Top 1200 Writing And Thinking Quotes & Sayings - Page 15

The easiest thing I do is assignment songs. They tell me what they need me to write. I can do that fairly quickly. Writing for an orchestra is difficult. Writing songs [on your own] is most difficult of all. Though [writing for] the orchestra is close.

When I create I don't think in technical or mathematical terms until the idea is formulated Musical composition is formulated in improvisation. Once a pianist like myself sits down and begins to play and start thinking about what I am writing all of a sudden a little tune will emerge, a little spot light and I'll go, "That's interesting."

The very dull truth is that writing love scenes is the same as writing other scenes - your job is to be fully engaged in the character's experience. What does this mean to them? How are they changed by it, or not? I remember being a little nervous, as I am when writing any high-stakes, intense scene (death, sex, grief, joy).

Prayer is first of all listening to God. It's openness. God is always speaking; he's always doing something. Prayer is to enter into that activity... Convert your thoughts into prayer. As we are involved in unceasing thinking, so we are called to unceasing prayer. The difference is not that prayer is thinking about other things, but that prayer is thinking in dialogue,... a conversation with God.

I have a basic indolence about me which is essential to writing. ... It's thinking time, it's hanging-out time, it's daydreaming time. You know, it's lie-around-the-bed time, it's sitting-like-a-dope-in-your-chair time. And that seems to me essential to any work.

Ryan Stout, a straight-arrow-looking kind of guy, shocks the crowd into laughter with his inventive interplay between innocence and a jarringly twisted point of view. He goes from loony to weirdly logical. With him, it’s more than clever writing; his comedy is based on clear and clever thinking.

What I would really love to happen to me would be if I came upon an idea that would keep me busy until I die so I wouldn't have to go through the business of thinking up a new book. But I wouldn't mind writing a long book which is going to occupy me for the rest of my life.

Writing has taught me a lot - though far from everything - about writing, so as time has passed, it has become more pleasurable if not easier. I've done other things in life, but writing is by a factor of 10 the most difficult among them. And, of course, you never achieve what you set out to achieve, so you must keep on trying to do better.

I don't think anyone is ever writing so that you can throw it away. You're always writing it to be something. Later, you decide whether it'll ever see the light of day. But at the moment of its writing, it's always meant to be something. So, to me, there's no practicing; there's only editing and publishing or not publishing.

Fuzzy thinking is, after all, just one step above not thinking at all. But to take the ideas of serious transformational thinkers and philosophers and throw the "new age" label at them is also abhorrent.

Underneath all his writing there is the settled determination to use certain words, to take certain attitudes, to produce a certain atmosphere; what he is seeing or thinking or feeling has hardly any influence on the way he writes. The reader can reply, ironically, "That's what it means to have a style"; but few people have so much of one, or one so obdurate that you can say of it, "It is a style that no subject can change.

When I'm writing, I really want to satisfy myself. I've got a story that I am working on and struggling with, and I want to tell it the most effective way I can. That's really what I struggle with. And the thought of who may be reading it may be there somewhere in the back of my mind - I'll never say it's not there because I don't know - but it's not really what I'm thinking about.

I knew it. In this way, Peeta's not hard to predict. While I was wallowing around on the floor of that cellar, thinking only of myself, he was here, thinking of me. Shame isn't a strong enough word for what I feel.

I'm writing new music all the time. I'm just not writing pop stuff. It's not my goal.

Writing about racism requires a directness that writing a love story does not.

Jargon marks the place where thinking has been. It becomes a kind of macro, to use a computer term: a way of storing a complicated sequence of thinking operations under a unique name.

I think, first and foremost, Marie Antoinette was intellectually impoverished. She really had never been introduced to the notion of abstract thinking - of thinking at all in any profound way.

We have to start with the little babies who are born now, socialize them in freedom and critical thinking. We don't have to throw away their faith. People confuse the two, thinking if you are enlightened that means apostasy. It doesn't.

Writing fiction, there are no limits to what you write as long as it increases the value of the paper you are writing on.

As one of the first editors at 'Outside' magazine in 1975, it was my contention that most American writing going back to James Fennimore Cooper and then through Twain up to Hemingway had been outdoor writing. At that time, adventure writing meant stuff like 'Saga' or 'Argosy.' 'Death Race with the Jungle Leper Army!' That kind of thing.

Writing was always a laborious thing for me. I never wrote fluently, I never wrote fluidly, there was something very awkward in my writing. But it seemed to me purposely awkward. It's almost as if I made the labor part of writing.

For me writing has always felt like praying even when I wasn't writing prayers.

Album sales have collapsed, with few artists making money from albums; touring is more lucrative. But I'm 53 now and won't be able to tour forever, so a logical step is to get into writing film scores. Trouble is, you need to be somewhere which has a big film industry - another reason why I'm thinking about living in California.

I like acting and things when I like the writing. If I don't like the writing, I don't like acting. I think in some ways everything starts for me from the place of writing.

You say that my way of thinking cannot be tolerated? What of it? The man who alters his way of thinking to suit othere is a fool. My way of thinking is the result of my reflections. It is part of my inner being,the way I am made. I do not contradict them, and would not even if I wished to. For my system, which you disapprove of is also my greatest comfort in life, the source of all my happiness -it means more to me than my life itself.

Any story that gets us thinking, and particularly young people, thinking why? Whether it's as a result of reading the book, or coming out of the theatre or the cinema, I think we should just simply be asking the question 'why'? Why did it happen to those people? Was it necessary? And anything that gets us thinking like that is really important.

Teaching and writing are separate, but serve/feed one another in so many ways. Writing travels the road inward, teaching, the road out - helping OTHERS move inward - it is an honor to be with others in the spirit of writing and encouragement.

