Top 1200 Written Language Quotes & Sayings - Page 17

Real novelists, those we admire, those we consider timeless in their language and character and scene, those who receive accolades for inventive language and form, have writing lives we imagine in specific ways.

The popular songs that were written in the 1920s and '30s, '40s and early '50s were written by veterans - mostly men who'd had experience in life. How can you write a lyric if you haven't really lived life?

Learning to read in one language helps us read a second language.

There have been more books alone written about Hamlet than have been written about the Bible.

Nabokov can be almost too delicate at times, but in 'Lolita,' he puts his aristocratic sensitivity to use in such a dark tale that it creates this great tension between the story being told and the style that it's written in. And it's just amazing that one of the best novels in English was written by a Russian.

My first language, the true language of the soul spoken only on our planet of origin, had no word for betrayal or traitor. Or even loyalty- because without the opposite, the concept had no meaning.

I've always written songs from a sad place. I can't think of one good song that I have written in a happy place. I was saying I was kinda bummed because I've been sorta chasing the girl I've been in love with for years and years and we're finally together now, and I'm like super happy for months and months and months. And my girlfriend asks, "Why haven't you written a song for me?"And I don't know how to tell her "Because it's just too good."

Language is a weapon of politicians, but language is a weapon in much of human affairs.

In some countries, of course, Spanish is the language spoken in public. But for many American children whose families speak Spanish at home, it becomes a private language. They use it to keep the English-speaking world at bay.

I hate all that nonsense about not touching the colonialists' language. All that about it being corrupting and belonging to the master and making you Caliban. That thinking just denies you an outlet. You deny everything that is great from a language, whether it is Conrad or Shakespeare.

But all this language gotten, and augmented by Adam and his posterity, was again lost at the tower of Babel , when by the hand of God, every man was stricken for his rebellion, with an oblivion of his former language.

The act of language or the act of denying language carries its own heaviness.

I wish there was someone I could have written to after that, someone I could have written to explain how awful it was to have someone touch you, then look at you properly and change his mind.

Perl was designed to work more like a natural language. It's a little more complicated but there are more shortcuts, and once you learned the language, it's more expressive.

Language is always evolving. It's difficult to read Shakespeare now because language has shifted. Similarly, kids these days can get to the point really quick in about 140 characters or less because of these new tools.

Israel is the very embodiment of Jewish continuity: It is the only nation on earth that inhabits the same land, bears the same name, speaks the same language, and worships the same God that it did 3,000 years ago. You dig the soil and you find pottery from Davidic times, coins from Bar Kokhba, and 2,000-year-old scrolls written in a script remarkably like the one that today advertises ice cream at the corner candy store.

I abhor badly-written characters and any character, be it man, woman, any character in the film. If it is a well-written character, it will come across as strong.

Language is always evolving. It's difficult to read Shakespeare now because language has shifted. Similarly, kids these days can get to the point really quick in about 140 characters or less because of these new tools.

I might move to Finland, at least for a while, to learn the language a bit better, 'cause you don't learn any language better than in the country itself.

I have the vanity to think that every play I have written is different from the previous ones. Yet, even though they are written in a different way, they all deal with the same themes, the same preoccupations. 'Exit the King' is also 'The Bald Soprano.'

I think the most important work that is going on has to do with the search for very general and abstract features of what is sometimes called universal grammar: general properties of language that reflect a kind of biological necessity rather than logical necessity; that is, properties of language that are not logically necessary for such a system but which are essential invariant properties of human language and are known without learning. We know these properties but we don't learn them. We simply use our knowledge of these properties as the basis for learning.

I try to connect to human emotion. I'm always looking for something primal, something really base that is beyond language, that people understand beyond language.

Faith talks in the language of God. Doubt talks in the language of man.

Speak the language of high intelligence, and thus you speak the language of God.

The real problem in speech is not precise language. The problem is clear language.

It's not only exciting to watch, but you can also speak a different language with each other. It's a music language that's unique, compared to what other parents do, especially in their professional lives. Not everybody can talk about being an accountant.

The Bible must be the invention either of good men or angels, bad men or devils, or of God. However, it was not written by good men, because good men would not tell lies by saying 'Thus saith the Lord;' it was not written by bad men because they would not write about doing good duty, while condemning sin, and themselves to hell; thus, it must be written by divine inspiration

I don't know what people who I've never met think about me. Some have written horrible things, some have written nice things - but I'm proud of the fact I've remained close to everyone I've ever worked with.

Whatever hath been written shall remain, Nor be erased nor written o'er again; The unwritten only still belongs to thee: Take heed, and ponder well what that shall be.

There is no such thing as an ugly language. Today I hear every language as if it were the only one, and when I hear of one that is dying, it overwhelms me as though it were the death of the earth.

The surrealist thinks he has outstripped the whole of literary history when he has written (here a word that there is no need to write) where others have written "jasmines, swans and fauns." But what he has really done has been simply to bring to light another form of rhetoric which hitherto lay hidden in the latrines.

I haven't any language weak enough to depict the weakness of my spiritual life. If I weakened it enough it would cease to be language at all. As when you try to turn the gas-ring a little lower still, and it merely goes out.

I was always aware of what the language I was using meant in terms of my bond with my parents - how it defined the lines of affection between us. When I spoke English, I felt I wasn't completely their child any more but the child of another language.

I've always loved the language of flowers. I discovered Kate Greenaway's 'Language of Flowers' in a used bookstore when I was 16 and couldn't believe it was such a well-kept secret. How could something so beautiful and romantic be virtually unknown?

