Top 1200 You Think You Know Quotes & Sayings - Page 17

I think I definitely enjoy recording, but I think it's more fun to go out and perform live, because it's like instant gratification, you know? You feel the response immediately.

I think that the nightmares are telling me things about myself that I need to know. And I try to understand what they mean, so I can get to know something more about my soul.

Electronic music was just discovery about sound, all our sound options. The core percussions and melodies, they forget about it, they didn't think about those those for a good four, five years, because they were just discovering the new tools and what they could do with them, you know? The big folk revival, I think is a backlash against that. And now, I think they'll probably try to find somewhere in the middle. It's interesting. It's like push-and-pull. It's always like that, you know? Music history is always like that, this repeating evolution of music.

I realized that if I went snowboarding, you can't think of anything else when you're snowboarding. You can't hesitate or think about anything other than not falling off and breaking your neck. If you want a holiday where you're not gonna think about work and you're not gonna think about anything, snowboarding is the best way to do it. Or skiing, I guess. I don't ski, so I don't know.

I think that's something that Oprah [Winfrey] and Ava [ DuVernay] do seamlessly. They know how to connect to people and they know how to share our stories. To be a part of that is a blessing.

I think initially, our audiences were filled with young men. You know, our initial audience was a lot of young guys who I think were trying to - who you played a bit of a big brother role for and were trying to sort out a lot of the same things right - soon as "Born To Run" hit, you know? So it was something that I worked pretty hard on.

I think time travel is really tricky. But if there's a logic and a complete and well-thought-through paradigm for it, I think it can be really interesting. Some of my favorite time-travel movies just make me think and, you know, the 'what if' question becomes a big one.

I tend not to think that anything I happen to be reporting on in my films is special. Meaning that people are always saying to me, 'you must love New York, you have it in all your films.' But mostly it's because I know New York, and I know Brooklyn at this time. I know the lives there, because I have lived in them.

I know women that act queeny, I know men that are straight that act queeny, and I know gay men that act queeny... To me, those are people who think the rules don't apply to them.

Not everyone wants to know everything their partner did. Maybe it's enough to say, "Things aren't going well in our marriage. I've made mistakes. I don't think you've been a good partner to me. How do we go forward together?" I think there's a different answer for every couple. But I think intimacy is asking that question.

I think Francis at half form is better than anybody else by 50%, you know? I think it's just that he has never... he has a late pick of the things that are ambitious enough for him.

What do you think it is to be normal?' Why in the world would you want to be?' she says. I don't know. I guess that's the problem.' I don't think normal is that great.' But so many people choose it,' I reply. I don't think that's it at all. I think most everyone is normal and some of us, for whatever reason, choose to reject that and wear ruby red slippers or old black hats.' Well, why do we choose the hard road?

I think the car world can be quite intimidating sometimes. If people don't know too much about cars they often don't feel welcome - and that's a shame and I don't think that should be the case.

Poets tend to form loose groups - the "Romantics" or the "Imagists". And sometimes they write manifestoes in the name of these groups. This can be good. It forces the poet and the audience to think. But it can also be dangerous. It can turn into a branding device so that potential readers believe they know all they need to know once they know you've been associated with a certain group or position. It can freeze things in place. That's where thinking stops.

I do not need to know all things. I remind myself that it is sufficient that I know what I know and know that without believing that I will always know what I know or that what I know will always be true.

Now go back and meet all those people who you think know everything. Convince yourself that they're right, because we all know everything, it's merely a question of believing.

I think the opportunities are all over the place - around your corner or in more exotic locales. But everyone finding their own interest - sometimes it's hard to know what you're interested in, I think.

Do you know, we're right underneath Springtime Parish? This place is the opposite of springtime. Everything past prime, boarded up for the season. Just above us, the light shines golden on daffodils full of rainwine and heartgrass and a terrible, wicked, sad girl I can't get back to. I don't even know if I want to. Do I want to be her again? Or do I want to be free? I come here to think about that. To be near her and consider it. I think I shall never be free. I think I traded my freedom for a better story. It was a better story, even if the ending needed work.

