Top 1200 Works Of Art Quotes & Sayings - Page 20

Does art have to have high foot traffic to get funded in a recession? A lot of people, I am sure, would say absolutely not. And those postmodern art-loving loners surely would argue that even if one person likes a piece of art, that would make a museum worthwhile.

A lot of people, especially Christians, want to put you in this box of being a Christian actor, and I don't believe in it. You do yourself and everyone else a big disservice when you start thinking about it as "Christian art." That's why most Christian art is bad. They don't put a premium on the "art."

I love Inuit art, and most anything you would find in a folk art museum, as well as children's art or children's book illustrators or illustrators in general - all the kinds of work that my paintings would draw comparisons to.

When you're a little kid, you just like music that makes you happy and is fun. As you get older, you reach college or your 20s and you decide that music should be challenging and all art should be smart. So you start to think it makes you like high art more to put down things you consider low art. I don't even think things are low art.

What works most effectively for quelling disease outbreaks like Ebola is not quarantining huge populations. What works is focusing on and isolating the sick and those in direct contact with them as they are at highest risk of infection. This strategy worked with SARS, and it worked during the H1N1 flu pandemic.

What art should do, I think, is advance the generation into the next era. It should be one step ahead of the ordinary, ahead of what is already known. Art is what pulls on the next age. I’m not saying that my art is that, but that it would be good if it could be.

I've seen beautiful art on the sides of buildings. I've seen beautiful art in museums. I've seen beautiful art in galleries. Beautiful art is everywhere.

I have a fondness for making paintings that go beyond just having a conversation about art for art's sake or having a conversation about art history. I actually really enjoy looking at broader popular culture.

I have written six symphonies, they are smaller-scale works. I seem to emit my themes, work them out, combine and intertwine them, and then come to a close. I usually feel that there are no superfluous extras, but probably most composers feel that way about their works.

One of the crucial underpinnings of New York as a culture capital is that there are multiple markets. There is not just one art gallery district, there are several art gallery districts. I feel that there should be art galleries and art studios in every neighborhood without exception. They should be integrated into the social and physical fabric of the streets. If we want a lively city, we can't just have high towers and dense constructions, we have to have living organisms of streets and neighborhoods. And the arts are a crucial part of that.

But you go to a great school, not for knowledge so much as for arts and habits; for the habit of attention, for the art of expression, for the art of assuming at a moment's notice a new intellectual posture, for the art of entering quickly into another person's thoughts, for the habit of submitting to censure and refutation, for the art of indicating assent or dissent in graduated terms, for the habit of regarding minute points of accuracy, for the habit of working out what is possible in a given time, for taste, for discrimination, for mental courage and mental soberness.

Many works of the ancients have become fragments. Many works of the moderns are fragments at the time of their origin.

When I was sixteen and knew nothing about art, I sat through almost six hours of Andy Warhol’s Empire. I did not understand it but thought: this is in a major museum, it must be important, what is going on here? I stayed until the museum closed. His Screen Test films are some of my favorite works made this century, but you need to give them back the time they took to be made.

I know there's a principle of spirit. It works without space-time. I am subject to that principle, in spirit and in belief of body. Learn how spirit works, a few simple rules, living a perfect spiritual life is easy.

Yes, it is a rehearsed show, yes, it was analogy of going to see a play at the theatre, where everything has to be in place and whole things, everything being works, all works together to get the best effect you know it's more like an actor learning a part.

We have to be emotionally intelligent. It also means that what works one day may not work the next or what works for one group of people many not work for another. I love managerial leadership because it is dynamic. The implication is that we have to stay curious about what compels, what motivates, what inspires, what relates, and what energizes.

In the New Testament it is taught that willing and voluntary service to others is the highest duty and glory in human life. . . . The men of talent are constantly forced to serve the rest. They make the discoveries and inventions, order the battles, write the books, and produce the works of art. The benefit and enjoyment go to the whole. There are those who joyfully order their own lives so that they may serve the welfare of mankind.

My art is grounded in the belief of one universal energy which runs through everything: from insect to man, from man to spectre, from spectre to plant from plant to galaxy. My works are the irrigation veins of this universal fluid. Through them ascend the ancestral sap, the original beliefs, the primordial accumulations, the unconscious thoughts that animate the world

Nature is a greater and more perfect art, the art of God; though, referred to herself, she is genius; and there is a similarity between her operations and man's art even in the details and trifles. When the overhanging pine drops into the water, by the sun and water, and the wind rubbing it against the shore, its boughs are worn into fantastic shapes, and white and smooth, as if turned in a lathe. Man's art has wisely imitated those forms into which all matter is most inclined to run, as foliage and fruit.

