my laptop, and I'm in exactly the same place I was when I left home - that, to me, is a miracle.

Mary's [Hamill] working from an outsider perspective and I'm working from an insider-outside perspective. In this case, it will bring an added dimension to the visual aspects of the work. Also the processes and approaches that I'm thinking are about learning. I'm playing it by ear to experiment and see what happens.

The studio is really fun because I don't make it into the studio unless I've got something I really like. I love working with different musicians in the studio; that's a real joy, working with someone for the first time.

I like to be able to control which players I'm working with. Because it doesn't matter how good a coach you are if the guys you're working with think they already know it all. You need a response, you need to feel they're trying. I want players who are always striving to improve.

Your intelligence is so deeply entangled with the social identification that you have taken on, your brains are not working in line with the life within you; it is working against your own life. That is the source of misery.

Obama hasn't been working to earn reelection, he's been working to earn a spot on the PGA tour!

I'm very lucky. Most of my friends wait long times for jobs and also don't get the chance to work on 20 films, like I have, with someone like Scorsese. I love working for him. I just would never - I can't imagine working for anybody else.

Well, yeah, people are working in our country. You know what? They're working two and three jobs, and in our America, people should not have to work more than one job to be able to put food on the table and have a roof over their head.

The thing I received from Girl Scouts more than anything else was a sense of real teamwork and working for the community, helping others, and it was not competitive. I remember working as a group to achieve a goal or to help the community. There was a great sense of accomplishment in that.

People working in films are somewhat like gypsies: we move from set to set and spent weeks, sometimes even longer working while shooting a film. Right from the spot boys to the make-up guys and cast and crew, we become a kind of family.

Working with great actors - being part of something of that magnitude and not knowing the business and what the business entailed or any of that. I was so wet behind the ears, I didn't know anything. It's, like, you're watching movies, and then here you are in front of those people and working with them. It was pretty interesting.

In a certain way working in animation has become very democratic because now anyone with the right technology can at least prepare a project from home in order to attract investors. Some people can even set up a small home studio and start working.

I've been singing since I was 8 years old and working in clubs since I was 14. I've been working full time since I was 16.

Some people like the off days to do a light practice or work on things and then get ready for the next match. I don't mind going out and playing a doubles match and working on returning serving and working on a few things.

It's the weirdest thing. Evan [Goldberg] was just telling me how weird it is that we won't be working on Sausage Party, to which I said, "Hopefully, we'll be working on Sausage Party 2." It was almost ten years ago when we came up with the idea.

Whether you're working in corporate America or you're a journalist, construction worker, a teacher or an actor - we're all trying to keep working. If one job is ending, you look for another job. When 'Psych' ends, I will be looking for another job.

The fact is, is that Donald Trump knows that as he rifles money from the working and middle classes up to the super rich, he has to sow division among working people, because if working people and middle-class people really take a look at his economic policy, they will come together, and they will stop it. So, what he has to do is to promote racism - hate the Muslims, hate the Latinos, hate the blacks, you know, have male - men and women at each other's throats, you know, make sure we repress the trans people.

Well, first of all I think that we have to be careful with terms like the working class, obviously. When [Karl] Marx wrote about the working class he was writing about something much more bounded than we're talking about.

[Stanley] Kubrick was a fascinating, larger than life guy who had been a friend for many years prior to our working together on that film. I found the best part of working with him to be the long conversations we had between set-ups.

The biggest problem with working at a treadmill desk: the compulsion to announce constantly that you are working at a treadmill desk.

I keep saying we've got 92 million Americans on the beach. They're not working, and they're all eating, and they're all making phone calls, and they're all watching television. But they're not working. You mean to tell me if you tell them that to keep all that they're going to have to get a job, that that is a detriment to your campaign?

When I was in high school, my mom gave me a paperweight. It was when I was going through my 'not that interested in doing homework or really working on anything' phase and the paperweight said "If you're not the lead dog, the view never changes." And that's sort of the same thing, if you're not always working to be in the front.

I'm working from home a lot. That's very unusual because I'm away a lot, sometimes working on the other side of the world for long periods of time. So, it's hard to manage in the sense that I want to be the best dad I can be but it's almost harder when you have your kids outside the door.

One day, I read an extremely vague ad looking for someone interested in working in film. Seeing as I loved watching films, I replied, and I found myself working for this guy who did his own personal editing of scenes from Antonioni and Fellini films.

For four years, Barack Obama has been running from the nation's problems. He hasn't been working to earn reelection. He's been working to earn a spot on the PGA tour.

I would roll out of bed and immediately start working, and keep working until it was so late at night that I couldn't stay awake anymore. Then I'd go to sleep and wake up the next morning and do the same thing all over again. I did that every day for three years.

I'm accustomed to just working by myself, alone in the room and cranking up the music and just working and getting all into an obsessive state where I'm focused on this thing, and it's the one thing that I feel like I may have a little bit of control over in my life.

Yes, I have a website that puts out conservative news. Yes, I am part owner of a gun company. Yes, I'm a Republican who was cast into the limelight for having the temerity to confront Barack Obama on the question of redistributing wealth... But I'm a working man, and I'm working.

So much of what we do addresses the issues that are associated with climate change, whether it's working to reduce emissions, whether it's working to nail down our renewables, whether it's ensuring great efficiency in accessing all of our energy sources.

