Top 1200 Writing Skills Quotes & Sayings - Page 14

There are very few good writers about art, and you either get art-fashion writing with trendy views or you get very traditional writing. Occasionally, you get people who can write in an interesting way. Really, I think in a sense art writing needs to be renewed as well. It's in a pretty bad condition.

Writing by hand is a way of letting mystery into my writing. But I'm constantly trying to figure out how to do this job. It's a work in progress.

Not to be too 'Tale of Two Cities' about it, but I find writing a memoir easier than writing fiction, and more difficult.

I honestly believe that everything I know about the writing of non-fiction (or writing) could be engraved on the head of a pin with a garden hoe.

I always talk to my students about the need to write for the joy of writing. I try to sort of disaggregate the acclaim from the act of writing.

THE WRITER can get free of his writing only by using it, that is, by reading oneself. As if the aim of writing were to use what is already written as a launching pad for reading the writing to come. Moreover, what he has written is read in the process, hence constantly modified by his reading. The book is an unbearable totality. I write against a background of facets.

A couple of pieces of advice for the kids who are serious about writing are: first of all, to read everything you can get your hands on so you can become familiar with different forms of writing: fiction, non-fiction, poetry, journalism. That's very important. And also keep a journal. Not so much, because it's good writing practice. Although it is, but more because it's a wonderful source of story starters.

The real trouble with the writing game is that no general rule can be worked out for uniform guidance, and this applies to sales as well as to writing.

Skills are common. Talent is rare.

Skills make you rich, not theories.

I'm interested in dismantling the distinction between masculine and feminine writing both because I think it's a false distinction and, I think, ultimately an insulting one. It's as insulting to men as it is to women. I'm not sure what masculine writing would look like - I assume some combination of Ernest Hemingway and Raymond Carver. Writing can't be gendered in that way.

Generally, I find that when you're writing and having fun with the writing, that energy and dynamism is going to come out in the text one way or another.

Skills that are monopolizable are anathema to capital.

My court skills may have atrophied.

All the skills of housewifery are the ones I'm using as a producer.

I didn't start writing until late high school and then I was just diddling. Mainly I loved to read and my writing was an outgrowth of that.

Hire attitude train skills.

Skills can be taught. Character you either have or you don't have.

I have no skills. I'm bad at most things.

Writing works when publications are writing and serving the best interest of their users; numbers are good yardstick but not a way to compensate a person.

I started writing because I wanted to write scripts, but I wasn't very good at it. Then I started writing short stories, sort of as treatments for the film scripts, and I found I enjoyed writing short stories far more than I enjoyed writing film scripts. Then the short stories got longer and longer and suddenly, I had novels.

Writing more and more to the sound of music, writing more and more like music. Sitting in my studio tonight, playing record after record, writing, music a stimulant of the highest order, far more potent than wine.

Who is writing these screenwriting books? Not actually writing for the studios in Hollywood. These are people that have one or a half of a credit on maybe one movie, or none. So they're all theoretical.

It's so great to be able to write from home. My bread is rising downstairs, and I'm upstairs writing. I have a writing room that my grandchildren consider one of their playrooms.

Writing is, of course, a solitary occupation. But for many writers, myself included, it's through writing that we make certain vital connections.

I love a lot of American writers, but I think that for the most part the scope of what's accepted as great American writing is very limited. What we have is good, but it's limited. There's not enough engagement with the world. Our literature's not adventurous enough. The influence of MFA writing tends to make things repetitive. The idea that writing can be taught has changed the whole conversation in the U.S.

Cyborg writing must not be about the Fall, the imagination of a once-upon-a-time wholeness before language, before writing, before Man. Cyborg writing is about the power to survive, not on the basis of original innocence, but on the basis of seizing the tools to mark the world that marked them as other...

I feel I've always been writing about self-identity. How do we become who we are? So I'm just writing from experience what's concerned me.

I am writing to please myself, though there is a feeling in some place in my head that this may be publishable. I haven't been writing for nothing.

