Top 1200 Writing Things Down Quotes & Sayings - Page 6

I grew up down in the hills of Virginia. I can be in Kentucky in 20 minutes, Tennessee in 20 minutes or in the state of West Virginia in 20 minutes. And it's down in the Appalachian Mountains, down there. And it's sort of a poorer country. Most of the livelihood is coal mining and logging, working in the woods and things like that. Most people has a hard life down that way.

I'm often just writing just to write. I'm not writing with...If I write, like, sitting down with a goal in mind, it's always, like, the worst. It turns into a ska song even if I'm trying to write like a horror movie sound track or something.

I really only have been seriously writing, finishing things and publishing things since January '91.

It took time to learn that the hard thing about writing is to let the story write itself, while one sits at the typewriter and does as little thinking as possible. It happened over and over again, and the beginner learned - when you start puzzling over an idea, and slowing down on the keys, the writing gets worse and worse.

(Songwriting) It's a gift. It all comes from somewhere. I started out really young, when I was four, five, six, writing poems, before I could play an instrument. I was writing about things when I was eight or 10 years old that I hadn't lived long enough to experience.

It wasn't a case of me sitting down and thinking, right then, what shall I do with my life? Airline pilot? Plumber? Guitar manufacturer? Writer .... yeah, writer. I've always loved writing, from a very early age--I guess I was writing my first stories when I was still in single digits. It progressed, and the love of writing grew in my mind and is still growing. Doing it full-time, there are different stresses and tensions, and the business side of it comes to the fore sometimes. But I still love it, and I'm always thankful that I can do what I do and make a living from it.

You honor your writing space by recovering, if you are an addict. You honor your writing space by becoming an anxiety expert, a real pro at mindfulness and personal calming. You honor your writing space by affirming that you matter, that your writing life matters, and that your current writing project matters. You honor your writing space by entering it with this mantra: “I am ready to work.” You enter, grow quiet, and vanish into your writing.

When I'm writing, especially when I'm writing in first person, I don't think about the characterization, or how they are going to express themselves, I just express my own approach to these things. I think most writers can never divorce themselves from their private lives and personas; they are the ones that are writing. And the more they remove themselves from their own persona, the more, perhaps, mechanical the work becomes.

One of the goals of analysis is you become your own analyst. You continue the process even if you're not in therapy, whether you continue the process by walking down the street thinking about things or whether you continue the process, as I do, by writing about them.

Sometimes you come to a fall and sometimes you come to white water. Your rowing has to adapt to the situation. You can't do the same stroke coming down a small stream as you would coming down Niagara Falls. Even if you're only rowing down a stream, different things happen: maybe the wind changes, maybe the current, and suddenly everything's different. So gently is really important. Don't power yourself or blast through; rock with the way things are.

Here is my theory on this one. If you write things down, if there is a mystery and you try and explain it, once you've written it down for permanent, in due time, it'll be proven stupid.

Writing is like listening to a melody line in my head. Note by note, it knows where it wants to go. I follow it and lay it down. I can pare it, shape it, and polish it later...My job is to take down the dribs and drabs - to free-associate, if you will, knowing that the associations have their own plans for where we're going with all this.

I think of writing as a sculptural medium. You are not building things. You are removing things, chipping away at language to reveal a living form.

When I'm writing a score, I'm constantly looking for ways to improve on it, even when I think it's working well. I don't give up on things, and am always trying to make incremental improvements, which means I never finish writing a score early!

I didn't know until high school that I was interested in writing in any real way. But there was this boy that I had a crush on, and I used to tell him all the time what I felt about him. Finally he gave me a blank journal and said to write it all down - and it didn't take me very long to realize how much I loved writing.

What people like are things to laugh at. Funny shows. It's all in the execution, the writing and the characters, not the setting. And the writing and the execution and the characters are GREAT on (Everybody Loves Raymond).

