Top 1200 Young Adult Quotes & Sayings - Page 5

A working definition of fathering might be this: fathering is the act of guiding a child to behave in ways that lead to the child's becoming a secure child in full, thus increasing his or her chances of being happy and fruitful as a young adult.

I believe in national service, I believe that every young adult citizen should do two years of national service. Not necessarily to be deployed, but to understand teamwork, responsibility and mixing with different people.

You're going to get different kinds of animation for different kinds of audiences. Traditionally, adult animation has been for the young male audience. There's no reason why that should be.

A working definition of fathering might be this: fathering is the act of guiding a child to behave in ways that lead to the childs becoming a secure child in full, thus increasing his or her chances of being happy and fruitful as a young adult.

When I was growing up, if there was a Young Adult section of my town's library, I missed it. I wandered right from 'The Babysitter's Club' over to Stephen King. His books were big and fat and they seemed important. I eventually worked my way through most of the shelf, but 'It' is the one that stuck with me.

Lars von Trier makes funny, radical movies, some packing power. But, he's not a provocateur. He's making adult movies for an adult audience. Pasolini, too. Fassbinder, too.

Although I sometimes enjoy writing from an adult's perspective, I feel dedicated to the coming of age story - that part of a young person's life where he must make a decision that will change his life forever. I still remember what it's like to be twelve years old.

I wondered if that was true: if they were all really children wrapped up in adult bodies, like children's books hidden in the middle of dull, long adult books, the kind with no pictures or conversations.

I think that books for young people should have serious and important themes, they shouldn't be trivial. So the books I write, they would be the kind of stories you would write in an adult novel only they just happen to feature a child at the center of them.

If I sit down to write a young-adult novel, then I'm going to write either to the punch-pulling expectation of what I can't do, or I'm going to go the other way and think about what can I sneak in to be 'down with the kids' - which would be excruciating.

I bet if you look at the average teenager and the average adult, the average teenager has read more books in the last year than the average adult. Now of course the adult would be all like, 'I'm busy, I got a job, I got stuff to do.' WHATEVER! READ! I mean, you're watching CSI: Miami. Why would you be watching CSI: Miami, when you could be READING CSI: Miami, the novelization?

I didn't want my parents to know about 4chan at first because of the adult content. By the time I was 18 and could talk about it, the site had become notorious for its exploits and the adult content on there.

There is a saying: 'The child is parent to the adult', which means whatever happens to you as a child or teenager affects the adult you become. You are forged in your history. And fiction is an incredibly important force in shaping children, and that's why fiction needs to be diverse.

As far I'm concerned, being an adult is way more fun than being a kid. But then I was a kid who wanted to be an adult. I'd watch shows like 'Bewitched' and see Darren come home and mix a martini and I'd go, 'That looks awesome! I want to do that!'

Having grown up Catholic, my prayers were scripted - memorized and deployed in church and before bed. As a young adult, I veered off script and talked to God more plainly. And by 'talked to,' I mean that I basically asked for things to turn out the way I wanted them to.

So many of us have abdicated our passions for obligations, as if passion is a luxury for the young, and we must all grow up one day. We, even if reluctantly, fall into place to live a life of conformity that we describe as ‘maturity.’ We’ve made acting like an adult synonymous with living apathetic lives.

I feel like a young adult. In high school I never felt like my professional life and my personal life were at odds, because Rookie felt like the bridge.

A lot of people are doing television now. Great, legendary actors are doing movies on cable and stuff now, and you can't blame them, because they're still doing adult dramas and adult comedies on those stations.

I love Turner Network television; I love Adult Swim. That's actually how I got my start on Cartoon Network was through Adult Swim, originally. I had a special appearance on 'Aqua Teen Hunger Force!'

Writing for children, you do bear a responsibility to not include overt or graphic adult content that they are not ready for and don't need, or to address adult concepts or themes from an oblique angle or a child's limited viewpoint, with appropriate context, without being graphic or distressing.

