Top 1200 Young Artists Quotes & Sayings - Page 13

Explore popular Young Artists quotes.
Last updated on December 20, 2024.
The experience of being a young, blonde, naive but well-intentioned young producer was both intimidating and eye-opening.
In a lot of ways, L.A. has always been kind of colonized or marginalized by New York. It still goes on to this day, but I would add that it really feeds New York because it provides artists for that system. This is really a laboratory where they grow the seeds and they go there and blossom because there's still not a lot of support in L.A. for artists.
The photograph of my brother that is in this album shows a young man, beautiful and perfect in the way of young people, for young people are always perfect and beautiful until they are not, until the moment they just are not.
You're young and you're always in pursuit your young manhood. You're trying to figure out - what does that mean? What does - you know, there's a lot of pressure on young men to sort that out. And, you know, we tend to gravitate towards one-dimensional iconography as far as what it means to be a fully grown man. And you can get lost in so much of it out there.
I have been influenced by many different artists at many different stages of my life. Starting out, it was people like Elton John, Billy Joel, Ben Folds, and Fiona Apple. As I got older I got deeper into the work of bands like the Beatles, artists like Sam Cooke, Ray Charles, Etta James, and Joni Mitchell.
With the first Mae Young Classic, I was very young. I was 20. — © Rhea Ripley
With the first Mae Young Classic, I was very young. I was 20.
I used to sing in a choir when I was young. My mom forced me hardbody. I was hella young, like 5 years old.
We have so much information but maybe we don’t know what to do with that information. So we run the risk of becoming museums of young people who have everything but not knowing what to do with it. We don’t need young museums but we do need holy young people.
Great artistic talent in any direction... is hardly inherent to the man. It comes and goes; it is often possessed only for a short phase in his life; it hardly ever colors his character as a whole and has nothing to do with the moral and intellectual stuff of the mind and soul. Many great artists, perhaps most great artists, have been poor fellows indeed, whom to know was to despise.
It has been said that there is no fool like an old fool, except a young fool. But the young fool has first to grow up to be an old fool to realize what a damn fool he was when he was a young fool.
There is a danger when we give young people only a catalog of dos and don'ts. In these young minds, the gospel is not intellectually credible.
When I first came to New York, in the '70s, artists were certainly divided about the Andy Warhol persona, and about the work. I thought it was utterly cool - I thought the Factory was utterly glamorous - but there were a lot of artists I really admired and respected who were older that kind of dismissed it, couldn't get it, and felt that there was a lack of seriousness about it.
Someone told me I looked like a young Tonya Harding recently, as if 'young' would soften the blow.
This conflict is one thing I've been waiting for. I'm well and strong and young - young enough to go to the front. If I can't be a soldier, I'll help soldiers.
Art is a high calling - fears are coincidental. Coincidental, sneaky and disruptive, we might add, disguising themselves variously as laziness, resistance to deadlines, irritation with materials or surroundings, distraction over the achievements of others - indeed as anything that keeps you from giving your work your best shot. What separates artists from ex-artists is that those who challenge their fears, continue; those who don't, quit.
Art is a path on which we honour our world. Art may not be the only path, but it is a good path, even though at times a difficult one. As bearers of this honour, we artists do not need to simply render our world as we see it but as we might ourselves redesign it. As artists, one of our privileges is to invent.
You don't have to be young to learn about technology. You have to feel young. — © Vint Cerf
You don't have to be young to learn about technology. You have to feel young.
I was young and stupid then. Now I'm not young anymore.
You are young, gifted, and Black. We must begin to tell our young, There's a world waiting for you, Yours is the quest that's just begun.
Anyone who keeps learning stays young. The greatest thing in life is to keep your mind young.
Why should nutrition matter less in the creation of young humans than it does in young plants? I'm sure that it doesn't.
I first encountered Bradbury's writing when I was pretty young. He's a great bridge author between young-adult fiction and literature.
When we're young, everyone over the age of thirty looks middle-aged, everyone over fifty antique. And time, as it goes by, confirms that we weren't that wrong. Those little age differentials, so crucial and so gross when we are young erode. We end up all belonging to the same category, that of the non-young. I've never much minded this myself.
Those who love the young best stay young longer.
To be young, really young, takes a very long time.
I have a huge impact with young girls. Young women. That's my demographic.
Reality shows give a great platform to young singers, but kids shouldn't be exposed to showbiz at a very young age.
In those days before hearing Charlie Parker and Dizzy, and before learning of the so-called bebop era--by the way, I have some thoughts about that word, "bebop"--my first jazz hero ever, jazz improvisor hero, was Lester Young. I was a big "Lester Young-oholic," and all of my buddies were Lester Young-oholics. We'd get together and dissect, analyze, discuss, and listen to Lester Young's solos for hours and hours and hours. He was our god.
I'm working on this reality show, with me and my son. It's gonna be like, about young fatherhood where, well, not too young, but in the same token as being my first child and he's so young and me still being relevant in hip-hop. You know, having to balance my career being a father at the same time.
