Top 64 Yiddish Quotes & Sayings

The songs I love to sing are story songs, from Yiddish songs to Tom Waits.

It's self-effacing, it's hard-luck, the shtetl stories. All those Coasters things are an amalgam of Yiddish and black humor.

Yiddish for gall, nerve, arrogance-whatever

At age 11, I went to a Jewish school. I speak Yiddish. I'm Church of England Protestant. My father was Catholic, and my mother was Protestant. My wife is a Muslim.

The Yiddish language is so rich and unusual that I've always been hooked on its sounds, although I don't speak it.

One can find in the Yiddish tongue and in the Yiddish spirit expressions of pious joy, lust for life, longing for the Messiah, patience and deep appreciation of human individuality.

My dad knows every single accent from being an old Yiddish grandpa to being Indian or Jamaican. It was very cool to grow up with that.

There's not one Yiddish word that is not perfectly funny.

I am a fifth-generation American, but from a young age, I went to yeshiva. I spent 12 hours a day with rabbis, and I think in Yiddish. To this day, I have to go back and unravel my writing and polish it so everyone doesn't sound like an old Jewish woman.

English is an outrageous tangle of those derivations and other multifarious linguistic influences, from Yiddish to Shoshone, which has grown up around a gnarly core of chewy, clangorous yawps derived from ancestors who painted themselves blue to frighten their enemies.

The prejudice is still there, but it's breaking down. You have writers like Michael Chabon and The Yiddish Policemen's Union. He's a writer who's determined to break down genre barriers. He's done amazing things.

When I was a little boy, I thought when I grew up I would talk Yiddish. I thought little kids talked English, but when they became adults, they would talk Yiddish like the adults did. There would be no reason to talk English anymore, because we would have made it.

It is a fact that the classics of Yiddish literature are also the classics of the modern Hebrew literature.

In 2009, I edited, under the aegis of the Library of America, an anthology called 'Becoming Americans: Immigrants Tell Their Stories from Jamestown to Today.' It featured immigrants from different backgrounds, from black slaves like Phillis Wheatley to Yiddish-language speakers like Henry Roth.

The Yiddish mentality is not haughty. It does not take victory for granted. It does not demand and command but it muddles through, sneaks by, smuggles itself amidst the powers of destruction, knowing somewhere that God's plan for Creation is still at the very beginning.

I wrote my first book, I published it in 1955, it was in Yiddish and it was called And The World Was Silent.

My father was Mickey Katz, who worked with Spike Jones and then went on to improvise some successful Yiddish parodies, some of which I perform. My favorite was 'Geshray of the Vilde Kotchke,' his version of 'Cry of the Wild Goose.'

The one thing an audience always has in common with a comedian is troubles. The Yiddish word for that is tsuris. You're always putting your tsuris on stage whether you like it or not. No one is untroubled, unless they're just, you know, an imbecile.

Michael Chabon has long moved easily between the playful, heartfelt realism of novels like 'The Mysteries of Pittsburgh' and 'Wonder Boys' and his playful, heartfelt, more fantastical novels like 'The Amazing Adventures of Kavalier & Clay' and 'The Yiddish Policemen's Union.'

I never learned to speak Yiddish, ever.

There are nineteen words in Yiddish that convey gradations of disparagement, from a mild, fluttery helplessness to a state of downright, irreconcilable brutishness. All of them can be usefully employed to pinpoint the kind of individuals I write about.

What happens when you speak colloquial Hebrew is you switch between registers all the time. So in a typical sentence, three words are biblical, one word is Russian, and one word is Yiddish. This kind of connection between very high language and very low language is very natural, people use it all the time.

On a crowded bus in Israel, a mother was speaking to her son in Yiddish. An Israeli woman reprimanded her. "You should be speaking Hebrew. Why are you talking to him in Yiddish?" The mother answered, "I don't want he should forget he's a Jew."

In another project I worked on just a few years ago, a staging of Peter and the Wolf, which I translated into Yiddish and sang on a stage in New York City. Thank God very few people knew I was doing it! But the kids in the audience loved it - even though it was all in Yiddish.

Yiddish, originally, in Eastern Europe was considered the language of children, of the illiterate, of women. And 500 years later, by the 19th century, by the 18th century, writers realized that, in order to communicate with the masses, they could no longer write in Hebrew. They needed to write in Yiddish, the language of the population.

Yiddish is the voice of exile, the tongue of ghettos, but I'll shed a tear when it joins ancient Greek and dead Latin. For gossip and insult, you can't beat Yiddish.

Donald Trump did his usual softball interview on "Fox News" where the interviewer agreed with Trump that using that Yiddish vulgarity is going to be OK for him.

I am determined to give the Yiddish language a fighting chance to survive.

Romanian-Yiddish cooking has killed more Jews than Hitler

Well, you have children so you know: little children little troubles, big children, big troubles - it's a saying in Yiddish. Maybe the Chinese said it too.

Growing up in California, my best friend was Morris Rabinowitz and we often went to the Yiddish Theater.

Singing in Yiddish was a great thrill for me and came about through Joe Papp, the founder of The Public Theater.

