Top 1200 You Got Me Quotes & Sayings - Page 20

I was a very interested arts student, I was always into that part of school and when I got into high school I went into architectural drafting. It gave me an understanding of how to build things and it’s really helped me put things in perspective. With my music and my movies, to me it’s all art.

So you walk up to this man sinner and you say, "God loves you and He has a wonderful plan for your life!" and he goes, "What? God loves me? That's fantastic. I LOVE ME, TOO! And He loves me more than I love me? Well, that's hard to imagine. I'll take a God like that. You got two of them?"

The moment my doctor told me, I went silent. My mum and dad were with me, then we all went to pieces. I was saying, No, I've got my flight to Sydney in two hours. I'm getting on a plane.

I've been hooked on films ever since I can remember renting VHS tapes. But who got me hooked? I think life did. There wasn't a person or a mentor that got me hooked. I think it was the films themselves that influenced me. A specific memory that comes to mind is watching 'Goodfellas' when I was 12 and thought Robert De Niro looked so cool sitting at the bar smoking a cigarette and contemplating his next "move". I actually would copy his faces gestures and try and get into his mind frame. I would borrow mad dad's clothes and pretend I was a Mobster. So I guess I have to thank Robert DeNiro.

The aim has got to be to maximize the opportunities for prisoners, having got themselves clean and got themselves some training, to have the best possible chance of going straight when they come out.

I h a v e a l l t h a t I r e q u e s t e d and I do not want what I haven`t got. I have learned this from my mother ; see how happy she has made me. I will take this road much further though I know not where it takes me.

I worked for everything that I got and I worked long and hard before I got to this point so when I got it I thought I deserve it.

I grew up on DC Comics, moral tales where the bad guys got their comeuppance. To me the gory panels or grotesque stuff just made me chuckle.

Every week for me was the same audience, and every week they heckled me. The better I got at comedy, the better the audience was at heckling me. But it helped me with my joke writing.

More and more, leadership, whether it's profit or nonprofit, is about recruiting and keeping talented people. That's the biggest challenge. Yes, you've got to create systems that will enable people easily to innovate continuously; you've got to be a system-builder. But finding and keeping geeks and shrinks is the biggest challenge. That means leaders have got to be salespeople, they've got to be recruiters, and they've got to be actively able to understand and keep the talent they have. Leadership is courtship. That's what it's becoming.

I've got one of those over-stuffed leather chairs from the Pottery Barn. It faces north. I live in San Francisco, so there's the Golden Gate Bridge off to the left, and there's Alcatraz off to the right, and I've got a pile of pulp fiction next to me, and there's usually a decent bottle of red wine next to the fireplace.

But I reckon I got to light out for the Territory ahead of therest, because Aunt Sally she's going to adopt me and sivilize me, and I can't stand it. I been there before.

My father was a doctor, and I admired him and got along well with him. He took me with him on house calls. We were living in Flushing, which was then a sleepy village of 25,000 - before the subway got there. I've been sure I wanted to be a doctor since I was about 12.

I'll (Phil Rizzuto) never forget September 6, 1950. I got a letter threatening me, Hank Bauer, Yogi Berra and Johnny Mize. It said if I showed up in uniform against the Red Sox I'd be shot. I turned the letter over to the FBI and told my manager Casey Stengel about it. You know what Casey did? He gave me a different uniform and gave mine to Billy Martin. Can you imagine that! Guess Casey thought it'd be better if Billy got shot.

I got to travel around Anbar Province, had a great group of Marines who worked for me who traveled around Anbar Province. I got to hang out with a lot of different types of Marines and soldiers and sailors.

I've got to be more than just good. I've got to be more than just great. I've got to be elite, and I've got to be that type of guy they can count on.

In the cross-over, you get to a point where you realize that you've got all this genetic inheritance, and you've got all this social conditioning, but there is a point where you do have to make a choice, and that's the optimist in me: you have the freedom to make a choice about how you are going to be, and what you're going to do.

When I was around eleven or twelve, my board got hung up on the top of a bowl, and I got a concussion, and I knocked my teeth out. That was the first time that I got seriously injured, and I was taken to the hospital in an ambulance, and my parents briefly doubted.

