Top 1200 World History Quotes & Sayings - Page 3

Not unlike our country's history, my personal history was founded upon an unfortunate history of racial conflict between black and white.

The history of science, like the history of all human ideas, is a history of irresponsible dreams, of obstinacy, and of error.

The history of his present majesty, is a history of unremitting injuries and usurpationsall of which have in direct object the establishment of an absolute tyranny over these states. To prove this, let facts be submitted to a candid world, for the truth of which we pledge a faith yet unsullied by falsehood.

Take the Iraq War,it's the second worst crime after the Second World War. It's the first time in history, in the history of imperialism, there were huge demonstrations, before the war was officially launched.

One of the things I know from the study of history is that history surprises you. History is not written. It's not inevitable.The victory of evil is not certain.

The defining moment in American economic history is when Bill Clinton lobbied to get China into the World Trade Organization. It was the worst political and economic mistake in American history in the last 100 years.

History, when they do it, is ancient history, and they sensationalize even that. Contemporary history is virtually ignored on television.

I like characters and stories that challenge the status quo. Lately, I'm really interested in history because I find that in my public school education, I didn't learn about women in history. I want to introduce the world to some great stories and incredible heroes.

If you really want to be part of something and you have that much passion towards it, you'll know enough to research it and find the history of it; and history is so important, history is everything.

Environmental history fit[s] into the framework of New Left history. [It is] history "from the bottom up," except that here the exploited element [is] the biota and the land itself.

Epic: A Journey Through Church History fills an urgent need for adult Catholics to recover their history as a believing community, debunk false criticisms of their Church, and understand the Christian underpinnings of the modern world. This is a vivid, thorough and engaging program. I heartily recommend it.

Think about it: you've already related it down to something that somebody else can understand. If art relates to something - it's like Picasso, it's like Mondrian - it's not. Art's supposed to be what it is. Using a reference of art history might help for some kind of sales, but it doesn't really help anybody. Art is what it is; it cannot be footnoted, until it enters the world. Then it has a history. Then the footnotes are the history, not the explanation.

Most of us, I think, are conscious of history swirling around outside the door, but when we're in the house, we're usually not dealing with history. We're not thinking about history.

See yourself as a pioneer in a new world. We are not facing the end of the world, as some would have us believe, but the greatest adventure of our lives. We have the unique opportunity to write a new chapter in the history of humankind, to be active participants in shaping a new world.

I used to refer to my photos as free radicals - and maybe that has to do with this idea of navigating history. I think of the works as having this dormant illness that can really latch on to different histories. So they can exist in a world pretending to be neatly encapsulated, already framed, and fixed. But actually they are these parasites dependent on the failure of modernist history and on multiplicity.

In the long run, the world is going to have the best, and any difference in race, religion, or previous history will not keep the world from what it wants.

History has never seen Emmitt Smith. I don't care what has come before me. That's why they call it history you create new history.

'London' is a gallery of sensation of impressions. It is a history of London in a thematic rather than a chronological sense with chapters of the history of smells, the history of silence, and the history of light. I have described the book as a labyrinth, and in that sense in complements my description of London itself.

I have great love and respect for Russian history and culture. But the world is changing and Russia is too. Russia is part of the modern world, not the world of the past but the modern world. And I believe it has an even greater future than some other countries that can't take care of their young people, of the new generations, of their children, and believe that they can just let things slide.

The cross is the centre of the world's history; the incarnation of Christ and the crucifiction of our Lord are the pivot round which all the events of the ages revolve. The testimony of Christ was the spirit of prophecy, and the growing power of Jesus is the spirit of history

There is only one history of any importance, and it is the history of what you once believed in, and the history of what you came to believe in.

The settler makes history and is conscious of making it. And because he constantly refers to the history of his mother country, he clearly indicates that he himself is the extension of that mother country. Thus the history which he writes is not the history of the country which he plunders but the history of his own nation in regard to all that she skims off, all that she violates and starves.

The moment I realised that my history was an excuse for nothing, was the moment I was freed from my history. The great danger of history is that we use it as an excuse and remain trapped in it. I cannot blame my history for anything, and therefore I have to have high standards for myself.

In the academic world, biographies of these great figures of the past fell out of favor in the 1960s, when there was a turn toward social history, which meant the history of the voiceless and faceless. But the public at large never embraced the idea that these dead white guys should be abandoned.

The bipolar world of the Cold War is history. The new world order, however, is not the One World dreamed of by Wilsonian idealists. It is a Balkanizing world where race, tribe, culture and creed matter most, and democracy is seen not as an end in itself but as a means to an end - the accretion of power by one's own kind to achieve one's own dreams.

History is watching us now. We don't have much time, but history is watching. It's waiting to see if we will rise to the occasion, and if we will show the whole world that America is still free and independent and strong.

When we approach history, we are dealing with a conglomeration of irrational continua. Those who deal with history by nonrational processes are the ones who make history, the actors in it.

When Turkey began approaching the EU, I wasn't the only one who worried that the dark stain in Turkey's history - or rather the history of the Ottoman Empire - could become a problem one day. In other words, what happened to the Armenians in World War I. That's why I couldn't leave the issue untouched.

I do believe that it's the first time in history that fire has ever melted steel. I do believe that it defies physics that World Trade Center tower 7-building 7, which collapsed in on itself-it is impossible for a building to fall the way it fell without explosives being involved. World Trade Center 7. World Trade [Center] 1 and 2 got hit by planes-7, miraculously, the first time in history, steel was melted by fire. It is physically impossible.