Everyone has different goals. For myself, I would rather take less roles and be working on films that I'm passionate about, that are going to challenge me, and that I'm going to be growing from. I don't ever want to take a movie just for the sake of working.

I know the devil is working against me. I already know my mission and what I'm really here to do. People may not see it but he's been working overtime. He's not even able to mess with other artists because he's got so many demons around me.

I had this career and then I was working and then I met Rob and then I kind of went off and got married and had kids, and in that process, which was amazing and fantastic, I lost my confidence as an actress and as a working woman.

It's a tough business. To my parents or to their friends, I was not a success, but to me I was a huge success. I was having a blast. I was working on shows I loved, I was working with actors I loved, and I was making a living as an actor. And I loved every second of it.

Arsene has most of the media in his pocket now and is almost - almost - affecting the officials so that you can't tackle an Arsenal player. That's something he's very clever at working on and it's almost working in his favour, you can see that.

You learn, of course, when you're working with something good, but you also can learn when you're working with things that are not good. You can see the reasons they're not good. I would sometimes suggest what could be done, but essentially say "It isn't worth the bother." So I learned from that process.

When I'm working, I'm obsessively working.

I think it's important to be able to say that you did live a normal life and struggled to make ends meet. It all has to do with work ethic and how I apply myself to my awesome job now. I've always been used to working because I've been working since I was four.

I love working that way, and that's sort of the way that Mark, Jay, and I have been working for years, where we start with scripts that are really solid and well-written. But once we get into the scene and we start doing the work, we definitely loosen things up.

As a teacher, I can help my students see what is working and not working. I can show them certain solutions. I can guide them to books that will serve as role models. Largely, though, one learns to write almost like developing muscle memory, and this requires years of effort.

To be honest, I would have to say that there was a certain burden in working with Arnold, a big action star. I am aware that Arnold is loved by the American audience, but rather than focusing on working with Arnold, what I focused on was expressing the character, Sheriff Owens, through Arnold the actor and knowing that Arnold and my idea about Sheriff Owens coincided and that it was about Owens protecting a certain value and justice, I focused more on that aspect that helped me to be more comfortable in working with Arnold.

Somebody approached me about working with Michael Jackson, and I did say no because I like working with new artists or people that I've worked with in the past. I can develop them from the ground up. There's no set standard that I have to live up to or anything like that.

We have got this tailspin of culture, in our inner cities in particular, of men not working and just generations of men not even thinking about working or learning the value and the culture of work, and so there is a real culture problem here that has to be dealt with.

Shall we be destined to the days of eternity, on holy-days, as well as working-days, to be showing the relics of learning, as monks do the relics of their saints - without working one - one single miracle with them?

I spent two years working on building sites, working on the railways as a guard and in a racing stable, exercising racehorses. I learnt to build relationships. The experience of not being stuck in some middle-class bubble taught me things that being at university hadn't.

My upbringing was very basic working-class on the outskirts of Nottingham. My mother, Glenis, was a nursery nurse, looking after special-needs children, and my father, Brian, became the manager of a lace factory after working his way up as an apprentice.

My parents were serious working musicians, but they were not stars - not like pop stars that you have now. They had to make a living and that meant touring, working hard, going on the road - and we were roped in.

I've had wonderful collaborators. They're very different, just as actors are. Working on a show with Nathan Lane is different from working on a show with Chita Rivera. It keeps you on your toes because it's different every time.

It really isn't anybody's business how many people we have working for us. What's offensive is that I'm portrayed as this prima donna with these sycophants telling me how great I am all the time. Yes, they do work for me, but we're working together for a higher good.

You'd think I'd be more comfortable with the action, but actually I'm more comfortable with the drama. I mean you get more instant feedback on what you are seeing and you know if it's working or it's not working.

I've done a lot of basketball drills, not a whole lot of competitive stuff. I have basically been in the gym everyday working on my game, working on the time off that I've had from the game, just getting myself prepared mentally and physically for the season.

It's a wonderful thing working with young actors. I know a lot of people don't like working with children. I actually adore it, because you watch their imagination open up and you watch them start to learn this job that I've been doing for so long. They come with such a lack of cynicism.

I love graphic design. I love working with design, and I love storytelling, so I've been working on a children's book for a while, and I'd like to see that through.

If we want to recruit and retain high-quality teachers, it starts with a fair wage, adequate working conditions, and the resources and support to succeed. Remember: teachers' working conditions are students' learning conditions.

I'm drawn as well to the lower echelons of things because it struck me a long time ago that it didn't really matter on what level people were working on anything; it was just as important to them as the people working on what's perceived as a higher level.

I'd say that kids working on sets, even if it's Bambi, need to be allowed to be kids, even if they're working, not become little adults - that to me can be distorting to kids as an experience.

I get very picky. There's sort of a line you have to walk between working and doing something you actually want to be a part of, as opposed to just working for the work. That often puts you in a place where you have to choose whether or not you want to wait for good material to come along.

All I know about method is that when I am not working I sometimes think I know something, but when I am working, it is quite clear I know nothing.

I consider myself a fortunate working actor, but I really work at it all the time. If I have a couple of weeks off, I'm taking class. You never stop. I started when I was 10 years old in Cleveland, and I've never stopped working my butt off.

Who's the big government guy? These labels are nonsense. And the Tea Party, if you want to call them working class, you know, a working-class insurgency from below, they are a mass of contradictions; they don't have a single consistent viewpoint; but part of their impulse is to be wary of government.