We don't have an address," I said, "but we do know where he works." "Are you thinking what I'm thinking?" Vee asked, eyes brightening briefly through the haze of chemical sedation. "Based on past experience, I hope not.

Individuality in opinion, or, what is more, in thinking, is simply one with thinking at all; for he who thinks thereby looks at the thing or the fact itself and takes its measure by observation directly, not content with the measures of others.

Writing is sacred, other activities are profane, and I don't want them to corrupt my writing.

The recent medical controversy over whether vaccinations cause autism reveals a habit of human cognition — thinking anecdotally comes naturally, whereas thinking scientifically does not.

When I'm writing a lyric, I totally forget about the music. I'm just looking at the lyric and thinking about it almost as a separate entity. And then I'll go to my keyboard with all the lyrics printed out and try to think of how to make this a complete musical thing. I've got a very basic keyboard with some presets.

They create these rules and argue about things we don't even understand. It is like watching soccer. You sit there and you're sort of amused, but most of the time you're thinking, pick up the ball! That's what you're thinking.

I've written short stories in first person, but you have so much more control writing in third person. Third person, you know what everybody's thinking. First person is very limiting, and I could never sustain a first person novel before.

When I was 20, I wrote a film on spec and sent it to the BBC. They wrote back, 'Usually, when we reject submissions, we like to offer some encouragement, but in your case, we don't see any point in you continuing.' I took it as encouragement anyway, thinking that only people who write terrible things are capable of writing great things.

I do a lot of writing. People don't actually know how much writing really I do.

There's no lack of writers writing novels in America, about America. Therefore, it seems to me it would be wasteful for me to add to that huge number of people writing here when there are so few people writing about somewhere else.

Reading and writing don't inevitably go together. You can read without learning a thing about writing, grammar, or spelling, although, you certainly can't learn anything about writing, grammar, or spelling unless you read.

I'm a fairly fast, but sloppy writer, so I'm a big fan of re-writing, and re-writing again.

I work for perfection, for perfection's sake. I don't care what the external reasons are. And it's much more like a ballerina on opening night. You've done what you've got to do. When you go out, the purpose is to turn a perfect turn. You are not thinking about the future of the company, you are not thinking about your future, you're not thinking about the critics, it is you and the perfect turn.

I love writing dialogue, and I think a lot of my writing is visual and very cinematic.

Writing with a film in mind - writing like a screenplay - is a sureshot recipe for disaster.

The three things that help writing the most are living, writing, and reading. In that order.

I'd really like to see smart sex writing, writing that can take sex apart and try to put it back together, that doesn't just put a box around "sex writing" and give it glaring neon lights but assumes that sex is part of everything else in our lives.

I'm out here to bomb, period. That's what I started for. I didn't start writing to go to Paris, I didn't start writing to do canvases. I started writing to bomb... destroy all lines.

In the early '90s, I was disillusioned after the blasts and riots in Mumbai. I was in college and started thinking that religion was the root cause of all these evils. While my father told me not to blame religion because of a few bad people, I wasn't convinced. The faith was restored after I started writing my first book.

Creativity is not simply originality and unlimited freedom. There is much more to it than that. Creativity also imposes restrictions. While it uses methods other than those of ordinary thinking, it must not be in disagreement with ordinary thinking-or rather, it must be something that, sooner or later, ordinary thinking will understand, accept, and appreciate. Otherwise the result would be bizarre, not creative.

Thinking that your story is so interesting that other people will want to listen to it or read it or pay to hear it, that's - what kind of person thinks that? A monster of self-regard. It's not normal thinking.

When you're not writing, you're not doing anything else either because everything you do goes into the writing.

For me, the hardest part is getting up and writing, that's the hard part. I always felt like I could teach someone to direct if I really had to. I feel like it's a skill that's passable, but writing... writing is the worst. That's what I'm doing right now, it's just the hardest thing that you'll ever do.

O MY WIFE-who made the writing of my previous book a pleasure and writing of the present one a necessity.

I figure I wrote 37 songs in 20 years, and that's not exactly a full-time job. It wasn't that I was writing and writing and writing and quit. Every now and then I wrote something, and every now and then I didn't. The second just outnumbered the first.

I think in most cases, when you're writing a song, you're just making up a little story, and you're not really thinking about making a point one way or another about it. You're just coming up with a little scenario and seeing it through, and that's it.

I don't believe in 'thinking' old. Although I've transitioned through many bodies - a baby, toddler, child, teen, young adult, mid-life and older adult - my spirit is unchanged. I support my body with exercise, my mind with reading and writing, and my spirit with the knowing that I am part of the Divine source of all life.

Writing of that caliber spoils you for any other kind of writing for awhile. But that's probably good.

My nerves are bad to-night. Yes, bad. Stay with me. 'Speak to me. Why do you never speak? Speak. 'What are you thinking of? What thinking? What? 'I never know what you are thinking. Think.

Writing for the page is only one form of writing for the eye. Wherever solemn inscriptions are put up in public places, there is a sense that the site and the occasion demand a form of writing which goes beyond plain informative prose. Each word is so valued that the letters forming it are seen as objects of solemn beauty.

I was writing since I can remember - I just didn't know it was poetry yet, or that writing could be a career.

I read Herman Hesse's 'Siddhartha' while I was writing 'Lord of Light' along with many other things. It seemed a good time to read it so I could see what he had to say about Buddha. In my first chapter, I was thinking in terms of the big battle scene in the 'Mahabarata.' It helped me in visualizing the battle in my novel.

I have been writing since I was old enough to spell. I have never considered not writing.