Top 1200 Young Artists Quotes & Sayings - Page 9

All I understand is that Toro Rosso is there with Red Bull-backing, which is a team to promote young drivers. And it stands that after three years, you're not really a young driver anymore and that they need to keep feeding the programme with young drivers.

The most effective tool I have to work with artists I admire is to point to other artists that I admire and show that I've worked with them many, many times. It's not because I have option deals; it's because they want to keep working with us.

I love people, which might be a little rare for artists. I don't know if a lot of artists like people, but I do. I love love.

Right before I went to Pacifica, I had written and performed a one-woman show and I consider that to be my original art form. Spaulding Grey and Karen Finley and other spoken word artists and performance artists really very much interested me, that art form.

Hip-hop artists, especially the older ones, are the ones who knew hip-hop was a worldwide phenomenon before the mainstream caught on, so hip-hop artists are forward thinkers. We want to stay with the new.

I think Pac is one of those artists that generations on generations know who this guy is, as an artist, as an activist, as an actor - entertainer across the board. I think the new generations of entertainers and artists can be influenced by him just as much as people in the '90s.

I started with soul music and icons like Aretha Franklin and Etta James and then moved to R&B and artists such as Erykah Badu and Lauryn Hill. Electronic music came later on, when I was in high school and I was really influenced by artists like Skrillex and Major Lazer.

I think artists are scared to have same-gendered pronouns in their writing, and I don't think it's because they're scared to be out, because gay artists are visible, but they don't want to alienate an audience.

We had Chinese artists that would put in elements for the Chinese audience like the calligraphy actually means something so the audience when they read it they'll understand. So there were definitely little things we were able to do that specifically leveraged the artists' talents.

I respect artists that know how to be artists, that know how to create their own lane and make people respect them for who they are and what they represent.

If black artists can win major commissions and international acclaim, why do we assume that to be black is always to be marginal, or in need of special support? We have to recognize how diversity initiatives can make black artists feel ghettoized and, as some cultural commentators have argued, bear 'the burden of representation.'

There's a shift of these young artists who have been brought up, educated, with these media around them. If you have a question, if you have a doubt, you go to the Internet, for example. And you will get thousands of answers to your questions. All of this will proliferate more kinds of questions and more kinds of answers.

It seems that for all of the artists signed to a major, there exists the same amount of artists that are struggling to break through to the surface within the label. I think, ideally, we'd end up with a very well connected competent indie team that will be along with us for the ride, however long that ride may be.

As a new artist, you come out, and there are so many other new artists. It seems like there's a whole wave of new artists that come along every year. In '05, I was part of the crop. It was a lot harder trying to set myself apart from the rest of the pack.

Actors in any capacity, artists of any stripe, are inspired by their curiosity, by their desire to explore all quarters of life, in light and in dark, and reflect what they find in their work. Artists instinctively want to reflect humanity, their own and each other's, in all its intermittent virtue and vitality, frailty and fallibility.

I think what happened in the last 10 or 15 years in the art market is that all the players - and that includes artists, dealers, art advisors, everyone - basically became dealers. We've had old-school collectors morph into speculators, flipping works. We've seen auction houses buying works directly from artists or from sleazy middlemen. The last step before the crash was the artists themselves supplying the auction houses. Dealing themselves, you know? The art world is as unregulated as any financial market there is.

I do support artists standing by their beliefs and walking with integrity. We have to find a better way to commercially exploit music while giving artists their proper respect. This cannot be done while taking their contributions for granted or trying to control the scope of their growth and power through threats and fear tactics.

Artists don't need criticism, artists need love

Well there is a lot of work here for younger and older musicians now. Our Ministry of Culture has now really embarked on changing things for artists, and it is getting much better. We just have to organize ourselves as artists, and then things will be better.

But some great records are are being made with today's technology and there are still great artists among us. Likewise there are artists today who are so reliant on modern technology, they wouldn't have emerged when recording was more organic.

