Top 1200 Writing On The Wall Quotes & Sayings - Page 5

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Last updated on April 21, 2025.
I enjoyed writing in school. I don't know that I was all that good at it in school. I worked at it later. I feel comfortable writing now. I enjoy writing now. I suspect, like most college students, I viewed writing then to be more tedious.
Good writing is clear. Talented writing is energetic. Good writing avoids errors. Talented writing makes things happen in the reader's mind - -vividly, forcefully.
... the loss of public confidence in the financial community growing out of its own conduct in recent years. I insist that more damage has been done to stock values and to the future of equities from inside Wall Street than from outside Wall Street.
Writing for adults and writing for young people is really not that different. As a reporter, I have always tried to write as clearly and simply as possible. I like clean, unadorned writing. So writing for a younger audience was largely an exercise in making my prose even more clear and direct, and in avoiding complicated digressions.
Journalism is very much public writing, writing with an audience in mind, writing for publication, and frequently writing quickly. And I know that when I worked daily journalism it really affected my patience with literature, which I think requires reflection, and a different kind of engagement.
The Scarecrow watched the Woodman while he worked and said to him "I cannot think why this wall is here nor what it is made of." "Rest you brains and do not worry about the wall," replied the Woodman, "when we have climbed over it we shall know what is on the other side.
What will you do with them?" "Redo them in charcoal, probably." "And then?" "Tack them to my bedroom wall." Bedroom wall? "Who wouldn't want to wake up to this? — © Tammara Webber
What will you do with them?" "Redo them in charcoal, probably." "And then?" "Tack them to my bedroom wall." Bedroom wall? "Who wouldn't want to wake up to this?
You know... that a blank wall is an apalling thing to look at... The wall of a museum - a canvas - a piece of film - or a guy sitting in front of a typewriter. Then, you start out to do something - that vague thing called creation. The beginning strikes awe within you.
As boom- and bust-prone as high finance always has been and remains, the greatest systemic risk to our economy is not Wall Street. It's the growing federal debt (and weakening dollar) being enacted by those Washington politicians - the ones who want to protect us from Wall Street.
Atom bombs, something's wrong. D.E.A sent to Guam. Acid Trips, big fat chics. Purple Finstone Vitamins.All the needy rich are greedy. I find out you don't need me. Berlin wall starts to fall. I trip out to the wall. Hooray Horrah
As to Don Juan, confess that it is the sublime of that there sort of writing; it may be bawdy, but is it not good English? It may be profligate, but is it not life, is it not the thing? Could any man have written it who has not lived in the world? and tooled in a post-chaise? in a hackney coach? in a Gondola? against a wall? in a court carriage? in a vis a vis? on a table? and under it?
If I was in the gutter, and my kids lived on the kerb, I'd go and get a job in B&Q before I'd reform the Roses. I gave everything I had to the Stone Roses and ended up hitting a brick wall. I'm never going to give anyone a foothold on that wall again.
At the crux of Half Dome, at the very top of the wall, imagine, like, a smooth wall of rock - a nearly vertical granite slap with tiny ripples for your hands and feet. And so you're really trusting the rubber on your shoes to stick to these ripples.
It is a singular reaction, this sitting still and writing, writing, writing, or ruminating at length, which is much the same, really.
When it comes to sermon writing, generally there are two problems. Some preachers love the research stage but hate the writing, and they start writing too late. Others don't like doing research, so they move way too fast to the writing part.
Every two years the American politics industry fills the airwaves with the most virulent, scurrilous, wall-to-wall character assassination of nearly every political practitioner in the country - and then declares itself puzzled that America has lost trust in its politicians.
Why would twenty-six-year-old "teenagers" care about political ramifications if their backs are not up against the wall? But if their backs are against the wall they may be plucked to fight in Iraq, and all of sudden they become politicized real quick.
When a wall is slowly covered over by earth, the materials it's made from decay and become part of the soils around and above it, sometimes causing vegetation above and next to the wall to grow faster or slower. Satellite imagery helps archaeologists to pick up these subtle changes.
I'm more of a songwriter. I love writing songs. I love writing my songs. It's always been writing for me, and it makes it different when you're writing for yourself. — © Jon Pardi
I'm more of a songwriter. I love writing songs. I love writing my songs. It's always been writing for me, and it makes it different when you're writing for yourself.