I think one of the first things to go as people's lives start to go down is their dreams. Dreams should be the last thing to go - dreams are the things you go down with. If you're left clinging to a piece of driftwood in the middle of the ocean, I'd put on it the word dreams.

Make lists. Write down the things that give you power. Write down the things that take your power away also. Make lists of people close to you. Are you associations raising you to a higher level of attention?

I think writing for me has always been a matter of fear. Writing is fear and not writing is fear. I am afraid of writing and then I'm afraid of not writing.

I have to feel what I'm writing, right down to the core.

Writing a love song when I was 19 is very different than writing a love song when I'm 25. You're more sophisticated; you can elaborate and pinpoint special things a little clearer.

So remember these two things: you are talented and you are original. Be sure of that. I say this because self-trust is one of the very most important things in writing.

When you're trying to force things in a script, it seems like it's getting somewhere, but it isn't real or interesting. All the bad material you've written becomes an albatross around your neck. So I really don't like writing a lot of bad stuff, I prefer to just keep narrowing it down to stuff I think is solid.

I feel like I turned down a lot of things that I wish I hadn't. But you never know when you're younger. I don't have regrets about certain things I turned down. Those films would have required things of me that would have been challenging, and they ended up being really good movies. But I was never a careerist, I never thought in those terms. I'd be like, "Oh, I'm tired. I don't want to work."

It's an easier task to imagine someone's interior world when you feel quite distanced from them. In the same way that I find writing about Australia easier than writing about the UK because I don't have the reality of it in front of me to get me bogged down in trying to be exact.

Here's the first major lesson: Writing is not an activity. It's not something you sit down at the keyboard, and just start doing. That's called 'typing.' Typing is an activity ... Writing is a process. And if you start thinking of it as a process, life gets so much easier.

I spent seven years writing The Free World. There are a lot of things I accomplished there that I'm very proud of, but I didn't want to spend another seven years writing a book like that.

When I'm writing a novel or doing other serious writing work, I do it on a schedule that dictates writing either 2,000 words a day or writing until noon. After I hit whichever mark comes first, then I can give my attention to everything else I have to do.

One of the unfortunate things about creative writing courses is that they make people impatient. People feel that they have prepared themselves and that they must now do it. In fact there are positive incentives for doing so - universities are offering degrees for writing novels.

The great thing for me, now, is that writing has become more and more interesting. Not just as a craft but as a way into things that are not described. It's a thing of discovering. That's when writing is really working. You're on the trail of something and you don't quite know what it is.

I don't really have hobbies. I paint. I write. I direct videos. I take photos. I'm a creative person. A normal day for me is doing all of those things. Sometimes I stay up until 5 A.M. writing a song because I make music. It's the same with writing.

Ah." He set down his backpack and pulled out their notebook. "You're working on your final project?" "Indirectly," Cath said. "What does that mean?" "Have you ever heard sculptors say that they don't actually sculpt an object; they sculpt away everything that isn't the object?" "No." He sat down. "Well, I'm writing everything that isn't my final project, so that when I actually sit down to write it, that's all that will be left in my mind.

There is nothing to writing. All you do is sit down at a typewriter and bleed.

I think writing a poem is like being a greyhound. Writing a novel is like being a mule. You go up one long row, then down another, and try not to look up too often to see how far you still have to go.

When I was writing Dune there was no room in my mind for concerns about the book's success or failure. I was concerned only with the writing. Six years of research had preceded the day I sat down to put the story together, and the interweaving of the many plot layers I had planned required a degree of concentration I had never before experienced.

Something like going to get the newspaper can increase your writing efficiency by taking you away from the material. When I'm doing other things, writing stuff will be swirling around in my head, and sometimes I'll see a new way into the material.

I've done a lot of fighting in my time, and I'm down to do some more. I don't want to, but you know, there's just certain things that you can't sit down and take.

I carry around, like, a little journal with me and just write all the time. Not necessarily, like, actually sitting down and writing lyrics - just freeform writing, whatever's going on in my mind. I write a lot on airplanes, actually, because it's completely isolating.

