Top 1200 Writing By Writers Quotes & Sayings - Page 2

I've been so grateful for writing, and writers and, actually I would say that that is the cornerstone of my career, the writing. That's the truth of the work that I've done in theatre and it's definitely the case for the work that I've been lucky enough to do on screen.

From my years of teaching creative writing, I know that new writers take the setting for granted, as simply a place to set the action, but setting is a vital element in fiction writing and deserves serious treatment.

My writings are an exploration, and I think a lot of writers would tell you this, but in writing, you're not simply putting down things that are already known to you. You're actually discovering in the writing process, you're actually creating knowledge.

Anyone writing a picture-book biography of Lincoln has a different set of responsibilities from someone writing a biography for sixth-graders, say, or from a Lincoln scholar writing an academic book on Lincoln. Each of these writers has a different audience and different goals. That's obvious.

I'm not against White writers writing about Blacks as long as they are as objective as say James McPherson writing about an Irish American janitor in his brilliant short story "Gold Coast."

One of the things that draws writers to writing is that they can get things right that they got wrong in real life by writing about them.

There's never been a great fight without the writers taking on and finding an identity for it. That's probably what has happened boxing. Writers are not writing about us big boys anymore and I tell you right, however you feel, take something, find it, and use it because American needs something to read about.

I can't conceive of nursing babies and taking care of children and writing, too. I know there are writers that do that, but I'm too single-minded. I can't stand to be interrupted, whether I'm writing a story or dressing a child.

Yeah, writers do hate writing.

I've lost track of the number of people who want to be writers but never actually write anything. Talking about writing, dreaming about writing, can be very fun, but it won't get a book written. You've got to write

The daily act of writing remains as demanding and maddening as it was before, and the pleasure you get from writing - rare but profound - remains at the true heart of the enterprise. On their best days, writers all over the world are winning Pulitzers, all alone in their studios, with no one watching.

I love the resource of the Internet. I use it all the time. Anything I'm writing - for example, if I'm writing a scene about Washington D.C. and I want to know where this monument is, I can find it right away, I can get a picture of the monument, it just makes your life so much easier, especially if you're writing fiction. You can check stuff so much quicker, and I think that's all great for writers.

Writing is like wrestling; you are wrestling with ideas and with the story. There is a lot of energy required. At the same time, it is exciting. So it is both difficult and easy. What you must accept is that your life is not going to be the same while you are writing. I have said in the kind of exaggerated manner of writers and prophets that writing, for me, is like receiving a term of imprisonment-you know that's what you're in for, for whatever time it takes.

New York is great for writers insofar as you can pay someone to bring you food, to take your washing out and bring it back clean. It enables you. Writers always feel guilty when they're doing anything but writing, and New York allows you to really write all the time if you want to - though my kids put a limit on it.

I believe that stories find writers, writers don't find stories. With the 'Pendragon' series, I actually had multiple story ideas and decided that instead of writing them individually, I would create a character whose journey would thread them all together.

I think it's dangerous to think you know what you're writing. I usually don't know, and usually I just discover it in the course of writing. I envy those writers who can outline a beginning, a middle, and end. Fitzgerald supposedly did it. John Irving does. Bret Easton Ellis does. But for me, the writing itself is the process of discovery. I can't see all that far ahead.

I had a girls' writing retreat at my condo and a bunch of other female writers came down. Me and two other writers got there before everyone and they pitched this idea to me. At first I wasn't sure what direction it was going in, but then once they kind of explained to me what they were thinking, we wrote it.

I've lost track of the number of people who want to be writers but never actually write anything. Talking about writing, dreaming about writing, can be very fun, but it won't get a book written. You've got to write.

I try really hard to ask people to take a look at their bookshelves. Are there female writers on it? Gay writers? Writers of color? There should be.