But myth is something else than an explanation of the world, of history, and of destiny. Myth expresses in terms of the world - that is, of the other world or the second world - the understanding that man has of himself in relation to the foundation and the limit of his existence. Hence to demythologize is to interpret myth, that is, to relate the objective representations of the myth to the self-understanding which is both shown and concealed in it.

Active people don't change the world profoundly; ideas do. Napoleon is less important in world history than Jean-Jacques Rousseau.

I was always pretty interested in my history. Not just the history of the Caribbean, the history of my people, but all walks of life.

I feel history is more of a story than a lesson. I know this idea of presentism: this idea of constantly evoking the past to justify the present moment. A lot of people will tell you, "history is how we got here." And learning from the lessons of history. But that's imperfect. If you learn from history you can do things for all the wrong reasons.

Pornography reveals that male pleasure is inextricably tied to victimizing, hurting, exploiting; that sexual fun and sexual passion in the privacy of the male imagination are inseparable from the brutality of male history. The private world of sexual dominance that men demand as their right and their freedom is the mirror image of the public world of sadism and atrocity that men consistently and self-righteously deplore. It is in the male experience of pleasure that one finds the meaning of male history.

The history of the world is the history of a few men who had faith in themselves. That faith calls out the divinity within. You can do anything. You fail only when you do not strive sufficiently to manifest infinite power. As soon as a man or a nation loses faith, death comes.

With persistence, dedication, and especially with the hand of God, I came to be recognized as the best player in the world, world champion, among many other important titles in the history of football.

My mother persevered through much adversity because she possessed faith in God, self-respect, and an awareness of history; most especially, she was astute in Africa's significant contribution to world history. Sister Betty refused to live her life as a victim.

The spirit of a people, its cultural level, its social structure, the deeds its policy may prepare—all this and more is written in its fiscal history, stripped of all phrases. He who knows how to listen to its message here discerns the thunder of world history more clearly than anywhere else.

We have a wonderful history behind us. ... If you are unable to demonstrate to the world that you have this record, the world will say to you, 'You are not worthy to enjoy the blessings of democracy or anything else'.

In the last analysis, the essential thing is the life of individual. This alone makes history, here alone do the great transformations take place, and the whole future, the whole history of the world, ultimately springs as a gigantic summation from these hidden source in individuals.

The history of the genocide perpetrated during the Second World War does not belong to the past only. It is a ‘living history’ that concerns us all, regardless of our background, culture, or religion. Other genocides have occurred after the Holocaust, on several continents. How can we draw better lessons from the past?

I've lived history. I've made history, and I know I'll have my place in history. That's not egoism.

If the September 11 terror attack is supposed to constitute a caesura in world history, it must be able to stand comparison to other events of world historical impact.

The colonists usually say that it was they who brought us into history: today we show that this is not so. They made us leave history, our history, to follow them, right at the back, to follow the progress of their history.

There has never in the history of the civilized world been a cohort of kids that is so little affected by adult guidance and so attuned to a peer world. We have removed grown-up wisdom and allowed them to drift into a self-constructed, highly relativistic world of friendship and peers.

Religion claims to be in possession of an absolute truth; but its history is a history of errors and heresies. It gives us the promise and prospect of a transcendent world - far beyond the limits of our human experience - and it remains human, all too human.

The words represent ideas first of all. That is something you have to understand. I mean, it is not just an object, but it is an object with a history and it is loaded with all kinds of implications and ideas. They exist in the world in a very special way. So they kind of represent some aspect of the world that we perceive, as do photographs, as do drawings of trees or whatever. And they are not a one to one. They are not the world, but they kind of refer to the world and they also exist in the world.

London' is a gallery of sensation of impressions. It is a history of London in a thematic rather than a chronological sense with chapters of the history of smells, the history of silence, and the history of light. I have described the book as a labyrinth, and in that sense in complements my description of London itself.

It felt like being in the center of the world, and I felt like I was a witness to history and I knew that the whole world was watching on television. So, I could feel the collective consciousness of the world focused on this little strip of land called Seattle.

I am imprinted with the whole sense of European history, especially German history, going back to World War I, which really destroyed all the old values and culture. My grandparents had been reasonably well-off but they became quite poor, living in an attic apartment.

Black History is enjoying the life of our ancestors who paved the way for every African-American. No matter what color you are, the history of Blacks affected everyone; that's why we should cherish and respect Black history. Black history changed America and is continuing to change and shape our country. Black history is about everyone coming together to better themselves and America. Black history is being comfortable in your own skin no matter what color you are. Black history makes me proud of where I came from and where I am going in life.

The history of the world is the world's court of justice.

All of history misses out on the history of the soul. Human passions are so often not included in history.

I think you'll find a lot of actors will be interested in history because it sparks your imagination so much. When you enter a period of history, your imagination just goes wild in creating the world, which is really what acting is.

As people of color, we're left out of history. History is sort of told around us. We're bystanders, we're passive, we're observers. We're never the center of our history.

I'm an expert at killing time on planes now. I do a lot of reading. My secret sort of nerdy side is I'm quite into history so I read a lot of history books. Now I write for a few things and I've had a few history things published, which is cool. I indulge my nerdy side and it's kind of as far away as you can get from the acting world so that's nice as well.

The outlook of the world today is for the greatest era of commercial expansion in history. The rest of the world will become better customers.

I am interested in constitutional history, political history, the history of foreign affairs, but I think you can get at those subjects through the details of daily life.

History is a commentary on the various and continuing incapabilities of men. What is history? History is women following behind with the bucket.

Jewish history has been in my cultural DNA since I was a child growing up in post-war London. In the midst of that dark, gray, lamenting monochromatic world of the '50s, I had a sense that both Jewish and English history were full of color and light and animation.