Top 1200 Works Of Art Quotes & Sayings - Page 2

Kitsch is the daily art of our time, as the vase or the hymn was for earlier generations. For the sensibility it has that arbitrariness and importance which works take on when they are no longer noticeable elements of the environment. In America kitsch is Nature. The Rocky Mountains have resembled fake art for a century.

It is neither Art for Art, nor Art against Art. I am for Art, but for Art that has nothing to do with Art. Art has everything to do with life, but it has nothing to do with Art.

Serious art has been the work of individual artists whose art has had nothing to do with 'style' because they were not in the least connected with the style or the needs of the masses. Their works arose rather in defiance of their times.

I hold that we have a very imperfect knowledge of the works of nature till we view them as works of God,— not only as works of mechanism, but works of intelligence, not only as under laws, but under a Lawgiver, wise and good.

Art is a nation's most precious heritage. For it is in our works of art that we reveal to ourselves and to others the inner vision which guides us as a nation. And where there is no vision, the people perish.

For notwithstanding this rest and cessation from labor which is required on the Lord's day, yet three sorts of works may and ought to be performed. . . . these are works of piety, works of necessity, and works of charity.

Stop thinking about art works as objects, and start thinking about them as triggers for experiences... That solves a lot of problems ... Art is something that happens, a process, not a quality, and all sorts of things can make it happen ... [W]hat makes a work of art 'good' for you is not something that is already 'inside' it, but something that happens inside you.

I think it was Roger Fry who first coined what he took to be a final definition of a work of art, whether it was a painting, building, poem or Hepplewhite chair. He said that the best works of art are finished products that preserve 'a valuable state of mind'.

Years ago I decided that the greatest need in our Country was Art... We were a very young country and had very few opportunities of seeing beautiful things, works of art... So, I determined to make it my life's work if I could.

It may well be, of course, that America's pop culture is on balance better than our high art. I don't think so, but you can certainly make a case that the best of it aspires to a degree of aesthetic and emotional seriousness that is directly comparable to all but the very greatest works of high art.

The most available example of how poetry works for a poet is yourself, and yet you'll probably be the last one to know exactly how you're serving the art and how the art is serving you.

Art is craft: all art is always and essentially a work of craft: but in the true work of art, before the craft and after it, is some essential durable core of being, which is what the craft works on, and shows, and sets free. The statue in the stone. How does the artist find that, see it, before it's visible? That is a real question.

Can works be made which are not 'of art'?

Detective stories have nothing to do with works of art.

Contemporary art and manga - what is the same about them? Nothing, right? The manga industry has a lot of talented people, but contemporary art works on more of a solitary model. No one embarks on collaboration in contemporary art in order to make money. But in the manga world, everyone is invested in collaboration. The most important point is that the manga industry constantly encourages new creations and creators.

The object of science is knowledge; the objects of art are works. In art, truth is the means to an end; in science, it is the only end. Hence the practical arts are not to be classed among the sciences

Works of art make rules; rules do not make works of art.

Leo's goals are works of art.

The wonderful thing about theater as an art form is it's a purely empirical art form. It's all about what works. And every show, every production, is created anew right from the moment you go into the rehearsal hall.

As I developed as an artist and studied art history, I noticed that all the great works were dealing with the human condition. [Art] had humor in it. It had sex in it. But it also had sorrow running through it.

Through our own creative experience we came to know that the real tradition in art is not housed only in museums and art galleries and in great works of art; it is innate in us and can be galvanized into activity by the power of creative endeavour in our own day, and in our own country, by our own creative individuals in the arts.

My introduction to art history was like everybody else's. You see an art history book that has works by Rembrandt and Leonardo da Vinci and Michelangelo. Yes, these things are great. But I don't see a reflection of myself in any of these things I'm looking at.

The '80s market was only a Japanese market. It was the Japanese outbidding each other for the most expensive works of art. When the Japanese economy went down the tubes, there was no one left to pay the prices that have been recorded for all of those works.

Appreciation of works of art requires organized effort and systematic study. Art appreciation can no more be absorbed by aimless wandering in galleries than can surgery be learned by casual visits to a hospital.

It's really interesting with art-movies too, but art especially - to see how your attitude toward artists and works and your level of appreciation of them is always shifting and changing over the years.

I am not very extreme in my life. But I'm very attracted to art that works with extremes and works with limits, that transgresses limits and transcends limits and crosses borders and has a certain boldness.

We're all works of art in progress.

But art is not simply works of art; it is the spirit that knows Beauty, that has music in its soul and the color of sunsets in its headkerchiefs; that can dance on a flaming world and make the world dance, too.

The internationalization of art becomes a factor contributing to the estrangement of art from the artist. The sum of works of all times and places stands against him as an entity with objectives and values of its own. In turn, since becoming aware of the organized body of artworks as the obstacle to his own aesthetic self-affirmation, the artist is pushed toward anti-intellectualism and willful dismissal of the art of the past.