Ship small art. Then, ship medium art. Then, ship world-changing, scary, change-your-underwear art.

Anyone who relishes art should love the extraordinary diversity and psychic magic of our art galleries. There's likely more combined square footage for the showing of art on one New York block - West 24th Street between Tenth and Eleventh Avenues - than in all of Amsterdam's or Hamburg's galleries.

People should not worry as much about what they do but rather about what they are. If they and their ways are good, then their deeds are radiant... it is not our works which sanctify us but we who sanctify our works.

The Twenty20 is itself a banal game, a crude game, but it works, so I hope Twenty20 commentary works.

Exposing yourself to many kinds of art can only lead to amazing things. It helps you learn about your own art, your own taste, what kind of art you want to create for yourself.

The child of God works not for life, but from life; he does not work to be saved, but works because he is saved

In one sense it is evident that the art of kingship does include the art of lawmaking. But the political ideal is not full authority for laws but rather full authority for a man who understands the art of kingship and has kingly ability.

Art is the microscope of the mind, which sharpens the wit as the other does the sight; and converts every object into a little universe in itself. Art may be said to draw aside the veil from nature. To those who are perfectly unskilled in the practice, unimbued with the principles of art, most objects present only a confused mass.

They say that art comes from the soul. The more drama in an artist's life, the more he can draw on for his art. Van Gogh and Picasso had troubled souls, but poor Steve Kaufman has been shot once, stabbed 3 times - all by women. That is a lot of drama for great art.

I love art dealers. In some ways, they're my favorite people in the art world. Really. I love that they put their money where their taste is, create their own aesthetic universes, support artists, employ people, and do all of this while letting us see art for free. Many are visionaries.

I was a Fine Art major. You do a bit of everything until the final year, when you specialise. I did pencil drawing and sculpture. It's a pretty well-rounded fine art education. I thought that it was viable option to make a living out of art. I'm not sure if I was thinking realistically; maybe I never was. But it had great appeal.

I'm a Christian. Years ago, I went broke, so I decided to run every part of my life according to the Bible. It sounds hokey, but it works. You run your marriage that way, and it works. It will work with business, too, and finances. Treat people like you want to be treated.

I think about all the people who have created something that lives after them - works of art, plays, music, films, literature, poetry that will be read, seen, performed, and heard for the rest of time. If I could do something that lives after me, then I think I will have had a life well led.

When I started in the comic book business, 'Art Of' books were strictly the provenance of the greats, like Rembrandt and Da Vinci. But times change, and so do attitudes. Now the comic is considered an art form, and I hope 'A Life in Words and Pictures' contributes a little to that art form's history.

The problem is we're looking for something that doesn't exist. We're looking for authenticity. There is no such thing as authenticity. There is either good art or bad art. Art is never about its content. It's about its scaffolding.

If you decide to move to L.A. like, 'I'm just gonna see if it works, and if nothing works I'm gonna go back in a year, two years' - very, very few people with that attitude are successful. You need to make a commitment to this and say, 'This is who I am, and this is what I do.'

The woman who needs to create works of art is born with a kind of psychic tension in her which drives her unmercifully to find a way to balance, to make herself whole. Every human being has this need: in the artist it is mandatory. Unable to fulfill it, he goes mad. But when the artist is a woman she fulfills it at the expense of herself as a woman.

If you really want to show power in its larger aspects, you need to show the effects on the powerless, for good or ill - the human cost of public works. That's what I try to do, show not only how power works but its effect on people.

Focusing-Oriented Art Therapy is a major contribution to art therapy literature and practice. Laury Rappaport introduces a contemplative method and philosophy grounded in the body's felt-sense of experience and its innate and largely unrecognized wisdom. This intellectually provocative, yet thoroughly practical text, establishes Rappaport as an emergent leader in the art therapy world and author of a book that every student and art therapist must read in order to appreciate the depth and breadth of our discipline.

For me, I was in school and I pushed myself to be a good student, just because that's the type of person I was, but I never had a connection to any of it. I don't think my brain functioned in a way that was at its height, when I was in school. I needed something like art to really value the way my mind works. I wasn't reaching my full potential by sitting in a classroom and reading from a book. My mind didn't work that way.

