Top 1200 Wrote Quotes & Sayings - Page 3

A lot of the songs that I wrote during 'Pt. 1' and 'Pt. 2' are the first songs that I ever wrote that sounded like that. I was in this phase - a certain creative space in my life - personally and musically.

My interest in the theater led me to my first writing experience as an adult. My husband David wrote the music and lyrics and I wrote the book for a children's musical, 'Spacenapped' that was produced by a neighborhood theater in Brooklyn.

I was writing all my childhood. And I wrote two novels when I was 17, which were terrible. And I'm not sorry I threw them out. So, I wrote. I had to write. You know, the thing was, I had no education.

A lot of comics fly by the seat of their pants, and they pride themselves on being witty, quick, and off-the-cuff. That's not my show. I wrote a show, and I want to do the show I wrote. I'm not interested in what the audience has to say.

I was a fan of the Marx Brothers. One of them had this character where he pretended not to be able to talk, but then he wrote this autobiography called 'Harpo Speaks!' He wrote about how he quit school at nine years old to become a professional.

Whenever I wrote fiction, people always seemed to think that what I wrote was true, that it was entirely autobiographical. And when I would write non-fiction, they often accused me of exaggeration and fictionalization.

I was a Teletype operator in the army, so that's where I learned to type. One day, I went downstairs to see if I could still type - I hadn't done it for four or five years after the war. So I typed out a page and I showed it to my wife and she said, "Where did you get this?" I said I wrote it. "You wrote this?" It was something very funny. I went and wrote another page, another couple of pages, and by the time I was finished I had 13 little short stories, humorous short stories.

I don't think I wrote my first song until I was 25. And then everything I wrote ended up becoming my first album. I put my music online, and from that, things just happened.

It's not a lot, but we have 8,000 people following us. I get the biggest kick out of it, to hear words that I wrote and chords that I wrote being sung by somebody else. It's a true honor, and it might sound intense, but it's one of the most rewarding parts of the songwriting experience.

Every song that we wrote for the first album made it. We didn't think about writing a bunch of songs and picking the best ones. We had to just make the best songs we ever wrote.

We just wrote songs that seemed good to us. We wrote the album in like two weeks. We could have had more time, but we accomplished what we needed to in the two weeks.

George wrote Taxman, and I played guitar on it. He wrote it in anger at finding out what the taxman did. He had never known before then what could happen to your money.

One wouldn't want to say that what makes a good writer is the number of books that the writer wrote because you could write a whole number of bad books. Books that don't work, mediocre books, or there's a whole bunch of people in the pulp tradition who have done that. They just wrote... and actually they didn't write a whole bunch of books, they just wrote one book many times.

I wrote a play before that and it never saw the light of day. And then I started working on this play and it came out really quickly. Eventually I got it, and I wrote a letter to Sarah Jessica Parker and she wanted to do it. So that's how it happened.

When I wrote 'Goose' I gave my assistant my password, she locked me out of Twitter, and I wrote the book in five weeks. Sometimes I fantasise about how wonderful life would be if I went offline, but I can't - because I really need affection and adoration from strangers!

We have this song called 'Radio,' and I wrote that song when we needed one more song for a record. So I went back into the other room and wrote it in 20 minutes.

Here is the difference between Dante, Milton, and me. They wrote about hell and never saw the place. I wrote about Chicago after looking the town over for years and years.

When Bernard [Leach] wrote his book, he wrote about the fact that even when pots are made in a series, there is a personality to each pot and that the person who made it reflects their personality into the clay.

Don't assume you're always going to be understood. I wrote in a column that one should put a cup of liquid in the cavity of a turkey when roasting it. Someone wrote me that 'the turkey tasted great, but the plastic cup melted.

When I was a kid, I wrote to the BBC, and the producers sent me a huge package through the post with 'Doctor Who' scripts. I'd never even seen a script and couldn't believe that they actually wrote this stuff down. It sort of opened a door.

My scripts, they're pretty serious. I basically just describe stuff. I don't put too many notes and letters to the editors. But when I wrote 'KGBLT,' in parentheses I wrote, 'Well this is the best thing I've ever written. It will all be downhill from here. I'm so sorry for the rest of my career.'

I wrote 'Show Me the Way' in the morning and wrote 'Baby, I Love Your Way' in the afternoon of the same day. I've been trying to figure out what I ate for breakfast that morning ever since!

But at the time when he wrote, Englishmen, with the rarest exceptions, wrote only in French or Latin; and when they began to write in English, a man of genius, to interpret and improve on him, was not found for a long time.

When I was in the Peace Corps I never made a phone call. I was in Central Africa; I didn't make a phone call for two years. I was in Uganda for another four years and I didn't make a phone call. So for six years I didn't make a phone call, but I wrote letters, I wrote short stories, I wrote books.

I write in the weirdest places. I wrote 'Girl on the Coast' in my car with the kids in the back and Eric driving. I just wrote the whole thing on my phone. I just typed out the lyrics.

One day I wrote her name upon the strand, But came the waves and washèd it away: Again I wrote it with a second hand, But came the tide, and made my pains his prey.

I wrote a film for Tom Hanks and I wrote two films for Paul Greengrass that didn't actually happen. The paradox is that the bigger the film you write, the less likely it is to happen.

The Long, Long Trailer (1954) actually happened and the man wrote a book about it. Father of the Bride, same thing; a banker wrote that who had never written anything else.

I feel like there's no subject that can't be sung about. I wrote a song dedicated to people with inflammatory bowel disease, and then I wrote about shoes. And mangoes. Every rock should be turned.