One of my biggest attributes, if you speak to my coaches from when I was a young lad, is that I've always believed in my own ability and been a confident young man.
Some people think that Southern hip-hop doesn't have any depth. They think it's just noise, all about people having a good time in the club. And some of it doesn't have a lot of depth, it's true, but some does. I wanted to work against that stereotype. These are verses by Southern artists who are really wrestling with what it means to be here, young black men who are trying to figure out how to live in the South. So I wanted the epigraphs in my novels to reflect that.
I got into architecture via fine arts, and I was a sculptor myself, and I have always involved artists in my projects. When I say 'involved,' I mean I always bring artists in at the beginning projects before they're built and say, 'Will you do a room? Will you do a sculpture floating in mid-air? Will you make a chimney? Will you do something?'
I'm young at heart. I'm young in spirit, and I'm still adventurous.
Without poets, without artists... everything would fall apart into chaos. There would be no more seasons, no more civilizations, no more thought, no more humanity, no more life even; and impotent darkness would reign forever. Poets and artists together determine the features of their age, and the future meekly conforms to their edit.
In the world of comics, Jack Kirby and Will Eisner may have been more influential artists, but Joe Kubert was its most influential man. Even if he were to be remembered solely for his body of illustration work, he’d still be one of the greats, but by opening the Kubert School in 1976, he was able to personally mentor and educate literally thousands of successful artists who owe their careers to his teachings.
When I was young I never believed that Australia was anything else except blessed. I thought it was a little dull when I was young, but that was 'cause I was a snob.
I’m just confusing the thrill of being young with the notion that the era in which I was young was in any way especially creative or remarkable.
I spent most of my young life in the business and missed out on school events. I needed to be a young person and do what I wanted to do.
In general, you have great artists who have died far too early and who have left great cultural impact. If you look at people like Vincent van Gogh or Jean-Michel Basquiat-there's a long, long list of artists who have died in tragic circumstances, and far, far too early.
My mother was a disciplinarian. She believed that when young girls start to go out with young boys, they get married.
I was raised and I was going to school in the suburbs of Paris. And so we, I didn't really go to the riots, to the barricade. I was too young, actually. Rather young. — © Isabelle Huppert
I was raised and I was going to school in the suburbs of Paris. And so we, I didn't really go to the riots, to the barricade. I was too young, actually. Rather young.
I want to have young children although my mother and father are even now young sufficient to just take care of them.
A young ballplayer looks on his first spring training trip as a stage struck young woman regards the theater.
The young players in the Welsh squad aren't young any more
I always like working with young people, it keeps you young.
Old is man when he is born and young, young ever after.
A lot of artists still will not get that far. And get that far and be as successful. So, it's a great thing for me, and hopefully I can make it to number 10. And then I would want to start managing other artists, 'cause I think the best manager is an artist, his, or herself, that has been in the business and been successful and knows the ins and outs of the business.
I had a good guitar, and I was a young, young kid.
Back in the day, even if they were singing about the same things, each artist was unique. That's why I try to stay away from the big-name producers, so I can prove that it's not about the producer, it's about the artist. A lot of R&B artists have gotten away from being artists and are just chasing after the next hot producer and it all starts to sound the same.
Lots of young players have triumphed at United, so why can't it happen to me? I'm not worried I'm young - it's an incentive to do the best I can.
My goal is to show young women and girls that our voices and ideas matter, and you are never too young to dream big!
I will always encourage any young person, especially young black females. If you want to be involved in sport please do it. — © Denise Lewis
I will always encourage any young person, especially young black females. If you want to be involved in sport please do it.
I think the hard thing for young comedians is that the majority of the young people in the audience out there don't have the wide range of references.
When we are very young, we tend to regard the ability to use a colon much as a budding pianist regards the ability to play with crossed hands: many of us, when we are older, regard it as a proof of literary skill, maturity, even of sophistication; and many; whether young, not so young, or old, employ it gauchely, haphazardly, or at best inconsistently.
Horace's best ode would not please a young woman as much as the mediocre verses of the young man she is in love with.
There are a lot of young teams that all they are is young. That doesn't mean they have a chance to be good.
It is very natural for a young friend and a young lover to think the persons they love have nothing to do but to please them.
When you're young, everything seems like a romance. At 96, I can still feel romantic about publishing young unknown writers.
I believe your success is based off what your goals are. Are you trying to feed your family or have plaques on the wall and be broke? In that case, I think the game is in a better place. We have all heard of famous artists who are broke. Then we know of artists who may have had only a song or two on radio, but have a million or two dollars off that quick come up.
I went to Havana, and I was like, "Wow, there's culture everywhere!" That was one thing that I did notice when I went to Cuba was that artists are paid to be artists, and poets are paid to be poets, and musicians are paid to be musicians by the government. The government - and I'm not saying that the Cuban government's perfect - but the government does place a value on culture.
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