Everything I've written has been personal and touched on things that I needed to deal with in my personal life. So I just feel that writing is great therapy, and the best writing comes from truth, and so I mine my life constantly for that.

In the sense that writing is to retrieve the past and stop the passing of time, all writing is about loss. It's not nostalgia in the sense of yearning to bring back the past, but recognition of the erosion of things as you live.

If I'm writing by intuition, generally that calculation works itself out. But if I'm writing a mystery, and somebody has to have a reason for doing what he's doing, and it's not anything I can imagine myself wanting to do, things get a little more difficult to write, and careless mistakes are made.

The great thing for me, now, is that writing has become more and more interesting. Not just as a craft but as a way into things that are not described. It's a thing of discovering. That's when writing is really working. You're on the trail of something, and you don't quite know what it is.

I'm a big fan of things in writing in general that are subtle, that suggest something without actually in-your-face saying it. And it's funny, I've started to notice it, I started to see it after a while, that that's kind of a way of writing that I was doing. But I didn't set about to do that.

I was just sitting on my bed in a dormitory room, and I started writing. The thing that was magic about it was that once you put down one word, you could cross it out. I figured that out right away. I put down 'mountain,' and then I'd go, 'No - 'valley.' That's better.'

I always come from a female perspective and a strong music base, trying to keep a positive slant on things. It's important for you to do what you love and not let anyone bring you down, and I keep that message throughout. I like writing songs all females can relate to - songs about when you're a chick and you get your heart broken and you go shopping.

When people speak to me of the torment of writing, I can think only of what it was like before I wrote: once writing meant writing and not thinking about writing, I knew nothing of any torment.

I do less of that stuff now because I figured out that when I was writing things I didn't care about, it made me angry and depressed, so I turned my focus to what does make me happy, and also I recognized that one of the things that gives me great happiness is teaching creative writing, and so I could write profiles of professional golfers or I could be a professor. Being a professor made me much happier.

When you are in WWE, you're really strapped down by their rules and writing.

So the fact that there's someone who's planning what happens to the characters, writing it down, means that the characters always have a fate. And when we think about fate, we tend think of it as the thing we would have if we were literary characters, that is, if there were somebody out there, writing us.

Setting down in writing, is a lasting memory.

Overwhelm is, most often, a mindset. If you think about all the things you have to do, you'll be face down on the floor. It really helps to break it down into smaller pieces.

I always try to find things worth saying, things that are supposed to be said instead of being contrived. I do a ton of writing.

My head is full of songs I'm writing now, and things I am thinking now. I'm not very good at drawing on things that have happened, things I think might happen, or things I want to happen. I'm very much in right now.

I'm constantly being surprised and finding unplanned things - because the writing is a process of experiencing things on the ground with the characters.

When I'm not working, I'm down in North Carolina and we have a rather large yard, so I'm usually struggling with vines and pulling things down. I get plenty of exercise in the garden.

I don't feel real confident expressing myself except when I'm writing. I feel kind of scatterbrained. I can see everything from both sides and that makes it hard to reach conclusions. Writing enables me to clarify things.

Part of my function as a writer is to dream awake. And that usually happens. If I sit down to write in the morning, in the beginning of that writing session and the ending of that session, I'm aware that I'm writing. I'm aware of my surroundings. It's like shallow sleep on both ends, when you go to bed and when you wake up. But in the middle, the world is gone and I'm able to see better.

I kicked off... and things went on from there... down and down.

The secret to writing sound effects is having a room you can be alone in, trying to make the sounds yourself, and seeing what comes out. It's similar to if you're writing a character talking with their mouth full: the only way I know to transcribe that is to stuff my fist in my mouth and write down what sounds I make when I try to talk.

I was also a good writer, by the way. My, you know, my English teacher and writing teacher loved my writing. You know, I wrote short stories and things like that. And they liked them very much.