If you build - if you spend billions of taxpayer dollars to build a wall over, let's say, a mountain, if you build a 10-foot wall over a 10,000-foot mountain, and someone is determined to climb the 10,000-foot mountain, they're not going to be deterred by the 10-foot wall. It's a matter of common sense.
When you say a wall, you mean a wall. You want to build a fence, you say fence. You don't use it as a euphemism for a virtual, say surveillance from hot air balloons that are floating over the border which some people have advocated.
In life you throw a ball. You hope it will reach a wall and bounce back so you can throw it again. You hope your friends will provide that wall.
I will build a great, great wall on our southern border. And I will have Mexico pay for that wall.
Writing is very good for household tasks. Because you'd rather fix a dripping tap or paint an old wall - you'd rather do almost anything than sit and write. I have to reach a point of obsession in order to write, and so I find starting a book incredibly difficult.
The big-ego temper tantrums of Wall Street's titans must be a concern for everyone on Wall Street. Bad behavior and manipulation of the markets must be called out by those in the industry concerned for its future.
Things happen along the way in our path. Instead of looking at it as a wall that's being put up in front of us, look at it as as opportunity to scale new heights and to climb that wall - to see and do things you didn't think you were capable of.
I think that writers are best served by sticking to their writing. Not having loads of theories about the best way to position the writing. I think that if the writing is good and the point of view is strong, the writing is going to take care of itself.
I'd quite like to run the Great Wall of China. I've never been to China and there's something about the Great Wall of China that is so iconic and evocative. It's only 3,000 miles. It's not that far.
After all, Wall Street is clearly the most powerful lobbying force on Capitol Hill. From 1998 through 2008, the financial sector spent over $5 billion in lobbying and campaign contributions to deregulate Wall Street.
Writing, for me, when I'm writing in the first-person, is like a form of acting. So as I'm writing, the character or self I'm writing about and my whole self - when I began the book - become entwined. It's soon hard to tell them apart. The voice I'm trying to explore directs my own perceptions and thoughts.
Really the writer doesn't want success. . . . He knows he has a short span of life, that the day will come when he must pass through the wall of oblivion, and he wants to leave a scratch on that wall - Kilroy was here - that somebody a hundred, or a thousand years later will see.
On the craft level, writing for children is not so different from writing for adults. You still have to have a story that moves forward. You still have to have the tools of the trade down. The difference arises in the knowledge of who you're writing for. This isn't necessary true of writing for adults.
Those in technology who can afford to stay in Silicon Valley all know it as one of the most beautiful places to live in the world, but a wariness has sunk in as folks from other walks of life are forced to leave: coffee shops are wall-to-wall with aspiring entrepreneurs, and restaurants buzz with talk of valuations and venture capital.
I represented Wall Street, as a senator from New York, and I went to Wall Street in December of 2007 - before the big crash that we had - I basically said, 'Cut it out! Quit foreclosing on homes! Quit engaging in these kinds of speculative behaviors.'
If you've got a Corvette that runs into a brick wall, you know what's going to happen. He's a Corvette. I'm a brick wall.
I always tell audiences when I talk about writing: Writing isn't something I do; writing is something that I am. I am writing - it's just an expression of me.
If you have to find devices to coax yourself to stay focused on writing, perhaps you should not be writing what you're writing. And if this lack of motivation is a constant problem, perhaps writing is not your forte. I mean, what is the problem? If writing bores you, that is pretty fatal. If that is not the case, but you find that it is hard going and it just doesn't flow, well, what did you expect? It is work; art is work.
I do make some drawings for wall pieces. I do work out some ideas for large-scale wall pieces where I have to organize words or get proportions right. I do keep them in my files. Not an exhibit or a show; just as part of my records, my archives.
There is so much about the process of writing that is mysterious to me, but this one thing I've found to be true: writing begets writing.
Think of life and the world as a wall and that we're all climbing up the wall. So just put one hand in front of the other, keep your eye on the prize, and then get there. And then turn around and help the other people - because you're already there, so start helping.
The process of re-writing and writing and re-writing means that you may have a brilliant phrase, but over time it distills and distorts and changes.