When God saved me, He gave me a thirst to learn and to read and to study. I thrived in college. I got a bachelor's degree in philosophy and then went to Reformed Theological Seminary in Orlando.

Well, when you think of Dale Earnhardt, you think of determination. You think of grit. Just a blue-collar, working-class guy that got out there and fought for the checkered flag and fought hard for it. And I got so much out of him. He inspired me.

'CSI's been a great blessing for me. It's been a platform that's allowed me to go around the country and the world, really, and speak on issues of disability, but I've never - I'm a professional actor, so I studied for years; I do theater. I never want to disrespect what got me here.

I've always been a rebel and it's got me in trouble sometimes, and probably kept me poor. And then again, maybe not, because I might not have the two daughters that I have, you know. And we're all so close now.

Danny DeVito later told me that he knew he wanted me for 'Matilda' the second I walked in the door. I'm not sure if this is true, or if he was just being nice, but I was thrilled when I got it.

I got this Jesus tattoo on my wrist when I was 18 because I know that it's always going to be a part of me. When I'm playing, it's staring right back at me, saying, 'Remember where you came from.'

Before I got big, I was playing point guard, so I'm kinda like a pass-first person. Some people tell me I should be more selfish, but that's not me.

I been trying to clean up my act with my children for a long time. And I pretty much got them all talking to me now. And they accept me as a humanoid again.

I was a very interested arts student, I was always into that part of school and when I got into high school I went into architectural drafting. It gave me an understanding of how to build things and it's really helped me put things in perspective. With my music and my movies, to me it's all art.

My uncle was the first one in my family to get a telephone. It was like going to the moon. He came running over to tell us, and we were so proud. A telephone! We didn't have to go to the candy store to phone any more. We went around telling everyone. But we didn't hear from my uncle for three days, so my father got worried. He said, Let's go over there. We got there, and my uncle was very depressed. I asked, What's the matter? He said, I got a telephone and nobody called me. He didn't give his number out - he didn't know that you had to!

God had always been beckoning me. Early on as a kid, I just felt a strange and close connection with the Divine and then later on it became a more personal thing through my Christian witnesses, people in my life who got a chance to talk to me, bring me to the knowledge of Jesus.

When it comes to classic Disney, I've got it in my DNA. I mean, the guy who trained me, the man who mentored me when I first came to the Studio was Eric Larson, one of Walt's Nine Old Men.

We've got people that are paying premiums of $1,000 a month out there, and then they've got a deductible of $1,000. If you're making $40,000, $50,000, $60,000 out there and you've got an Obamacare plan, by and large you've got an insurance card, but you don't have any care because you can't afford the deductible.

I feel like somebody just punched me in the stomach and knocked all my wind out. I'm only 30 years old and I want to have a chance to continue creating things. I know I've got at least one more great computer in me. And Apple is not going to give me a chance to do that.

That got thrown out of court are what got me thrown out of school.

I think sometimes there are films where I understand what they are about, but there are also some mysterious areas in the film where I haven't got the whole image and I haven't got everything. And then it stays much longer with me, because I have to somehow put myself much more into the film to get it. And so this is what I'm trying to do with my films.

[Amy Sedaris] is awesome to work with. She's an amazing person. She makes her own line of catnip toys, and she gave me a bunch for my cat. It meant the world to me. She also got me stuff for my daughter, but I was more enamored with what she gave me for my cat.

I think that the pivotal point of me in terms of the choral stuff is that I was involved in this provincial choir at 16 or 17. We went and played in churches and convention centres. The music we got to do was so inspiring for me.

When I was a kid, probably 16 or 17, I got spotted by a model scout that wanted to represent me, and they sent me one modeling job, for Wall's ice cream. I did one job for them, and then a catwalk shoot for Kangol caps, and decided modeling was not for me.

I was living in Knoxville, Tennessee, and I didn't really know how you would become a singer. I didn't even think that I could do it. I didn't even dream about it. But when I was 12, it was that year where I got tall, boys got cute, everything was weird. Then my parents split up on top of that, so it was a big year of change for me.