I was a basket case, you know? When I got mad, I threw clubs, you know? And if things weren't going well, I would walk off a course. I think I lost a little bit of respect, but hopefully I've gained that back.

I think the world is always improving and always not improving. I think that both are simultaneously happening all the time. I don't think it's one motion unfortunately - I wish we could say it's better, better, better - but I think it's better, bad, better, bad - you know?

With confidence, I think anyone can get a dress and make it their own. I don't think you should have it off the runway and wear it like they want you to wear it. You know, with their hair and makeup - their woman. I just think it's boring. You have to make it your own. That's what fashion is all about.

Every morning when I wake up I think about you. Before going to bed you still linger on my mind. If there was any better way of letting you know exactly how I feel, you would know that I'm so in love with you.

I think being an outsider in general always helps you in comedy. I think it helps to have an outsider's eye. And so I have an outsider's voice. You know, as soon as I start talking, I don't belong here. And I think that helps in a way.

Men don't know much about women. We do know when they're happy. We know when they're crying, and we know when they're pissed off. We just don't know in what order these are gonna come at us.

I've had so many people say stuff to me. I meet them, have a chat for five minutes and they think they can say what they like. I used to laugh it off, but now I think 'why do you think you can say that to me? You don't know me.'

When you build a big empire, you become the persona that people think they know. So when you try to show them who you are, to help them discover you, they just want what they think they know about you. I would have been smarter to build some relationships when I was younger, a private love or something. Today it is more difficult. But it's the price to pay. I never regret anything, because every choice I made for a reason, but I'd love personal love.

You know, after filming the movie the book was still just as big. I think it was actually bigger. I think Stephen King went back and wrote extra pages. He's fantastic.

When I was younger, I was kind of fearless. I think it takes more courage to do things when you know more. I was completely naive, and I was like, why can't I do anything I want to do? You know, go for it.

I mean, I try to show my guts and everything, you know, good energy on the court. But I think it's most important, you know, shouldn't be too many up and downs, especially downs.

So, you know, when I think of survival as a creative act, it's not trying to plaster over the isolation or to, you know, rewrite your predicament into something positive with a happy ending or some kind of neat resolution. It's writing into the unknown.

After being at the top, I don't think I could play senior tournaments, because you know how good you were. I don't know if I would enjoy that, being half of what I was.

I know Seth Rollins is a CrossFit guy. I just think back to my days, and I don't know how I could have done CrossFit training and then wrestled that night.

I don't think we know who a lot of these athletes are. We think we do, but they're never allowed to be themselves. Because the minute they try, people are saying, What's wrong with him? Why is he drawing attention to himself?

Well, I think any time you delve into this sort of religion, politics, as you well know, you're going to, you know, touch a few nerves. I wasn't - now - and this is the honest truth.

Revival occurs as a group of people who, on the whole, think they already know the gospel discover they do not really or fully know it, and by embracing the gospel they cross over into living faith.

This is going to sound strange, but I really didn't think I would pass 30. I don't know why or whatever, I just didn't. That's a very weird thing to say, I'm sorry. I don't know. Maybe it's because I was drinking so much as a youth.

There are three reasons for becoming a writer: the first is that you need the money; the second that you have something to say that you think the world should know; the third is that you can't think what to do with the long winter evenings.

I don't get described as necessarily being aggressive. I don't know if 'laid-back' is the word. I think, if anything, what I would want people to say about me is, 'I think he had guts.'

Washington politicians think that government can make better decisions than you and me. But we know better. We know it's smaller, less intrusive government that will lead to real economic prosperity. We know it's business-friendly policies, not more red tape, that will create real growth.

I know that doesn't sound very radical and webby of me to say that but I think the New York Times is important. I also think there's an occasional piece that will pop out.

I think that's a universal theme, you know: we don't know who we're going to meet tomorrow. And that person might change your life entirely. There's always that possibility, and while you're not necessarily actively seeking it, you have that desire deep down.