I used to always make art for girls. That was the thing I did for girls to like me. I did portraits, drawings, letters that formed outlines of significant things in our relationship. Art. I just used art in general. It usually worked.

To work in architecture you are so much involved with society, with politics, with bureaucrats. It's a very complicated process to do large projects. You start to see the society, how it functions, how it works. Then you have a lot of criticism about how it works.

Traditional Chinese art looked at the Earth from a Confucian mountain top; Japanese art looked closely around screens; Italian Renaissance art surveyed conquered nature through the window or door-frame of a palace. For the Cro-Magnons, space is a metaphysical arena of continually intermittent appearances and disappearances.

Art is the heart's explosion on the world. Music. Dance. Poetry. Art on cars, on walls, on our skins. There is probably no more powerful force for change in this uncertain and crisis-ridden world than young people and their art. It is the consciousness of the world breaking away from the strangle grip of an archaic social order.

When it comes to art, buy with your eyes, not your ears. I tried very hard not to 'decorate' with art. Art should be reflective of your personality and what's going on in your head-not reflective of the colors of a sofa.

It is a peculiar art form, but I think it's a necessary art form - and I do believe it's a noble art form.

The more one works, the better one works, and the more one wants to work. The more one produces, the more fertile one grows.

It's easy to say "This year in art sucked." After all, about 85 percent of all shows of contemporary art are bad. But 85 percent of all art made in the Renaissance was bad.

I never expected to sell my art. It wasn't like today where you come out of art school and they promise you a future. Now it's almost regulated in a way. When we came out of school, we just wanted to make art that'd blow your hair back and do it for sport. There was no commercial possibility that we saw.

I wish it (Christianity) were more productive of good works ... I mean real good works ... not holy day keeping, sermon-hearing ... or making long prayers, filled with flatteries and compliments despised by wise men, and much less capable of pleasing the Deity.

People for whom art is religion can say, "What I love about art is that it points to a higher reality." Well, fine, but the time comes when the smart thing for such a person to do is to let go of the fun of the art and get into the hard work of attaining and understanding that higher reality, unmixed with worldly games.

The works of nature and the works of revelation display religion to mankind in characters so large and visible that those who are not quite blind may in them see and read the first principles and most necessary parts of it and from thence penet into those infinite depths filled with the treasures of wisdom and knowledge.

Nature is so huge. I mean, you can't even look one way! Everything is huge. That was my natural instinct, to create huge art, to create huge pieces. And to me, I still could create bigger works. The opportunity doesn't come along to do anything any bigger. So I've worked as big as I've had the opportunity to work, basically.

Jonathan Meese is not interested in the history of reality. Everything radical and precisely graphic is sustainable. Human ideologies like religions and politics are based on the past and therefore irrelevant to art. Art always transforms radicalism of the past into the future. Art is always the total time machine. Jonathan Meese is interested in the history of the future. Art is never nostalgic.

Donald Trump hasn't blown us up yet. But he terrifies me. For one thing, the incompetence. He doesn't have any real understanding of how the presidency works or even how Washington works. The only comfort I have is that he is so imcompetent that he can't do anything to cause a real problem.

Modern art is childish - not childlike, remember, childish; not innocent but stupid, insane, pathological. We have to get rid of this trend. We have to create a new kind of art, a new kind of creativity. We have to bring to the world again what Gurdjieff calls objective art.

There's good art and there's bad art. A lot of action films are bad art, but Paul Greengrass showed us with the Bourne films that it's possible to make an action film with a political, social conscience.

I am for an art of things lost or thrown away. . . I am for an art that one smokes like a cigarette. . . I am for an art that flutters like a flag.

Our love of art is often quite temporary, dependent upon our moods, and our love of art is subservient to our demand for a positive self-image. How we look at art should account for those imperfections and work around them.

A lot of people, especially Christians, want to put you in this box of being a Christian actor, and I don't believe in it. You do yourself and everyone else a big disservice when you start thinking about it as 'Christian art.' That's why most Christian art is bad. They don't put a premium on the 'art.'

I do go back to Russia frequently, about twice a year. I hate the flight, but it's worth it. My parents have a home in a little village of 12 houses. It's not on any map, so unless you know it's there, you won't find it. Nothing works there; no Internet, no cell phone, and the land line only works sometimes. It's great!