No one guided me through it, but here is how it happened: I was in New York doing a play, and an agent got in touch with me and said he wanted to take me out for lunch. In the theatre, they never want to take you out for lunch, so I thought, 'Yes!' I went, I ordered steak, and he told me he thought I should write for TV.

I don't think I ever saw Hank with anybody, say, 'Let's go write a song.' One Sunday morning we left Nashville to go to Birmingham to do a matinee and a night, and he said, 'Hand me that tablet up there.' And he wrote down, 'Hey, good lookin', what you got cookin'' and before we got to Birmingham it was finished.

Al McGuire talked to me I don't know how many times about dealing with the press: "You've got to be a con man." I tried that for a day or so, but it never really worked for me.

I got hundreds of emails insulting me, accusing me of being some caveman. I am by no means a Luddite. I have two iPods. I have a cell phone. I have cable TV, HDTV!

The definition of success, for me, was to have my family involved in everything that I did. But that got stripped away from me due to a very ugly divorce between my parents, who are also simultaneously my managers.

Everybody's got something to tell you. And most people have told me to do the obvious thing as far as my career goes. Which would have sent me tottering into the abyss.

When I was a freshman in high school, my drama teacher, an incredible, inspirational genius, the guy who got me into acting, he encouraged me to get the lead in a musical. They didn't have any guys.

I never knew I was a songwriter. I didn't even know I was a singer. My parents just got me a guitar 'cause my uncle told them to get me one, and I started fooling with it.

You got to want to evolve. It's something you can practice on but it just came to me. I wasn't really sitting there like, 'What can I do to get better?' It just came to me, talking to my people and my crew. They just tell me what my strongest and weakest points are at.

I think companies psych themselves out and say, 'Now that we're public, we've got to get all stuffy. We've got to be a certain way,' and the entrepreneurial spirit dies. What you got to keep alive is the intimacy, the energy, this crazed sense of purpose.

You might have more talent than me, you might be smarter than me, you might be sexier than me, you might be all of those things you got it on me in nine categories. But if we get on the treadmill together, there are two things: You're getting off first, or I'm going to die. It's really that simple, right?

No doubt, you've got a parliament now - I mean, Malcolm Turnbull says he'll work with the parliament he's got. He's got a parliament where a majority of the members of parliament want that law to be changed. He's got a parliament where there's a majority in each House who have publicly said they want to have a Royal Commission into banks.

What's interesting is that you've got a lot of overlap between supporters of different parties and different candidates who feel regardless of who's been in power, the rich have got richer and half the country's got poorer.

I don't know Putin. He said nice things about me. If we got along well, that would be good. If Russia and the United States got along well and went after ISIS, that would be good.

If you love large, you've got to hurt large. If you've got a lot of light, you've probably got an equal amount of darkness.

I auditioned for a solo in church and got it. I was about seven and I sang a song called, 'Jesus, I Heard You Had a Big House' and I remember people standing up at the end and me thinking, 'Oh, I think I'm going to like this.' That's how it all began. Sounds funny to say you got your start in church, but I did.

I should write a musical. That is probably one of the final areas that I should pay attention to, because it does kind of involve everything. It's got theatre, it's got young, pretty people... And it's got money!

I remember I didn't know who Jason Williams was, and he got drafted ahead of me. It was just weird. I thought I'd be in the top five, and I slipped all the way to 10, so it was a strange night for me.

It was my love for the guitar that first got me into music and singing. Growing up, I was inspired by The Beatles and Bob Dylan. Damian Rice was a huge influence for me musically.

I got sick and tired of hearing bands that didn't mean anything to me. I mean, there are some bands out there that are good, but if you want to hear stuff you want to hear, you got to do it yourself.

I quit my band in New York City in 1969 and I got really angry at them. I got angry at one of my guitar players and I dove over the drum set and we got into a fight.

What I've learned, traveling the country and doing book signings, Mama's biscuits - you know, somebody in Montana's got their version of Mama's biscuits, somebody in California's got their version - so it made me realize that we're not as regionalized as we think we are.