Top 1200 Write Your Own Quotes & Sayings

Explore popular Write Your Own quotes.
Last updated on November 17, 2024.
Before you write - remember that every speech has something of 'you' in the writing. Don't take that away when you write. Be yourself. Be comfortable in your own skin.
If you want to be a writer, you have to learn to write in other people's voices until you get the chance to write in your own.
The best time to write is when your life is in the toilet. Writing offers an escape from your problems, so if you force yourself to write when you're in the doldrums, it will have the perverse effect of cheering you up. At the very least, it allows you to inflict your pain on your characters, which has the dual effect of giving them more depth while relieving your own tension.
Build your own pyramids, write your own hieroglyphs. — © Kendrick Lamar
Build your own pyramids, write your own hieroglyphs.
Democracy can tie your hands in a rock 'n' roll band, you know? It can be a great thing, but if you've got a certain amount of vision and you write a lot of songs, it's sometimes better to have your own band and make your own decisions.
Respect is one of the greatest expressions of love. If other people try to write your story, it means they don't respect you. They consider that you're not a good artist who can write your own story, even though you were born to write your own story.
A leader whose speech is prepared by others is not a leader; he is just an empty and stupid bottle! Use your own ideas and your own brain; write your own speech, just like Gandhi, Churchill or Nehru! That is indeed a good ethics and a good honour!
Writing your own blog platform is like roasting your own coffee: it's impractical and you probably shouldn't do it, but for people who really, truly care about it, it's worthwhile to them for their own personal priorities that sound crazy to everyone else. Well, I write my own blog platform and I roast my own coffee.
Most people think in order to validate yourself as an artist, you have to write your own songs. I commend the guys that do. I've done it. But I also think that you can pick great songs outside that you didn't write that can help your career.
At the end of the day, if you're an actor, you want to act. And it's not something you can do in the living room alone. If you're a painter, you can paint at home. If you write music, you can write on your own.
Go where the pleasure is in your writing. Go where the pain is. Write the book you would like to read. Write the book you have been trying to find but have not found. But write. And remember, there are no rules for our profession. Ignore rules. Ignore what I say here if it doesn't help you. Do it your own way. Every writer knows fear and discouragement. Just write.The world is crying for new writing. It is crying for fresh and original voices and new characters and new stories. If you won't write the classics of tomorrow, well, we will not have any.
As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.
To name the world in your own terms, to tell your own story, is an act of authority and power. When you write, you are saying, in effect, 'I have a voice. I have a story. This is what I have to say.'
But grief is a walk alone. Others can be there, and listen. But you will walk alone down your own path, at your own pace, with your sheared-off pain, your raw wounds, you denial, anger, and bitter loss. You'll come to your own peace, hopefully, but it will be on your own, in your own time.
Write what you want to write, write what people want to hear, and write about what they're going through, because if you could connect with the people who are listening to your music and coming to your concerts and coming to your meet and greets, then you're doing your job well.
If you can write and create original characters, do your own show, develop your own material, it gives you more power than just waiting around to be hired. — © Molly Shannon
If you can write and create original characters, do your own show, develop your own material, it gives you more power than just waiting around to be hired.
Only write from your own passion, your own truth. That's the only thing you really know about, and anything else leads you away from the pulse.
Never write an advertisement which you wouldn't want your own family to read. You wouldn't tell lies to your own wife. Don't tell them to mine. Do as you would be done by.
If you are a genius, you'll make your own rules, but if not - and the odds are against it - go to your desk no matter what your mood, face the icy challenge of the paper - write.
I like to write adventure stories; that's what I tell myself. But you can't help letting your own personality, your own experiences, slip through.
To write good SF today...you must push further and harder, reach deeper into your own mind until you break through into the strange and terrible country wherein live your own dreams.
What? You're thinking for yourself? You're deciding on your own? You're applying your own yardsticks, your own judgments, your own values? Who do you think you are, anyway? And, indeed, that is precisely the question you are answering.
I was interested in the ways we can write biography. When you're first starting to write about your own life it feels so shapeless because you don't know how to make your own story cohesive. How do I pluck a story out of the entirety of what it means to be alive. It occurred to me recently that when you're telling a story about your own life, rather than taking a chunk, you're kinda like lifting a thread from a loom.
If you want to write, do two things - read lots of books and also, in your own writing, practise. Just write and write and then write again. persist. And never be put off or discouraged. You can do it!
What everybody is well advised to do is to not write about your own life, this is if you want to write fast. You will be writing about your own life anyway but you won't know it.
Normally, with stand-up, it's quite solitary, you write the material on your own, you perform it on your own, it's all very much on you. Your own thoughts. You have to sort of modulate your own performance.
On YouTube, when you have a big viral success with a song that isn't your own, the natural inclination for most YouTubers is to keep doing that. What you really should do is show people that you actually have substance and can write your own music.
Be careful that you do not write or paint anything that is not your own, that you don't know in your own soul.
Write your own part. It is the only way I've gotten anywhere. It is much harder work, but sometimes you have to take destiny into your own hands.
Know your own Self. Honor your own Self. Find and be who you really are, at the deepest level of your own being. Be present in your own presence. Give yourself the gift of your own Self.
When you write on your own, you can write the extremes. No one else is watching and you can really go as far as you need to.
You must be unintimidated by your own thoughts because if you write with someone looking over you shoulder, you'll never write.
To all companies please stop using Xmas songs and inserting your own lyrics. Write your own music. I am boycotting you until you stop.