They're on their way to the foreign-language wing. That's no surprise. The foreign kids are always here, like they need to breathe air scented with their native language a couple times a day or they'll choke to death on too much American.

If human language, with its logic, is the way God has given us to understand the world, then the Torah must be understood in that same language and with that same logic.

When you are challenging the young, they can come back at you with language of tremendous power and they are no respecters of sacred cows, you know, the young. There's nothing politically correct about the average young Australian when it comes to use of language.

I'm out there to clean the plate. Once they've read what I've written on a subject, I want them to think, 'That's it!' I think the highest aspiration people in our trade can have is that once they've written a story, nobody will ever try it again.

By a generative grammar I mean simply a system of rules that in some explicit and well-defined way assigns structural descriptions to sentences. Obviously, every speaker of a language has mastered and internalized a generative grammar that expresses his knowledge of his language. This is not to say that he is aware of the rules of the grammar or even that he can become aware of them, or that his statements about his intuitive knowledge of the language are necessarily accurate.

The significance of language for the evolution of culture lies in this, that mankind set up in language a separate world beside the other world, a place it took to be so firmly set that, standing upon it, it could lift the rest of the world off its hinges and make itself master of it. To the extent that man has for long ages believed in the concepts and names of things as in aeternae veritates he has appropriated to himself that pride by which he raised himself above the animal: he really thought that in language he possessed knowledge of the world.

The top 10 verbs in the English language are all irregular, even though irregular verbs make up only 3 per cent of the language.

Speaking, writing, and signing are the three ways in which a language lives and breathes. They are the three mediums through which a language is passed on from one generation to the next.

I'm bugged because I can't believe I can't speak every language there is. But I feel I can when I sit and am with somebody, and I can dance for them. Because dance is dialogue without language.

Personally I think that grammar is a way to attain Beauty. When you speak, or read, or write, you can tell if you've spoken or read or written a fine sentence. You can recognise a well-tuned phrase or an elegant style. But when you are applying the rules of grammar skilfully, you ascend to another level of the beauty of language. When you use grammar you peel back the layers, to see how it is all put together, to see it quite naked, in a way.

Rather than thinking of sound and sense in my essays as two opposing principles, two perpendicular trajectories, as they are often considered in conversations around translation, or even as two disassociated phenomena that can be brought together to collaborate with more or less success, I think of sound as sense. Sound has its own meaning, and it's one of the many non-semantic dimensions of meaning in language. I want to emphasize is the formal dynamic between language-as-information and language-as-art-material.

The language of God is not English or Latin; the language of God is cellular and molecular.

The beach has a language of its own, with its undulating ribbons of silt, the imponderable hieroglyphs of bird tracks. The receding waves catch on innumerable holes in the sand. Bubbles form and fade. A new language, with a new alphabet.

Syntax is the study of the principles and processes by which sentences are constructed in particular languages. Syntactic investigation of a given language has as its goal the construction of a grammar that can be viewed as a device of some sort for producing the sentences of the language under analysis.

Thoughts are created in the act of writing. [It is a myth that] you must have something to say in order to write. Reality: You often need to write in order to have anything to say. Thought comes with writing, and writing may never come if it is postponed until we are satisfied that we have something to say...The assertion of write first, see what you had to say later applies to all manifestations of written language, to letters...as well as to diaries and journals

When I'm dealing with the 18th century, as I do in 'The Firebird,' the difficulty isn't only finding what a woman did, it's finding her at all. Most of the sources I'm dealing with - letters and memoirs and written reports of the day - have been written by men.

Tarjei Vesaas has written the best Norwegian novel ever, 'The Birds' - it is absolutely wonderful: the prose is so simple and so subtle, and the story is so moving that it would have been counted amongst the great classics from the last century if it had been written in one of the major languages.

I have a repertoire of songs that I'm proud of, that I've written for my own band. When I do a cover, something that somebody else has written, I think about it very carefully before I sing that song. I have to really get behind it and understand it and like it. And that's how I pick roles. I don't want to play just anything.

So, some of the most difficult formal poems that I've written, say one sentence sonnets, I've been able to do those fairly quickly whereas some of the clearest, simplest lyrics that I've written have taken me the longest to get to the clarity of feeling that you're looking for.

At all periods of the [English] language it is difficult to assign a beginning date to most new words and meanings. They tend to slip into the language silently, and are placed in date order only when scholars subsequently get to work.

In the United States there's not a lot of people interested in foreign language films. Every time, it's more difficult for foreign language films to survive here.

Understanding Scripture in a language other than the heart language in which we think and experience emotion is "like trying to eat soup with a fork. You can get a little taste, but you cannot get nourished.

I see manuscripts and books that are spoiled for the literary reader because they are one long stream of top-of-the-head writing, a writer telling a story without concern for precision or freshness in the use of language. Some of this storytelling reads as if it were spoken rather than written, stuffed with tired images that pop into the writer's head because they are so familiar. The top of the head is fit for growing hair, but not for generating fine prose.

As a linguist, I don't think of Ada as a big language. Now, English and Japanese, those are big languages. Ada is just a medium-sized language.

English was my fourth language. I arrived, I enrolled in public school, as a child, I believe I was about six years old when we finally landed in Michigan. And I was initially put in special education because I couldn't quite wrap my mind around the English language because I was listening to Hungarian and Albanian and German. My mind broke down like I couldn't quite wrap my mind around the fourth language.

Ownership of thought depends on the thinker not subordinating himself to a 'ruling thought'. This is particularly difficult, argues Stirner, ... for language itself is a network of 'fixed ideas'. Truths emerge only when language is reworked and possessed individually.