Coming from a YouTube perspective, a lot of times you kind of limit yourself and think, 'Oh, artists from the real world wouldn't want to work with someone who's made their career on YouTube.' But more and more, I'm realizing that artists from both sides are learning that we can benefit from each other.

I get a lot from all young people. I make movies for young people. If I made pictures for people my age, no one would see them. I hang with young people all the time.

I am of the opinion that there are artists and non-artists. I think that this is the way it always was and always will be. I do not believe that we are in the center of the world. It is possible that there are gods who do not relate to human. As an artist, I believe that it is possible to depict these forces.

On paper, Emmanuel Macron should be a candidate tailor-made for young voters. He himself is young. He pushes for more entrepreneurship, modernization, and a loosening of regulations that prevent young workers from working as they please when they please.

There are so many artists that are dyslexic or learning disabled, it's just phenomenal. There's also an unbelievably high proportion of artists who are left-handed, and a high correlation between left-handedness and learning disabilities.

I think the relationship is very tenuous between fashion and art. Many designers have built relationships with artists, which is not something I personally did. But it's true, sometimes you see artists working for a designer or a brand on some specific project or taking care of their environment and making an amazing store.

A lot of young people think they're invincible, but the truth is young people are knuckleheads... Now young people can get insurance for as little as $50 a month, less than the cost of gym shoes.

I think I've been able to witness Canadian hip-hop get a lot more respect from our own people. I think some of the artists that came before me were doing their thing but lacked a strong next generation of artists to help them capitalize.

Kerry James Marshall especially was a huge influence on me in graduate school, as were Wangechi Mutu and Julie Mehretu. These artists are titans. My education was also very much in comic books, so I've been going to comic book events in New York and have met a few artists there.

We believe being in long-term, deeper relationships with artists is a great strategy, we will be 100% pursuing it. There has never been a debate with Michael Cohl as to whether we should be in the Madonna business or be in long-term relationships, or be in more rights with artists.

I wrote 'Young Guns' on spec because I really believed that the young age of these guys historically, the whole legend of Billy dying at 21, would attract a young staple of stars, and that would be the game-changer.

People want to peg you as alternative R&B when they hear soul or see the color of your skin. It's comfortable when people see artists of color or artists that come from a different country to put that brand on us. It's just not as linear as that.

If some people are right, artists are put into this world not to practice their art, but to talk about it. And judging by the flattering invitations many a humble climber will receive to pontificate from the lowest rung but one of the ladder, humanity is in a dangerously receptive frame of mind, and artists a race devoid of either modesty or sense of humor.

In 1964, Jeanne-Claude and I became illegal aliens. That's when we moved here from Paris. And for three years, we were illegal aliens living in an illegal building. At that time, some artists started to move to SoHo, and they put A.I.R. - artists-in-residence - up on their windows.

There are some artists that may actually be crazy, but there are some artists that just make different choices, and because they are different, we call them crazy.

I think what's beautiful when you're looking at artists like Macklemore and you're looking at artists like Ayron Jones, they're proud of Seattle and they're bringing it back. Seattle's a real music town. When you act ashamed of that, you should be pushed outta the game as far as I'm concerned.

I think at one point, a whole new younger generation of critics come in and they're really aware of zeitgeist in their group, and the older artists tend to get forgotten as their critics retire and do other things or stop paying attention. So there's a factor of aging that I think is to be considered, too. As a middle-aged artist, you kind of get put on a shelf for the young ones.

When Nixon opened the door to China in the early 1970s, Chinese artists got their first view of the West. Suddenly five centuries of Western art lay before them as a stylistic smorgasbord. Chinese artists could reinterpret it out of admiration or try to replace it. They choose the former.

It is short-sighted, not to say stupid, in the correct desire to be relevant as Christian artists in an unchristian age, to pick up the secular fashion of the immediate generation before us and immerse oneself in that as your tradition. That's why Christian artists so often seem to be a generation late.