You have to write your own story, your own graph and rhythm.
When you're on your own, you have all the self-censorship that everybody has when they try and write. All the little voices that say, 'No, you can't write that, what will they think of that?'
Write letters to your editors, write to your members of Congress, and write to your news stations.
At 13 years old, I realized I could start my own band. I could write my own song, I could record my own record. I could start my own label. I could release my own record. I could book my own shows. I could write and publish my own fanzine. I could silk-screen my own T-shirt. I could do this all myself.
You're your own athlete, you have your own story to write and at the end of the day, our story that we have together will always be there and we're still writing it.
If you're really going to uncover something as an artist, you're going to come into access with parts of your personality and your psyche that are really uncomfortable to face: your own ambition, your own greed, your own avarice, your own jealousies, and anything that would get in the way of the purity of your own artistic voice.
You have to be able to invest in your own creations, to suspend your own disbelief in order to be able to write them. We all have to draw the line somewhere. — © Alastair Reynolds
You have to be able to invest in your own creations, to suspend your own disbelief in order to be able to write them. We all have to draw the line somewhere.
All the great masters in the world have been saying only one thing down the centuries, "Have your own mind and have your own individuality. Don't be a part of the crowd; don't be a wheel in the whole mechanism of a vast society. Be individual, on your own. Live life with your own eyes; listen to music with your own ears." But we are not doing anything with our own ears, with our own eyes, with our own minds; everything is being taught, and we are following it.
One of my big revelations was that nobody cares whether you write your novel or not. They want you to be happy. Your parents want you to have health insurance. Your friends want you to be a good friend. But everyone’s thinking about their own problems and nobody wakes up in the morning thinking, ‘Boy, I sure hope Sam finishes that chapter and gets one step closer to his dream of being a working writer.’ Nobody does that. If you want to write, it has to come from you. If you don’t want to write, that’s great. Go do something else. That was a very liberating moment for me.
You go out into the world, you read everything you can read, you imitate the things you love, and you learn how hard it is to do. Eventually, you learn your own vision of the world, you learn your own voice and how to hear it, and you learn to write your own work. Writers today have as many opportunities as my generation did, but they don't see the examples as clearly as we did.
You have to surrender to your mediocrity, and just write. Because it's hard, really hard, to write even a crappy book. But it's better to write a book that kind of sucks rather than no book at all, as you wait around to magically become Faulkner. No one is going to write your book for you and you can't write anybody's book but your own.
Make your own worlds. Make your own laws. Make your own creations, your own star systems. Don't feel answerable to anyone, or as though you have to create after some preordained model. You don't have to write like myself, or King or Anne Rice: be yourself. Nothing is more wonderful than discovering a new voice, particularly if it happens to be your own.
When you write for somebody else, you've got to write from their standpoint. You can't really write from your own point of view.
You need to write on your own and produce your own life.
If you think your demeanor is mellow or not particularly charismatic, the material can life you higher. So write everyday, and get onstage or in a coffee shop where they are doing open mice, anywhere you can perform even if that means starting your own open mic night - and be your own self.
Write your own music and write frequently. Go to as many live shows as you can as well (of bands you enjoy of course). You can learn a lot watching other performers.
Despite the natural belittling of one's self, the doubts, the insecurities, we have to wake up to the realisation that we all write our own autobiography, we are the authors of our life story. Realising that, write a good story with your life and make sure to write yourself as the protagonist. Be the hero of your journey.
It seems to me that awakening to the full potential of what your life might be - beyond the possibilities of your own family, your own class, your own race, your own neighborhood - that is one of the great gifts that art affords.
Remember to write for yourself, not for a market and give yourself time to develop your own style, your own voice. It takes a lifetime. Enjoy it! — © Michael Morpurgo
Remember to write for yourself, not for a market and give yourself time to develop your own style, your own voice. It takes a lifetime. Enjoy it!
If someone said, I want to translate your novel into Igbo, I would say, Go ahead. But when I write in the Igbo language, I write my own dialect. I write some poetry in that dialect.
But at the end of the day, the circumstances of your life what you look like, where you come from, how much money you have, what you've got going on at home that's no excuse ... Where you are right now doesn't have to determine where you'll end up. No one's written your destiny for you. Here in America, you write your own destiny. You make your own future.
I think it's too easy to recount your unhappy memories when you write about yourself. You bask in your own innocence. You revere your grief. You arrange your angers at their most becoming angles.
Write like you write, like you can't help but write, and your voice will become yours and yours alone. It'll take time but it'll happen as long as you let it. Own your voice, for your voice is your own. Once you know where your voice lives, you no longer have to worry so much about being derivative.
A writer can't just be well-educated or good at research; to build a living, breathing world with interesting characters, you have to write from the gut. I'm not saying you have to live your life like a fantasy adventure. The trick is the ability to synthesize your own everyday experiences into your fiction. Infuse your characters with believable emotions and motivations. Infuse your world with rich sensory detail. For that you have to be in touch with your own existence and your own soul, the dark and the light of it.
It's a great excuse and luxury, having a job and blaming it for your inability to do your own art. When you don't have to work, you are left with the horror of facing your own lack of imagination and your own emptiness. A devastating possibility when finally time is your own.
You are the plays you write. How on earth could you write them otherwise? They're projections of your own predilections.
TV is all about learning to write in someone else's voice, so if you do it long enough without selling your own project, they assume you don't have your own voice; you're just a good mimic.
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