A Muslim student came by the office and asked why I did not have anything on my wall about the Koran. My response was clear, 'As long as I have the honor of representing the citizens of the 5th District of Virginia in the United States House of Representatives, the Koran is not going to be on the wall of my office.'
Writing can come naturally to some. Still, when it comes to good writing, this is true: Easy reading is damn hard writing. — © Nathaniel Hawthorne
Writing can come naturally to some. Still, when it comes to good writing, this is true: Easy reading is damn hard writing.
To be clear, I abhor the separation wall. It is an eyesore in itself and makes tangible the failed diplomacy and cruel short-sightedness that causes such misery in the region. No Palestinian can see that wall and not wonder if the Israelis mean it to stay there forever, a constant reminder of what they never intend to change.
I've had many students over the years, sometimes even very sophisticated students, who will be writing and will hit a wall. Often I find it's because they're working out of sequence. Maybe some people can do that, but I don't think that's how fiction works. It's a discovery.
When I want to quickly take a measurement, I use my Stanley Laser Distance Measurer. You just put it on the wall, and it shoots a laser and instantly tells you the exact distance to the other wall within a fraction of an inch.
There is something to the fact that when you're on stage or when you're playing someone else, you're able to transmute all the things inside you that maybe get a bit blocked by the wall of shyness, or the wall of anxiety, or [by] overthinking. They sort of fall away in that moment and channeled into something else.
Written by Pulitzer Prize-winning playwright Donald Margulies and directed by Sundance nominee James Ponsoldt, 'The End of the Tour' is a terrific film, among the year's best with its two-man tarantella of wall-to-wall talk - and I watched it through my fingers as though it were Mad Max.
I have been in Wall Street all of my life. I love it. It has been good to me. I know many wonderful, decent, honorable, ethical, hard-working people that were in Wall Street with me.
Writing is really just a matter of writing a lot, writing consistently and having faith that you'll continue to get better and better. Sometimes, people think that if they don't display great talent and have some success right away, they won't succeed. But writing is about struggling through and learning and finding out what it is about writing itself that you really love.
People think that writing is writing, but actually writing is editing. Otherwise, you're just taking notes
About 25 years ago, I was in an apartment, and next door, they put on the radio, so I struck the wall with my fist, but they did not put the radio down. I took a tool and banged until I made a hole through the wall. It was like a comedy movie.
"Between a high, solid wall and an egg that breaks against it, I will always stand on the side of the egg." Yes, no matter how right the wall may be and how wrong the egg, I will stand with the egg. Someone else will have to decide what is right and what is wrong; perhaps time or history will decide. If there were a novelist who, for whatever reason, wrote works standing with the wall, of what value would such works be?
A collapse in U.S. stock prices certainly would cause a lot of white knuckles on Wall Street. But what effect would it have on the broader U.S. economy? If Wall Street crashes, does Main Street follow? Not necessarily.
If there's anything I'm keen to get better at in my writing, then it's the writing of prose as opposed to the writing of dialogue. — © David Nicholls
If there's anything I'm keen to get better at in my writing, then it's the writing of prose as opposed to the writing of dialogue.
I've been in and out of Wall Street since 1949, and I've never seen the type of animosity between government and Wall Street. And I'm not sure where it comes from, but I suspect it's got to do with a general schism in this society which is really becoming ever more destructive.
If you are making money writing, you are doing great. If you can support yourself writing, you are a success. I don't care if you're writing textbooks or Pulitzer Prize-winning articles for weighty publications of world renown: If you're writing and it's paying the bills, consider yourself a successful writer.
She had read a wonderful play about a man who scratched on the wall of his cell and she had felt that was true of life — one scratched on the wall.
I have a hard time writing. Most writers have a hard time writing. I have a harder time than most because I'm lazier than most. [...] The other problem I have is fear of writing. The act of writing puts you in confrontation with yourself, which is why I think writers assiduously avoid writing. [...] Not writing is more of a psychological problem than a writing problem. All the time I'm not writing I feel like a criminal. [...] It's horrible to feel felonious every second of the day. Especially when it goes on for years. It's much more relaxing actually to work.
In terms of Ray Liotta, when I was a teenager growing up in Colorado, I didn't have pictures of girls on my wall. I had pictures of Ray Liotta on my wall. Along with Mike Patton, he was one of my heroes.
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