You are always looking for already-felt emotions, just as you like to get an old pair of trousers back from the cleaners, which seem new when you don't look too closely. Artists are cleaners, don't let yourself be taken in by them. True modern works of art are made not by artists but quite simply by men.

There's something pleasing about large, well-lit spaces. I love that dealers are willing to take massive chances in order to give this much room to their artists. Most of all, I love that more galleries showing more art gives more artists a shot.

Young men especially - I don't know if young women feel much the same - but young men think they are immortal, automatically. They have no idea of time because they have so much energy and I was like that.

I know artists whose medium is life itself, and who express the inexpressible without brush, pencil, chisel or guitar. They neither paint nor dance. Their medium is Being. Whatever their hand touches has increased life.... They are the artists of being alive.

I am talking about ordinary people making the link between their communities being treated as disposable and the assumption that the environments they depend on are disposable as well. What gives me hope is the kind of bridgework I'm seeing between social movements on the one hand, and young writers and artists on the other, all intent on opposing such pitiless, short-term thinking.

I enjoy being on stage with other artists. I have a chance to watch and see people responding to the other artists songs. I get to see how people are affected by the music.

I think all those artists are artists who are appreciated because you believe their words and you appreciate their honesty in their music. If you don't appreciate the honesty in the music, the beat can be fly as hell but you'll never give an emcee props.

Men talk about art, and artists make art, but should artists talk?

Artists don't make objects. Artists make mythologies.

I realized I was good at developing young people. Eventually I started to believe in young people. I think when you give a young person an opportunity, he always believes who gave him his first chance. You create a loyalty that lasts a lifetime.

I believe that, artistically and culturally, the free radio air should be able to support local artists of whatever genre. Play 40 percent of your local artists; don't suck up to major labels to the point where you neglect your own locale.

It's difficult for a young girl like me. Because there's a certain time for young actresses, which is like a really juicy period when all the parts are love interests and young heroines. Of course, there's always work for men whatever age they are.

I do support artists standing by their beliefs, and walking with integrity. We have to find a better way to commercially exploit music, while giving artists their proper respect. This cannot be done while taking their contributions for granted, or trying to control the scope of their growth and power through threats and fear tactics.

If some independent artists are using film as a medium to reach out to an audience, it should be promoted. Cinema is a popular medium and has a broad reach. There have been films with ghazals, classical and folk songs sung by local artists, which gave them popularity.

I want to invite the mainstream into my world and to my sound and to what I'm doing. And I want mainstream artists to respect me and accept Latino artists as equals without us having to sing in English. I want them to know that I can compete globally, with whomever, in Spanish.

Give me a young man who has kept himself morally clean and has faithfully attended his church meetings. Give me a young man who has magnified his priesthood and has earned the Duty of God Award and is an Eagle Scout. Give me a young man who is a Seminary graduate and has a burning testimony of the Book of Mormon. Give me such a young man, and I will give you a young man who can perform miracles for the Lord in the mission field and throughout his life.

On the radio there's only a certain amount of artists: Jay-Z, Beyonce, Kanye, T-Pain, Lil Wayne, T.I., Mary J Blige, Alicia Keys. Other artists are achieving things that are really special, they have a hard time getting people's attention. Music has been just a little bit lacklustre.

I do know that there is a difference between artists who are career-driven and artists who have a calling and are just compelled to make music, compelled to perform live, and the business isn't the reason they're doing it. In fact, there isn't really a reason. You just do it.

If I had killed somebody, it wouldn't have had so much appeal to the press, you see? But f-ing, you see, and the young girls. Judges want to f- young girls. Juries want to f- young girls. Everyone wants to f- young girls!

All artists are anarchists in some way - some more extreme than others, but it's something that I think artists are supposed to do. We're supposed to present a different angle on everything, and I certainly think it is [art] as much as poetry, in my opinion.

With success it's like 60% talent, maybe 20% luck and then 20% being at the right place at the right time. There are so many artists that have been passed by - even though, on paper, they're the most incredibly talented artists, they don't have the social skills to take it outside of the bedroom.