For me writing is a long, hard, painful process, but it is addictive, a pleasure that I seek out actively. My advice to young writers is this: Read a lot. Read to find out what past writers have done. Then write about what you know. Write about your school, your class, about your teachers, your family. That's what I did. Each writer must find his or her own kind of voice. Finally, you have to keep on writing.

Writing takes gall. I like to think that's true even for writers with several books under their belt, writers who have been doing it for years. It takes something - guts, gumption, self-delusion - to ask for a reader's time when we all know there's nothing new under the sun; that it's all been said, or written, before.

Those who say they want to be writers, and aren’t writing, don’t.

I think writing is a process that starts long before the writers are actually writers and probably goes on long afterward. It's rather like the way the Arabs weave rugs. They don't stop. They just cut them off at a certain spot on the loom. There is no particular beginning or end.

It was actually the movie 'Rushmore' that made me first realize that I could try writing, but 'Cheers' is the best show ever. The writers on that show created a relationship that writers today still fail to rip off successfully: the Sam and Diane.

There's no lack of writers writing novels in America, about America. Therefore, it seems to me it would be wasteful for me to add to that huge number of people writing here when there are so few people writing about somewhere else.

I've never had a mentor personally of any kind. It feels like, generally, in the writing world or the art world, it's more of a thing in America, because you have writing programs, which we don't have. You have these amazing writers who are teachers. I never did a writing program so I never met a writer until I was published. I guess I can't really explain my compulsion for writing these kind of mentor characters.

I think that very often younger writers don't appreciate how much hard work is involved in writing. The part of writing that's magic is the thinnest rind on the world of creation. Most of a writer's life is just work. It happens to be a kind of work that the writer finds fulfilling in the same way that a watchmaker can happily spend countless hours fiddling over the tiny cogs and bits of wire. ... I think the people who end up being writers are people who don't get bored doing that kind of tight focus in small areas.

There's exceptional work being done on television. Some of our great writers are writing for television. When you have things to choose from, you typically go after the writing - unless you're going after the money. There are fewer opportunities in film to make money with good writing, unless you're an action hero.

And the writers are good in that it's easy to memorize, and good writing has an innate rhythm to it. And I've always felt that it's easier to get in your head than writing that has very kind of mind busting moments.

Getting a beginner publishing deal really helped me gain the skills. I just kept writing and writing. You just take everything out of life and turn it into an idea or a melody or a song and find the best writers you can to write with that fit you and know what you want to do.

There are more and more women writing. And there are more and more good male writers who are writing and who learned and decided it's worth writing for women.

I love a lot of American writers, but I think that for the most part the scope of what's accepted as great American writing is very limited. What we have is good, but it's limited. There's not enough engagement with the world. Our literature's not adventurous enough. The influence of MFA writing tends to make things repetitive. The idea that writing can be taught has changed the whole conversation in the U.S.

There's a secret that real writers know that wannabe writers don't, and the secret is this: It's not the writing part that's hard. What's hard is sitting down to write. What keeps us from sitting down is Resistance.

The most reward experience is having another writer come up to you and say that they started writing because they read my books. That is how writing as a profession continues: readers becomes writers who inspire new readers.

There are very few good writers about art, and you either get art-fashion writing with trendy views or you get very traditional writing. Occasionally, you get people who can write in an interesting way. Really, I think in a sense art writing needs to be renewed as well. It's in a pretty bad condition.

When I'm writing, especially when I'm writing in first person, I don't think about the characterization, or how they are going to express themselves, I just express my own approach to these things. I think most writers can never divorce themselves from their private lives and personas; they are the ones that are writing. And the more they remove themselves from their own persona, the more, perhaps, mechanical the work becomes.

You know how sometimes you meet writers that are so full of themselves? They feel really proud that they wrote something . But what they don't understand - and I like to tell this to writers - is that writing is like fishing. It's just like fishing. If you don't fish that often, you're not going to catch that many fish.