I've always lived a life where what you see if what you get. I've never wanted to live two different lifestyles. The initial transition for me was perhaps the most difficult. It wasn't easy communicating what I believed and what my values were. Establishing that as a young adult was interesting. I was 20 years old when I got saved.

Every adult should be able to make as many effective decisions without fear or favor about as many aspects of her or his life as is compatible with the like freedom of every other adult. That belief is the original and only defensible meaning of liberalism.

There's nothing more adult than being ripped away from friends and family, you know? Having to manage a life when you're not fully there, manage a life when you don't make a lot of money. It's very adult.

Readers have always read high and low, and to fight that urge is to fight the freedom inherent in the act of reading itself. The only arguments that have any traction, as best as I can see it, are about whether the genre classification of 'young adult' should exist at all.

When you were young, you thought time was a burden, something to be discharged as fast as possible so you could be grown-up. But it was such a bait-n-switch – when you were an adult, you came to realize that minutes and hours were the single most precious thing you had.

When I started in the business, there was a thing called adult fantasy, but nobody quite knew what it was, and most publishers didn't have an adult fantasy list. They had science fiction lists, which they stuck a little bit of fantasy into.

I usually give a book 40 pages. If it doesn't grab me by then, adios. With young adult books, you can usually tell by Page 4 if it's worth the time. The author establishes the conflict early, sometimes in the first sentence. The themes of hope, family, friendship and overcoming hardship appeal to most everyone.

I always loved the work. As soon as I finished a movie, the most exciting thing to do was to try to jump into the next one. How I feel about it is that I learned a lot, so I'm grateful that I learned so much, at such a young age, rather than in my more adult professional career.

Rearing a family is probably the most difficult job in the world. It resembles two business firms merging their respective resources to make a single product. All the potential headaches of that operation are present when an adult male and an adult female join to steer a child from infancy to adulthood.

It seemed to me that every adult did something terrible sooner or later. And every child, I thought, sooner or later becomes an adult.

'Harry Potter' opened so many doors for young adult literature. It really did convince the publishing industry that writing for children was a viable enterprise. And it also convinced a lot of people that kids will read if we give them books that they care about and love.

Young people are often asked, 'What do you want to be when you grow up?' and given advice about how to lead meaningful adult lives, but where's the encouragement to lead meaningful lives right now?

I am occasionally enraptured by Western landscape. But I don't identify that state of mind as having to do with my own origins, having grown up in the West, although I certainly crisscrossed Nevada countless times growing up, and then as a young adult, in cars and on motorcycles.

I am a young adult author, and so are quite a few of my friends. We all write books for the same demographic; many of us are even published by the same publishing house. Two of us, in fact, share the same editor.

As a teenager and a young adult, I never felt like my own story was interesting enough to tell, so I always wrote lyrics from someone else's perspective - told someone else's story.

When we talk about dystopias, especially in young adult fiction, a lot of them are essentially science fictional futures. They aren't necessarily tied to the traditional concept of dystopia. And so in that space, my impression is that kids love reading about weird, wild, adventurous places, and dystopia fits that bill.

If you treat a sick child as an adult and a sick adult as a child, it usually works out pretty well.

My interests lie in nurturing children. That's part of the reason why the bullying thing has become an aspect of my life. I was bullied a lot growing up. I know firsthand the amount of life that is sucked out of you every time that happens, and how it affected me as a young adult.

I do believe young people should be obligated to try different types of music - that is what education is. But once you're in a situation as an adult, it doesn't benefit anybody - at least in my experience - to force music on people that they don't like or do not have an interest in - whether it's three-hundred years old or newly written.

One of the biggest challenges of writing for middle-grade or even young-adult readers is that I don't want to have too much violence in it - which really limits what you can do. It's important that they're not just bloodbaths or glorifying violence. I always try to show that a person who dies leaves a hole. There's grief in my books.

New York, it was an adult portion. It was an adult dose. So it took a couple of trips to get into it. You just go in the first time and you get your ass kicked and you take off. As soon as it heals up, you come back and you try it again. Eventually, you fall right in love with it.

