Top 1200 Writer's Voice Quotes & Sayings - Page 8

On this show, your voice will be heard in the form of my voice.

The first five years as a writer, I didn't know how to write at all. I couldn't write my way out of a white paper bag. And yet, I did some remarkable things. And later on, there were periods where I got this mission to find an articulate voice with rewrites and all. There were periods where I was as dense as Faulkner.

Everyone sort of has that voice of self-doubt in their head, but as an artist, you relinquish your right to have that voice.

I like to think I've grown as a writer and taken some risks, but I still consider myself to be a literary writer.

Finding one's voice - or creating a narrative voice that has the power to carry your story - is the hardest part.

The human voice can never reach the distance that is covered by the still small voice of conscience.

I'm first and foremost a writer. I followed my personal legend, my childhood dream of becoming a writer, but I can't say why I'm one.

I have an original voice. It may not be the best voice, but it's distinct, and I think that's what has carried me through the years.

Was not writing poetry a secret transaction, a voice answering a voice?

I was a black singer with a white voice, a perfect pop voice.

I will always be the voice of the people and a voice for reason in Washington D.C.

The nightmare of censorship has always cast a shadow over my thoughts. Both under the previous state and under the Islamic state, I have said again and again that, when there is an apparatus for censorship that filters all writing, an apparatus comes into being in every writer's mind that says: "Don't write this, they won't allow it to be published." But the true writer must ignore these murmurings. The true writer must write. In the end, it will be published one day, on the condition that the writer writes the truth and does not dissemble.

The voice of the Lord is the voice of common sense, which is shared by all that is.

Seungri sounds mournful while T.O.P has a masculine and husky voice. My voice is thin, just like when I talk

In this century the writer has carried on a conversation with madness. We might almost say of the twentieth-century writer that he aspires to madness. Some have made it, of course, and they hold special places in our regard. To a writer, madness is a final distillation of self, a final editing down. It's the drowning out of false voices.

I don't use the voice of Bart when I'm making love to my husband, but Marge's voice turns him on a little.

A voice that was never wanted has become a voice for so many people who don’t have one.

When you have a voice, you also have a moral obligation to use that voice for good.

Conscience is the voice of the soul, the passions are the voice of the body. It is strange that these voices often contradict each other?

I was a boy soprano. I had a natural kind of voice and then trained it after my voice changed.

I'm always wanting and willing to be a voice for my people, a voice for the injustice.

The voice I had accepted as Divine Guidance was actually the voice of my ego leading me right into destruction.

Just write. If you have to make a choice, if you say, 'Oh well, I'm going to put the writing away until my children are grown,' then you don't really want to be a writer. If you want to be a writer, you do your writing... If you don't do it, you probably don't want to be a writer, you just want to have written and be famous—which is very different.

This approach to voice is designed to liberate the natural voice and thereby develop a vocal technique that serves the freedom of human expression. The basic assumption of the work is that everyone possesses a voice capable of expressing, through a two- to four-octave natural pitch range, whatever gamut of emotion, complexity of mood, and subtlety of thought he or she experiences.

I'm part of this show called "Shots Fired" that is premiering on FOX. It's right after the Super Bowl. It's a pretty incredible show. I'm pretty much the voice of the show, so the voice of the opening credit record and the songs in between is pretty much my voice.

I have the voice of a social activist and I have the voice of the Pakistanis as well. So I can't be bothered about what people think.

I don't have a soft voice. People say I have a deep voice, and yeah, I do.

You may feel like a voice in the wilderness, but it is your voice we are waiting to hear...you are the determining factor.

The whole point of creating music for me is to give voice to things that aren't normally given voice to.

It's only a thimbleful of a voice, and I have to use it close to the microphone. But it is a kind of oversmoked voice, and it automatically sounds intimate.

When I started learning the cello, I fell in love with the instrument because it seemed like a voice - my voice.

As a writer, you have to be willing to kill your darlings, and I'm a writer first. As a director, I've got no problem cutting the scenes.

What an amazing voice! Sally Barris has an excruciatingly beautiful voice.

You know, as a writer, I'm more of a listener than a writer, cuz if I hear something I will write it down.

I don't think it's possible to separate out the strands of a writer's history, circumstances, life events, and that writer's themes.

My work is about giving voice to the unheard, and reiterating the voice of the heard in such a way that you question, or re-examine, what is the truth.

The earliest voice listened to by the nations in their infancy was the voice of the storyteller.

I am so honored to be a voice for those who no longer have a physical voice.

The most difficult thing about living as a writer is precisely 'having to write.' Pretending to be a writer is easy. Living freely, reading many books, going on frequent trips, cultivating minor eccentricities... but genuinely being a writer is difficult, because you have to write something that will convince both yourself and readers.

I did a voice for Odo, but people don't recognize you by your voice.

It was through poetry I learned just to appreciate my own voice and to not think of my voice in terms of what it needs to be able to do, but what it can do.

For my convalescence, I had to exercise my voice only with vowels. It is a medical rule after a long loss of voice.

I know my voice is very distinctive because in a room of 100 people, my voice is always picked out.

Something like Deckard Cain is great; it doesn't ruin your voice. But games that involve violence or battle or mutating and stuff like that really does take a toll on your voice. And I've even had to start to go to a voice guru kind of guy to do exercises to try to save and get back some of what I lost.

The voice of the Spirit is described in the scriptures as being neither loud nor harsh, not a voice of thunder, neither a voice of great tumultuous noise, but rather as still and small, of perfect mildness, as if it had been a whisper, and it can pierce even the very soul and cause the heart to burn. The Spirit does not get our attention by shouting.

There was a whole cut of the movie where Tom Holland decided to try a woman's voice for the voice of Chucky, proceeding from the logic that it worked with Mercedes McCambridge voicing the voice of Satan in "The Excorsist" so he thought he would give it a try. It didn't really work. Chucky just sounded kind of gay.We brought that back in Seed of Chucky.

I was always interested in being a writer. Yet, at the time, it somehow seemed more unfeasible to be a writer than a musician.

The loudest voice in the room, sometimes, is the absent voice of the silenced.

In 'Labor Day Hurricane, 1935,' Douglas Trevor vividly recreates a historical event. While that is the only story in A THIN TEAR IN THE FABRIC OF SPACE in the historical past, many of the other stories juxtapose fact-both historical and scientific-with narration to an engaging effect, one that distinguishes the voice of this new writer.

We can find our voice in the world again: a voice that is commensurate with the fifth-biggest economy on Earth.

Finding your voice is something you have to keep working at. Your voice as a comic evolves the same way that you evolve. You have to find out what works for you. How can you express your opinion, your take on the situations in a way that feels natural to you? That's where you find your voice.

The voice of parents is the voice of gods, for to their children they are heaven's lieutenants.

The first thing you have to understand is that I was not desperate to be a writer. I was never a closet writer filing away notes in a cupboard.

As an actor you can always blame the director or writer for negative feedback. But as a writer, you're the reason why everyone's in the room.

I wanted to write a voice that for me, as a reader, had been missing from the chorus: the voice of an angry woman.

The voice of passion is better than the voice of reason. The passionless cannot change history.

Bella?" a different voice called from the distance. No! Please let me be imagining that horribly familiar voice.

I think if you're lucky enough to find a voice in whatever you do, that voice will come sneaking out no matter what.

Your inner voice is the voice of divinity. To hear it, we need to be in solitude, even in crowded places.

If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.