Top 1200 Writes Quotes & Sayings - Page 18

It is absolutely vital to preserve a space where the mind, by means of poetic thinking, can move in a free, even anarchic, way. It must do so, in order to find deep truths that would not be otherwise available, ones that we desperately need. Anyone who writes poetry knows what I'm talking about, because they've had the experience of thinking this way.

Everytime a lawyer writes something, he is not writing for posterity, he is writing something so that endless others of his craft can make a living out of trying to figure out what he said. Course perhaps he really haden't said anything, that's what makes it so hard to explain.

For people familiar with Eastern Europe, Marci Shore's 'The Taste of Ashes' is, in spite of its subject matter, delicious. A professor at Yale with much experience in Eastern Europe, she writes with great sureness of touch, weaving personal recollections with intellectual commentary and ideas with emotions, including her own.

Everybody that writes has their own area of inquiry. And mine has always been kind of, why is it that when life can be so hard and difficult, we compound it by self-sabotage, doing terrible things? That's always been my main area of inquiry, and it does lead you to dark places.

Sin is a thing that writes itself across a man's face. It cannot be concealed. People talk sometimes of secret vices, there are no such things. If a wretched man has a vice, it shows itself in the lines of his mouth, the droop of his eyelids, the moulding of his hands even.

The music industry is not what it used to be. Being in a good band is great, and I've been lucky to be in great bands. I've done solo stuff, and that's been great. I also produce rock bands and I do co-writes, where I write with different singers in bands and songwriters.

The extraordinarily facile and in literary terms long lived works tend to be about ordinary people. Even Sappho writes about the utterly insignificant . What art can do is make the extraordinary more ordinary and ordinary more extraordinary.

The president is the one person who potentially could be the unifying figure in the country. And if the president or a presidential candidate basically writes off 40 states, then how in the world do the people in those 40 states feel like they have a stake in that person or that election?

As Flannery O'Connor says, a person can choose what she writes but she can't choose what she makes live. Some people are really acoustic writers and so for them the secret revision is sound. Other people may revise in terms of the way a paragraph feels. There's a million ways to do it.

The Devil writes down our sins - our Guardian Angel all our merits. Labor that the Guardian Angel's book may be full, and the Devil's empty.

Today we can say that at last the director writes the film. The image--its plastic composition and the way it is set in time, because it is founded on a much higher degree of realism--has at its disposal more means of manipulating reality and of modifying it from within. The film-maker is no longer the competitor of the painter and the playwright, he is, at last the equal of the novelist

I try not to feel too embattled. I don't think that's a healthy approach for someone who writes for a newspaper like the New York Times to take. That means, in part, that I try and avoid wallowing in things that might make me feel too embattled.

As someone who writes and teaches YA fiction, I spend a lot of time trying to define its character and readership, and I don't think I'm alone - genres are all about boundary drawing, and the YA genre is, in a lot of ways, about carving out boundaries around adolescence, a space for teenagers to do teenage things.

In Maybe I Will, Laurie Gray writes about important topics that teens need to talk about, including sexual assault, friendship, and alcoholism or self-destructive behaviors that result from trauma. Maybe I Will may help some teens know they're not alone.

Life consists Of propositions about life. The human Revery is a solitude in which We compose these propositions, torn by dreams, By the terrible incantations of defeats And by the fear that the defeats and the dreams are one. The whole race is a poet that writes down The eccentric propositions of its fate.

If you tell certain people that you like Kerouac, they assume that's all you read, like you don't know anything else about literature. I recognize all the things that people dislike about the way he writes - his tone and the sentimentality of it all. But those books were there for me at a very important point in my life.

After all everybody, that is, everybody who writes is interested in living inside themselves in order to tell what is inside themselves. That is why writers have to have two countries, the one where they belong and the one in which they live really. The second one is romantic, is is separate from themselves, it is not real but it is really there.

I often feel like that with the way I portray myself I come off as looking much worse than any of the other characters. I guess it might also be worth noting that anyone I've had as a main character in a story I've written has had full knowledge that I am a writer who writes about the people in her life.

I started with [Leo] Tolstoy and I was overwhelmed. Tolstoy writes like an ocean, in huge, rolling waves, and it doesn't look like it was processed through his thinking. It feels very natural. You don't question whether Tolstoy's right or wrong. His philosophy is housed in interrelating characters, so it's not up for grabs.

It's suggested that enlightenment has some tremendous compassion, some driving necessity to help humanity. I don't think that's the case at all. I think humanity wishes it were the case since it's humanity that writes the various scriptures.