I've been collecting art for much of my adult life. I started around 1960. And my wife and I really enjoy art a great deal. We don't have a lot of money, so we have works on paper, but we enjoy them a great deal.

In India, nobody really talks about works of art; they always talk about the appreciation of art. You buy this for 3,000 rupees, it'll become 30,000 in two months.

My tiny baby blossoming art collection is comprised of works by artists I have either assisted or been mentored by, artists I am friends with, or artists I have traded with. As much as I want to and aspire to acquire works from established artists, I love acquiring works from my contemporaries in order to participate in this moment in time. The advice I would give is know what you like, take your time, and invest in things you feel connected to, as opposed to buying something because it seems cool or "of-the-moment."

Works of art are landscapes of the mind.

The reality is that art has often risen to greater heights than the people who created it. Many flawed artists have created great works of art. You have to decide if you are going to listen to Richard Wagner's music or not because he was very anti-Semitic.

I don't decide where I live. My wife decides. She's a curator of contemporary art, and she works at an art museum, so we go wherever she has a job. All basements look the same, so I can write from whatever basement I happen to be living in.

There ought to be only one large art warehouse in the world, to which the artist could carry his art-works and from which he could carry away whatever he needed. As it is one must be half a tradesman.

Craft' gets a bad rap. Mediocre art is not caused by craft; it is caused by artists. Good art employs whatever craft works best.

To someone like Zurbaran, who paints still lifes, lemons and pears are the objects of art. But to the electronics engineer who works on the technologies of virtual reality, the whole reality has become the object of art, with a possibility to substitute the virtual with the real.

There are many schools of painting. Why should there not be many schools of photographic art? There is hardly a right and a wrong in these matters, but there is truth, and that should form the basis of all works of art.

Works of art make rules but rules do not make works of art.

Art is the Godhead as revealed in the works of man.

Despite its self-regard, and much like a society of devout followers, the art world relies on consensus as heavily as it depends on individual analysis or critical thinking. Althought the art world reveres the unconventional, it is rife with conformity. Artists make works that "looks like art" and behave in ways that enhance stereotypes. (...) Originality is not always rewarded, but some people take real risks and innovate, which gives a raison d'être to the rest

Real greatness is often humble, simple, and unobtrusive. It is not easy to trust ourselves and our actions without public affirmation. Some of the greatest works of art and the most important works of peace were created by people who had no need for the limelight. They knew that what they were doing was their call, and they did it with great patience, perseverance, and love.

Most art students are generous till it comes to squeezing their colour on the palette... Many pictures haven't become works of art simply because the artist tried to save a nickel's worth of colour.

Art fairs bring attention to up and coming artists and some amazing new works. They are a way to connect everyone with what's happening at the cutting edge of art, both new and historic.

With a movie you're creating from the beginning this particular work, let's not call it work of art, because very few movies are works of art, let's just call them bits of popular culture, whatever they are, sometimes very rarely by accident a movie becomes a work of art.

One never finishes learning about art. There are always new things to discover. Great works of art seem to look different every time one stands before them. They seem to be as inexhaustible and unpredictable as real human beings.

But of works of art little can be said.

Mystery is the basic element of all works of art.

Beauty is not the purpose of creation, it is its reward. Its appearance, often late in the day, is no more than an indication that the disrupted equilibrium between man and nature has once again been restored by art. Submitted to this test, what remains of contemporary works of art?

All works of art should begin... at the end.

Works of Art are of an infinite loneliness.

In Mexico, muralism is an important part of the artistic vocabulary, and it has a very different place than it does in the US. Here, you see mainly commercial signage and dead slick graphic works, or murals that are incredibly narrative and littered with too much content - bad political art. But in Mexicali, all kinds of artists work with mural art. In Mexicali, the social practice of art existed in a completely authentic and unselfconscious way.

Cutting out images you like from art books and framing them is a great way of getting beautiful works on your wall. You can also frame magazine images or pick up inexpensive art at museum gift shops.

Beautiful old people are works of art.

How certain human beings are able to create works of art is a mystery, and why they should wish to do so, at a great cost to themselves usually, is another mystery. Works are not created by one's life; every life is rich in material.

Now the images and temples constructed by mechanics are made of inert matter, so that they too are inert, material, and profane. Even if you perfect the art, it partakes of mechanical coarseness. Works of art cannot then be sacred and divine.

Works of art inspire me to compose.

works of art feel towards human beings exactly as we do towards ghosts. The transparency of spectres, the diffuseness in space which lets them drift through doors and walls, and their smell of death, disgust us not more than we disgust works of art by our meaninglessness, our diffuseness in time which lets us drift through three score years and ten without a quarter as much significance as a picture establishes instantaneously.

We have built for this world a family mansion, and the next a family tomb. The best works of art are the expression of man's struggle to free himself from this condition, but the effect of our art is merely to make this low state comfortable and that higher state to be forgotten.