I think Rihanna is very interesting. But those people, the singers especially, know how to handle themselves because they're in the limelight. That's why it has grown into something where the model has stepped back - and I don't know if it's coming forward again.

No matter how solid or structured or set you think you are, there is, you know, a very thin line keeping us all from sort of chaos, in some perspective. And you know, I don't view that really as a negative thing at all, but it just is the truth.

I find things funny that aren't self-aware. That don't know they're funny, and I think the same can hold true for drama. If you think you're in this tragedy and you play it for tragedy, there's a self-awareness there that I think takes you out of watching it and I believe it cuts both ways.

I'm not an advocate of true rhymes, I don't think. I think that everyone who writes musical theater needs to know how to do true rhymes, because that's the tradition of it, but I do think that in order for the art form to grow, it's important to not let tradition get in the way of innovation.

I knew very little about Rugby. But, I think it helps in terms of an American audience the game is enough like football in that it's a battle for field position and you score by running into what looks a lot like an end zone. I think in terms the nuance of the game, Americans won't get that stuff. I think in terms of the peanut butter and jelly version of what you need to know, I think it's pretty clear.

"Cammie!" I'll never forget the tone of Macey's voice in that moment. "Cam," she said slowly, moving toward me, "I know how it feels to be watched every second of every day. I know what it's like to trust fewer and fewer people until it seems like you are completely alone in the world. I know you think the only things that are left in your life are the bad things. I know what you're feeling, Cam." Her hands were on my shoulders. Her blue eyes were staring into mine. "I know."

I think the notion of traditional anchor is fading away - the all-knowing, all-seeing person who speaks from on high. I don't think the audience really buys that anymore. As a viewer, I know I don't buy it.

I don't think it's about playing and singing, to be honest. That seems like old news, you know? I wasn't thinking about that. I just think that's in my body now. Dancers don't think about their legs moving one way and their arms moving another. Over time, you incorporate that into your instrument.

But I know what's important to me, and what isn't. And I think I know what people can get used to, and what they can even learn to like. (It just takes some people longer than others. :-)

We have been listening year after year to [white people] and what have we got? We are not even allowed to think for ourselves. "I know what is best for you," but they don't know what is best for us! It is time now to let them know what they owe us, and they owe us a great deal.

I think I've developed a sort of ADD for geography now. When I've been in a country for too long, I'm like, 'I think it's time to leave.' I don't know what that's going to do to me in later life.

Love is active penetration of the other person, in which my desire to know is stilled by union. In the act of fusion I know you, I know myself, I know everybody - and I "know" nothing.

People who don't know that I do comedy think I'm shy, kind of a dud, and I don't have the wherewithal to prove them wrong. It takes me a long time to get to know people.

I don't think I'm soft. I don't think my teammates think I'm soft. I don't know where that comes from, but... whatever.

One of the things about Herman Cain is, I think that he makes that white Republican base of the party feel okay, feel like they are not racist because they can like this guy. I think he giving that base a free pass. And I think they like him because they think he's a black man who knows his place. And I know that's harsh, but that's how it sure seems to me.

Success has a lot of things that go along with it and I haven't experienced any personal resentment. I can't control any of that and I try not to worry about it. I hope that's not the case, you know. Most of the writers that I know and artists that I know understand what was going on. I think there's just as many things going on in the awards process that have to do with the show having won a few times.

When I go to see people, I always kind of hope they are going to play some kind of songs I know. So you've got to know your audience. It's kind of something that is a blessing and a curse in a way. You're obligated to play some of that stuff that people know, but I don't think that's all you have to do.

I think what he's - what he believes, and he may be correct, I don't know, that we have some intelligence information that leads us to know some things about what's going on in Iraq that we haven't revealed to others.

I don't even know why, but I've just always done it - I don't walk on handicapped parking spaces. I don't like to step on the blue lines. I always step over them. I don't know what the deal is. I don't know if it's a fear of injury, or a disrespectful thing, or if I just don't want to think about something like that happening.