The complaints of contemporary writes, who deplore the increase of luxury and deprevation of manners, are commonly expressive of their peculiar temper and situation. There are few observers who possess a clear and comprehensive view of the revolutions of society, and who are capable of discovering the nice and secret springs of action which impel, in the same uniform direction, the bland and capricious passions of a multitude of individuals.

Underneath all his writing there is the settled determination to use certain words, to take certain attitudes, to produce a certain atmosphere; what he is seeing or thinking or feeling has hardly any influence on the way he writes. The reader can reply, ironically, "That's what it means to have a style"; but few people have so much of one, or one so obdurate that you can say of it, "It is a style that no subject can change.

There's not a big range in the political poetry of the last year, or not a political range. On the one hand, no poet that I know of who writes in English in the United States is anything but a humanist. So all poets, including myself, seem to be under that umbrella. We just don't have Rush Limbaugh poets, Ann Coulter poets.

Every since my wife, Adri, got pregnant with our now-eight-month-old daughter, Alicia, I regularly get asked what my plans are for feeding her. How can someone who writes about food and tests recipes for a living meet the picky and precise needs of an infant without losing his mind?

I believe that a writer learns from every story he writes, and when you try different things, you learn different lessons. Working with other writers, as in Hollywood or in a shared world series, will also strengthen your skills, by exposing you to new ways of seeing the work, and different approaches to certain creative challenges.

I read everything that Tolkien wrote, and also read biographies of him. I was fascinated by his experiences in World War I, which includes the loss of life of some of his very, very close friends. I think he writes about that a lot in 'The Hobbit' and 'The Lord of the Rings.'

Do you want to be with Dave for the rest of your life?” Then he rips off a piece of paper and picks up the smallest charcoal stick from my set. He writes something. He passes it over to me. It says: Time will tell. “And while you’re waiting,” he says, “don’t settle for anything less than what you really want.

What is the luck of the draw that me - me - who finally writes a book, it comes out in the - in the - in the time, in the center of the first pandemic, H1N1? And I'm going out on signings, and I'm going out to the public. This is the one time when I need to be hermetically sealed.

Women govern us; let us render them perfect: the more they are enlightened, so much the more shall we be. On the cultivation of the mind of women depends the wisdom of men. It is by women that nature writes on the hearts of men.

The poet who writes "free" verse is like Robinson Crusoe on his desert island: he must do all his cooking, laundry and darning for himself. In a few exceptional cases, this manly independence produces something original and impressive, but more often the result is squalor - dirty sheets on the unmade bed and empty bottles on the unswept floor.

When it comes to writing characters, whether men or women, I think a good writer writes good characters. I know many men who, for years, have written strong, progressive women characters.

If a writer is so cautious that he never writes anything that cannot be criticized, he will never be able to write anything that can be read. If you want to help other people you have got to make up your mind to write things that some men will condemn.

I'm not an advocate of true rhymes, I don't think. I think that everyone who writes musical theater needs to know how to do true rhymes, because that's the tradition of it, but I do think that in order for the art form to grow, it's important to not let tradition get in the way of innovation.

I am somebody who usually writes out the rough draft in longhand. Then I type it into the computer, and that is where I do my editing. I find that if I write it on the computer, I go too quick. So I like getting that first draft out and then typing it in; you are less self-conscious about it.

Stephen King, by far, is the standard-bearer. I think anyone who writes suspense fiction and says that King isn't an influence is either lying or being foolish. I read his book 'On Writing' before I read pretty much any of his fiction.

You want to be a writer? A writer is someone who writes every day, so start writing. You don't have a job? Get one. Any job. Don't sit at home waiting for the magical opportunity. Who are you? Prince William? No. Get a job. Go to work. Do something until you can do something else.

A lot of young artists in particular think you can just do one great thing and then sit back and collect checks. Most artists, even people like Dan Clowes, who's one of my heroes, don't just do comics. He does paid illustration. He writes screenplays, and so forth, working and selling lots of different things.

I guess I've always wanted to create my own stories, but writing was one of those things where I thought that I would never actually do it. I respected writers too much, and what they do, to think that I was one of them - and I still feel that way a lot of the time. I still feel uncomfortable calling myself a writer. I'm like, "No, I'm an actor who writes sometimes."

In The Care and Management of Lies the wonderfully talented Winspear writes irresistibly about the First World War, both in the trenches of France and the fields of England. Her richly complex characters walk right off the page and into our imaginations, as we fight with them, farm with them, cook with them. I devoured this dazzling novel.