I've been in the songwriting circuit as well. I've been in a couple writing camps where there are seven top writers or whatever, and they're writing songs for a young girl or a young guy that are coming up, and they're kind of nuts.

The writers are writing human beings, and they're writing about the human condition and how difficult it is to function in that condition. I think it's one of the charms of the show, the idea of redemption and working towards becoming better people, for everybody involved.

I have a great job writing for 'The Office,' but, really, all television writers do is dream of one day writing movies. I'll put it this way: At the Oscars the most famous person in the room is, like, Angelina Jolie. At the Emmys the huge exciting celebrity is Bethenny Frankel. You get what I mean.

Good writers borrow from other writers. Great writers steal from them outright.

That is my major concern: writers who are in prison for writing.

Without writers, none of the entertainment would exist. It starts with writers. Writers are the most important piece of the entire puzzle.

When I was in graduate school, I had a teacher who said to me, 'Women writers should marry somebody who thinks writing is cute. Because if they really realised what writing was, they would run a mile.'

Most producers I've known were writers first, and writing is a vital part of any game show. You could easily argue that the writing is the key ingredient that makes 'Jeopardy!' so great.

In fiction writing, I would say there are several different strands that have been woven through my own writing, and each influenced by a different group of writers.

The thing about writing in America is that writers in America have an arc. You enter writing as a career, you expect to be successful, and really it's the wrong thing. It's not a profession.

The hardest thing writers have to do is figure out for themselves who they are. What should they be writing about? What stories should they be telling? What does writing mean to them? I didn't know the answers to those questions for a long, long time.

I think the special thing about Python is that it's a writers' commune. The writers are in charge. The writers decide what the material is.

So writing is not just writing. It is also having a relationship with other writers. And don't be jealous, especially secretly. That's the worst kind. If someone writes something great, it's just more clarity in the world for all of us.

Writers are outsiders, and usually not by their own choosing. It’s why they’re writers. If they didn’t feel alienated from human experience, they wouldn’t feel so drawn to writing to make sense of their lives. It’s not the outsider’s facility for language that makes her a writer — many a student body president or homecoming queen can turn a phrase — but her ability to howl at the moon, on the page.

I have a great job writing for “The Office,” but, really, all television writers do is dream of one day writing movies. I’ll put it this way: At the Oscars the most famous person in the room is, like, Angelina Jolie. At the Emmys the huge exciting celebrity is Bethenny Frankel. You get what I mean.

To observe the world carefully, to write a lot and often, on a schedule if necessary, to use the dictionary a lot, to look up word origins, to analyze closely the work of writers you admire, to read not only contemporaries but writers of the past, to learn at least one foreign language, to live an interesting life outside of writing.

I think most fiction writers naturally start by writing short stories, but some of us don't. When I first started writing, I just started writing a novel. It's a hard way to learn to write. I don't recommend it to my students, but it just happens that way for some of us.

There are good writers and bad writers. It's hard to find writers who really speak to you, but the work is out there.

Read as much as possible, especially the work of writers who most deeply affect you. Make those writers your family. Never wait for inspiration to strike before getting to work; be disciplined and form the habit of writing every day.

read widely, not in order to copy someone else's style, but to learn to appreciate and recognize good writing and to see how the best writers have achieved their result. Poor writing is, unfortunately, infectious and should be avoided.

There are as many routes to writing success as there are writers who got there. My advice, however, applies across the board: read widely, learn the craft by whatever means you can - workshops and writing programs are ideal, but even self-study can work - apply what you learn, and persevere.

When I create a TV show, it's so that I can write it. I'm not an empire builder; my writing staff is usually a combination of two kinds of people - experts in the world the show is set in, and young writers who will not be unhappy if they're not writing scripts.

Some people think that writers are innately solitary and that there's a kind of romance to that solitariness. I tend to think that what writers really want to do is get accepted into things. They want to get accepted into society, into culture, into intelligentsia, into the fun. Writing is their mechanism, their instrument, for doing that.