I never publicise in advance what I'm going to be singing because I never quite know until I start. I often change my mind halfway through. I sometimes throw in stuff about politics or Shakespeare or do songs in Yiddish.

Well, I like how people talk. I like language. You know, Linda Richman spoke in Yiddish.

There's an expression in Yiddish, which is "der gelernte naar" - a "learned fool." You can know a great deal, you can have a Ph.D., and you can still be a total idiot.

On 'Curb Your Enthusiasm,' I remember that sometime in Season 3, there was a Yiddish phrase, 'Kinahura,' and a friend of mine who was Jewish said that the closed captioning said 'Can of Hurrah.' And I thought 'Oh, God.' I never had bothered to see the transcripts but from that point on all the transcripts had to come to me and I checked them.

When my father came out on stage wearing a big cowboy hat and a shirt lettered 'Bar Mitzvah Ranch' to sing 'Home on the Range' in Yiddish, it was his way of saying, 'I want to be an American.'

I'm Italian, but some people think I'm Jewish because I work the Yiddish. I also work the Italian, by the way.

Not now, for the last three thousand years, Hebrew has been penetrated and fertilized by ancient Semitic languages - by Aramaic, by Greek, by Latin, by Arabic, by Yiddish, by Latino, by German, by Russian, by English, I could go on and on. It's very much like English.

My dad was raised Orthodox in Atlanta. He speaks Hebrew. He speaks Yiddish. He married a Jewish woman who is not Orthodox, so I was brought up by two different kinds of Jews.

Growing up in South London, we went to a school where there were not that many Jewish kids. I love being Jewish in L.A.; it feels really normal. The culture seems to be integrated into Hollywood. Everyone uses Yiddish words like 'schlep' and 'schmooze.' That's what I love about New York, too.

My father who in this case was an obsessive life-long storyteller, and by a very peculiar trick of my father's. My father would tell a very, very long story, and the punch line would be in Yiddish.

The truth is that what the great religions preached, the Yiddish-speaking people of the ghettos practiced day in and day out. They were the people of The Book in the truest sense of the word. They knew of no greater joy than the study of man and human relations, which they called Torah, Talmud, Mussar, Cabala.

My sister and I used to act as maids and waitresses at my great aunt and uncle's cocktail parties, which were very much sort of retired, minor stars of the Yiddish theater and the Yiddish opera.

There is a quiet humor in Yiddish and a gratitude for every day of life, every crumb of success, each encounter of love... In a figurative way, Yiddish is the wise and humble language of us all, the idiom of a frightened and hopeful humanity.

I have another aspect of my career where I'm a scholar of Yiddish and Hebrew literature, and I'll say that when you study Yiddish literature, you know a whole lot about forgotten writers. Most of the books on my shelves were literally saved from the garbage. I am sort of very aware of what it means to be a forgotten artist in that sense.

I know very little about my great grandparents, who came through Ellis Island in the early twentieth century, settled in Baltimore, and spoke only Yiddish.

Yiddish has a down-to-earth quality that makes it remote from high-flown rhetoric, and it has a catch-as-catch-can charm derived from its stunning variety-of syntax, spelling, pronunciation, and vocabulary-from region to region.

In Yiddish, we say, 'Nisht ahin un nisht aher.' It's neither here, it's neither there. I get more nerves than on anything I do when I'm doing multi-camera. But single-camera, I love very much.

To me the Yiddish language and the conduct of those who spoke it are identical.

They always threw their arms around and hugged me while crying our Yiddish endearments. Yet none of them believed in God. They believed in social justice, good works, Israel, and Bette Midler. I was nearly thirty before I met a religious Jew.

I realised a long time ago that instrumental music speaks a lot more clearly than English, Spanish, Yiddish, Swahili, any other language. Pure melody goes outside time.

Vilnius was once known as 'The Jerusalem of Lithuania' because of the number of prayer houses and scholars there; in the first half of the 20th century, it became a center of Yiddish-language scholarship.

I abandoned my second novel completely. Writing 'Kavalier & Clay,' I had several moments of utter collapse. Same with 'The Yiddish Policemen's Union.'

The Jewish people have been in exile for 2,000 years; they have lived in hundreds of countries, spoken hundreds of languages and still they kept their old language, Hebrew. They kept their Aramaic, later their Yiddish; they kept their books; they kept their faith.

Even though I loved the song [My Yiddish Momme] and it was a sensational hit every time I sang it, I was always careful to use it only when I knew the majority of the house would understand Yiddish. However, you didn't have to be a Jew to be moved by 'My Yiddish Momme.' 'Mother' in any language means the same thing.

I did not grow up singing Yiddish.

A Jewish deli should specialize in, first and foremost, Yiddish foods, the foods of the Eastern European Ashkenazi Jews. So, if it's a place that specializes in pizza or chicken wings or diner food and then does a corned beef sandwich on the side, it's not a Jewish delicatessen.

I heard Yiddish when my father's family came to the house, which was as seldom as my mother could arrange it.

Brandeis is so fast and loose and informal, I didn't have any problem offering a history course as a biologist. The barriers would be far more formidable, unscalable, at other institutions. But this is a user-friendly place. It's 'Shmedrik University' - that's a Yiddish word for even worse than schlemiel.