If you look at the Directory of American Poets and Writers, you know there are hundreds of poets in New York City. So therefore, just by specific gravity, it seems like a more significant place. Robert Wrigley is a poet who lives in rural Idaho - I think it's really back-country Idaho - and he writes beautiful poems.

The boy spends most of his time reading. And writing, of course. He copies out sections of books, writes out words and symbols he does not understand at first but that become intimately familiar beneath his ink-stained fingers, formed again and again in increasingly steady lines.

Am I a guy who writes about himself in a comic book, or am I just a character in that book? If I die, will that character keep going, or will he just fade away?

The detective story itself is in a dilemma. It is a vein which is in danger of being worked out, the demand is constant, the powers of supply variable, and the reader, with each one he absorbs, grows a little more sophisticated and harder to please, while the novelist, after each one he writes, becomes a little more exhausted.

There are, first of all, two kinds of authors: those who write for the subject's sake, and those who write for writing's sake. ... The truth is that when an author begins to write for the sake of covering paper, he is cheating the reader; because he writes under the pretext that he has something to say.

The "truth" is the poem itself. Just because someone writes a poem about a feeling she has does not mean that the feeling will stay forever. The truth of the emotion of the poem remains, even if the particular truth of the poet changes.

I don't want somebody who writes like me [in my writing staff]. Because I can write like me. I know what I'm capable of and what my limitations are. If you're going to build an orchestra, you don't want all tubas - you want a violin and you want a cello and you want a drum set.

For me Henry Corbin, the way that he writes about certain esoteric matters, is in a phenomenological way that refuses a New Age lens. But at the same time he's very much responsible for a lot of New Age thought, because he was a very syncretic thinker.

Someone sits at a table or lies on a sofa while staring motionless at a wall or ceiling. Once in a while this person writes down seven lines, only to cross out one of them 15 minutes later, and then another hour passes, during which nothing happens. Who could stand to watch this kind of thing?

Enya never writes a bad melody. That's first and foremost her secret. As she goes along, she'll start changing the dynamics, pushing here and there so that not everything is perfectly in unison. It adds a texture you can acquire only from having different voices. The variations lead to interesting quirks. It's an integral part of the Enya sound.

Some of the songs come so fully, it's like they are pre-packaged. There have been a couple that came in the middle of the night. And I thought, jeez, I'll never forget that. And went back to sleep, and it was gone. You'll hear something years later that another songwriter that you respect writes, and you go, jeez, I think that was the remnants of that song that got sent to me.

In England if something goes wrong--say, if one finds a skunk in the garden--he writes to the family solicitor, who proceeds to take the proper measures; whereas in America, you telephone the fire department. Each satisfies a characteristic need; in the English, love of order and legalistic procedure; and here in America, what you like is something vivid, and red, and swift.

Whenever there's an interview with me, I might read it, but I don't read the comments because they're so hateful sometimes. When someone writes something nasty, I just think, "If that's your contribution to my day, I really don't need your impoliteness." I'm lucky that people are very cool with me and I get a lot of love. I appreciate that.

Money writes books, money sells them. Give me not righteousness, O Lord, give me money, only money.

What if this young woman, who writes such bad poems, in competition with her husband, whose poems are equally bad, should stretch her remarkably long and well-made legs out before you, so that her skirt slips up to the tops of her stockings?

A good author, and one who writes carefully, often discovers that the expression of which he has been in search without being able to discover it, and which he has at last found, is that which was the most simple, the most natural, and which seems as if it ought to have presented itself at once, without effort, to the mind.

Ridley Pearson also plays bass guitar and sings with the Rock Bottom Remainders, a band made up of such successful authors as Amy Tan, Stephen King, and Dave Barry-a band that, according to Barry, "plays music as well as Metallica writes novels".

We think we know what we are doing. We have always thought so. We never seem to acknowledge that we have been wrong in the past, and so might be wrong in the future. Instead, each generation writes off earlier errors as the result of bad thinking by less able minds - and then confidently embarks on fresh errors of its own.

Life is so full of unpredictable beauty and strange surprises. Sometimes that beauty is too much for me to handle. Do you know that feeling? When something is just too beautiful? When someone says something or writes something or plays something that moves you to the point of tears, maybe even changes you.

As so many writers know, the experience of creating an imaginary world is closer to dreaming than it is to normal, grit-your-teeth work. It's preconscious rather than conscious. Ideas fall into your head, and the book writes you, rather than the other way around.

Reagan wrote out many of his radio commentaries and newspaper articles as well as many of his own speeches. He wrote poetry, short stories, and letters. Trump, in his own hand, writes 140-character tweets.