High school is a really strange time - you're not a kid, you're not an adult. You're about to be an adult, you're going to have to make some really intense decisions. It's a really pivotal time to have as much self-confidence as you possibly can. Even if that means you have one friend who supports you completely.

Adult women, all of us, have to come to grips with how we have been affected by gender norms, and how we have been silenced. We have to help our daughters. Understanding it within ourselves and helping our young girls stand up for themselves is one way.

All the old school Young Adult novels inspired me. I grew up reading R.L. Stine, Christopher Pike, Richie Cusick, and so on. I loved how you never really knew who the 'bad guys' were in their works, and I wanted to capture that feeling with 'Don't Look Back.'

I see now that dismissing YA books because you're not a young adult is a little bit like refusing to watch thrillers on the grounds that you're not a policeman or a dangerous criminal, and as a consequence, I've discovered a previously ignored room at the back of the bookstore that's filled with masterpieces I've never heard of.

As has been well documented, I smoked pot as a kid, and I view it as a bad habit and a vice, not very different from the cigarettes that I smoked as a young person up through a big chunk of my adult life. I don't think it is more dangerous than alcohol.

I think anorexia is a metaphor. It is a young woman's statement that she will become what the culture asks of its women, which is that they be thin and nonthreatening. Anorexia signifies that a young woman is so delicate that, like the women of China with their tiny broken feet, she needs a man to shelter and protect her from a world she cannot handle. Anorexic women signal with their bodies "I will take up only a small amount of space. I won't get in the way." They signal "I won't be intimidating or threatening." (Who is afraid of a seventy-pound adult?)

I used the second year of my MFA program to write a young adult novel and began pursuing picture books as well. I loved the economy of this art form, choosing, with pristine attention, the exact right words to tell the exact right story.

I couldn't wait to be an adult woman, and I'm glad I felt that way as a kid because, when I grew up, I realised I live in a world where the female form is really disrespected, and society is often trying to wrestle the female form into a shape that looks more like a young boy.

And my parents' separation was tricky. But my mum had always been really honest with me, and treated me like an adult even when I was really young, so I knew they hadn't been getting on.

To die; to decide to die; that's much easier for an adolescent than for an adult. What? Doesn't death strip an adolescent of a far larger portion of future? Certainly it does, but for a young person, the future is a remote, abstract, unreal thing he doesn't really believe in.

I love the pictures of Old Hollywood, seeing the directors dressed in suits and ties. Even the grips would be wearing ties. But the biggest thing is when I was a kid, I couldn't wait to be an adult, and I think what happens with most guys is that no one wants to be an adult anymore. So they're dressing like kids.

If there is any message in the 'Wimpy Kid' books, it is that reading can be and should be fun. As an adult reader, when I see an obvious moral lesson to be taught, I run in the other direction... Kids can sniff out an adult agenda from an early age. I'm writing for entertainment, not to impress literary judges.

Any mature, responsible adult doesn't run around stomping their feet and screaming 'I'm a mature, responsible, adult.'

We are among the handful of countries that has difficulty distinguishing juveniles from adults where crime is concerned. We are convinced that if a child commits an adult crime, that kid is magically transformed into an adult. Consequently, we try juveniles as adults.

I find being an adult very difficult. Being an adult artist, Asian American, incredibly difficult. Or trying, anyway.

For me, hip-hop was a mirror when young-adult books were not. I could see myself in a Nas song more than I could see myself in a book.

The younger generation forms a country of its own. It has no geographical boundaries. I've talked with young Hungarians in Budapest, with young Italians in Rome, with young Frenchmen in Paris, and with young people all over. ... These young people are going to do things. They are going to change things.

I'm excited about turning 40. I've been an adult for a long time, but there is a difference between being an adult and being a grown-up. I'm someone's mummy now and I'm enjoying that. I feel as if I'm about to hit my peak.

We've all seen the mom who devotes all her time and attention to her child and is so hungry for adult interaction that as soon as she's around another adult, she's not paying attention anymore.