Top 737 Yankee Stadium Quotes & Sayings - Page 13

I always leave for the stadium on the second bus. Never the first. And I have to have new shoes - brand new shoes - for every game. Same with gloves. But I don't use my gloves in pregame, so the first football I catch with my new gloves each game is the first ball I catch in the game.

A good school is a relative concept, and the better schools are located in more expensive neighborhoods. But when everyone bids more for a house in a better school district, they succeed only in bidding up the prices of those houses. As before, 50 percent of all children will attend schools in the bottom half of the school quality distribution. As in the familiar stadium metaphor, all stand, hoping to get a better view, only to discover that no one sees better than if all had remained seated.

There is an idealism associated with poetry I would not dispel but question. It doesn't change anything except within. It shifts your insides around. Poetry is not going to reach the numbers of people by which we commonly consider a large audience. It just isn't a stadium-filler. It could still galvanize people during a crisis, but let's just say there are two points at which poetry is indispensable to people - at the point of love and the point of death. I'll second that emotion.

Heat radiated off Henry's face. Salty snot ran down his upper lip. A majestic fart propelled him to the top of Section 12, just at the springing of the stadium's curve. He slapped the sign as if high-fiving a teammate. It gave back a game shudder. He was crusing now, darkness be damned, stripping off his sweatshirt and his long underwear top without breaking stride.

High culture is nothing but a child of that European perversion called history, the obsession we have with going forward, with considering the sequence of generations a relay race in which everyone surpasses his predecessor, only to be surpassed by his successor. Without this relay race called history there would be no European art and what characterizes it: a longing for originality, a longing for change. Robespierre, Napoleon, Beethoven, Stalin, Picasso, they're all runners in the relay race, they all belong to the same stadium.

I was so mad I wasn't sitting at the stadium watching it [Prince' 2007 Super Bowl performance] in person. So when Prince came back to the box where I would have been after he performed, he said to my makeup artist, "Where's Stevie?" She said, "She's sick, and she was told by our manager that she would have to walk across the football field when the game was over in the mud and try to find a limo, so she made the decision that she couldn't do that." He was not happy that I wasn't there, and now today I'm not happy about it because I should have gone and I should have walked in that mud for him.

I get asked about the best games I've called, and as far as college football goes, the Florida-LSU environment was as good as I've ever been around. I had always heard about night games at Tiger Stadium and had never gotten the chance to call one. It was really special to be a part of that and then the game, my gosh, how can anybody ever forget that. The fourth quarter and LSU's final drive, that's something I'll always remember.

I don't like comparisons with football. Baseball is an entirely different game. You can watch a tight, well-played football game,but it isn't exciting if half the stadium is empty. The violence on the field must bounce off a lot of people. But you can go to a ball park on a quiet Tuesday afternoon with only a few thousand people in the place and thoroughly enjoy a one-sided game. Baseball has an aesthetic, intellectual appeal found in no other team sport.

The 16 years have gone so fast. I came to Minnesota as a 19-year-old kid. Marv Grissom was the pitching coach, an old-timer who taught me quite a bit. Marv didn't like the way I stepped toward the plate. I had a tendency to throw across my body. So, he took me off to the side at Met Stadium and put a chair on the mound. If I threw across my body, I would step on the chair. Marv was trying to hurt me. I fooled him. I started stepping the right way.

It meant a kind of real liberation of expression. It embraced amateurism in a way that I still am inspired by. It was not about trying to get, you know, stadium gigs or even commercial radio play or even record deals for that matter. It was about saying something 'cause you meant it, and expressing something that you felt. And that was primary for that - whatever the scene, whatever punk rock means, it was very, very important to me, very formative.

Under that light rain, beaming in the night game, can't stop now, keep moving, no brake pads. Came here to prove a point, live my life on the field, make history in between the base paths. And compete against the fear that is in me, that's my only barrier and I swear I'm going to break that. From the mud, the cleats that we dragged through the feet, this is that moment and you cannot take it back... This is what you make of it, yeah we play to win, live it like we're under the lights of the stadium. Fight, until the day that God decides to wave us in, right, until he waves us in.

Over the four years we have made massive progress: winning the League Championship (97/98); building the largest club stadium in the UK (60,000 seats); having the largest support (52,000 season book holders) of any club in Britain. This has been achieved by everyone who cares about Celtic working together towards a shared vision of football success and pride in a club which is part of our culture, open to all and a responsible member of the community working to help others where it can.

It's very enigmatic because of course, the population [of North Korea] has no contact with the world outside or it's very, very limited. They don't have any telephone connections, no radio, no TV, no movies, no newspapers - nothing from the outside world. This is very strange and there's the very strict, unifying government that forces you to be in step. You see it in the stadium where the spectators create, by flipping cards, an image of the dear leader, or of the volcano, and it's made of a 100,000 human pictures.

One of my fun road trips was [when] a group of guys and I rented a tour bus and we started in Orlando and drove all the way around the country going to baseball games. That was an awesome trip because each night we would go to a new baseball stadium, watch a baseball game, get in the bus, wake up [in] the next city, go to another baseball game. We did this for a little while and it was great. We called that trip the Rats on the Bus and it was a fun trip.

Every band should study Queen at Live Aid. If you really feel like that barrier is gone, you become Freddie Mercury. I consider him the greatest frontman of all time. Like, it's funny? You'd imagine that Freddie was more than human, but... You know how he controlled Wembley Stadium at Live Aid in 1985? He stood up there and did his vocal warm ups with the audience. Something that intimate, where they realize, 'Oh yeah, he's just a f***ing dude.'

Barbara Bush has her finger on the pulse of America. Im so glad shes back and more compassionate than ever, ... Thats right, of course people just sat around New Orleans, boring, uninspired, soulless New Orleans, and dreamed of someday relocating to the Astrodome. Oh, dear Lord, if only I could leave my unhappy existence and head on up to wonderful Houston and live with my friends side by side in a spacious football stadium, my life would be so much richer and complete.

But I hope to maintain my credibility after I stop playing. Because, yes of course, now I play and I score goals and children all over are mad about me. Not just poor children - all children. We can make them really happy by the way we play, though I have to say that it's the poor ones that I think of most, the ones who can't come and watch the games at the stadium. We mean so much to them. That's why I'm so committed to this work. Later, after you've stopped playing, it's harder to have the same impact. But I will give it a go. I want to continue doing this kind of work for ever.