I am concentrating on my acting skills.

writing is the loneliest job in the world. There's always that frustrating chasm to bridge between the concept and the writing of it. We're a harassed tribe, we writers.

I never made any plan before writing, however I succeeded. I enjoyed writing with excitement ,"what happen on the next page?"

Skills are cheap. Passion is priceless.

It's so tedious writing cookbooks or writing the recipes because I've never been much of a measurer. But to write a book, you have to measure everything.

I would say that writing, both the act of writing, and of course reading of other people's work is, for me, supreme joy.

I never stopped believing in my skills.

To write more from memory and to be more creative - I think - because I am still writing about Los Angeles but I can't walk out my door and immediately drive to places I am writing about. So I think it has been a very good change for me after 11 books to start writing this way.

I still encourage anyone who feels at all compelled to write to do so. I just try to warn people who hope to get published that publication is not all it is cracked up to be. But writing is. Writing has so much to give, so much to teach, so many surprises. That thing you had to force yourself to do - the actual act of writing - turns out to be the best part. It's like discovering that while you thought you needed the tea ceremony for the caffeine, what you really needed was the tea ceremony. The act of writing turns out to be its own reward.

Hire for character, train for skills.

A. Douglas Stone, a physicist who has spent his life using quantum mechanics to explore striking new phenomena, has turned his considerable writing skills to thinking about Einstein and the quantum. What he finds and makes broadly understandable are the riches of Einstein's thinking not about relativity, not about his arguments with Bohr, but about Einstein's deep insights into the quantum world, insights that Stone shows speak to us now with all the vividness and depth they had a century ago. This is a fascinating book, lively, engaging, and strong in physical intuition.

My goal is to always be improving my skills.

The Zen way of calligraphy is to write in the most straightforward, simple way as if you were a beginner, not trying to make something skillful or beautiful, but simply writing with full attention as if you were discovering what you were writing for the first time; then your full nature will be in your writing.

I apologize for my terrible interview skills.

Do not beat up on yourself. Do not criticize your writing as lousy, inadequate, stupid, or any of the evil epithets that you are used to heaping on yourself. Such self-bashing is never useful. If you indulge in it, your writing doesn't stand a chance. So when your mind turns on you, turn it back, stamp it down, shut it up, and keep writing.

I would rather not write if I'm depressed, or am going through a breakup, or I've had some disappointment, or I'm having a family issue. You don't want to just put out an open wound. Sometimes that just isn't even really good writing. Good writing should be good writing and storytelling and not just therapy or someone's personal journal.

You should constantly write because your writing is always evolving and progressing. It's really important to start writing young.

Whenever I'm on tour and I'm in my hotel room and I'm writing and playing my guitar, I go in the bathroom and I record whatever I'm writing in there. It's just what I love to do.

My twerking skills are for the bedroom, not for the club.

We have to teach girls communication skills.

My only close-to-game-plan is to follow good writing. If the writing is in TV or if it's in theater or in film, that's it. It doesn't really matter what the medium is.

I believe in my power and boxing skills.

Writing books isn't a drastic departure from writing for the stage. I've always written in the long format, five, eight, 10-minute pieces rather than one-liners, so since writing books, the process hasn't changed much. A piece in my live routine can end up as part of one of my HBO specials, and it can also end up in one of the books.

My writing process is a mix of research, personal experiences, washing the dishes, raising kids while thinking - then writing.

My work is not my life. I started writing quite late, I didn't have that 'writing is everything, my art is all.' You have to be able to recognise the difference between the two.

You can't get the growth without the skills.

There are more and more women writing. And there are more and more good male writers who are writing and who learned and decided it's worth writing for women.

I feel like communication is the same whether you're cooking for someone or singing or writing a song or writing a play or ordering from McDonald's.

The skills gap is a reflection of what we value.

In TV writing, I felt like Gulliver being tied down by the Lilliputians. There's so much more freedom in fiction writing.

Every player has different skills.