Men saw the stars at the edge of the sea They thought great thoughts about liberty Poets wrote down words that did fit Writers wrote books Thinkers thought about it.

The day Guy Clark passed away was the day we wrote 'Girl Goin' Nowhere.' It was the first day I had met Jeremy Bussey, who I wrote the song with.

I started off doing indie comics that I wrote and drew myself. I was doing those for ten years before I started to work for DC. The first book that I wrote for DC was for another artist. I did some backups in 'Adventure Comics' years ago starring The Atom. That's the first time that I ever wrote for another artist.

My favorite song that I wrote is 'Love Line.' This was my first song that I wrote lyrics for, and I really wanted to express the feeling when you're in love and hoping the other person feels the same way.

I grew up in Nagpur, and I first started enjoying the author Harishankar Parsai. He wrote mostly satire, essays on the current situation and social issues. He wrote many books and I think he was my first influence.

Freud wrote a book on the essence of humor, but he didn't know what he was talking about. Max Eastman wrote a book, The Enjoyment of Laughter, that was a much better book, but nobody bothered to read it.

When I started out, I was a television writer, and we wrote a television show that was on live every week. And you didn't have the luxury of coming in and waiting to be inspired. You came in and you had to write. And you wrote, because it was going to be live on the air. So I can do that.

'Homefront' was written by Sylvester Stallone. He actually wrote it for himself, which is, for me, an amazing privilege: To be handed a script by Sly that he wrote for himself, that he asked me to do.

Ron Moore. He was the guy that on our show and Deep Space Nine wrote the best Klingon episodes. He wrote great episodes in general but he wrote the best Klingon episodes. I always could tell when he was going to write a Klingon episode because he was able to grow a beard really quick and I’d see him with the beard, like a Worf-beard, and I go "Ah, Klingon episode coming up!" and he goes "Oh yeah."

What's funny about Jesus' Son is that I never even wrote that book, I just wrote it down. I would tell these stories and people would say, You should write these things down.

Everyone is so different. I sometimes wish I wrote in a different way. You know, that feeling of: So-and-so writes slowly, if only I wrote slowly.

When we were first writing 'Stranger Things,' the first thing we wrote was that Dungeons & Dragons scene. And we wrote it in about two minutes. It just poured out of us because it was so close to us.

Manual Lynn? Find out what that is. He wrote every single word in the play, and then everyone just rapped their parts. Imagine if like, Eminem wrote a play, that's what it sounded like to me.

When I was very little, say five or six, I became aware of the fact that people wrote books. Before that, I thought that God wrote books. I thought a book was a manifestation of nature, like a tree.

As a writer for six years, I wrote my own TV, which, I was the only person in the WWE that could probably honestly say, since day one in NXT, they wrote their own material.

I only wrote one diary to be read by others. I went on an exchange to France, working as an au pair, when I was 14 and in a battered red notebook I wrote my experiences for my father to read later.

When I wrote 'Marley & Me,' I had a clear audience in mind. And it did not include children. I wrote my book for adults and assumed only adults, and possibly teenagers, would be drawn to it.

I wrote 'Don't Look Back' in November 2011, and when I wrote the novel, it wasn't contracted, so there was a freedom in that - no expectations or anything like that. It was also my first contemporary novel I'd written and sold, which was to Disney/Hyperion in January of 2012.

A lot of women wrote to me. Some wrote me long letters on the meaning of the circle and about mythology and about motherhood and the significance or the symbolism of the mermaid and the frogs and the turtles.

The first spoken word poem I ever wrote was when I was 14 and I wrote it because I was accidentally signed up for a teen poetry slam. Because I loved poetry I said that I'd try it out.

My dad played a character on the radio called 'Parkyakarkus.' A Greek-dialect comedian. He did Friars' roasts and wrote material and made people laugh that way. But he wrote his own shows with other writers.

It'll never get old to hear a song that I wrote on the radio or to hear what someone experienced when they heard a song I wrote.

It's good to try stuff. I wrote a book that I threw away, and I think I just wrote it so I could try stuff in it and not be scared

I wrote that letter, and the one to Nixon. And I wrote more letters, and I thought it might be a magazine article. At that time I sent it to Esquire and Playboy, but anyway, I kept writing, and all of sudden I had enough and thought, well maybe it is a book.

I have been forgetting things for years - at least since I was in my 30s. I know this because I wrote something about it at the time; I have proof. Of course I can't remember exactly where I wrote about it or when, but I could probably hunt it up if I had to.

It's weird to me to even say, "I wrote this song." I never feel like I wrote it; I feel like I heard it.

You have two types of writers: one like Proust who was locked in his room and wrote the masterpiece. And the other type was Hemingway who celebrated life and also wrote a masterpiece.

'Pumped Up Kicks' is written from the perspective like Truman Capote wrote 'In Cold Blood' or Dostoevsky wrote 'Crime & Punishment.' It's psychologically breaking down someone's state of mind and diving in and walking in their shoes.

Everybody is different. Some writers can write reams of great books and then J. D. Salinger wrote just a few. Beethoven wrote nine symphonies. They were all phenomenal. Mozart wrote some 40 symphonies, and they were all phenomenal. That doesn't mean Beethoven was a lesser writer, it's just some guys are capable of more productivity, some guys take more time.

I was raised by muses. Women who had men in awe of them and who wrote them movies and wrote them music.

I think early on I avoided singing because it was so personal and I didn't know how to sit in that intimacy. I wrote songs when I was little and I wrote a journal, but I don't think I knew how to let that truth come out yet.